The last film by James Whale (Frankenstein, The Old Dark House) is a forty-minute short based on a one-act play by William Saroyan. Whale had directed the play in 1942 as part of a show to entertain Us troops passing through La. The opportunity to film it arrived through strange circumstances.Millionaire Huntington Hartford loved his wife, Marjorie Steele, who was an actress. He decided to bankroll a series of short films showcasing her talents. Somehow Whale, who was thoroughly retired from film direction, was approached, and he welcomed the idea of adapting Saroyan's lonely parable to the screen. Harry Morgan was recruited as male lead.Like a lot of late works, this one needs approaching with a sympathetic attitude. The play is built around its title, a line shouted like a refrain throughout the piece. For some reason, Harry Morgan shouts every other line too. This was far from Morgan's debut,...
- 12/8/2017
- MUBI
Constance Cummings in 'Night After Night.' Constance Cummings: Working with Frank Capra and Mae West (See previous post: “Constance Cummings: Actress Went from Harold Lloyd to Eugene O'Neill.”) Back at Columbia, Harry Cohn didn't do a very good job at making Constance Cummings feel important. By the end of 1932, Columbia and its sweet ingenue found themselves in court, fighting bitterly over stipulations in her contract. According to the actress and lawyer's daughter, Columbia had failed to notify her that they were picking up her option. Therefore, she was a free agent, able to offer her services wherever she pleased. Harry Cohn felt otherwise, claiming that his contract player had waived such a notice. The battle would spill over into 1933. On the positive side, in addition to Movie Crazy 1932 provided Cummings with three other notable Hollywood movies: Washington Merry-Go-Round, American Madness, and Night After Night. 'Washington Merry-Go-Round...
- 11/5/2015
- by Andre Soares
- Alt Film Guide
Very few actors had the kind of impact that Peter Cushing had on genre cinema. With a career that spanned nearly five decades, Peter Cushing had the chance to play Van Helsing, Victor Frankenstein, Doctor Who, Sherlock Holmes and dozens of other memorable characters, including Star Wars‘ Grand Moff Tarkin. Today would have been Peter Cushing’s 101st birthday and I thought it would be a great opportunity to highlight a number of his films, especially some of his lesser-known films, for new horror fans who may just be getting into Hammer films and other cult classics.
Born on May 26th, 1913 in Surrey, England, Peter Cushing would take on his first movie role in 1939′s The Man in the Iron Mask. His big splash in horror movies, and a long-time friendship with Christopher Lee, started with 1957′s The Curse of Frankenstein and continued for nearly forty years. While his role...
Born on May 26th, 1913 in Surrey, England, Peter Cushing would take on his first movie role in 1939′s The Man in the Iron Mask. His big splash in horror movies, and a long-time friendship with Christopher Lee, started with 1957′s The Curse of Frankenstein and continued for nearly forty years. While his role...
- 5/26/2014
- by Jonathan James
- DailyDead
You have to be 18 or older to see You Killed Me First, which, according to the Kw Institute of Contemporary Art, is the first exhibition on the Cinema of Transgression. There'll be a talk with Nick Zedd on Tuesday evening, followed by another with Richard Kern on Wednesday. The exhibition's opened this weekend and will be on view through April 9.
Also in Berlin, and starting tomorrow, the Arsenal will be screening a selection of titles from the Forum program at this year's just-wrapped Berlinale. Eleven films over eleven evenings, beginning with the three films by Yuzo Kawashima, The Sun in the Last Days of the Shogunate (1957), Suzaki Paradise: Red Light (1956) and Between Yesterday and Tomorrow (1954), and ending with the two restorations of films by Shirley Clarke, Ornette: Made in America (1984) and The Connection (1961).
Next week, the Arsenal wraps its series of films by Ulrike Ottinger by screening her Berlin Trilogy...
Also in Berlin, and starting tomorrow, the Arsenal will be screening a selection of titles from the Forum program at this year's just-wrapped Berlinale. Eleven films over eleven evenings, beginning with the three films by Yuzo Kawashima, The Sun in the Last Days of the Shogunate (1957), Suzaki Paradise: Red Light (1956) and Between Yesterday and Tomorrow (1954), and ending with the two restorations of films by Shirley Clarke, Ornette: Made in America (1984) and The Connection (1961).
Next week, the Arsenal wraps its series of films by Ulrike Ottinger by screening her Berlin Trilogy...
- 2/19/2012
- MUBI
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