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So Big! ()


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After Selina's father dies, she's offered a job as a teacher in a small town and a new chapter of her life begins.

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Selina Peake De Jong
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Roelf Pool
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Dirk De Jong (younger)
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Miss Dallas O'Mara
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Julie Hempel
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Dirk De Jong
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Klass Poole
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Pervus De Jong
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Simeon Peake, Gambler
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Maartje Pool
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Mabel, a 'Fancy Woman'
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Roelf, age 12
Rest of cast listed alphabetically:
André Cheron ...
The General (scenesDeleted)
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August Hemple (scenesDeleted)
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Maiden Aunt (scenesDeleted)
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The Doctor (scenesDeleted)
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Jan Steen (scenesDeleted)
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Bald Waiter (uncredited)
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Reverend Dekker (uncredited)
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Paula's Butler (uncredited)
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Adam Ooms, the Basket Auctioneer (uncredited)
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Townsperson (uncredited)
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Widow Paarlenburg (uncredited)
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Agnes (uncredited)
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Country Doctor (uncredited)
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Jacob Pogadunk (uncredited)
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Mrs. Hempel (uncredited)
Cammilla Johnson ...
Little Girl (uncredited)
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Little Girl in Stove Scene (uncredited)
Payne B. Johnson ...
Barbara Stanwick's Baby (uncredited)
Seessel Anne Johnson ...
Little Girl in Stove Scene (uncredited)
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Mrs. Paula Storm (uncredited)
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Jeff, the Black Waiter (uncredited)
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Mina (uncredited)
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Mrs. Tebbit (uncredited)
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Deacon (uncredited)
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Maiden Aunt (uncredited)
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Selina Peake, as a Child (uncredited)

Directed by

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William A. Wellman

Written by

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Edna Ferber ... (novel "So Big")
 
J. Grubb Alexander ... (adaptation) &
Robert Lord ... (adaptation)

Produced by

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Lucien Hubbard ... supervising producer (uncredited)
Jack L. Warner ... producer (uncredited)

Cinematography by

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Sidney Hickox ... (photography by) (as Sid Hickox)

Editing by

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William Holmes

Casting By

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Rufus Le Maire ... (uncredited)

Art Direction by

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Jack Okey

Costume Design by

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Earl Luick ... (gowns)
Orry-Kelly ... (uncredited)

Sound Department

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Robert B. Lee ... sound (uncredited)

Camera and Electrical Department

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Wesley Anderson ... assistant camera (uncredited)
Richard Towers ... camera operator (uncredited)
Richard Walling ... still photographer (uncredited)

Casting Department

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Billy Gordon ... casting assistant (uncredited)
William Maybery ... casting assistant (uncredited)

Costume and Wardrobe Department

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Eugene Joseff ... costume jeweller (uncredited)

Music Department

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Leo F. Forbstein ... conductor
W. Franke Harling ... composer: stock music (uncredited)
Bernhard Kaun ... composer: trailer (uncredited)
Crew verified as complete

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Storyline

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Plot Summary

Selina lived well until her father Simeon died. Her aunts sold the estate and put her in a boarding school. As an adult she wants to be a teacher in farming country. She falls in love with and marries Pervus, a Dutch farmer she has been tutoring. When he dies her hopes lie with their son Dirk, who disappoints her by giving up architecture for stock brokerage. Her new hope is Roelfe, the son of her former boardinghouse keeper and a sculptor. Dirk falls in love with Dallas O'Mara, whom Selina hopes will be the inspiration for her son's salvation. Written by Ed Stephan

Plot Keywords
Taglines Based on Edna Ferber's Epic of American Womanhood See more »
Genres
Parents Guide Add content advisory for parents »
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Additional Details

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Also Known As
  • Mon grand (France)
  • 母(1932) (Japan, Japanese title)
  • Lille mor (Denmark)
  • No Palco da Vida (Brazil)
  • Alma de sacrificio (Mexico)
  • See more »
Runtime
  • 81 min
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Language
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Filming Locations

Box Office

Budget $228,000 (estimated)

Did You Know?

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Trivia One of Barbara Stanwyck's favorites of her own film. See more »
Goofs When Selina leaves the kitchen/dining room in the Pool household she closes the door in a normal manner however there is no sound of the door closing. See more »
Movie Connections Featured in Complicated Women (2003). See more »
Soundtracks Daisy Bell (A Bicycle Built For Two) See more »
Quotes Dirk De Jong: Must a man be an artist to interst you?
Miss Dallas O'Mara: Good Lord, no! I'll probably marry some horny-handed son of toil, and if I do, the horny hands'll win me. I like them with their scars on them. There's something about a man who has fought for it: the look in his eye, the feel of his hands. You haven't a mark on you, Dirk, not a mark. You gave up being an architect because it was an uphill, disheartening job at the time. I don't say you should have kept on. For all I know, you were a terrible architect. But if you had kept on, if you'd loved it enough to keep on fighting and struggling, why that fight would show in your face today--in your eyes, in your whole being.
Dirk De Jong: In the name of Heaven, Dallas, I have...
Miss Dallas O'Mara: I'm not criticizing you, but...but you're all smooth. And I like 'em bumpy.
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