The Good Earth (1937)
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- Passed
- 2h 18min
- Drama, Romance
- 06 Aug 1937 (USA)
- Movie
Although married Chinese farmers Wang and O-Lan initially experience success, their lives are complicated by declining fortunes and lean times, as well as the arrival of the beautiful young Lotus.
Directors:
Writers:
Stars:
Awards:
- Won 2 Oscars. Another 2 wins & 3 nominations.
- See more »
Photos and Videos
Cast verified as complete
Paul Muni | ... |
Wang
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Luise Rainer | ... |
O-Lan
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Walter Connolly | ... |
Uncle
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Tilly Losch | ... |
Lotus
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Charley Grapewin | ... |
Old Father
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Jessie Ralph | ... |
Cuckoo
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Soo Yong | ... |
Aunt
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Keye Luke | ... |
Elder Son
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Suzanna Kim | ... |
Little Fool
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Ching Wah Lee | ... |
Ching
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Harold Huber | ... |
Cousin
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Olaf Hytten | ... |
Liu - Grain Merchant
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William Law | ... |
Gateman
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Mary Wong | ... |
Little Bride
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Rest of cast listed alphabetically: | |||
Philip Ahn | ... |
Revolutionary Army Captain (uncredited)
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Philson Ahn | ... |
Man (uncredited)
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Caroline Chew | ... |
Teahouse Dancer (uncredited)
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Mitzi Cummings | ... |
Chinese Girl (uncredited)
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Jack Don | ... |
Chinese Peasant (uncredited)
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Chester Gan | ... |
Teahouse Singer (uncredited)
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Roland Got | ... |
Younger Son (uncredited)
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Betty Soo Hoo | ... |
Baby (uncredited)
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James B. Leong | ... |
Chinese Peasant (uncredited)
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Lotus Liu | ... |
Chinese Girl Singing and Playing Mandolin (uncredited)
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Bessie Loo | ... |
Chinese Woman (uncredited)
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Richard Loo | ... |
Chinese Farmer (uncredited)
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Clarence Lung | ... |
(uncredited)
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Arthur Marks | ... |
Boy (uncredited)
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Charles Middleton | ... |
Banker (uncredited)
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Moy Ming | ... |
Elderly Chinese (uncredited)
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Miki Morita | ... |
Wang's House Guest (uncredited)
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Lily Mui | ... |
Child (uncredited)
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Layne Tom Jr. | ... |
Chinese Boy (uncredited)
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Kam Tong | ... |
Chinese Peasant (uncredited)
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Sammee Tong | ... |
Chinese Man (uncredited)
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Iris Wong | ... |
Chinese Woman (uncredited)
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Marcella Wong | ... |
Baby (uncredited)
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Shirley Wu | ... |
Baby (uncredited)
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Victor Sen Yung | ... |
Chinese Peasant (uncredited)
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Directed by
Sidney Franklin | ||
Victor Fleming | ... | (uncredited) |
Gustav Machatý | ... | (uncredited) |
