Goldilocks and the Jivin' Bears (1944) Poster

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7/10
Hit That Jive
Vimacone25 April 2023
Warning: Spoilers
While Black representation in the Warner cartoons was never in good taste, it significantly declined after World War II. This was due to growing pressure from Civil Rights groups, urging producers for better portrayals. Since the Schlesinger cartoons were about brash slapstick comedy, the jokes around blacks were bound to be harmful.

The last short to feature black culture in any capacity is arguably not as harmful as those that preceded it. The fact that all the characters are drawn in blackface led UA to remove it from television in the late 60s.

The strong points are Ernest Whitman's narration, the appealing design of Goldilocks, and of course the swingin jazz score. A pity that Stalling didn't utlize any authentic black jazz for the score; a typical trend for cartoons attempting to depict black jazz.

The short was reissued in 1951, which I always found odd. The racial imagery would have still been in vogue, although it was already dying out. It is also moderately war themed. References to shortages, lockheed, and dog fights would have already dated it then.

The concept of the two fairy tales crossing over had been done more effectively by Tex Avery in THE BEAR'S TALE, whereas here the reveal is done so mundanely.

Despite the problematic content, I do hope a restored print becomes accessible in some form.
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7/10
jazz fairy tales
lee_eisenberg11 June 2011
Friz Freleng's "Goldilocks and the Jivin' Bears" is one of several cartoons that usually don't get any circulation these days due to racial stereotypes (I saw it at an exhibit about Mel Blanc). In this case, the stories of Goldilocks and Little Red Riding Hood get combined to create a jazz-filled extravaganza. A really good time.

It's easy to enjoy these cartoons, just as long as we understand the content. Cartoons like this one and "Coal Black and de Sebben Dwarfs" were intended as homages to African-American culture. And anyway, it's not as if racism has totally vanished from our culture (just look at some of the depictions of Barack Obama).

Overall, a really fun cartoon.
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5/10
The three bears as Black jazz musicians,..now THAT'S unusual!
planktonrules18 October 2006
This is a very peculiar little film that was pulled from circulation a long time ago because some found the film to be racially offensive. However, compared to many of the other films Warner Brothers pulled out of circulation for the same reason, the racist elements of this film seem very, very mild and can be forgiven due to the time in which it was made. If you don't believe me, try watching ALL THIS AND RABBIT STEW or COAL BLACK AND DE SEBBEN Dwarfs!!! In fact, although the three jazz playing characters look stereotypically exaggerated, the characters don't act stupid or lazy like in some of the other offensive cartoons. Because of this, the film is important historically and if viewed by adults I think they can take the imagery without "blowing a gasket". Would I want little kids to see it? Maybe not--or at least I'd have to talk to them and explain the context of the cartoon and the attitudes towards Black America.

As far as the cartoon itself goes, it's pretty similar to MGM's SWINGSHIFT Cinderella, except that it isn't nearly as funny or well-made. Pretty typical of early 40s Warner Brothers, but not among their finer films.
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6/10
"Well, kill me dead!"
utgard1415 August 2016
Merrie Melodies short, directed by Friz Freleng, notable today for being one of the Censored Eleven. For those who don't know, the Censored Eleven are cartoons that were withheld from syndication because they were considered to be too offensive due to their use of racial stereotypes and imagery. This one updates and re-imagines the Goldilocks and Red Riding Hood stories for the (then) modern day. The Three Bears here are three jazz musicians who play their instruments to the point they are too hot to handle, so they leave them to cool off. While they are out, sexy Goldilocks shows up. Little does she know the Big Bad Wolf is after her because Red Riding Hood was late showing up to Grandma's. Anyway it's a light-hearted cartoon with some good jazz music and a few clever gags. In addition to Mel Blanc, this short features voice work from Lillian Randolph, Ernest Whitman, and Dorothy Dandridge's mother Ruby and sister Vivian. As for the animation, the characters are drawn and voiced in an exaggerated stereotypical way that will make some uncomfortable today. I'm far from politically correct but even I cringed at some of it, particularly the Red Riding Hood character. I do think the cartoon has value, historically and artistically, but be aware of what you're watching before you seek it out.
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10/10
Goldilocks and the Jivin' Bears is one more "Censored 11" cartoon I'd recommend
tavm11 July 2008
Warning: Spoilers
This is the last of the Warner Bros. "Censored 11" cartoons I've seen on Thad's Animation Blog and what a cartoon to watch as the final entry since it has hot jazz music performed by the title character animals, the Big Bad Wolf from Red Riding Hood (who's off riveting), Goldilocks wearing out the Wolf from jitterbugging with him, likewise with the returning Red Riding Hood and her Grandma (with voice by Dorothy Dandridge's mom, Ruby). In fact, the story starts with the instruments that the bears are playing (clarinet, piano, and bass) all literally getting red hot from rehearsing too much! So they all take a walk while both the Wolf and Goldilocks go inside. While nearly all of the characters have African-American features, only the piano-playing bear has the stereotyped face, voice, and characterization (of the Stepin Fetchit kind). And with Friz Freling at the helm, you know you're in for an animated musical treat. In fact, Goldilocks and the Jivin' Bears seems like one of the least offensive of the "Censored 11" cartoons I've seen here. It's certainly way better than the worst one, Angel Puss. So on that note, I highly recommend this short for animation buffs and jazz music lovers.
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10/10
Not offensive at all, in fact, promotes black culture
cartoonnewsCP17 June 2016
Warning: Spoilers
I don't know why UA banned this cartoon from their networks, it promotes black culture. Black people did like to dance. Also, Eddie Selzer's first cartoon as producer.

