The Sawmill (1922) Poster

(1922)

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7/10
Oliver Hardy provides good support to Larry Semon in The Sawmill
tavm10 August 2006
I found this short, The Sawmill, on a Platinum DVD collection of Laurel and Hardy shorts. It stars Larry Semon as one of the workers. Oliver Hardy plays the foreman and chief tormentor of Semon who shares with him a rivalry for the owner's daughter's hand. Unlike the Laurel and Hardy classic Busy Bodies, not all gags take place in a sawmill, some also take place in the owner's house involving a dog and some dynamite. There are also gags involving logs, paint, falling off roofs, and water. All are perfectly executed. There's a cartoonish atmosphere that's infectious here and that would eventually serve Hardy's later partnership with Stan Laurel well. For fans of Laurel and Hardy, this is well worth seeking out!
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7/10
Frenetic Slapstick Comedy from Larry Semon ( did he ever do anything else?)
unkle_weaser16 November 2006
In the 'teens and '20's, Larry Semon was a second-echelon comedian primarily in two-reel comedies. His comedies, while expensively mounted and populated with good comic actors, never quite made the leap to Chaplin, Arbuckle or Keaton standards.

It was set in (naturally enough) a lumber camp. Larry plays the "rugged he-man type" usually portrayed by Wallace Beery or Jack Holt. Semon's physical bearing makes this an amusing target.

The Sawmill was a very expensive comedy to make, more than some Chaplin pictures, but it just doesn't make it as a great comedy. If you like Ben Turpin, Lloyd Hamilton, or Charley Bower (You may have to look these names up) you'll like Semon.
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6/10
Standard Semon
masteradamson19 July 2006
The Sawmill, despite its big budget, seems no different from any of the other Larry Semon films. It is the same story as usual. As the title suggests it is set in a sawmill. Larry has fallen for the owners daughter and Oliver Hardy has done the same. Hardy appears in his usual role of, the crook who tries to get the girl using brute force. This film features the usual Semon stunts, such as falling off buildings (rarely self performed) and jumping huge gaps. This film is nothing great, but you really have to pity Semon, for the film appears to have had a great deal put into it (virtually everything gets destroyed at some point).
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7/10
Watch the stunts!
boundlaw17 January 2023
This comedy short contains some fantastic stunt work. I wish I knew how many were done by the actors and which were done by the uncredited stunt performers, but while the film is filled with familiar gags and features an early appearance by Babe Hardy--better known as Oliver Hardy after his partnership with Stan Laurel--the real star of this film is some amazing stunt work. From massive falling trees barely missing the performers to high dive and one amazing double rope swing, these amazing stunts are worth watching just to enjoy for their own merit.

Overall, not a bad film, but just sit back and marvel at the work of stunt men (and perhaps stunt women) long before the days of CGI and all the safety procedures we have a century later.
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1/10
Instant amnesia.
Larry Semon was (at best) in the lower second rank of silent-movie comedians, more likely in the third rank. Buster Keaton, in his memoir co-written with Charles Samuels, commented that Semon tended to fill his comedies with all sorts of outrageous gags which had nothing to do with the plot or the characters. Consequently (said Keaton), audiences tended to laugh harder at Semon's shorts than at other comedians' work ... but afterwards they couldn't remember what they'd laughed at. It's hard to see how Keaton can have known this: did pollsters stop audiences on their way out of Semon screenings, and challenge them to synopsise what they'd just seen? But Keaton's observation was apparently made without malice, and certainly seems to be true.

I've sat through 'The Sawmill' twice without laughing at all, and I'm blowed if I can remember what it's about. Semon's in a sawmill, right enough, and he avoids the obvious gags such as tying the heroine to a log as it approaches the buzzsaw. But he doesn't do anything better than that, either. This is very much a run-of-the-mill Semon movie, and I'm not saying that to hang jokes on the word 'mill'.

