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One Hundred Men and a Girl ()


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The daughter of a struggling musician forms a symphony orchestra made up of his unemployed friends and through persistence, charm and a few misunderstandings, is able to get Leopold Stokowski to lead them in a concert that leads to a radio... See more »

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Complete, Cast awaiting verification

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Patricia Cardwell
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Leopold Stokowski
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John Cardwell
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Mrs. Frost
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John R. Frost
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Michael Borodoff
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Garage Owner
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Mrs. Tyler
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Stage Doorman (as Jack Smart)
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Bitters
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Russell
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Johnson
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Taxi Driver
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Brandstetter
Gerald Oliver Smith ...
Stevens
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Rudolph
Rest of cast listed alphabetically:
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Party Guest at Mrs. Frost's (uncredited)
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Adam (uncredited)
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Swooning Music Lover in Audience (uncredited)
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Party Guest at Mrs. Frost's (uncredited)
James Conaty ...
Concert Attendee (uncredited)
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Ben Davis - Violinist (uncredited)
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Oscar - Man in Restaurant (uncredited)
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Party Guest at Mrs. Frost's (uncredited)
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Concert Hall Patron (uncredited)
Jack George ...
Violinist (uncredited)
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Theatre Manager (uncredited)
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Party Guest / Men's Club Patron (uncredited)
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Pianist at Mrs. Frost's Party (uncredited)
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Girl (uncredited)
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Theatre Patron (uncredited)
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Ira Westing - Editor (uncredited)
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Men's Club Member (uncredited)
Alex Melesh ...
Boarding House Roomer (uncredited)
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Concert Attendee (uncredited)
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Man Backstage (uncredited)
The Philadelphia Orchestra ...
Orchestra (uncredited)
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Concert Attendee (uncredited)
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Party Guest at Mrs. Frost's (uncredited)
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Party Guest at Mrs. Frost's (uncredited)
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Concert Attendee (uncredited)
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Concert Attendee (uncredited)
Eric Wilton ...
Adams (uncredited)

Directed by

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Henry Koster

Written by

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Bruce Manning ... (original screen play) &
Charles Kenyon ... (original screen play) &
James Mulhauser ... (original screen play)
 
Hanns Kräly ... (based on an idea by) (as Hans Kraly)

Produced by

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Joe Pasternak ... associate producer
Charles R. Rogers ... executive producer

Music by

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Charles Previn ... (uncredited)
Frank Skinner ... (uncredited)

Cinematography by

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Joseph A. Valentine ... director of photography (as Joseph Valentine)

Editing by

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Bernard W. Burton

Production Design by

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John W. Harkrider ... (production designed by) (as John Harkrider)

Second Unit Director or Assistant Director

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Frank Shaw ... assistant director

Art Department

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Jack Martin Smith ... associate production designer: sets
Harry Burke ... greenman (uncredited)
Scollard Maas ... associate production designer: sets (uncredited)

Sound Department

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Bernard B. Brown ... sound
Joe Lapis ... sound (as Joseph A. Lapis)

Special Effects by

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John P. Fulton ... special effects (uncredited)

Camera and Electrical Department

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James V. King ... assistant camera (uncredited)

Costume and Wardrobe Department

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Vera West ... associate production designer: gowns

Music Department

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Andrés de Segurola ... vocal instructor (as Andres de Segurola)
Charles Previn ... associate musical director
Leopold Stokowski ... conductor
Charles Henderson ... composer: additional music (uncredited)
David Raksin ... assistant: Leopold Stokowski (uncredited)

Additional Crew

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Harold Palmer ... montages (uncredited)
Crew verified as complete

Production Companies

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Distributors

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Special Effects

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Other Companies

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Storyline

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Plot Summary

The daughter of a struggling musician forms a symphony orchestra made up of his unemployed friends and through persistence, charm and a few misunderstandings, is able to get Leopold Stokowski to lead them in a concert that leads to a radio contract. Written by Herman Seifer

Plot Keywords
Taglines IT'S A HONEY! IT'S A DARB! IT'S A DURBIN! (original herald-all caps) See more »
Genres
Parents Guide Add content advisory for parents »
Certification

Additional Details

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Also Known As
  • Baby of the Family (United States)
  • 100 Men and a Girl (United States)
  • Deanna et ses boys (France)
  • Hundert Mann und ein Mädchen (Germany)
  • 100 Männer und ein Mädchen (Germany)
  • See more »
Runtime
  • 84 min
Country
Language
Color
Aspect Ratio
Sound Mix
Filming Locations

Box Office

Budget $762,000 (estimated)

Did You Know?

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Trivia Leopold Stokowski recorded the classical music in the film at the Philadelphia Academy of Music, using the Philadelphia Orchestra (of which he was still principal guest conductor), on a multi-channel sound system, the first time one was ever used to record music in a film. The musicians seen in the film, however, were L.A.-based players doing what was called "sideline" (seen but not heard, merely miming to a prerecorded soundtrack played by others). See more »
Goofs The position of Patsy's hands when she's crying on the bed. See more »
Movie Connections Featured in Leopold Stokowski (1970). See more »
Soundtracks Symphony No. 5 in E minor: Fourth Movement See more »
Quotes Leopold Stokowski: [Patsy has come to apologize for telling a newspaper that Stokowski would be conducting her orchestra of jobless musicians] But why did you do it? You must have had a reason.
Patricia "Patsy" Cardwell: Oh, yes! I had a hundred reasons! Would you like to hear them?
Leopold Stokowski: I certainly would.
Patricia "Patsy" Cardwell: [Goes to the door of his study and counts:] One! Two! Three! Four!
[And Stokowski suddenly hears "Hungarian Rhapsody" as clear as a bell inside his own house! He and she go out onto his balcony overlooking the entryway. The 100 men are standing on the stairway, playing]
Patricia "Patsy" Cardwell: Those are my reasons. I thought you'd like to hear them.
[Stokowski listens until the piece is nearly over, and then starts conducting with his hands]
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