In fact, Freleng was a Jewish man himself, so I bet he faced discrimination too.

The cartoon opens up with 3 jazz bears, who like music. They go for a walk, then, goldilocks come in. Goldilocks doesn't like the food or the bed. The Big bad wolf comes in and goldilocks dances with him. then grandma shows up and dances with the wolf, while the 3 bears play their music.

It has a good musical timing, which Friz Freleng was known for. This makes him my favorite animator and director. I mean a lot of people would say Jones was better, but I like his style, but no one beats the mentor (Freleng) who taught Jones everything.
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9/10
REALLY Mixed-Up Fairy Tale
petersgrgm26 April 2006
"Goldilocks and the Jivin' Bears" was such a WONDERFUL cartoon; it is sad that they do not show it. IT was funny with Papa Bear playing clarinet, Mama Bear on piano, and Baby Bear playing bass. The piano got too hot, so the three bears went for walk in the woods. "Grandma's house" was pictured as a night spot; Red was absent in her war-factory job, so the Wolf went to the Three Bears' house. Goldilocks danced with the Big Bad Wolf and wore him out, after the Three Bears came back from their walk. I am fond of mixed-up fairy tales, having read them as deadpan humor, like "Loldigocks and the Tree Bores". THIS mixed-up fairy tale REALLY tops.
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10/10
A great score in a jazzy take on Goldilocks
llltdesq24 May 2002
This short is just wonderful, with a jazz soundtrack and with the three bears as a jazz combo that takes a break (takes five) because their instruments get too hot from their playing. This is another short that will probably never see broadcast or commercial release because it's politically incorrect. Which is truly a shame, because there's nothing here that would offend anyone, unless it's someone that sees racist overtones in their breakfast cereal. It's fast paced, infectious and totally delightful. Well worth seeing. Most highly recommended.
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8/10
One of the better "Censored 11" cartoons, and in my opinion unjustly banned
TheLittleSongbird17 August 2016
'Goldilocks and the Jivin' Bears' will never be one of my favourite cartoons by any stretch of the imagination, but it is a very entertaining cartoon and one of the better "Censored 11" cartoons.

As to its banning and its criticism for racism, sure there are stereotypes but by today's standards they come across as tame and to be honest this reviewer didn't detect any blatant racism. There are far more extreme examples of racism and racial stereotyping in other "Censored 11", a prime example being the hunter in 'All This and Rabbit Stew'. While it does need a re-watch, from memory 'Angel Puss' was pretty offensive and the worst of the "Censored 11" but by all means it will be given a chance.

It is not a perfect cartoon. The animation is very exaggerated which is not and won't be to the tastes of some people, personally found it quite unattractive with quite ugly and over-stereotypical character designs, not very imaginative (Bob Clampett this ain't) and does lack smoothness and fluidity. It is agreed that Little Red Riding Hood is very annoying.

On the other hand, the music is absolutely amazing and easily the highlight of the cartoon. 'Goldilocks and the Jivin' Bears' is also very funny, sometimes hilarious, with the bears very effectively and imaginatively utilised.

Effective also is the voice acting, which is very exuberant and of top-notch quality throughout. Mel Blanc, one of the greatest voice actors who ever lived and had the unsurpassed ability to voice multiple characters in the same cartoon and give them different and individual personalities, can do no wrong, and 'Goldilocks and the Jivin' Bears' is interesting for the involvement of Ruby and Vivian Dandridge, mother and sister of Dorothy.

To conclude, a very enjoyable "Censored 11" cartoons and one of the better ones. 8/10 Bethany Cox
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9/10
"Whatsa Madder? Ain' Yeah Gonna Chase Me?!" . . .
oscaralbert20 September 2017
Warning: Spoilers
. . . Dorothy's Mom Ruby Dandridge (as Little Red Riding Hood) demands of the Big Bad Wolf after Ruby's OTHER daughter--Vivian (as Goldilocks)--has run the would-be lupine miscreant ragged during GOLDILOCKS AND THE JIVIN' BEARS. In a brilliant bit of color-blind casting Waaaay before the alleged rapist's BIRTH OF A NATION remake, Warner Bros. serves as the Branch Rickey of the movie business by going out on the limb to colorize the Brothers Grimm. One could argue that the Big Bad Wolf comes off as a potential rapist himself the way that he threatens to "eat" Goldilocks on first sight. But once the latter starts Jitterbugging the tables are turned, and the rest of the story segues into a Sadie Hawkins dance. Even "Red's" Granny horns in on the fun, as the Big Bad Wolf yearns for a sound axle greasing. Naturally, wrong-headed racist Ted Turner failed to recognize GOLDILOCKS AND THE JIVIN' BEARS for the watershed Racial Advance that it was during World War Two, and thoughtlessly consigned it to the Hellfire of the infamous "Banned Eleven" Looney Tunes!
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