Chip 'n Dale have set up house in the wood stove of Mickey's cabin. Pluto knows they are there, but Mickey only knows his matches keep going out when he tries to light a fire.Chip 'n Dale have set up house in the wood stove of Mickey's cabin. Pluto knows they are there, but Mickey only knows his matches keep going out when he tries to light a fire.Chip 'n Dale have set up house in the wood stove of Mickey's cabin. Pluto knows they are there, but Mickey only knows his matches keep going out when he tries to light a fire.
- Nominated for 1 Oscar
- 1 nomination total
Dessie Flynn
- Dale
- (voice)
Pinto Colvig
- Pluto
- (voice)
- (uncredited)
Walt Disney
- Mickey Mouse
- (voice)
- (uncredited)
James MacDonald
- Mickey Mouse
- (uncredited)
- …
- Directors
- Jack Hannah
- Clyde Geronimi(earlier cartoon clips) (uncredited)
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaIn this short, both Chip and Dale have black noses instead of Dale having a red nose.
- GoofsThe first time one of the chipmunks peeks out of the stove, there is a handle on the stove top lid he flips over. On the next shot the handle is gone.
- Quotes
[first lines]
Mickey Mouse: Well, Pluto, here we are. Now for a swell vacation.
- Alternate versionsA scene where Pluto accidentally pulls the trigger of a gun and it goes off has been deleted.
- ConnectionsEdited into Walt Disney's Cartoon Carousel (1975)
Featured review
Pluto's Pests
A Walt Disney MICKEY MOUSE Cartoon.
A couple of chipmunks believe they have SQUATTER'S RIGHTS in Mickey's mountain cabin.
This enjoyable, albeit unremarkable, cartoon was the second to feature the Chipmunks - although they had yet to completely metamorphose into Chip 'n' Dale. Their dialogue is almost completely unintelligible. Pluto gets most of the screen time - Mickey is left with just the bits & pieces. The last gag is strangely cruel. Nominated for an Academy Award.
Walt Disney (1901-1966) was always intrigued by drawings. As a lad in Marceline, Missouri, he sketched farm animals on scraps of paper; later, as an ambulance driver in France during the First World War, he drew figures on the sides of his vehicle. Back in Kansas City, along with artist Ub Iwerks, Walt developed a primitive animation studio that provided animated commercials and tiny cartoons for the local movie theaters. Always the innovator, his ALICE IN CARTOONLAND series broke ground in placing a live figure in a cartoon universe. Business reversals sent Disney & Iwerks to Hollywood in 1923, where Walt's older brother Roy became his lifelong business manager & counselor. When a mildly successful series with Oswald The Lucky Rabbit was snatched away by the distributor, the character of Mickey Mouse sprung into Walt's imagination, ensuring Disney's immortality. The happy arrival of sound technology made Mickey's screen debut, STEAMBOAT WILLIE (1928), a tremendous audience success with its use of synchronized music. The SILLY SYMPHONIES soon appeared, and Walt's growing crew of marvelously talented animators were quickly conquering new territory with full color, illusions of depth and radical advancements in personality development, an arena in which Walt's genius was unbeatable. Mickey's feisty, naughty behavior had captured millions of fans, but he was soon to be joined by other animated companions: temperamental Donald Duck, intellectually-challenged Goofy and energetic Pluto. All this was in preparation for Walt's grandest dream - feature length animated films. Against a blizzard of doomsayers, Walt persevered and over the next decades delighted children of all ages with the adventures of Snow White, Pinocchio, Bambi, Peter Pan and Mr. Toad. Walt never forgot that his fortunes were all started by a mouse, or that simplicity of message and lots of hard work always pay off.
A couple of chipmunks believe they have SQUATTER'S RIGHTS in Mickey's mountain cabin.
This enjoyable, albeit unremarkable, cartoon was the second to feature the Chipmunks - although they had yet to completely metamorphose into Chip 'n' Dale. Their dialogue is almost completely unintelligible. Pluto gets most of the screen time - Mickey is left with just the bits & pieces. The last gag is strangely cruel. Nominated for an Academy Award.
Walt Disney (1901-1966) was always intrigued by drawings. As a lad in Marceline, Missouri, he sketched farm animals on scraps of paper; later, as an ambulance driver in France during the First World War, he drew figures on the sides of his vehicle. Back in Kansas City, along with artist Ub Iwerks, Walt developed a primitive animation studio that provided animated commercials and tiny cartoons for the local movie theaters. Always the innovator, his ALICE IN CARTOONLAND series broke ground in placing a live figure in a cartoon universe. Business reversals sent Disney & Iwerks to Hollywood in 1923, where Walt's older brother Roy became his lifelong business manager & counselor. When a mildly successful series with Oswald The Lucky Rabbit was snatched away by the distributor, the character of Mickey Mouse sprung into Walt's imagination, ensuring Disney's immortality. The happy arrival of sound technology made Mickey's screen debut, STEAMBOAT WILLIE (1928), a tremendous audience success with its use of synchronized music. The SILLY SYMPHONIES soon appeared, and Walt's growing crew of marvelously talented animators were quickly conquering new territory with full color, illusions of depth and radical advancements in personality development, an arena in which Walt's genius was unbeatable. Mickey's feisty, naughty behavior had captured millions of fans, but he was soon to be joined by other animated companions: temperamental Donald Duck, intellectually-challenged Goofy and energetic Pluto. All this was in preparation for Walt's grandest dream - feature length animated films. Against a blizzard of doomsayers, Walt persevered and over the next decades delighted children of all ages with the adventures of Snow White, Pinocchio, Bambi, Peter Pan and Mr. Toad. Walt never forgot that his fortunes were all started by a mouse, or that simplicity of message and lots of hard work always pay off.
helpful•21
- Ron Oliver
- Sep 28, 2002
Details
- Release date
- Country of origin
- Language
- Also known as
- Права незаконного вселенця
- Production company
- See more company credits at IMDbPro
- Runtime7 minutes
- Aspect ratio
- 1.37 : 1
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