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- As the clock strikes twelve, a weary astronomer attempts to answer the impertinent enquiries of his young students by scrutinising an impending lunar eclipse, as an effeminate and delicate moon caresses the mighty sun's hungry cosmic rays.
- The Chinese Slave Smuggling scene opens up in the midst of a wood in which a shanty is hid; there appears upon the scene a Chinese Potentate, who is stealthily drawing nearer to the door of the shanty, and knocks in a peculiar manner. Lieutenant Manly, who has had his suspicions aroused, appears at this moment, peering around the corner of the shanty, and sees the Chinaman admitted by the captain of the sloop, after which Lieutenant Manly comes forward and looks through an aperture, and, seeing them about to reappear, he hides again. The door then opens, with the captain of the sloop and the Chinaman dragging a Chinese girl between them. At this point a controversy takes place between the Chinaman and the captain of the sloop, about the money to be paid for smuggling the girl, but the captain refuses to allow the girl to go unless he is paid in full. They re-enter the shanty and settle this matter, leaving the girl alone. At this point the lieutenant, seeing the coast clear, runs up to the girl and informs her that he will render her assistance. The two captors then re-appear upon the scene, and Lieutenant Manly again hides. They now drag the girl away, but they are followed at a distance by the lieutenant. The scene is now changed to the Coast Guard Station, with a coast guard performing sentry-go. The lieutenant rushes up and explains to the sentry his errand, and goes into the station, and, calling his comrades, he explains to them what he has discovered, and soon re-appears in the disguise of a common seaman. The next scene is aboard the sloop, and the men are seen quarreling amongst themselves. The captain and the Chinaman are seen coming along with the Chinese girl between them, and the sailors assist in getting the girl aboard. Just as they are about to sail, the disguised lieutenant springs aboard, and after a little parley is engaged as one of the crew. As soon as this matter is settled, orders are given to sail. While they are busily engaged, the lieutenant advances to the girl, tells her to be of good courage, but in this act he is observed and is felled by the marline spike of the captain; he lies on the deck in a swoon while the girl is beaten. The information given at the Revenue Station has caused the officers to bring out the cutter and they give chase to the sloop. We see them gradually drawing nearer, but as yet they are not observed by those on the sloop. The girl, turning to her rescuer, tries to revive him with cold water, bathing his face; this soon revives him from his swoon. Hearing steps, he feigns unconsciousness again, and the girl assumes her attitude of dejection. The Chinaman then appears and offers his attentions to the girl, but she repulses him, but he calmly smokes his pipe and puts his arm around her waist. At this moment the revived lieutenant strikes the Chinaman, and gives him a dig in the arm with his knife, and then lies back in a supposed swoon. The Chinaman then calls the captain of the sloop, and, with his marline spike, attempts to strike the prostrate form of the lieutenant, but the girl interferes and prevents the blow. The revenue cutter is now seen drawing nearer and nearer to the sloop, and the revenue men are seen training their guns upon the sloop. This takes the attention away from the couple, and they prepare to fight off the onslaught of the revenue men, but the men on the sloop are soon over-powered by the revenue men, who take charge of the sloop and rescue the girl and Lieutenant Manly. -- The Moving Picture World, October 5, 1907
- On their wedding night, the newlyweds are ready to go to bed with the ceremony of taking off their clothes, the bride, and the groom wanting to see what he has not seen yet.
- A humongous and obese anthropomorphic swine dressed like a fine gentleman in a fancy dinner attire tries to make a pass at a solitary lady having a picnic.
- A demonic magician attempts to perform his act in a strange grotto, but is confronted by a Good Spirit who opposes him.
- On a dark and stormy night, a traveler takes a room at a spooky hotel in the forest. As soon as the proprietor leaves, the room comes alive with ghosts and poltergeists who torment the man as he tries to unpack, eat, and go to sleep.
