"Big Town", a shallowly disguised New York City, is of importance in a number of modes for popular United States culture, initially being a radio programme from 1937 until 1962, then on to television episodes, 1952/1956, and eventually as a comic book series, 1956/1958, with the protagonist in each manifestation being Steve Wilson, originally a reporter working for the Big Town Illustrated Press, later becoming its editor-in-chief, and played in this, the third of four films based upon the radio show, by Philip Reed who is featured in all of the four. In the production here, Wilson's almost girl friend and ace crime reporter Lorelei Kilbourne (Hillary Brooke), after her first novel has been accepted for publication, gives him two weeks notice of her resignation from her newspaper position but, to her chagrin, she is almost immediately replaced by the Illustrated Press owner's niece Susan (Anne Gillis), who by appearances also wedges herself into Steve's affections, although in reality he is using her to discover information of crooked Big Town activity involving an illegal gambling ring that preys upon college students. Susan is possibly not what she appears to be, and while Steve explores the girl's connection with local gambling kingpin Chuck LaRue (Richard Travis), owner of the Winners' Club, a night spot for gambling that is near to the campus where Susan attends, Lorelei also investigates her new rival's activities, with her efforts yielding more than she has expected, as all three of them may be in serious peril from the Forces of Evil. This is better than a routine "B" programmer, as it provides some incisive and hard bitten dialogue, a clever subtext based upon poker playing, and a generally edgy quality pervading the characterizations that lifts the work above the norm and, in spite of budget restrictions that rule out retakes, and a necessity for filling demands of its melodrama genre, there is plenty of "business" for a viewer to enjoy. Reed and Brooke make an elegant and worldly pair, veteran character players William Haade and Joe Sawyer perform as LaRue henchmen, and Vince Barnett has a substantial part in this Pine/Thomas production with producer William Thomas also directing and capably utilizing a crisply composed Whitman Chambers script in an always interesting, skillfully edited, briskly paced and well-cast film that additionally includes an effective original score by Darrell Calker, Gotham flavoured, of course, although the extensive location shooting is along Normandie Avenue on the east side of Hollywood.
14 Reviews
Becky Thatcher Goes Bad!!!
kidboots8 December 2009
Warning: Spoilers
Ann Gillis was one of the many child actors who the studios thought would be another Shirley Temple. It didn't happen - there was only one Shirley and besides Ann wasn't really given much of a chance. Mostly her roles were uncredited bits but she came through as Becky Thatcher in "The Adventures of Tom Sawyer" (1938). She was just marvellous in it and was definitely the Becky that everyone remembers - especially in the "cave" scene. Unfortunately, after being mean to Gloria Jean in "The Underpup" (1939) it was back to bit parts and worse. "Big Town After Dark" (based on a popular radio series), the last film she made before her retirement at 20, may have given her her meatiest role since Becky.
Lorelei Kilbourne, aka "Goldilocks" (Hilary Brooke) a reporter for the Illustrated Press, is handing in her notice - she has just had her first novel published and has another one in the works. The boss of the paper has a niece, Susan Peabody (Ann Gillis) who is just raring to get into the newspaper business and she is instantly given Goldie's old job as a crime reporter.
She is not the innocent she makes out - she cleans out the office in a poker game and admits she learned how to play in the Winner's Club in Big Town. She is all for cleaning up the rackets and convinces the Editor, Wilson (Philip Reed) to run a crusade against them in his paper. With a couple of shady characters following her around, it looks as though she has connections to the local crime boss. (Just how close you find out in the last 10 minutes). When Wilson escorts her to the club, he gets into a fight, after accusing a woman of dealing from the bottom of the deck. Then Susan disappears - Wilson and Lorelei fear a kidnapping. Susan's father is then contacted to pay a ransom. Next thing Susan saunters in with a story of a stolen car and then having to spend the night at her girlfriends. A lot of things don't add up but Goldie and her pal Louie (Vince Barnett) are the only ones who are suspicious. "You're carrying a torch for that guy like the Statue of Liberty"!!! "Goldilocks" does some investigating on her own and finds out that Susan never worked for the Mercury as she claimed she did!!!
