The Aristo-Cat (1943) Poster

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6/10
Marginal short which serves as a launching pad for some great characters
llltdesq9 December 2006
Warning: Spoilers
This cartoon tries, but it just misses the mark. Something about it simply doesn't quite gel, which is a shame. It has some good moments, but the whole is less than the sum of its parts. Because I want to discuss a few details, this is a spoiler warning:

The short starts out promisingly enough, with the pampered cat of a rich dowager making the life of the butler, Meadows, an unhappy one. First, the cat squirts grapefruit juice in his eye and then causes him to slip on a bar of soap, each time laughing hysterically. So Meadows quits.

The cat panics and begins searching for food and reads that cats are supposed to eat mice. He and Hubie (Hubie is a mouse) spot one another simultaneously and both are terrified. Hubie realizes the cat is frightened and learns that the cat doesn't know what a mouse looks like, so he introduces his pal Bert (another mouse) and then clues Bert in on their new "friend's" ignorance. They then convince him that a bulldog is actually a very large mouse. The cat tries to eat the bulldog, in what is probably the best visual scene in the short.

Immediately after this scene, the short falls apart, probably because the cat then sees pictures of a mouse and a bulldog and realizes he's been tricked. At this point, the funniest premise in the short (a cat who doesn't recognize either mice or dogs) is removed as a plot device and nothing tangible is left to carry the rest of the short. for a good example of a much better use of the same characters where this mistake wasn't made and the short is infinitely the better because the funniest concept wasn't abruptly yanked away, watch Cheese Chasers, done eight years later.

The ending to this short partially salvages the cartoon, but it could have been so much better than it finally turned out. Still, it is worth seeing for the characters. This short is available on the Looney Tunes Golden Collection, Volume 4, which is highly recommended.
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7/10
Half a classic, half a disappointment
phantom_tollbooth9 January 2009
Chuck Jones's 'The Aristo-Cat' is a visual masterpiece which is slightly hampered by a very thin plot. The first of Jones's short lived Hubie and Bertie series about two frequently cruel and sadistic mice and their tendency to prey on the emotionally frail, 'The Aristo-Cat' reduces the star character's roles to virtual cameos. The Hubie and Bertie films have always been amongst my favourite cartoons but the two rodents add very little to this short and their roles could just as well have been filled by any generic mouse characters. However, 'The Aristo-Cat' pays less attention to the normal conventions of plot and instead throws the spotlight on the tremendous nervous breakdown of Pussy the cat. A spoiled feline who pushes his butler, Meadows, too far and then finds himself with no-one to look after him, Pussy makes the most of his short time in the spotlight (he was usurped by the similarly jittery Claude Cat) by having one of the all time great mental collapses in cartoon history. As he runs around the huge, empty mansion screaming "MEADOWS" in vain, the startling abstract backgrounds, filled with angular shapes of vivid colours, move around behind him reflecting his encroaching madness to incredible effect. It's so luscious to behold that the arrival of Hubie and Bertie actually comes as a disappointment and brings the cartoon to a sadly predictable conclusion (including a hugely unsatisfactory deus ex machina ending). Happily, by this stage 'The Aristo-Cat' has already established itself as a must see and, while its eventual disintegration prevents it from entering the annals of the genuinely classic, the cartoon's first half ranks alongside some of the most startling imagery of any Warner cartoon.
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7/10
Hubie and Bertie debut in a setting resembling a cross between a Dali painting and an earlier Chuck Jones cartoon
lee_eisenberg3 January 2008
As always, Chuck Jones's wise-guy mice Hubie and Bertie (making their debut) play tricks on an unsuspecting feline. While "The Aristo-Cat" has a fairly routine plot, the background catches my attention. The slanted angles look more like what I would expect in a Salvador Dali painting (Bob Clampett used Daliesque angles to a great degree in "The Great Piggy Bank Robbery"). But it's not just the angles. The colors - resembling those in Jones's "The Case of the Missing Hare" - obscure all perspective. This has to be the least pleasant place for a cat to attack a dog, believing the dog to be a mouse! So this is far from a masterpiece, but the background should draw interest. Even more than the fact that it's Hubie and Bertie's debut. Jones branched out their personalities in "Mouse Wreckers", "Cheese Chasers" and "The Hypo-Chondri-Cat".
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A landmark cartoon, marking the first appearance of Claude and the inseparable Hubie & Bertie.
rapt0r_claw-113 July 2004
"The Aristo-Cat" is the first in an extensive, Oscar-nominated series by Chuck Jones. The series is one of my favorites, but this short is one of the lesser ones. The only reason I say it is a landmark is because it marks the debut of three great characters. The premise is good, but the following action is run-of-the-mill funny stuff.

A butler is left to look after a pampered cat (Claude) who continuously humiliates him. After having had enough of it, the butler quits. Claude is petrified, but finds a book that informs him that cats eat mice, the only problem being that he doesn't know what a mouse looks like; therefore, he is perfect prey for a couple of wise-ass mice (Hubie & Bertie), who deceive him into thinking the large bulldog outside (why is it always a bulldog?) is a source of food. You can guess what follows, and if you can't, I don't think you can read either.