- The scene opens with an assembly of citizens who are harangued by one of their number, whose words have great weight with the crowd, and their attitude of approval shows that Roman misrule in Jerusalem has reached its climax. Heralds now approach and Roman soldiers beat back the crowd to make way for the approach of the Roman Procurator. The scene changes to the home of Ben Hur, who is seen with his sister and mother on the house top. The cavalcade of Roman troops approaches, and to get a near view Ben Hur leans from the coping and knocks down one of the stones thereof onto the shoulder of the Procurator. This is seen and misconstrued by the Governor, who orders soldiers to arrest the inmates; they, after ineffectual pleas and struggles, are carried off. Ben Hur is consigned to the galleys, where he is loaded with chains. Here he signalizes himself by saving the life of Arrias, who publicly adopts him as his son and proclaims him a Roman citizen amidst the acclamations of the assembled crowd in the forum. Now comes the scene in the games where Ben Hur is challenged by Messala, and accepts it, to the great delight of the citizens. The chariots and athletes parade before the dais and in due time are arranged, and the chariot race commences. Three times 'round the ring dash the chariots, and at the fourth turn Ben Hur comes out the victor and is crowned with the wreath, to the great, chagrin of Messala, who is borne on a stretcher, wounded to death.
- A boy writes on a board, then tips his hat to the viewer.
- Depicting well-known incidents in the life of Jesus Christ, this milestone of early cinema won world fame, huge audiences and a screen life of decades when most secular films of the time measured their commercial life in weeks.
- Undersea adventures in a submarine by a dreaming fisherman who encounters mystical underwater creatures at odds with him. A parody on Jules Verne's novel.
- King Edward VII of England and the President of the French Republic, Armand Fallières, envision tunnelling the English Channel; nevertheless, only a maiden voyage can determine whether this is a triumphant aspiration or an acrid nightmare.
- A woman goes to the dentist for a toothache and is given gas. On her way home on the subway she can't stop laughing, and every other passenger catches the laughter from her.
- A heavily pregnant woman has a series of irrepressible cravings while walking with her family.
- Satan uses of magical powers to cure his boredom while locked in a prison cell.
- Hamlet suspects his uncle has murdered his father to claim the throne of Denmark and the hand of Hamlet's mother, but the prince cannot decide whether or not he should take vengeance.
- A small boy coming to a pond sees a man walking on the surface of the water. In terror he runs from the scene and quickly tells his story to a number of villagers. They accompany him to the spot to see for themselves. Sure enough, there is an ordinary looking man, and he is walking on the pond without sinking. Back they all go and spread the alarm. Everybody in their path takes up the cry and soon there is a tremendous mob scurrying through the town. They summon the fire force, the police, and finally they arouse the august mayor himself, who goes with them. A mighty crowd, they go to the road and creep cautiously toward the pond. Suddenly, as they gaze on from points of vantage in the bushes, they see the man walk toward the bank, bearing a basket of fish he had caught on his arm. But what is their surprise when they see that adjusted to his feet are a pair of stilts, on which he had been moving about in the shallow pond.
- Another boring evening at the Baron's home; he sits and reads a magazine, while his wife sits across the reading table, reading a newspaper. The housemaid enters, bringing a message from Franz, who convenes the Baron to an urgent meeting at the Club. Excusing himself, and thoroughly kissing his wife good-evening, the Baron leaves - to meet some lady of the night in the club's private room, with champagne and a sofa for two. At home, the Baroness gets bored, until she has an idea, soon put to practice. She sends a man a letter, signed Divine Lola, giving him rendez-vous at a discreet pension. The modern Eve is not taking her husband's infidelities sitting down. She lays in her undershirt on a bed inviting her lover in, in a long embrace.
- A woman appears on a stage and conjures up several large eggs. When each egg is opened a dancing midget or midgets is revealed to be inside, and in turn each midget does a brief dance. To end the act the woman turns the eggs into babies.
- A photographer tries to manipulate a woman into a sexy photo shoot. When she refuses, he finds a more obliging model and takes a series of nude photos. When men line up to buy them, a woman objects.
