There have been greater pictures with more significant stories, but we doubt whether there have been many better or more pleasing in this showing of natural, human things. The story is by W.A. Tremayne and has been skillfully planned to go upon the screen. The picture's real quality comes from the way the script has been handled by producer, stage manager and artists. The unconstrained naturalness of its characters is its best charm, but not its only high quality by any means; for cameraman and nearly everyone else concerned have worked together to an end that is truly worthwhile. The second best quality that we notice is the economy of its action, the things that it didn't show delight us greatly; we are bothered with nothing our eyes would picture for ourselves and miss no link that our imagination needs. Florence Radinoff and James Lackeye play the parents of a daughter. Norma Talmadge, whom they want to marry a rich old man. Van Dyke Brooke. To show how vividly the players have imagined the situation, we pick out one of many good incidents. The father is about to offer the rich, prospective son-in-law, Van Dyke Brooke, a cigar, and we can tell by the way he handles them that he has provided himself with real good ones for the occasion. James Lackeye does the picture's best work, but Florence Radinoff is very close to him in truth, and Norma Talmadge is charming in her interpretation of the situation's emotional content. Frank O'Neil, as the young man, is fine, except in his entrance into the room after he has been adopted by the old man. who plays his role with quiet dignity. There is much credit due the producer, Van Dyke Brooke, for his direction of the players, which is perfect. A desirable release. - The Moving Picture World, August 9, 1913