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1-4 of 4
- Pretty Molly Lucian (Barbara White) enlists the reluctant aid of psychologist Felix Milne (Burgess Meredith) in treating her potentially homicidal husband Adam (Kieron Moore), who refuses to see a "real" psychiatrist. Traumatized in a Japanese prison camp, Adam proves to be on the verge of severe schizophrenia. In his risky struggle to help Adam, Felix finds his none-too-functional home life deteriorating, and is unable to help himself as he helps others. The situation rushes headlong to a suspenseful climax.
- Distraught after her second miscarriage & learning definitively she could never have children Paula, while driving at night, accidentally injures a child. Confused and due to her commitment to attend a function that honors her husband she doesn't follow the child to the hospital as she thought she would. She attempts to tell her husband about the incident but has trouble finding the right time. Later, overcome with remorse, she looks to get close to this child and becomes a helper at the hospital. The child is an orphan with limited health care available. The doctor recognizes Paula's need to be useful and asks if she would become his speech therapist and guardian. She finds meaning and purpose in her life as she engages the little boy in intensive therapy necessary to recover his ability to speak. Will she be caught and punished, when the boy is able to speak, will he implicate her?
- It's the end of the 1970s. Hippies are assimilating, women are raising their consciousness, and men are becoming confused and ineffectual. Don't expect to be able to keep track of all the names, or who's sleeping with whom. This movie very skillfully conveys the hopeless muddle through which the many characters move as they try to find themselves.
- Three vignettes of old Irish country life, based on a series of short stories.