Penrod and Sam (1937) Poster

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7/10
Our Gang meets Little Caesar's sidekicks.
mark.waltz4 January 2019
Warning: Spoilers
The junior G-Men led by Billy Mauch's Penrod will have you riveted to the screen during this hour long programmer made by Warner Brothers that was the beginning of a three-part series of second features based on stories by Booth Tarkington. The character of Penrod is better known to movie musical fans as the basis for the fun loving bratty little brother in the Doris Day and Gordon MacRae musicals "On Moonlight Bay" and "By the Light of the Silvery Moon", but here, he's an only child, the son of the seemingly much older Frank Craven and Spring Byington. Ironically, Byington was the original Mrs. Hardy in the "Andy Hardy" series, and it is pretty obvious that the two characters are not much different.

At the beginning of the film, Billy Mauch's Penrod is seen protecting a sweet little black boy, Philip Hurlic, the victim of the bullying Jackie Morrow. I wanted to hop through the screen in the sequence where Morrow keeps throwing something at poor Hurlic's head causing a little kid to cry simply for no reason. A good thrashing is what that kid needed, and when Morrow's father confronts Craven, it seems that Mauch is in for quite a thrashing for causing a brawl in public. But after Morrow squawks again, Craven realizes that he is the instigator behind the fights and this leads to a comical fight between the two fathers, setting the stage for Craven to be more understanding to his son.

But the boys who fight can quickly become the best of friends and that happens in the blink of an eye after a bank robbery results and sudden tragedy which leaves poor Hurlic an orphan. If you don't have tears in your eyes by the end of this scene, you need to check and see if you are a human being. It's up to the junior G-Men which now includes Morrow to expose the hiding place of this nasty gang, making them all heroes. Stymie Beard of the "Our Gang" series appears briefly as another black boy in the foundling home where Huric has been put to let Craven, Byington and Mauch that Huric is missing. it becomes apparent that Craven will have to swallow any prejudices that he has and find a proper home for the little orphan or possibly bring him into his own home.

The message that this film leaves today, 80 years later, is that prejudice is something that is taught and that little kids will make friends with other children regardless of race, and will go out of their way to protect them from bullies. Certainly, there are the obvious stereotypes utilized which will cause some eyes to roll, but for the most part, the black children presented in this film are your typical normal children, unspoiled until an act of violence disturbs their world. Bernice Pilot is touching as the family's black cook who becomes Huric's surrogate mom (along with Byington) after the disturbing scene where his real mother (Mildred Gover) is heartlessly gunned down. I will forever remember the drop of my jaw in that horrifying scene and the heartbreaking performance that Huric gives as his character realizes the tragedy that he has just witnessed.
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5/10
Penrod gets his man
bkoganbing27 November 2020
The first of a series of films from Warner Brothers B picture unit based on Booth Tarkington's Penrod stories is this item with Billy Mauch, Penrod and Sam. Playing Penrod's parents are Frank Craven and Spring Byington.

Mauch's gang are all tried and true members of the junior G-men club and they put aside all their usual kid rivalries when publc enemy Craig Reynolds comes to town, robs the bank and in the process kills young Philip Hurlic's mom.

Sadly young Hurlic's performance conforms to all the racial stereotyping. But it's still a poignant especially after his mother is killed.

As for the climax Reynolds better hope he gets the chair. All the ribbing he'll take about those junior G-men.
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7/10
wow that got dark suddenly
SnoopyStyle11 December 2023
School bully Rodney Bitts keeps picking on little Verman. Penrod Schofield (Billy Mauch) comes to the rescue to fight Rodney. Rodney goes crying to his powerful father who owns the local bank and makes up all kinds of lies about Penrod's criminal gang. Penrod's father works for Rodney's father. In reality, Penrod leads the local boys in a crime solving G-Man group to catch real criminals in their neighborhood. When the bank gets robbed, Verman's mother gets killed in the shootout. The bank robbers and the boys get tangled up.

It's pre-Code and it's a book. Director William Beaudine made the previous silent film adaptation. It's all very Our Gang like for awhile and then somebody's mother dies. That's dark. It's Disney dark. It's a little jarring. While keeping it light would have been better, this is still fine for the kids, I think.
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8/10
Fun, warmth, whimsy, and high spirits, and the kids beat the bad guys!
Silents15 September 2003
Aimed at the pre-teen set, this is the first of three "Penrod" films made at Warners in the late 30s. The series was based on the Booth Tarkington Penrod books that were written in the WWI era. For this series the settings were updated to the late 1930s.

This is a kid's film, set in a world where rules are actually respected, and while parents and kids come into conflict with each other, both sides actually trust and respect each other. Its a world where you know that the good guys will win, and you know who the good guys are too. This might be hard to take seriously today, but there is enough fun, warmth, whimsy and high spirits to make this a good time at the movies.

The kids are in charge in this film, but only to a point. They have their secret "Jr. G Men" club, a club so secret that Penrod is reluctant to tell his father about it. But when pressed to do so he not only tells his father about the club but swears him in as a member. And his dad not only takes the secret oath, he actually wears the official badge everywhere he goes! This example of parental affection is part of the film's charm. And while the adults take the G Men more seriously than would happen in the real world, its the way kid's would want it to be and this is, after all, a kid's film.

Billy Mauch is delightful as Penrod. Or is it sometimes his twin brother, Bobby? Bobby was a stand-in on his brother's films, but later the boys confessed that they played the twin game of switching identities on the set and nobody, including the director, was the wiser. Which ever Mauch twin is on screen, he had a wonderful way with a line and a look that could make even sometimes stilted dialog ring true.

The always excellent Harry Watson is Sam. Unfortunately for Watson, Mauch was the star, so he doesn't get the attention he deserves. Nor did he ever, really. Harry was one of many Watson siblings who worked in films. He was a boy who knew how to play a bit or an entire scene and always make it right. He stood out in most everything he did, but for some reason he was never a big star.

A boy by the name of Jackie Morrow is Rodney Bits, the enemy of the G Men until the bank robbers come into the picture, and then Rodney reforms and becomes one of the good guys. There is scant information available about Morrow and that's too bad. He had good screen presence and turns in an excellent performance in this film.

And little Philip Hurlic is also in top form. He's bright, he's funny, and he's believable when he cries at the death of his mother, something that is often difficult for even adult actors to do convincingly. The wonderful "Our Gang" series often is credited as being the only place in movies of the 20s and 30s where African-American children had a chance to be treated as equals with the white children. But in this film Hurlic's character is treated with the same respect given to the rest of the children. He's younger than the other boys so he hasn't earned full membership in the G Men at the beginning of the film. But he becomes a full member before the film is ended. I noticed only two aspects of questionable taste about how his character is presented. First, the character's name is Verman. Although not spelled the same, its pronounced that same as Vermin. And second, at the end of the film Penrod's dad tells him that he can be a banker, a doctor or a lawyer when he grows up. I was delighted to hear something like this in a film from 1937. But then Verman says he doesn't want to be any of the those things so Penrod's dad asks him what he does want to be. "A Pullman Porter" he says with strong conviction. Oh well. We can't have everything.

"Penrod and Sam" is quick and tightly edited. At 64 minutes its just right and undeserving of the negative write up it gets in "The Warner Bros. Story" book. And I confess to thinking that any film with Spring Byington has to be worth watching.
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