Laughing Boy (1934)

4/10

wes-connors24 March 2013

Singing silversmith Ramon Novarro (as Laughing Boy) attends his first annual "Great Sing Dance." He and other Navajo Natives trade and sell with Caucasian people. At night, Mr. Novarro becomes acquainted with seductive dancer Lupe Velez (as Slim Girl). She's also an American Indian, but was schooled and lived in the White Man's world (as Lily). After initial apprehension, the two become aroused and begin a relationship. Sadly, Ms. Velez is considered tainted by her past association with Whites. She has trouble being accepted as a squaw by Novarro's people, and ventures into town...

It's hard to believe this film was based on a Pulitzer Prize-winning novel (by Oliver La Farge). The story does have an intriguing conflict between the "Native" and "White" worlds, but it is not artfully brought to the film. Navarro and Velez have good screen chemistry, but do not impersonate their characters convincingly. Both were often given "ethnic" roles. One of Novarro's advantages in the "talkies" was his singing, and he is in fine voice, here. You will notice the "swastika" prominently displayed on Novarro's Indian blanket - of course, this has nothing to do with the Nazi symbol.

**** Laughing Boy (4/13/34) W.S. Van Dyke ~ Ramon Novarro, Lupe Velez, William Davidson, Harlan Knight

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5/10

Tragic Romance Along the Navajo Trail

bkoganbing21 March 2006

In viewing Laughing Boy today I counted elements of Camille, Romeo and Juliet and Duel in the Sun in the plot of this Indian love story.

Ramon Novarro plays the title role and he's a Navajo from way off in the rural part of the reservation. Lupe Velez is also a Navajo, but an orphan who is the live in mistress of William B. Davidson.

It's doomed from the start. Lupe's been living too long in the white man's world and Ramon's family simply will not accept her. It ends bad for both of them.

I've got a mixed reaction to the film. I've got to give some credit to MGM at that time for even attempting to make a film showing Indians as three dimensional people. They do in fact include some stereotypes, but give the studio credit for trying.

Both Lupe and Ramon were big stars in the silent era and did make the transition to sound. They both had pleasant speaking voices. But both led lives that given the times should have been more discreet. They were both descending into B films at a steady pace. In Ramon's case the vogue for Latin lovers which crested with Rudolph Valentino in the silent era with Ramon as one of his imitators had long passed. MGM had trouble casting him.

Laughing Boy might have been a better film if MGM had been trying to build Lupe and Ramon up instead of looking to be rid of both.

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An Odd, Poignant Film!

channinglylethomson23 March 2006

I finished watching the film last night. It's REALLY interesting. The original novel by Oliver LaFarge won the Pulitzer Prize in 1929. He was a Harvard anthropologist who made several trips to Arizona to study the Navajos and actually learned their language and was one of the ones who created a system of writing it. The film is very interesting -- taking place in the 1910s, it's about a young girl (Slim Girl) who has left the tribe and become the kept woman of a white rancher in town. She fall is in love with Laughing Boy -- a traditional Navajo cattle herder who marries her. She doesn't fit in with Indian tradition and the "white man" treats her like a prostitute -- she's been raised in White-run Indian schools so she's torn between two culture and demeaned by both. The film definitely has a pre-Hays code sensibility because there's some premarital sex, adultery, alcohol abuse, miscegenation, a kept woman -- the film is more a study of Slim Girl than of Laughing Boy. It's really quite amazing that MGM ever made this film! The unfortunate aspect of it is the acting and casting of Ramon Novarro and Lupe Velez. The two Latin spitfires are just all wrong for the characters although Novarro is very sweet in the role.

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2/10

MGM shows what not to do with Mexican talent.

David-24026 April 2003

The combination of the two dynamic Mexican actors Ramon Novarro and Lupe Velez should have guaranteed a dynamite movie.

But someone at MGM, in their wisdom, cast them as Native Americans - a disastrous decision that doomed this film to failure even before it was begun.

Both struggle to make their characters even slightly believable, as they try to curb their Mexican passion into some sort of wise aboriginal spirituality. The spitfire in Lupe just can't help but surface, and all Ramon can do is try to maintain some dignity under that terrible wig. His singing is nice but anachronistic, and there is far too much of it.

Hard to believe this disaster was directed by Woody Van Dyke, who had made one of Ramon's best silent movies "The Pagan". Novarro was deeply ashamed of this film, and it's no wonder. What is saddest of all about it though is the way it wastes what could have been one of the most exciting star combinations of all time. Just imagine if Novarro and Velez were playing a pair of violently passionate Mexican lovers - what fireworks we would have seen!

Shame, MGM, Shame!

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2/10

Virtuous Sin

view_and_review6 March 2024

Warning: Spoilers

The movie "Virtuous Sin" (1930), starring Kay Francis and Walter Huston, was about a woman who buddied up to a general in order to save her husband from execution. The relationship between her and the general turned romantic, but it was for a good cause: hence it was a "virtuous sin."

That brings me to "Laughing Boy."

For nearly the first hour of this movie I didn't know why it had a bad IMDb rating. I suspected that it had a poor rating for the same reason that movies featuring blackface have good ratings, and I don't think I need to explain. "Laughing Boy" often negatively mentioned "white man" and the ways of white men. My thoughts were that a lot of white people took offense to the movie and, as a result, gave it a poor rating.

