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1-11 of 11
- Follows Michael Corleone, now in his 60s, as he seeks to free his family from crime and find a suitable successor to his empire.
- A madcap private-eye caper about a team of detectives who are following, and are being followed by, a group of beautiful women.
- Arthur Hawke works as a coal truck driver in Kentucky, he in the process trying to protect his widowed mother Sarah Hawke's property rights against his wealthy and cutthroat paternal uncles' mineral rights. Sarah, however, may be more astute in the matters of business than her son. In his spare time, Arthur is writing a novel under the pen name Youngblood Hawke, it, his first, which he is able to sell to a New York publishing house. As such, Arthur moves to New York City while he works on the necessary rewrites and contemplates his next novel, which he knows can and will pour out of him. Even before that first novel, Alms of Oblivion, is published, Arthur is the toast of certain literary circles in New York. Naive to the ways of the business, he gets caught up in this new life, in having to deal with the publishers, agents, managers, lawyers, critics, theater people who want him to translate the work into a play, and movie types who want to purchase the movie rights. He has to decide whose advice to follow in these matters, he potentially being overextended in he wanting to do and have it all. He does not realize until he is ensconced within this life that there was a latent passion associated with his work, the women around him who can smell it ooze off of him. The feminine advances for who he ultimately falls is that of Frieda Winter, a wealthy, married socialite and a frequent patron of the arts. In his affair with Frieda which needs to be hidden at every turn, Arthur may not yet realize that what he feels for his story editor, Jeanne Green, who initially discovered his unsolicited manuscript, is more than just professional gratitude. Through it all, Arthur may eventually come to the understanding that his standing in this world is solely judged on the success or failure of his latest work.
- Joan has nightmares of Etruscan sacrifices. She knows very well the Etruscan language and her husband Arthur is an archeologist studying Etruscan tombs. In a nightmare she foresees her husband's death. And Arthur is then killed with the same way the Etruscans killed their sacrifice victims.
- Wartime romance about a lonely man and woman who meet one rainy afternoon in New York.
- A surreal relationship develops between a nun and a priest when she can no longer control her sexual fantasies.
- This one-reel short, from the Movietone newsreel division of 20th Century-Fox, delivers exactly what the title promises - the music of Manhattan. There are no actors, no dialogue and, unheard of for a short in this genre, there is no narration. It opens with and closes with the musical sounds of New York as a way of pointing out the melting-pot characteristics found there as the camera goes on an intriguing sight-sound tour of the city, with the sound track providing its own narration from...the hurdy-gurdy man in the Italian section to the bells of St. Patrick's Cathedral ringing to a street carousel; a fiddler playing for pennies outside Carnegie Hall fading into a concert pianist on the stage inside to the doves in Herald Square to a jive joint in Harlem.
- Edina agrees to have the kitchen redecorated in order to placate Saffron, but the plans are derailed when Edina and Patsy take a massive detour during a shopping trip.