White Cargo (1942)
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- Passed
- 1h 28min
- Adventure, Drama
- 12 Dec 1942 (USA)
- Movie
Photos and Videos
Cast verified as complete
Hedy Lamarr | ... |
Tondelayo
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Walter Pidgeon | ... |
Harry Witzel
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Frank Morgan | ... |
The Doctor
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Richard Carlson | ... |
Mr. Langford
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Reginald Owen | ... |
Skipper of the Congo Queen
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Henry O'Neill | ... |
The Reverend Dr. Roberts
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Bramwell Fletcher | ... |
Wilbur Ashley
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Clyde Cook | ... |
Ted - First Mate of the Congo Queen
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Leigh Whipper | ... |
Jim Fish
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Oscar Polk | ... |
Umeela
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Darby Jones | ... |
Darby - The Doctor's Houseboy
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Richard Ainley | ... |
Mr. Worthing
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Rest of cast listed alphabetically: | |||
Ed Allen | ... |
Native Drug Seller (uncredited)
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John Burton | ... |
Jim Benson (uncredited)
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Jim Davis | ... |
Seaplane Pilot (uncredited)
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Delos Jewkes | ... |
Native Singer (uncredited)
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Martin Wilkins | ... |
Native Prisoner (uncredited)
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Directed by
Richard Thorpe |
Written by
Ida Vera Simonton | ... | (novel "Hell's Playground") |
Leon Gordon | ... | (play) |
Leon Gordon | ... | (screenplay) |
Produced by
Victor Saville | ... | producer |
Music by
Bronislau Kaper | ||
Daniele Amfitheatrof | ... | (uncredited) |
Cinematography by
Harry Stradling Sr. | ... | director of photography (as Harry Stradling) |
Editing by
Fredrick Y. Smith |
Art Direction by
Cedric Gibbons |
Set Decoration by
Edwin B. Willis |
Makeup Department
Jack Dawn | ... | makeup designer |
Second Unit Director or Assistant Director
Al Jennings | ... | assistant director (uncredited) |
Art Department
Daniel B. Cathcart | ... | associate art director |
F. Keogh Gleason | ... | associate set decorator (as Keogh Gleason) |
Sound Department
Douglas Shearer | ... | recording director |
Camera and Electrical Department
Clarence Sinclair Bull | ... | still photographer (uncredited) |
Costume and Wardrobe Department
Robert Kalloch | ... | native costumes (as Kalloch) |
Eugene Joseff | ... | costume jeweller (uncredited) |
Robert Kalloch | ... | additional costumes (uncredited) |
Music Department
Mario Castelnuovo-Tedesco | ... | composer: additional music (uncredited) |
Joseph Nussbaum | ... | orchestrator (uncredited) |
Leonid Raab | ... | orchestrator (uncredited) |
Additional Crew
Ernst Matray | ... | dance director |
Maria Matray | ... | dance director (uncredited) |
Production Companies
- Metro-Goldwyn-Mayer (MGM) (controlled by Loew's Incorporated)
Distributors
- Metro-Goldwyn-Mayer (MGM) (1942) (United States) (theatrical)
- Regal Films (1942) (Canada) (theatrical) (as Regal Films, Ltd.)
- Metro-Goldwyn-Mayer (MGM) (1943) (United Kingdom) (theatrical)
- Metro-Goldwyn-Mayer (1943) (Australia) (theatrical)
- Metro Goldwyn Mayer (1944) (Mexico) (theatrical)
- Metro-Goldwyn-Mayer A/B (1943) (Sweden) (theatrical)
- Metro-Goldwyn-Mayer (MGM) (1945) (Finland) (theatrical)
- Metro-Goldwyn-Mayer (MGM) (1946) (Norway) (theatrical)
- Metro-Goldwyn-Mayer (MGM) (1944) (Portugal) (theatrical)
- MGM/UA Home Entertainment (1997) (United States) (VHS)
Special Effects
Other Companies
Storyline
Plot Summary |
In Africa early in World War II, a British rubber plantation executive reminisces about his arrival in the Congo in 1910. He tells the story of a love-hate triangle involving Harry Witzel, an in-country station superintendent who'd seen it all, Langford, a new manager sent from England for a four-year stint, and Tondelayo, a siren of great beauty who desires silk and baubles. Witzel is gruff and seasoned, certain that Langford won't be able to cut it. Langford responds with determination and anger, attracted to Tondelayo because of her beauty, her wiles, and to get at Witzel. Manipulation, jealousy, revenge, and responsibility play out as alliances within the triangle shift.
Written by |
Plot Keywords | |
Taglines | "I am TONDELAYO!" See more » |
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Parents Guide | Add content advisory for parents » |
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Did You Know?
Trivia | Because of the miscegenation aspects of the play (Tondelayo was a black woman), it was on the Production Code Administraiton's "condemned" list of sources not to be considered. A big outcry was heard after the British film, based on the same sources, was released in New York in March, 1930, because it was deemed to violate the spirit of the Hays decree. MGM hired playwright Leon Gordon to adapt his play for the screen; he changed Tondelayo's parentage to half Egyptian and half Arab, and it was eventually given an approved certificate. Still, the movie was placed on the Legion of Decency's condemned list, and the film was banned in Singapore and Trinidad because of its racial implications. See more » |
Goofs | The main story is framed as a flashback of events recounted by Mr. Worthing, who only arrived on the scene at the end of the main story. Presumably, he learned of the earlier events from Witzel and/or The Doctor, but some of the action seen during the flashback was not witnessed by either of those two characters. See more » |
Movie Connections | Edited into Hollywood: The Dream Factory (1972). See more » |
Soundtracks | The Wedding March See more » |
Quotes |
Tondelayo:
[entering for the first time, seductively]
I am Tondelayo. See more » |