Flesh and the Devil (1926)
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- Passed
- 1h 52min
- Drama
- 25 Dec 1926 (USA)
- Movie
- 1 win.
- See more »
Photos and Videos
Cast verified as complete
John Gilbert | ... |
Leo von Harden
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Greta Garbo | ... |
Felicitas
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Lars Hanson | ... |
Ulrich von Eltz
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Barbara Kent | ... |
Hertha
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William Orlamond | ... |
Uncle Kutowski
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George Fawcett | ... |
Pastor Voss
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Eugenie Besserer | ... |
Leo's Mother
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Marc McDermott | ... |
Count von Rhaden
(as Marc MacDermott)
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Marcelle Corday | ... |
Minna
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Rest of cast listed alphabetically: | |||
Margie Angus | ... |
Twin (uncredited)
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Mary Angus | ... |
Twin (uncredited)
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Max Barwyn | ... |
Ball Guest (uncredited)
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Frankie Darro | ... |
Boy Who Dances with Hertha (uncredited)
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Philippe De Lacy | ... |
Leo as a Boy (uncredited)
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Virginia Marshall | ... |
Hertha as a Girl (uncredited)
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Polly Moran | ... |
Family Retainer with Bouquet (uncredited)
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Maurice Murphy | ... |
Ulrich as a Boy (uncredited)
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Russ Powell | ... |
Family Retainer with Flag (uncredited)
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Carl 'Major' Roup | ... |
Train Station Vendor (uncredited)
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Rolfe Sedan | ... |
Womens' Hat Salesman (uncredited)
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Bert Sprotte | ... |
Sergeant Major (uncredited)
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Ellinor Vanderveer | ... |
Ball Guest (uncredited)
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Glen Walters | ... |
Family Retainer (uncredited)
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Directed by
Clarence Brown |
Written by
Benjamin Glazer | ... | (screen play by) (as Benjamin F. Glazer) |
Hermann Sudermann | ... | (from the novel "The Undying Past" by) |
Marian Ainslee | ... | (titles by) |
Hanns Kräly | ... | () (uncredited) |
Frederica Sagor Maas | ... | () (uncredited) |
Produced by
Irving Thalberg | ... | producer (uncredited) |
Music by
Carl Davis |
Cinematography by
William H. Daniels | ... | (photographed by) (as William Daniels) |
Editing by
Lloyd Nosler | ... | film editor |
Set Decoration by
Fredric Hope | ... | (settings) (as Frederic Hope) |
Production Management
Liz Sutherland | ... | production manager: video presentation |
Second Unit Director or Assistant Director
Charles Dorian | ... | assistant director |
Art Department
Cedric Gibbons | ... | settings |
Eric Rohman | ... | poster artist: Sweden |
Camera and Electrical Department
Buddy Longworth | ... | still photographer (uncredited) |
Ruth Harriet Louise | ... | publicity photographer (uncredited) |
Costume and Wardrobe Department
André-ani | ... | wardrobe |
Music Department
Richard Bradford | ... | music recordist |
Carl Davis | ... | conductor |
Peter Ernster | ... | dubbing assistant |
Colin Matthews | ... | orchestrator |
David Matthews | ... | orchestrator |
Rolf Wilson | ... | orchestra leader |
Additional Crew
Janice Brackenridge | ... | production assistant: video |
Production Companies
- Metro-Goldwyn-Mayer (MGM) (presents) (controlled by Loew's Incorporated) (Clarence Brown's Production)
Distributors
- Metro-Goldwyn-Mayer (MGM) (1926) (United States) (theatrical)
- Regal Films (1927) (Canada) (theatrical)
- Jury Metro-Goldwyn (1927) (United Kingdom) (theatrical)
- Metro-Goldwyn-Mayer (1927) (Australia) (theatrical)
- Le Mats Filmbyrå (1927) (Sweden) (theatrical)
- Metro-Goldwyn-Mayer (MGM) (1988) (World-wide) (in association with)
- Thames Television (1988) (World-wide) (presented by)
- NDR Fernsehen (1988) (West Germany) (tv) (regional)
- Warner Home Video (1995) (United Kingdom) (video)
- ARTE (2003) (Germany) (tv)
- Warner Bros. Home Entertainment (2005) (United States) (DVD) (TCM Garbo Silents Collection)
Special Effects
Other Companies
- The Wren Orchestra of London (music played by) (1988 sound version)
Storyline
Plot Summary |
Leo and Ulrich are lifelong friends. Home on leave from their military training, Leo sees the beautiful Felicitas at the railroad station and is awed by her beauty. They meet again at a ball and quietly leave together. In her room, her husband, about whom she neglected to inform Leo, comes in and challenges Leo to a duel. The duel is done, the Count is killed and Felicitas is a widow. Leo, however, is 'requested' to serve 5 years in Africa and he tells Ulrich to watch over Felicitas while he is gone. After 3 years, Ulrich is able to get a pardon for Leo and all that Leo thinks about on the way home is Felicitas. When he arrives, he learns that Felicitas has married Ulrich. Felicitas likes that Ulrich is rich and she never told Ulrich the truth about Leo and her. Leo is crushed and does not visit them, which saddens Ulrich as he does not know why. Leo tries to stay away from her, but Felicitas uses every opportunity to tempt him to return to her as her lover, creating a deadly triangle with the two lifelong friends.
Written by Tony Fontana |
Plot Keywords | |
Taglines | The Screen's Great Lover- The Screen's Great Vampire- One Great Picture- (Print Ad- Greensburg Daily Tribune, ((Greensburg, Penna.)) 5 March 1927) See more » |
Genres | |
Parents Guide | View content advisory » |
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Box Office
Budget | $373,000 (estimated) |
Cumulative Worldwide Gross | $2,748,980 |
Did You Know?
Trivia | Legend has it that when the two first met on the MGM back-lot, John Gilbert called, "Hello, Greta", to which Greta Garbo coolly responded, "It is Miss Garbo." Immediately smitten by this indifferent Swedish beauty, Gilbert engaged Garbo in a whirlwind romance, much to the delight of the movie-going public and the studio brass. He gladly introduced her to his business manager, Harry E. Edington, who thereafter became her salary negotiator. Once this film was released, it was so popular that Garbo could almost dictate the terms of her renewed MGM contract. With Edington's help, her salary shot from $600 per week to $2,000 per week, a figure that was contractually bound to triple in three years. Perhaps more significantly, she also gained control over the types of roles she would play in the future. This crucial development enabled her to play something besides man-eating vamps, to cultivate the Garbo mystique, a combination of sultry passion, tender innocence and cool insouciance that has made her a cinematic icon. See more » |
Goofs | When Leo is talking to Felicitas on the bench in the park and tells her that he must go to Africa, the position of the collar of his overcoat repeatedly changes from pulled up to flat. See more » |
Movie Connections | Edited into Hollywood: The Dream Factory (1972). See more » |
Soundtracks | ATRA See more » |
Quotes |
Pastor Voss:
My boy, when the devil cannot reach us through the spirit... he creates a woman beautiful enough to reach us through the flesh. See more » |