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- After his wife leaves him, a photographer has an existential crisis and tries to cope with his cousin's visit.
- Inspired by the Telugu film, "Pelli Chuskundam," the plot follows the life of a rape victim (Aishwarya Rai). Now, a disgrace to her family, she is turned away from her house after the sexual assault. But she finds shelter in the character played by Anil Kapoor.
- A police officer adopts the son and sole survivor of a family he has massacred while pursuing a terrorist. After some time the foster son finds out what the stepfather did.
- The life story of Dr. Magnus Hirschfeld, a German Jew, who as a physician established the field of sexology, and fought militantly against German anti-sodomy laws in the late 19th century. The script reveals main characters in Hirschfeld's life including impossible love interest Baron von Teschenberg, and Hirschfeld's aids- young Karl Giese and guardian angel, the transvestite Dorchen, as they establish the First Institute of Sexual Sciences in Berlin in 1920, and follows their struggles to keep it open, up to the rise of the Third Reich in the mid 1930s.
- Filled with vengeance, a simple man turns into a hardcore criminal in order to avenge the destruction of his family.
- Cristiano, Francisco and Gabriel are three good old friends celebrating their entrance in the University. But in a horror night, the fun gets mixed up with violence.
- Two young people meet in the 60's as a result of their devotion to John Lennon, and have a recurring relationship during the next thirty years at the oddest of moments, in the most diverse places, and during very important moments that defined several decades. Pay attention as one couple of younger actors alternate with the other couple of older actors to recreate this 30 year span in this Spanish-French comedy.
- The daily lives and routine of 37 families living in a huge 12-story building in Copacabana, Rio de Janeiro: their drama, aspirations, intimate revelations, loneliness, dreams...
- "In life, we first organize large stones (Piedras) such as love, friendship, family, and a career." In this way, we will find space between these to fit smaller stones, our small necessities. If you act in an inverse way, you will not have the room for larger stones. The five protagonists of my film are women who have not been able to organize the large "stones" in their lives. Ramón Salazar, Spanish director defines his first feature Stones in this way. The film tells the parallel, conflicting trajectory of five women: Anita, Isabel, Adela, Leire, and Maricarmen. All are endeavoring to remove the stones that insistently appear in their path or, worst, that are in their shoes. They are five Cinderellas in search of prince charming and a new chance in life.
- Three women from three different generations and walks of life find themselves in a very hot, semi-deserted Spanish town. Patricia is a 17 year old roaming Spain in search for a certain man; Sol is 27, a door-to-door salesgirl in dire economic straits who has just been thrown out of her apartment; and Virginia is a middle aged housewife, who after 20 years decides to start a new life. These three spend a very unique 24 hour period together, often acting, as the title suggests, as modern day "witches."
- The village Schabbach experiences Germany's triumphs and tragedies from 1989 to 2000.
- Three characters in present-day Havana must choose between clinging to their self-restricting beliefs, or getting rid of them to live more freely. Ballerina Mariana has promised God celibacy if she gets the role of "Giselle"; Social-worker Julia always faints after hearing a certain word; and pot-smoking percussionist Elpidio was abandoned by his mother, coincidentally named Cuba, some time ago and has not yet gotten over the loss.
- In 1890s Balkans, heir Zufikar's affair with Esma produces a child. Amid world wars and shifting borders, unaware Zufikar becomes a deputy as invasions, resistance, and Soviet sway bring communism, except in Greece.
- Karina has 2 dreams: to become an actress & to see the world. Antonio is in love with her. He promises to bring the world to "Nordestina", a village in the sticks of Brazil. This backwater village has 2 population groups: those who are leaving, and those who are thinking about leaving. Antonio leaves in what appears to be a suicide crusade - openly promising on TV that he will give his Karina all she could wish for, or he'll face a deadly machine he has invented. To challenge fate, he also declares that he'll travel into the future. The day he has to make good on his promises, all "Nordestina" is there, expecting Antonio to realize his promises.
- A young worker enjoying an affair with an upper class beauty, Adelaida, is drafted by the Spanish Army to fight in the Cuban War of Independence. After Adelaida receives an unusual announcement regarding her lover's death in combat, she refuses to believe the loss of her lover. Her class-conscious family, led by her jealous sister Maria, believes that Adelaida has lost her mind and places Adelaida in an insane asylum. However, Adelaida continues to to live according to her beliefs of passion and freedom. Fellow "inmates" tell her about the wood-nymphs which inhabit the adjacent forest. Adelaida is convinced these nymphs will lead her to her lover and to happiness.
