Anyone who (reasonably)expects to see Marilyn Miller dance, other than two brief ballroom partner dances, or to sing more than a few lines, is bound to be disappointed. It's difficult enough to imagine her as a bartender in a 1920s Berlin cabaret. The script falls somewhere between romantic comedy and soap opera. Miller, charming when she does her own thing, has limited talent for either comedy or drama not alleviated by musical sequences. Not surprisingly, the liveliest and strongest cast member is W.C.Fields, who does his familiar turn of shocking the "snobs" of high society. Clarence Wilson is also effective.