- In front of a round tent, a pasha is sitting on the grass; to the right of the tent's door, covered with a patterned blanket, is a flagpole - on top of which is an 8-pointed star [Saturn-Film's logo]. The pasha claps hands, and a servant comes to his bid. The lord is going to smoke from his water-pipe while he buys some new slave girls. The servant calls the seller and his two henchmen, who bring forth four girls in patterned burnooses. The first is totally undressed [facing the Arab, not the camera], and sent into the tent; the next girl gets topless, and also sent into the tent; the third is forced to undress by the henchmen, and also sent inside. The fourth, apparently a younger girl, is dismissed by the Arab after showing her small, firm breasts, and she goes back with the henchmen. Follows an argument over the price, and finally the slave master goes away, happy. The servant must help the pasha up, and the lord goes to his tent. The curtain falls over the door - and stays - and stays.
- The artist studio is decorated with a rug, a chaise longue, a small table, a plinth, a couple of copies of classic sculptures, a vase with flowers, a few prints on the walls, and on the wood paneled lower half of the wall, an 8-pointed star [Saturn-Film's logo]. The artist is wearing a white shift over his grey trousers, shirt and necktie, and he is wearing black shoes. With hammer and chisel, he applies the last touches on his last piece of sculpture - the three graces, standing nude on a rectangular podium covered with a white bed-shit. He steps back, contemplates his work, and rejoices on the beauty he has achieved. He goes out momentarily, and brings a bottle of champagne and a glass; before drinking, he makes a toast to his finished statue. He drinks, smokes a cigarette, and contemplates his work - until he falls asleep on the chaise longue. Obly then do the three graces stir, and tip-toe around their creator. One even dares to approach her lips to the artist's, and they dart back to their static positions. The artist wakes, throws kisses at the triple statue, kneeling in front of it, then drinks some more, and gets back to sleep. When he wakes up again, it seems he had some idea during his sleep; he takes the hammer and chisel again, and rectifies again the elbow of one the graces.
- Three young women are smiling and playing in a lake, their nude bodies reflecting in the water, when a forest watcher appears from the wood, and chases them away. They get out of the water, pick their clothes from tree branches, and move away before putting them on. The bearded man seems to be shy, but he is chasing after them through the wood, anyway. the circular movement of that water.
- "Music Forward!" is the order given by a lady in Colonial costume, and in march a group of five musicians, working industriously at their instruments. The directress stands them in a row, and taking the head off each, throws it onto a huge music staff and each becomes a note of the scale. The whole bodies appear again, after which the manipulator seems to wrap them up in a large sheet of music, which is then shown to contain nothing. The paper is rolled up again, and a cane is held, perpendicularly, in a horizontal position to the sheet, when the musicians, each about one-twentieth of the natural stature, issue from the paper and parade up and down the narrow stick. This done, a pretty effect in human notes, which are the players' heads, is shown, after which the little band and their directress march out again.
- A middle-aged man bare chest and wearing trousers, clears a shallow trench in the sand while a young woman draped in a long, flimsy veil looks on. The man leaves, but stays in the nearby wood at a watching distance, glancing at the girl divesting of her robe, sitting in the trench as if to sunbathe. She shifts positions a couple of times, but then the man returns, and starts covering her with sand. Unhappy, the girl gets up, picks a flask of lotion from the trench, and leaves with the man.
- Compilation of two shorts also distributed independently: Cricket und Reifenspiel [Croquet and the Arc and Hook Game], and Springschnur und Amazonen [Jump Roping and the Amazons]. In a sunny day, on a lawn in the woods, three nude, young brunettes with little flower arrangements on their hair are playing a succession of three dexterity games: throwing and catching three arcs with the use of a thin long hook, jumping the rope (soon replaced by a long piece of light cloth), and using the arcs as hoops for a bit of croquet with appropriate mallets and balls.
- It's a play in three parts. This film is supposed to be the first long feature film released in Europe
- A nicely-dressed man is riding on a bicycle, but he is clearly new at it. He cannot manage to steer in a straight line, and it is not long before he becomes quite a hazard to pedestrians and to others in his path.