Ann Gillis, looking just the same as in her Becky Thatcher days - only with an upswept hairdo, plays the petulant Susan petulantly. Obviously, Becky Thatcher was the one great role she had in her. The film could have done with a lot more of the beautiful and elegant Hilary Brooke, who just didn't have enough to do.
Recommended.
Lorelei Kilbourne, aka "Goldilocks" (Hilary Brooke) a reporter for the Illustrated Press, is handing in her notice - she has just had her first novel published and has another one in the works. The boss of the paper has a niece, Susan Peabody (Ann Gillis) who is just raring to get into the newspaper business and she is instantly given Goldie's old job as a crime reporter.
She is not the innocent she makes out - she cleans out the office in a poker game and admits she learned how to play in the Winner's Club in Big Town. She is all for cleaning up the rackets and convinces the Editor, Wilson (Philip Reed) to run a crusade against them in his paper. With a couple of shady characters following her around, it looks as though she has connections to the local crime boss. (Just how close you find out in the last 10 minutes). When Wilson escorts her to the club, he gets into a fight, after accusing a woman of dealing from the bottom of the deck. Then Susan disappears - Wilson and Lorelei fear a kidnapping. Susan's father is then contacted to pay a ransom. Next thing Susan saunters in with a story of a stolen car and then having to spend the night at her girlfriends. A lot of things don't add up but Goldie and her pal Louie (Vince Barnett) are the only ones who are suspicious. "You're carrying a torch for that guy like the Statue of Liberty"!!! "Goldilocks" does some investigating on her own and finds out that Susan never worked for the Mercury as she claimed she did!!!
Ann Gillis, looking just the same as in her Becky Thatcher days - only with an upswept hairdo, plays the petulant Susan petulantly. Obviously, Becky Thatcher was the one great role she had in her. The film could have done with a lot more of the beautiful and elegant Hilary Brooke, who just didn't have enough to do.
Recommended.
Nothing Out of the Ordinary
Hitchcoc12 October 2007
A typical reporter crime movie. As usual, there is a crack female reporter and her sidekick, the guy she loves, who's having to go it alone. Enter a little 21 year old femme fatale who plays the innocent and disrupts things. She is trouble from the start, but the blinders are on and she manages to work things up. She has connections to a gang that runs a gambling palace in Big Town. Anyway, this is pretty much what you would expect. There are misleading clues, bad judgments, sloppy reporting, just plain carelessness. It's interesting how these guys get themselves into life and death situations and don't bother to have any backup. Suffice it to say, even though the big lug has a fixation on this little woman, it's the rock solid older woman who pulls him back to his senses. Unfortunately, he ends up in the hospital in the process. A decent film, but no new territory.
What's Steve gonna do when Lorelei leaves?
planktonrules29 July 2018
"Big Town After Dark" is a decent B-movie from tiny Pine-Thomas, a company known for its mediocre and sub-par Bs. Fortunately, this is one of the better films they made.
Steve (Phillip Reed) is the managing editor of a newspaper. His day is looking pretty glum when his star reporter, Lorelei (Hillary Brooke) announces she's quitting to become a literary writer. He's desperate to keep her there...but he has another problem to deal with...his boss wants him to hire the niece...and she has no experience at a newspaper. Then Steve gets an idea....use the boss' niece to try to keep Lorelei with the paper. Little did he know that this would NOT be a particularly good idea!
This film has a lot of noir elements--the nasty bossman who runs the town and a local gambling den, folks getting the snot knocked out of them and murder! Well worth seeing and an interesting story once it got going.
Steve (Phillip Reed) is the managing editor of a newspaper. His day is looking pretty glum when his star reporter, Lorelei (Hillary Brooke) announces she's quitting to become a literary writer. He's desperate to keep her there...but he has another problem to deal with...his boss wants him to hire the niece...and she has no experience at a newspaper. Then Steve gets an idea....use the boss' niece to try to keep Lorelei with the paper. Little did he know that this would NOT be a particularly good idea!
This film has a lot of noir elements--the nasty bossman who runs the town and a local gambling den, folks getting the snot knocked out of them and murder! Well worth seeing and an interesting story once it got going.