Sam Wood | ... | (uncredited) |
Written by
Talbot Jennings | ... | (screen play) & |
Tess Slesinger | ... | (screen play) and |
Claudine West | ... | (screen play) |
Pearl S. Buck | ... | (based upon the novel by) |
Frances Marion | ... | () (uncredited) |
Produced by
Albert Lewin | ... | associate producer |
Irving Thalberg | ... | executive producer (uncredited) |
Music by
Herbert Stothart |
Cinematography by
Karl Freund | ... | (photographed by) |
Editing by
Basil Wrangell | ... | film editor |
Ben Lewis | ... | supervising film editor: MGM (uncredited) |
Editorial Department
Slavko Vorkapich | ... | montage |
Peter Ballbusch | ... | montage (uncredited) |
Tom Held | ... | editing staff (uncredited) |
Ben Lewis | ... | assistant editor (uncredited) |
Charles T. Trego | ... | montage (uncredited) |
Art Direction by
Cedric Gibbons |
Costume Design by
Herbert Neuwirth | ... | (uncredited) |
Makeup Department
Jack Dawn | ... | makeup artist (uncredited) |
Max Factor | ... | makeup artist (uncredited) |
Charles Gemora | ... | makeup artist (uncredited) |
Cecil Holland | ... | makeup artist (uncredited) |
Norbert A. Myles | ... | makeup artist: Charley Grapewin (uncredited) |
Web Overlander | ... | makeup artist (uncredited) |
Mike Ragan | ... | makeup artist (uncredited) |
Robert J. Schiffer | ... | makeup artist (uncredited) |
William Tuttle | ... | makeup artist (uncredited) |
Production Management
Dave Friedman | ... | production manager (uncredited) |
Frank Messenger | ... | production manager (uncredited) |
Second Unit Director or Assistant Director
Hugh Boswell | ... | assistant director (uncredited) |
Fred Niblo | ... | second unit director (uncredited) |
Hezi Tate | ... | assistant director (uncredited) |
Art Department
A. Arnold Gillespie | ... | associate art director (as Arnold Gillespie) |
Harry Oliver | ... | associate art director |
Edwin B. Willis | ... | associate art director |
Tom Gubbins | ... | props: China (uncredited) |
F. Suie One | ... | props and Chinese artifacts (uncredited) |
Frank Tang | ... | calligrapher (uncredited) |
Sound Department
Douglas Shearer | ... | recording director |
Special Effects by
James Basevi | ... | special effects: locust sequence (uncredited) |
Dave Friedman | ... | special effects: locust sequence (uncredited) |
James Curtis Havens | ... | special effects: locust sequence (uncredited) |
Stunts
Jewel Jordan | ... | stunt double: Luise Rainer (uncredited) |
Camera and Electrical Department
Charles G. Clarke | ... | photographer: China (uncredited) |
Ben M. Cohen | ... | assistant camera (uncredited) |
Russell A. Cully | ... | photographer: China (uncredited) |
George W. Hill | ... | supervising photographer: China (uncredited) |
Mason Hooper | ... | photographer: backgrounds and process shots (uncredited) |
Walter Lundin | ... | camera operator: Cedar City (uncredited) |
Gustav Machatý | ... | director of process photography (uncredited) |
Ray Ramsey | ... | camera operator (uncredited) |
H.C. Smith | ... | photographer: China (uncredited) |
Harkness Smith | ... | assistant camera (uncredited) |
Frank Tanner | ... | still photographer (uncredited) |
'Newreel' Wong | ... | photographer: China (uncredited) |
Casting Department
Chester Gann | ... | casting: Chinese extras (uncredited) |
William Grady | ... | casting: Chinese extras (uncredited) |
Costume and Wardrobe Department
Dolly Tree | ... | wardrobe |
Tom Gubbins | ... | costumes: China (uncredited) |
Eugene Joseff | ... | costume jeweller (uncredited) |
Music Department
Wayne Allen | ... | orchestrator (uncredited) |
Leonid Raab | ... | orchestrator (uncredited) |
Clifford Vaughan | ... | orchestrator (uncredited) |
Edward Ward | ... | composer: additional music (uncredited) |
Additional Crew
Donald Davis | ... | adapted for the stage by |
Owen Davis | ... | adapted for the stage by |
Victor Adams | ... | stand-in: Paul Muni (uncredited) |
Marian Ainslee | ... | screenplay constructor (uncredited) |
Pearl S. Buck | ... | technical advisor (uncredited) |
Marc Connelly | ... | screenplay constructor (uncredited) |
Howard Dietz | ... | press representative (uncredited) |
Jules Furthman | ... | screenplay constructor (uncredited) |
