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Primrose Path ()


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A young woman from a family of prostitutes falls in love with a hard-working man, but when he finds out the truth about her background, their romance becomes jeopardized.

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Cast verified as complete

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Ellie May Adams
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Ed Wallace
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Mamie Adams
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Gramp
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Homer
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Grandma
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Honeybell
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Thelma
Carmen Morales ...
Carmelita
Rest of cast listed alphabetically:
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Man in Bluebell (uncredited)
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Benny - Man in Diner (uncredited)
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Woman Talking to Police (uncredited)
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Man Clueing in Ed (uncredited)
Herbert Corthell ...
Herb - Man Getting Gas (uncredited)
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Dalya - Carmelita's Friend (uncredited)
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Motorcycle Policeman (uncredited)
Charline Flanders ...
Girl (uncredited)
Jack Gardner ...
Jake's Friend in Diner (uncredited)
Jack Gargan ...
Al - Man in Diner (uncredited)
Lawrence Gleason Jr. ...
Boy (uncredited)
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Man in Diner (uncredited)
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Drunk's Wife Leaving Bluebell (uncredited)
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Bluebell Patron (uncredited)
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Gossip in Diner (uncredited)
Donald Kerr ...
Sailor in Bluebell (uncredited)
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Mr. 'Smitty' Smith / Hawkins (uncredited)
Larry McGrath ...
Jake Halpern - Man in Diner (uncredited)
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Drunk Leaving Bluebell (uncredited)
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Taxi Driver (uncredited)
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Gene 'Smith' (uncredited)
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Bluebell Patron (uncredited)
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Bluebell Manager (uncredited)
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Bluebell Bartender (uncredited)
Lorin Raker ...
Man in Diner (uncredited)
Mara Tartar ...
Girl in Bluebell (uncredited)
Charles Williams ...
Man in Diner (uncredited)

Directed by

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Gregory La Cava ... (as Gregory LaCava)

Written by

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Allan Scott ... (screen play) and
Gregory La Cava ... (screen play) (as Gregory LaCava)
 
Robert L. Buckner ... (from the play by) and
Walter Hart ... (from the play by)
 
Victoria Lincoln ... (novel "February Hill") (uncredited)

Produced by

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Gregory La Cava ... producer (uncredited)

Music by

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Werner R. Heymann ... (musical score)

Cinematography by

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Joseph H. August ... director of photography

Editing by

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William Hamilton ... (edited by)

Art Direction by

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Van Nest Polglase

Set Decoration by

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Darrell Silvera ... (set decorations)

Makeup Department

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Mel Berns ... makeup artist (uncredited)

Second Unit Director or Assistant Director

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Edward Killy ... assistant director

Art Department

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Carroll Clark ... associate art director

Sound Department

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John L. Cass ... recordist

Special Effects by

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Vernon L. Walker ... special effects

Camera and Electrical Department

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John Miehle ... still photographer (uncredited)

Costume and Wardrobe Department

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Renié ... wardrobe
Eugene Joseff ... costume jeweller (uncredited)

Additional Crew

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George Abbott ... play as produced by
Crew verified as complete

Production Companies

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Distributors

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Special Effects

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Other Companies

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Storyline

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Plot Summary

Ellie May lives on Primrose Hill with her good-hearted and fancy-free mother, her drunken father, her younger sister, and a mean-spirited grandmother. The Hill is not a good part of town, however. When she meets and falls for a hard-working man, they marry and she hides her past from him. When he discovers the truth, their marriage is jeopardized. Written by Ron Kerrigan

Plot Keywords
Taglines Spicy romance started by a first kiss! (Print Ad-Lafayette Ledger, ((Lafayette, Minn.)) 3 May 1940) See more »
Genres
Parents Guide View content advisory »
Certification

Additional Details

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Also Known As
  • Le lys du ruisseau (France)
  • Camí de roses (Spain, Catalan title)
  • Una nueva primavera (Spain)
  • Den Smala vägen (Sweden)
  • Piccolo porto (Italy)
  • See more »
Runtime
  • 93 min
Country
Language
Color
Aspect Ratio
Sound Mix
Filming Locations

Box Office

Budget $702,000 (estimated)

Did You Know?

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Trivia Ginger Rogers dyed her hair brunette for this film, but kept it secret until it was released. See more »
Goofs When the "Portugee" (Portuguese) girl steps out of the cantina to call Ed back inside, she threatens to cut his ears off in Spanish, not Portuguese. See more »
Movie Connections Referenced in Choose Me (1984). See more »
Soundtracks Jarabe Tapatío See more »
Crazy Credits Shown during opening credits: We live, not as we wish to - - but as we can. --Menander, 300 B.C. See more »
Quotes Gramp: The world would be a lot better off if there was no people in it.
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