Competent Little Crime Drama
jayraskin116 October 2010
This was the first movie I watched in a DVD collection of 50 "Crime Classics" from Mill Creek that I found in Movie Stop for $6.99. At about 14 cents per movie, I thought it was a pretty good deal. I was glad to see that this was a good transfer and the black and white detail was sharp.
This isn't quite film noir, but one can see a film noir influence. There are lots of night shots, characters who have psychological problems and a near femme fatale in Ann Gillis.
This is a B movie with "C" sets and a "B" script. It moves well and has some unexpected and unusual twists. There's nothing to knock your socks off, but the dialogue is sharp enough to get you smiling here and there.
Hillary Brook is her usual blonde ice self. She has an ephemeral presence, just floating through her scenes delivery her lines well, but without much thought or emotion.
The story is gallant and savvy newspaper reporters battling crooks. Watch for a funny inside reference to the classic newspaper play "The Front Page" at the beginning.
I understand from the reviews that there were three other Big Town movies. I am looking forward to seeing them, and looking forward to watching the 45 or so more movies in this collection that I haven't seen.
This isn't quite film noir, but one can see a film noir influence. There are lots of night shots, characters who have psychological problems and a near femme fatale in Ann Gillis.
This is a B movie with "C" sets and a "B" script. It moves well and has some unexpected and unusual twists. There's nothing to knock your socks off, but the dialogue is sharp enough to get you smiling here and there.
Hillary Brook is her usual blonde ice self. She has an ephemeral presence, just floating through her scenes delivery her lines well, but without much thought or emotion.
The story is gallant and savvy newspaper reporters battling crooks. Watch for a funny inside reference to the classic newspaper play "The Front Page" at the beginning.
I understand from the reviews that there were three other Big Town movies. I am looking forward to seeing them, and looking forward to watching the 45 or so more movies in this collection that I haven't seen.
Double Dealing
bnwfilmbuff14 April 2017
Phillip Reed, newspaper editor, gets himself sweet-talked into hiring the owner's niece, Ann Gillis, who supposedly is attending college and looking for a reporters job. She's not and instead dupes him into looking into the goings-on at a local gambling house, The Winners Club. Reed calls out one of the parlor's operatives for dealing from the bottom of the deck and is quickly overtaken by the club's thugs and drug into meet the owner of this seedy establishment, Richard Travers. After a beating by Travers' gang, Reed ends up hospitalized and wondering what happened to Gillis. Believing that Gillis has been kidnapped, the paper owner, Charles Arnt, is shaken down by Travers for $50,000. Reed then goes on a crusade to expose the gang and recover the $50,000. Hillary Brooke et al is called in to assist with the effort. The plot becomes obvious although the ending had a nice twist. It's pretty slow going overall with low production values. Just a time waster at best.
Excellent Newspaper Mystery
boblipton19 February 2022
Hillary Brooke has published a novel and has another under contract. So she's quitting as crime reporter on the newspaper. Editor Phillip Reed doesn't want her to go, so when the publisher's niece, Ann Gillis, comes in asking for a job, he assigns her to Our Miss Brooke's beat, with a couple of weeks to train her. On Miss Gillis' suggestion, the paper begins beating the drums to close down the poker clubs around the state. Then Miss Gillis gets kidnapped by club owner Richard Travis. Or is she?
It's a Pine-Thomas production, and the Dollar Bills always turned out a decent B movie. They have exceeded themselves with this one, with a plot so twisty you can't see what's going on, and a particularly fine performance by Travis, who exudes an air of menace far from his usual nice-guy demeanor. Even Vince Barnett is enjoyable for once. There's also fun in a reference to Hildy Johnson, the center of THE FRONT PAGE. Does this mean Big Town is Chicago? The exteriors look like LA.
It's a Pine-Thomas production, and the Dollar Bills always turned out a decent B movie. They have exceeded themselves with this one, with a plot so twisty you can't see what's going on, and a particularly fine performance by Travis, who exudes an air of menace far from his usual nice-guy demeanor. Even Vince Barnett is enjoyable for once. There's also fun in a reference to Hildy Johnson, the center of THE FRONT PAGE. Does this mean Big Town is Chicago? The exteriors look like LA.