DuBose Heyward | ... | screenplay constructor (uncredited) |
James Lee | ... | technical advisor (uncredited) |
Clarence Locan | ... | publicist (uncredited) |
Frances Marion | ... | screenplay constructor (uncredited) |
John M. Nickolaus | ... | laboratory supervisor: sepia tinting (uncredited) |
Bessie Ochs | ... | technical advisor: China (uncredited) |
Yee On | ... | supervisor of landscapes (uncredited) |
'Dutch' Pettit | ... | pigtail braider (uncredited) |
Franz Schulz | ... | screenplay constructor (uncredited) |
Frank Tong | ... | assistant: Harry Oliver (uncredited) |
Y.S. Tsao | ... | technical advisor (uncredited) |
Ting-Hsiu Tu | ... | technical advisor (uncredited) |
Thanks
Irving Thalberg | ... | we dedicate this picture to the memory of (as Irving Grant Thalberg) |
Production Companies
- Metro-Goldwyn-Mayer (MGM) (presents) (controlled by Loew's Incorporated)
Distributors
- Metro-Goldwyn-Mayer (MGM) (1937) (United States) (theatrical)
- Metro-Goldwyn-Mayer (MGM) (1937) (United Kingdom) (theatrical)
- Metro-Goldwyn-Mayer (MGM) (1937) (Argentina) (theatrical)
- Metro-Goldwyn-Mayer (MGM) (1937) (France) (theatrical)
- Film AB Le Mat-Metro-Goldwyn (1937) (Sweden) (theatrical)
- Metro-Goldwyn-Mayer (MGM) (1937) (Netherlands) (theatrical)
- Metro-Goldwyn-Mayer (MGM) (1937) (Belgium) (theatrical)
- Metro-Goldwyn-Mayer (MGM) (1949) (West Germany) (theatrical)
- Metro-Goldwyn-Mayer (MGM) (1962) (United States) (theatrical) (re-release)
- MGM Home Entertainment (1985) (United States) (VHS) (For MGM/UA Great Books on Video)
- MGM Home Entertainment (1990) (United States) (VHS)
- ClassicLine (2006) (Brazil) (DVD)
- Warner Home Video (2006) (United States) (DVD)
- Cinemax (2009) (Brazil) (DVD)
- The Criterion Channel (2022) (United States) (tv) (streaming)
Special Effects
Other Companies
- Theatre Guild (produced by)
- MGM/UA Home Entertainment (VHS package design)
- Turner Entertainment (VHS package design)
Storyline
Plot Summary |
The story of a farmer in China: a story of humility and bravery. His father gives Wang Lung a freed slave as wife. By diligence and frugality the two manage to enlarge their property. But then a famine forces them to leave their land and live in the town. However it turns out to be a blessing in disguise for them...
Written by Tom Zoerner |
Plot Keywords | |
Taglines | China . . . . Land of unrest . . . tomorrow they may Starve ! See more » |
Genres | |
Parents Guide | View content advisory » |
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Box Office
Budget | $2,800,000 (estimated) |
Did You Know?
Trivia | Special effects experts were unable to produce an authentic-looking locust plague. Just as they were about to abandon the scene, they received word that a real locust plague was taking place several states away. A camera crew was rushed to the scene to capture it on film. See more » |
Goofs | (at around 2h 5 mins) Wang Lung is walking through the locust storm in his wheat field. He picks up a few men who have fallen down into the thick pile of locusts. In frustration, Wang shouts "I said save the wheat! Save it!" At this moment, a man dressed in 1937-era American clothing walks across the scene from left to right, at the top third of the screen. He is wearing a white hat and appears to be smoking a cigarette or cigar held in his left hand. See more » |
Movie Connections | Edited into Dragon Seed (1944). See more » |
Crazy Credits | Introduction played with opening credits: The soul of great nation is expressed in the life of its humblest people. In this simple story of a Chinese farmer may be found something of a the soul of China - its humility, its courage, its deep heritage from the past and its vast promise for the future. See more » |
Quotes |
Wang Lung:
[must sell his land to feed his family but the buyers take advantage of him]
Thieves! Thieves! And well you know I must sell. O-Lan: No! Not the land. We'll not sell the land. We'll keep it. We'll go south and when we return, we'll still have the land. Uncle: But I've arranged it. I brought these men here. You MUST sell! O-Lan: Is it your land? Did you buy it bit by bit? The land is our life... and it's better to go south... or die walking... than to give it to you for nothing. See more » |