To Save Her Soul (1909) Poster

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5/10
Not One Of Griffith's Best
boblipton17 October 2020
Mary Pickford is a member of Pastor Arthur Johnson's choir. While she is practicing with the organist one day, a passing show biz mogul hears her and offers her a chance to sing in the big city. She accepts. When Johnson reads of her goings-on in the newspaper he goes to see for himself.

It's not one of Griffiths best movies of 1909, with a story that is melodramatic, and with Arthur Johnson playing a minister who seems to have never heard of anyone going to the dogs. Still, if you look for something to admire, you can find it, in Miss Pickfords performance in the beginning, in the way that Griffith can fill a space with a dozen people who act like a much larger crowd, and with Billy Bitzer's camerawork that illuminates the church with a glow.

It should also be noted that this story would have appealed much more to the audiences of 1909 than today's.
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8/10
Old-time melodrama with a minor sense of subversiveness
MissSimonetta23 March 2023
Warning: Spoilers
There's something appealing about watching old-fashioned melodrama in such a pure form. TO SAVE HER SOUL is basically a Victorian morality play only slightly updated for the Edwardian era. The acting is broad and the morals are obvious. However, what elevates TO SAVE HER SOUL are the assured direction from DW Griffith and the odd little complications in the characterizations of the minister and the singer. They are mostly simple types, but there are undercurrents of darkness in both. The minister in particular is motivated more by jealousy and a sense of possession than any desire to keep Pickford "pure" or at least it seemed so to me.
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Lack of Polish
Single-Black-Male21 April 2004
Because cinema began as a silent medium you didn't need to judge it on dialogue. Therefore, you could watch this short film with the sound turned down on your television set and be able to understand what is taking place just by the visual narrative. Usually, it is within the first ten minutes of a film that the story is established, but because this project only lasted for 11 minutes, you needed to be assimilated into the story within the first minute. Unfortunately, the 34 year old D.W. Griffith failed to sway me. I deliberately watched this without the sound and was bored to tears within the opening moments. I didn't care about the characters, and the story just wasn't my cup of tea.
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The possibilities of the fast life of a city
deickemeyer9 February 2015
Warning: Spoilers
A picture which might easily be made a sermon without much change. It purports to give the experience of a beautiful girl in the country who is offered an attractive opportunity by a noted vaudeville manager. Her lover, the curate, follows her after learning of her success and arrives in time to find her at a banquet tendered by some young swells in her honor. The dramatic scene when he draws his revolver to shoot her to save her soul is startling in its vividness and causes a chill to strike one. But it likewise arouses her from her false dreams and they are next seen kneeling at the little altar of the church back home. This is a picture of the possibilities of the fast life of a city which may, or may not be always true. Sometimes the allusions to it are overdrawn, though perhaps that is no fault, since it might often be the means of preventing some moths from being attracted by the flame. The dramatic qualities of this film will depend upon the point of view of the one who sees it. If one believes the story, or believes that it represents real possibilities, then it will appeal with a strong dramatic impression; but if one does not believe those stories, then it will not appeal. But at least it will always be interesting and the situations will attract by the power with which they are developed. The acting and photography are both up to the Biograph standard, indicating that the play has had careful attention in its preparation. - The Moving Picture World, January 8, 1910
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