- For any good comedy, you generally need at least two things to set the story in motion. In this case, you have a dog and you have a sausage. The dog wants the sausage. Others want to keep the dog from the sausage. There are any number of ways this could go. However, since the dog gets the sausage at the very beginning, it means that we have a chase. THE RACE FOR THE SAUSAGE, then, is a race against the dog. Guess who wins?
- A magic act of transformations. A woman places a bust on a table which comes to life briefly before transforming into dancing midgets and a butterfly whose wings keep changing into a variety of patterns. Lastly the woman pulls two babies out of a large cabbage.
- The opening shows a colored nursemaid in the park with baby carriage, and seated on a bench receives the attention of several smart colored men who admire her greatly and endeavor to make her acquaintance. But the dusky belle is coy and declines to make the acquaintance of any of them, until one more fortunate than the rest is invited to a seat on the bench with her, and a most pronounced flirtation takes place between the lady and her beau. The course of true love seems to run smoothly, and we are next introduced to the lady's home, where the young man is paying a visit and is introduced by the girl to her, father and mother, typical old darkies of before the war time, and several funny scenes follow in which the kid hint her plays a prominent part. The coon favors his girl with many presents and lavishes attentions upon her, although it cannot he said that the courtship proceeds altogether without incident. A rival appears on the scene, razors are drawn and finally a duel is arranged, at which both suitors, accompanied by their seconds, appear on the field of honor and exchange shots at thirty paces; one of the combatants is carried off the field, while our original hero remains the master of the situation, and the girl, arriving at the moment, is so pleased with his valor that arrangements for the wedding are made at once. The happy climax is reached at last and the marriage ceremony makes the two coons one and ends the "wooing" in a wedding. Next is seen the home of the young couple, but quite a change has taken place. No longer does the colored gallant overwhelm his lady with presents and similar attentions. Put the familiar sign of "Washing Done Here" is apparent, and while the woman toils at the wash tub the married coon smokes, drinks and enjoys himself at his leisure until he decides to go out and enjoy the sights and pleasures of the town. In turn he visits a trap game and several other gambling scenes, not forgetting various saloons, at which he accumulates a very perceptible package. His gambling experience has been unsuccessful and he loses not only his money but his clothes as well, and finally is compelled to rob a scarecrow in order to get clothes enough to get home again at all, which he finally gains in a very disheveled and ragged condition. The unfortunate coon has not been home long before he is attacked by imaginary foes as the result of his drinking bout; seizing a broom he gives battle wildly but is surprised by his wife, who, disgusted with the condition in which her husband has returned, attacks him viciously and gives him the beating he so richly deserves and ends by throwing a tub of suds and dirty water all over him.
- Dramatization of the real-life shooting of Stanford White by Harry K. Thaw.
- A policeman spots a dog stealing a piece of meat from a butcher's shop, and gives chase. Soon several more policemen have joined the pursuit. But the chase does not turn out as the policemen expect.
- Ponchinella the servant [called "Harlequin" in the English language version] rescues his girlfriend from a gang of decadent aristocrats, who have transformed her into a mechanical doll.
- A sorcerer tosses an iridescent little beetle into a flaming ceremonial cauldron, and much to his amazement, a six-winged fairy in the body of a beautiful young woman emerges. Is his sorcery potent enough to tame her?
- A tumultuous time in French history affects the life of one particular man, an innocent bystander swept up in the confusion around him.
- Four Arab men in white burnouses, two women in grey, and one female cook in striped burnous, are sitting in front of a cave in a forest path. (From a piece of grey cloth over the entrance to the cave, two 8-pointed white stars hang incongruously: the Production company's logo.) A pan hangs from a tripod. A girl in a colorful dress arrives with a Bucovina shepherd dog, and starts dancing in front of the men. First, half of the men go, then the others and the girl leave. Only one man stays, taking care of the food being prepared in the pot. Snivelling from their hiding place, a robber jumps him, and knocks him out with a blow. Three thugs join him, and they take whatever they find in the cave (guns). The dog comes back, and sits a while near the fallen cook. The Arabs return, and are alarmed at the robbery, and the killing of their cook. Meanwhile, somewhere in the forest, five girls reach a pond covered with moss, disrobe, and enter the water. Three are wearing headbands, but one takes hers off before getting wet. Refreshed now, the girls sit on towels on the grass to sundry - but they are attacked by the gang of robbers, and forced to follow them, leaving their clothes behind. One girl manages to escape, but she is hunted by two robbers. She jumps into the lake and swims away to the middle of it. The two men seem to be afraid of wetting their feet, and chose to fire their guns at her, but the girl escapes the shooting by diving deep into the lake, and they miss.