- Based on a short story by Bengali writer Prafulla Roy, the central idea developed by director Dasgupta, tells the story of a girl, Lati, whose mother Rajani is a prostitute living and working in a brothel in rural India. Rajani plans to offer her daughter to an older man, a rich husband and protector to her daughter. Lati, however, wants to return to school and finish her studies. Unwilling to pay such a price for material success, she runs away to Calcutta. The discovery of this new world is described parallel to other stories of emancipation, such as that of three young prostitutes, of an aged couple going nowhere and man's n landing on the moon. In a surrealistic approach typical of the director, a clumsy cat and an intelligent donkey are also present in the film.
- A "Reformed Colonel" is found dead in Paris, a couple of decades after Algeria's struggle for independence was won from France. Lieutenant Galois is assigned the investigation of this murder. She receives the diary of Lieutenent Guy Rossi who served under The Colonel in Algeria in 1956, and has been reported as missing in action since 1957. The revelations found in Rossi's diary go far beyond The Colonel's actions in Algeria, and give an insight on how dirty Algeria's War for Independence really was.
- Paco and Tonho are illegal Brazilian immigrants in New York. Shy Tonho dreams of being successful, but misses his family and Brazil. Pursued by Immigration Service and later arrested, he is about to be deported. Paco, a rapper and performer, indifferent to all except her career, dreams of hitting the top ten chart. The film shows the relationship of the couple in love mid hope, difficulties, and misencounters in a beautiful and violent metropolis.
- The dream of Brazilian independence, under Dom Pedro I, is expressed in the cry of "Freedom or Death" (O Grito de Independencia ou Morte), since cries were the only way to rally up support against colonial oppression. Dom Pedro I (played by Tarcisio Meira) heads Brazil's break from his own parent's homeland, Portugal. A classic Brazilian historical costume drama epic.
- A star studded biography of Brazilian legend Leila Diniz, born in 1945 to a communist couple. She grows up to be an extraordinary woman in her own, undefinable, and unique style, unheard of in Brazilian society. She causes the greatest scandals of her times and breaks social taboos through her association with her best friend, and enters show business, working with several lovers becoming Brazil's greatest star. She achieves this in spite of arrests, prison sentences and other threats from the military government who regarded her as subversive. At 26, she has a child by then lover/director, but shortly thereafter, in a tragic jet explosion, returning from an Australian film festival, dies a very premature death in 1972.
- In 1939, Charlotte Salomon leaves Berlin to seek refuge at her grandparents' villa in the south of France. A little later, war breaks out, and Charlotte must, besides forgetting all she left behind, deal with her grandmother's depression, and her mother's suicide. To fight despair, Charlotte starts to paint, producing over one thousand images. "Is my life real, or is it theater?" This is the title she gives her body of work, which highlights her former life in Berlin. She finds herself though her art, but in 1943 is deported to Germany and Auschwitz.
- At the end of the milennium, a murderer psychopath, Gabriel (Antonio Drija) is chased by the police of a major Latin metropolis. He finds refuge in the house of a woman Gloria (Amparo Grisales) who has just been abandoned by her lover Armando (Gustavo Rodríguez), an unscrupulous politician. Something starts to develop between them, who should be antagonistic towards each other. However a bond of violence and abandonment unite them. The local police couple Nicomedis (Honorato Magaloni) and Miranda (Ruddy Rodríguez) follow the murderer's trail, and start to surround the besieged house, but Armando move them away to kill Gloria and Gabriel by the help of a special operations group, because Gloria knows too much about his dirty business. The drama then really unfolds.
- Antonio, a taxi driver, his wife, and two chidren arrive one fine afternoon at a solitary beach, looking for sea-shells. However, they will find more than expected: namely, Ombasi and Yambo, two illegal African immigrants, apparently thrown back to the ocean from where they came, in search of a better life in Spain. The sun sets, and the evening, night and morning which follow see other bizarre characters entering the scene, before the Africans' and the other characters' fates are finally decided.
- A group of dissident Greek film makers try to produce a politically committed film with the backing of American producers in the aftermath of the coup d'etat by the military in Greece in the early 1970s.
- An Islamic world tour is documented here by visits to Pakistan, Afghanistan, Chechnia, and Qatar, to highlight events post 9/11, including footage taken a few years before. The film above all endeavors to shed light on the process leading young men to the radical choice of self-sacrifice, becoming human bombs. The directors of the film traveled for ten years throughout these countries under heavy Moslem influence, and met with clan leaders, mullahs, and other strict followers of the Koran.