It's also interesting to note that in post-1948 shorts, Hubie and Bertie swapped coat colors. Worth a watch any time, but the later cartoons were much improved.
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7/10
Entertaining if let down by the second half
TheLittleSongbird22 August 2013
On the most part, The Aristo-Cat is very good and entertaining. Sadly it is rather let down by the second half, the pace starts to lag here, while the outcome is predictable and gives the sense that the cartoon had run out of ideas. The bulldog is a decent enough character but the least memorable and funny character of The Aristo-Cat, kind of too much of a plot device for some sort of conflict for Pussy. Pussy however is a very strong character, for one whose screen time is relatively short, he is highly amusing but you feel sorry for him at the same time. The mice Hubie and Bertie are very funny and interesting too, though they are in the part of the cartoon that doesn't quite do their talents justice. The animation is wonderful though, bright, colourful, fluid and detailed. The highlight is Pussy's breakdown, a startling and brilliantly strange sequence, it's been said that it is one of the best breakdowns/mental collapses in cartoon history and personally there is no dispute there. The music has nearly always been a large part of any animated short(Looney Tunes and Disney are especially true to this), that's true with The Aristo-Cat as well. It sounds beautiful and full of energy and character, the use of pre-existing classical pieces are enough to delight any fans of classical music(raising a very proud hand here). The dialogue and gags in the first half are hugely entertaining, and while the story is very thin structurally the first half is paced well, second half not so much, and has its charm. The voice work is terrific, you can never go wrong with Mel Blanc, one of the gods of voice acting. On the whole, definitely recommended though the second half doesn't quite live up to what was so good about the first. 7/10 Bethany Cox
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7/10
"We'll show you where there's a mouse. A nice big juicy mouse."
utgard144 August 2016
Fun Chuck Jones short that introduced minor Looney Tunes characters Hubie and Bertie. If you aren't familiar with them, they're two mice (one brown, one gray) who act as the antagonist for some other character, in this case a pampered cat who lives in a wealthy household where he never has to catch mice or anything. So he's lazy and spoiled. He also plays pranks which ticks off the butler so much he quits, leaving the cat alone to fend for himself. Enter Hubie and Bertie to screw with him. The music is quite nice and matches the action well. The animation is lovely. There's one brilliant scene in particular where the cat is freaking out because he's alone. Really good stuff. It's a fun cartoon with some nice Jones touches. As other reviewers have noted, the second half isn't as strong as the first. But it's never bad.
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10/10
Superb Chuck Jones film with brilliant work by John McGrew.
msa-322 January 2000
THE ARISTOCATS is a brilliant film by Chuck Jones which utilizes ingenious backgrounds and dynamic cutting, via John McGrew's extraordinary layout, to create a new kind of animation. The Jones and McGrew partnership in design extablished a new rhythm of stylization that certainly led to the modern UPA work.
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4/10
A Weak Start To This Short Series
ccthemovieman-126 March 2007
Well, after reading a couple of the other reviews here, I feel a little better. I thought maybe I missed something, thinking this animated short was pretty weak. Apparently, others agree.

It might have been a landmark of sorts with the introduction of Claude The Cat and the two mice, Hubie (his name wasn't mentioned in this cartoon) and Bertie, but that doesn't mean it was entertaining. It wasn't, except for some of the artwork. This was the first of seven "Hubie and Bertie" cartoons.

Claude was just not-funny stupid, and sadistic. Forced to fend for himself after "Meadows" the butler quits after being abused by the cat, Claude finds himself clueless. He has no idea how to do anything for himself. Apparently he doesn't even know what a mouse or a dog looks like, despite the fact there is a dog in the house.

When he encounters the mice, he is scared out of his mind and runs for the hills. Finally, he winds up talking to them and they take advantage of the situation. Overall, this offers almost nothing in the way of laughs except one quick scene when Claude first meets the bulldog, face-to-face.
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Goodbye, Meadows! Hello, mice!
slymusic17 September 2009
Warning: Spoilers
"The Aristo-Cat" is a wonderful Warner Bros. cartoon directed by Chuck Jones and starring the earliest versions of the neurotic Claude Cat (named Pussy in this film) and the mischievous mice Hubie & Bertie.

My favorite scenes: Pussy's squeaky, mousy voice is absolutely hilarious as he quietly calls for the departed butler Meadows; as his voice increases in intensity while repeating the butler's name, watch how the well-constructed backgrounds indicate Pussy's claustrophobic anguish! I also like how Pussy timidly asks the mice for a little bite of cheese and how he measures his orifice against that of a bulldog.

Of course, let us not forget Carl Stalling's fine music score for "The Aristo-Cat". As the setting for this film is the interior of an elegant mansion, Stalling uses heavy doses of classical music, particularly the works of Mozart and Chopin.
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Good idea with no substance
bob the moo30 September 2003
A pampered cat is left in the care of the butler by his wealthy owner. After a few final humiliations by the cat, the butler quits and leaves the cat by himself. Unable to feed himself the cat looks up a book which tells him cats eat mice. He isn't sure what he is looking for and is unaware when two mice convince him that the local bulldog is a mouse and that he should easily catch and eat it.

The set up to this short is quite interesting and should have led to a better cartoon, but, once the mice point out the dog then the cartoon seems to just die on it's feet. The action is standard and shows no imagination and not a great deal to laugh about. The film has a total lack of substance which, in something 4 minutes long, is a problem.

The cat and dog characters are pretty weak but the mice are wise-asses and pretty amusing. Again it was just a shame that nothing of great value was done with them.
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