Florida Special (1936) Poster

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6/10
The Gentleman Vanishes
boblipton31 January 2019
Once again, a motley assortment of passengers get aboard a train, this time bound for Florida: wise-cracking reporter Jack Oakie; his drunk pal, Kent Taylor, who has just been thrown over by his fiance, Frances Drake; she's on the train too, along with her fabulously wealthy uncle, Claude Gillingwater. He hires Police Captain J. Farrell McDonald as a bodyguard. There are many others, of course, but the various plots that begin to mix up events when Taylor falls for activities supervisor Sally Eilers, and Gillingwater vanishes.

It's a programmer directed by the unremarkable Ralph Murphy. Because it's a Paramount movie, there is an interesting and large cast, a script co-written by S. J. Perelman, and the camerawork is by Leo Tover. Even when it wasn't an A production, Paramount, with its vast resources, could and did offer a movie with a lot of polish to it. It's fun, even if you don't care for Oakie's self-congratulatory brashness.
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5/10
Another mixture of murder and comedy provides plenty of suspects and silliness.
mark.waltz26 January 2018
Warning: Spoilers
Jack Oakie provides the laughs, while Kent Taylor and Sally Eilers provides the romance, in another fast moving train set murder mystery. It's fun, filled with great characterizations and some interesting photographic and editing effects. Eilers is the secretary to wealthy Claude Gillingwater, leading on the long track to murder, with Taylor a top suspect and smarter than the train line detectives. Having been involved with Gillingwater's niece (Frances Drake), Taylor has his work cut out for him, especially when she's attacked. It's a complicated mix of missing jewels, blackmail, big business, corporate intrigue, tricky disguises and family scandal. Esther Howard, in a brief part as a flirtatious dowager, steals her brief scenes, and at first, I mistook her for Mary Boland. Oakie, as a reporter with a seal like laugh, is an acquired taste. The dialog rumbles as fast as the train going down the track to the outlandish twists and turns, but it's an okay ride, even if one of the supposed "victims" makes an aside commentary on the absurdity of it all.
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7/10
An enjoyable old B.
planktonrules27 October 2023
"Florida Special" is a B movie from Paramount and unlike many Bs, it's well made and well worth your time.

The film begins with a drunk (Kent Taylor) and his friend (Jack Oakie) getting on a train. The friend, Bangs Carter, is fortunate, as he's a newspaper man and wouldn't you know it, a big crime occurs on the train! A rich old sourpuss disappears and so does a fortune in diamonds. Can the pair manage to sort out the crime along with the help of a vacationing detective?

The acting, dialog and writing are all very good...much better than you'd expect from a cheap and quickly made B. Enjoyable throughout and a good example to show someone if they think B is synonymous with BAD...which it isn't.

By the way, if you watch as the train pulls out of the station near the beginning of the film, the train is an electric engine (a GG1 if you care) but in the next scene it clearly is a steam engine! This is like a jet airplane suddenly sprouting propellers!
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All a-bored...
Movies that take place aboard a railway train are often very exciting: the characters are rushing along at a steady pace, even if the plot is just spinning in circles. 'Florida Special' feels like several other all-aboard movies, such as 'Sleepers West', but has much less excitement and it runs out of steam before it reaches the last stop. Railway metaphors aside, the biggest problem with 'Florida Special' is that it combines elements of comedy and caper thriller, without quite integrating them properly.

'Florida Special' is based on a story by Clarence Budington Kelland, and thereby hangs a tale. In the 1920s and '30s, Kelland was a phenomenally successful author whose books and stories sold in huge quantities, and which were frequently filmed ... yet today, in the 21st century, Kelland is utterly forgotten and all of his many works are long since out of print. The author Harlan Ellison (a friend of mine) has offered Kelland's example as a warning for all authors and artists, including himself: Ellison is currently very popular and financially successful, yet he has proposed that he might be only the latest incarnation of Clarence Budington Kelland, becoming utterly forgotten and out-of-print in his own lifetime.

Although not the leading role in 'Florida Special', the central character in this hodgepodge is Simeon Stafford, a dyspeptic miser played by Claude Gillingwater. (No stretch for him; Gillingwater was typecast as dyspeptic misers.) Frances Drake is excellent and beautiful, as always, in her role as Stafford's niece. Stafford has booked a trip on the Florida Special, carrying a large quantity of gemstones on his person. Naturally, a bunch of gangsters board the same train, planning to rob Stafford. On the same train is Jack Oakie, as a newspaperman with a strong suit in wisecracking. (Is there any other sort?) He runs afoul of the gangsters.

When 'Florida Special' was made in 1936, a cross-country journey by train was a big deal. The famous Super Chief (and several other trains) offered facilities rivalling those aboard a luxury ocean liner. Passengers spent the night sleeping in Pullman berths, carefully prepared by Pullman porters. Among the other amenities was (sometimes) a recreation car, with a creche to keep children occupied while their parents were elsewhere on the train.

Back to our story. Oakie and the gangsters cross paths with Sally Eilers, who portrays the hostess in the recreation van. This being a very predictable movie, she helps Oakie get the gang on the goodsters ... I mean, she helps him get the goods on the gangsters. There are some good things in 'Florida Special', but all of them were much better done in earlier movies, and sometimes also in their later remakes. It's a doddle that 'Florida Special' will never be remade. I'll rate this movie 5 out of 10. The production values are good, but the pace is much too lacklustre.
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