- Two women get undressed to take a bath in a lake. When a fisherman throws out his hook to catch some fish, he accidentally puts his hook in one of the women. A policeman appears to seemingly put the fisherman away.
- As an older man and a youth are eating at the table, the older man decides to amuse himself by using pepper to make the boy sneeze. Later, the boy retaliates by sneaking into the older man's room and putting pepper in his handkerchief, hairbrush, and clothing. But things quickly get out of hand when the sneezing that results begins to disrupt the whole town.
- A behind the scenes look at Alice Guy Blanche directing one of her films.
- A young woman and her maid go for a stroll in the park. The maid goes away, and the girl, siting alone in her folding bank, starts feeling the effects of the heat. After a look around to make sure that she is alone, she strips naked, and has a refreshing bath. While she is at it, a middle-aged couple approaches and decides to rob the girl's clothes. The woman strips her own, poor peasant's clothes, and dons on quickly the girl's dress; they leave in a hurry. The girl is distressed when she finds that she has only her undershirt to cover herself. A policeman wearing a white casket appears before the girl can dress, and she runs away, hunted by the policeman. Nearby, a man in a white suit and Panama hat is having a picnic with his family, greets a passing friend, and offers him some refreshment. Before they can toast, they're trample on by the fugitive girl, and the policeman close by. They all stand up and join the chase. A bearded man in a dark suit is out for a stroll in the park, and smoking a cigarette. Out of the woods comes the nude girl, running at him, and pleading for help. By chance, the man had a long cape draped on his left arm, and he promptly helps the girl to regain a modicum of decorum. He escorts her - to somewhere. The policeman, the picnic man and his three female companions, keep the chase on through the thick wood - long after they lost sight of the girl.
- Seven toy teddy bears of varying sizes suddenly come to life, getting in all sorts of merry misadventures.
- Swiftly passing through seas of floating ice, a vessel with masts, spars and decks entirely covered with ice is seen pushing its way northward. Seagulls make the air black, and the crew, clothed in heavy furs, move lively, on the lookout for walrus, seal and Polar bear. Within full view are seen in rapid succession seals disporting themselves on the icy brink of bergs. Walrus, with their immense tusks, are shown cavorting through the water, plunging after fish. The comical penguins in great numbers get in front of the camera at close range. The wonderful and mysterious musk-ox in his native haunts is shown life-size, and stamping his disapproval of being brought into such close proximity to man, his natural enemy. Then the critical dramatic moment arrives when the hunters leave their ship and start across the icy fields after his majesty of the Arctic regions. Soon is seen an enormous white Polar bear, slowly meandering in his search for provender. He discovers the hunters, rears on his hind feet, ready to give battle. A masterful shot striking a vital point fells him and he is seen rolling in his own life's blood. The hunters cautiously approach, and when fully convinced of the death of old Bruin, load him on their sleds and start for the ship. Finding the return trip too laborious, they unload their spoils and proceed to strip off the valuable, shaggy coat, remove a choice saddle of bear meat, and leaving the bare carcass freezing in the solitudes of the Arctic, trudge once more to their ship.
- Marguerite, a beautiful woman of affairs, falls for the young and promising Armand, but sacrifices her love for him for the sake of his future and reputation.
- Jack and the daughter of a horse trainer are in love, but her father disapproves. preferring another suitor. They arrange a race to win her hand. But Jack's rival proves to be unscrupulous and will stop at nothing to be successful.