As IMDb correctly notes, Semon expended a huge budget on this short comedy (and he spent only slightly smaller budgets on some of his others, such as 'The Counter Jumper'). Semon insisted on producing and budgeting his own films (with other people's money), but he was notoriously bad at budgeting and financing ... nearly as bad as Harry Langdon. Semon's eventual bankruptcy was undoubtedly a factor in his early death ... or disappearance, depending on which theory you believe. Anyway, you can definitely believe that 'The Sawmill' is worth a miss. I'll rate it, at absolute most, one point in 10. That sound you hear of sawing wood is the audience snoring.
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5/10
No real style of his own
bkoganbing11 July 2013
As a supporting player Oliver Hardy worked in several silent films before teaming with Stan Laurel. This one, The Sawmill, was done with now forgotten silent screen comedian Larry Semon as both star and producer. Hardy did several with him.

I couldn't quite get Semon's style down, he seemed to flit from Buster Keaton, to Harry Langdon, to Stan Laurel with a little Charley Chase thrown in as well. Maybe a dash of Harold Lloyd. He's the little dunce of a worker at a sawmill who's in love with the owner's daughter. But so is Hardy who plays a Simon Legree like foreman who carries a bullwhip to enforce his will.

The more Hardy chased, the more Semon ran until the worm turned and he got the girl at the expense of a sawmill. The Sawmill had a few good moments, but it was not up to the standards of any of the folks that Semon copied.
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5/10
Lots of slapstick at the lumber yard.
Trevor Hallatt25 January 2002
As nobody else has commented on it yet I might as well. Pretty run of the mill slapstick comedy of the time. Obviously from the title set at a sawmill. Larry Semon manages to get the girl in the end after a series of chases etc. Interesting to most people I would imagine for the appearance of Oliver Hardy as Semon's "competition". Perhaps rates 5/10.
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3/10
not funny
planktonrules3 May 2006
This is definitely a "lesser known" comedy short from the 1920s. The only reason I saw it was because it was on a DVD by Kino Films featuring non-Laurel and Hardy shorts featuring Ollie. They are interesting and historically important, but also generally average to below average for the style film. Compared to shorts by Chaplin, Keaton, Arbuckle and Lloyd, they are definitely a step below them in quality and humor. Also, the accompanying music was pretty poor by the standards of other silent DVDs. I ended up turning OFF the sound due to the inappropriateness of the music to set the proper mood. But, despite this, they are still worth seeing.

The star of this short is Larry Semon--a well-known and popular comic from the silents that is completely unknown today. Read his IMDb biography and you'll find out what an odd life he led and how he died when only 39 years-old.

Well, after seeing this film, I could rather understand WHY Mr. Semon isn't well-known anymore--the film was dreadfully dull. While this wasn't the only Semon short on this Oliver Hardy DVD, it was certainly the most uninteresting. Save yourself the trouble--try to find some other silent short--ANY other silent short!
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4/10
A close call with the saw blade!
classicsoncall28 June 2012
Warning: Spoilers
This was my first look at Larry Semon, he was introduced in the story as the dumb-bell, so take that for what it's worth. I saw this silent film short as part of a package of old Laurel and Hardy flicks, and Ollie, or Babe as he's credited here, shows up in the story as the mean spirited foreman of a sawmill, ostensibly in competition for the owner's daughter with Larry. Fans of Warner Brothers cartoons of the Forties and Fifties will recognize some of the gags here, like rowboats being maneuvered on land in rapid fashion and pratfalls taken off of high buildings. Some of this was probably considered imaginative for the 1920's, and more than a few stunts looked incredibly well done, but overall the story seemed pretty unmemorable to me. You could predict what was going to happen with most of the sight gags, like Larry Semon having his trousers seat cut off by the giant saw blade. What I'd like to know is how film goers reacted to this type of stuff going on some ninety years ago at a time when most of it was pretty brand new. Today these seem like interesting curiosity pieces, and with that in mind, it's worth the time to sneak one in every now and then.
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Not to be confused with "Busy Bodies"
jan-6038 July 2019
The good L&H in a sawmill is the short film "Busy Bodies" (1933), worth watching.
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