Initially, I liked the movie; firstly and foremostly because the cast was made up primarily of Indigenous People aka Native Americans. It was good to see them playing the parts of "Indians" instead of white people in dark paint.

Then the movie got towards the end, and that's when I found it utterly repulsive.

A Navajo man named Laughing Boy (Ramon Novarro) fell in love with and married a Navajo woman named Lily aka Slim Girl (Lupe Velez). Slim Girl was raised by and around white people, and she was attempting to reintroduce herself to her Navajo people; if they would accept her. Due to her upbringing she was unfamiliar with all of the Navajo customs. In spite of her strangeness and odd behavior, Laughing Boy married her.

Slim Girl had a major problem slaughtering goats, which was the duty of the Navajo women. It was so repulsive to her that she suggested to her husband that they separate from his family and have their own land, home, and farm. It was a good idea, but it was an idea that required money or something of value that could be traded. Slim Girl told Laughing Boy not to worry, she would do some trading to get the money.

This is where the movie went downhill in a hurry. Slim Girl went to town to trade her "goods" for money ("Virtuous Sin"). She had a sugar daddy in town that she could go to for cash. So, even though she was married, she would go to town every so often to hook up with an abusive white man because he had money. It was shameless and despicable.

What was going through her mind?

The indication was that she'd been corrupted by white culture.

I'm not buying that.

Eventually, Laughing Boy found out. He'd gone to town to look for her and was surprised to find his wife in the arms of another man. When he saw her frolicking with another man he pulled out his bow and arrow and shot her. He was aiming for the man (why I don't know, she was the one cheating), but missed him and hit her in the heart. As she lay dying she feebly explained why she'd done it and Laughing Boy lamented his actions and her death.

This was a silly ending to an otherwise good movie. I don't know a woman that would even contemplate whoring herself out while she's married, let alone actually going through with it just for some extra cash. It's not like they were starving or in need. Furthermore, I don't know a man that would immediately lament killing his wife if he found her in the arms of another man (and we know what the real implications were). If he did have regrets for killing his cheating wife, those regrets would probably be accompanied with some serious anger.

The bottom line is that they made Laughing Boy and Slim Girl too immature. They had the emotional maturity of toddlers. Slim Girl thought that bringing wealth home to her husband was paramount regardless of the how, and Laughing Boy processed his anger within the span of two seconds as though somebody can quickly shake off being betrayed. Relationships don't work like that and people don't work like that. Cheating for purposes other than cheap quick pleasure, is something most rational human beings consider long and hard before doing. Anger at being betrayed is something most human beings need much time to get over. Slim Girl gave it no consideration and Laughing Boy moved on from his anger in an instant.

"Laughing Boy" was too simplistic, shallow, and elementary. It lacked any kind of nuance, depth, or intelligence. It was not worth making and it's certainly not worth watching.

Free on YouTube.

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7/10

A Romance from Navajo Lands

Ron Oliver15 February 2000

LAUGHING BOY loves Slim Girl, but she has lived too long among the white man and cannot fit in with her new husband's traditional Navajo family. What will happen when he discovers she has returned to being a prostitute to make them some extra money?

Ramon Novarro & Lupe Velez do the best they can with somewhat embarrassing material. Their performances alone elevate the film above the mundane.

Director W. S. Van Dyke, known for his vivid on-location films, tries to interject footage shot in the Southwest to lend authenticity to the plot, but the rear projection backgrounds only detract and annoy the viewer.

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7/10

Dated but interesting film

jamesrupert201413 March 2018

"Laughing Boy" is a film version of Oliver La Farge's Pulitzer Prize winning novel about a young Navajo man in the early 1900's. Briefly, the story follows Laughing Boy (Ramón Novarro), a traditional youth who travels to a ceremonial dance where he meets Slim Girl (Lupe Vélez), a young woman who had attended an "American school" and now lived amongst the white men. After initially disliking her forward ways, Laughing Boy falls in love and, despite objections from his family, the two marry. Slim Girl finds the life as a traditional Navajo women gruelling and starts to return to the 'white' town, ostensibly to sell Laughing Boy's silver-work, where she becomes involved with her former lover. The tragic ending is somewhat abrupt and very different from that in the book. La Farge was an anthropologist who had worked with Navajo and the book, and by extension the movie, are considered accurate and respectful descriptions of Native American life in the Southwest in the early part of the century. The movie lacks much of the detail and 'flavour' of the book, but remains a touching story of love and community in a time when traditional values were slowly being eroded by the temptations of 'modern' lifestyles (like whiskey). The cast includes a number of American Indians in important secondary roles but the leads were both Mexican and don't really look the part, especially when interacting with the indigenous actors (although in the case of Vélez's character, this may be intentional, as she is now 'an outsider'). Music plays a large part in the book but Novarro's singing seems out of place in the film. He has a very good voice but (IMO) the songs would have been better if sung in Navajo (or wordlessly) and without any accompaniment. The black-and-white desert cinematography is moody and beautiful, although many of the back-projection shots (such as the horse racing scenes) are unconvincing and the wrestling scene has been oddly 'sped up'. The movie was a box-office failure and has not aged well (Novarro still looks like a character from a 'silent'), but I found it the story affecting and the scenes of contemporary Navajo life interesting. I would recommend reading the book first.

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