This film is considered lost.
The negative was destroyed in 1931 by MGM, after their takeover of Goldwyn Studios.
The film was tinted and toned various colors, including blue tone/flesh tint, blue tint, night amber, straw amber, light lavender, green tint, and one sequence at a party was stencil colored using the Handschiegl Color Process, in multi-coloring bubbles that were made during a ballet.
The last print perished in the same vault fire that took out London After Midnight (1927) in the late 1960s.
Magicimage Filmbooks published a 190 page reconstruction of the film edited by Philip J. Riley in 1988.