I'd like a new dealer if you don't mind. And this time deal off the top of the deck not the bottom!
sol121824 November 2007
Warning: Spoilers
**SPOILERS** A big smash with her first crime novel the Illustrated Press' ace police reporter Lorelei, who's knows as "Goldie Locks" to her friends, Kilbourne (Hillary Brooks) decides to quit her job at the newspaper and become a full time crime writer. Upset that his star reporter, as well as girlfriend, is leaving managing editor Steve Wilson, Phillip Reed, persuades Lorelei to stay for two more weeks until he finds a suitable replacement for her. In no time at all Wilson is contacted by the newspapers owner Amos Peabody, Charles Arnt, with the proposition of having his 20 year-old niece Susan, Ann Gillis, replace Lorelie.
Susan being, by Uncle Amos, put through collage and journalism school is anything but interested in getting a scoop or story for her uncle's newspaper. While her naive Uncle Amos is paying the bills, for her collage car and rent, Susan is partying the night away and getting involved with a number of very shady characters in town most of whom she met, while gambling, at the notorious "Winners Club". Wilson who had since ditched the classy and on the ball Lorelei has been getting romantically involved with Susan who unknown to the love-sick managing editor is taking him to the cleaners and taking him there big time.
Through Susan Wilson gets involved with a number of dangerous hoodlums notably the owner of the "Winners Club" Chuck LaRue, Richard Travis, that leads to Susan being disappeared, or kidnapped, by LaRue and held for a $50,000.00 ransom. LaRue is so slick and slippery that he has Susan's Uncle Amos pay him the $50,000.00 for her release by making it look like it's a legitimate stock transaction without Susan's name never being even mentioned!
****SPOILER ALERTS****It soon becomes apparent that the sweet and innocent Susan is anything but a crime victim in that she was never kidnapped, by LeRue or anyone else. In fact Susan was laying low while everyone the police Uncle Amos Steve Wilson, as well as the reporter that she replaced Lorelie Kilbourne, where out desperately looking for her. Wilson who got worked over by LaRue and his hoods at the "Winners Club" earlier is now determined to run him out of the state together his sleazy gambling operation that's cheats it's customers out of their hard earned cash.
With Amos Peabody, who's very close and friendly with the governor, pushing for the state legislators to pass a bill to put LaRue out of commission LaRue has a "Trojan Horse" placed in his, and the Illustrated Press', home. This spy and traitor is giving LaRue all the inside information on what Amos Peabody is up to and at the same time, this without LaRue's knowledge, screwing him behind his back as well.
Wilson finally seeing the light, in what a sucker he was up until then, gets to have himself involved with the LaRue gang by putting his life on the line and forcing LaRue's hand in attempting to murder him. This all played into LaRue's master plan to off not only Wilson but Susan, who it turned out was a lot closer to LaRue then we at first thought, and her secret boyfriend LaRue hood Jake Sabastian, Robert Kent.
In the end, when all the dust cleared, Lorelie realized what a mistake she made in quiting her job at the Illustrated Press. It was Lorelie's decision to go solo, as a crime writer, that opened the door to all the damage and destruction that happened with the advent of Susan Peabody suddenly coming on the scene. Wilson also realized what a first class jerk he was by throwing the sincere honest and beautiful Lorelie overboard for the childish sneaky and unstable Susan. Steve Wilson should thank his lucky stars that he not only survived the mess that he put himself into but that Lorelie came back into his life as well as his newspaper.
Susan being, by Uncle Amos, put through collage and journalism school is anything but interested in getting a scoop or story for her uncle's newspaper. While her naive Uncle Amos is paying the bills, for her collage car and rent, Susan is partying the night away and getting involved with a number of very shady characters in town most of whom she met, while gambling, at the notorious "Winners Club". Wilson who had since ditched the classy and on the ball Lorelei has been getting romantically involved with Susan who unknown to the love-sick managing editor is taking him to the cleaners and taking him there big time.
Through Susan Wilson gets involved with a number of dangerous hoodlums notably the owner of the "Winners Club" Chuck LaRue, Richard Travis, that leads to Susan being disappeared, or kidnapped, by LaRue and held for a $50,000.00 ransom. LaRue is so slick and slippery that he has Susan's Uncle Amos pay him the $50,000.00 for her release by making it look like it's a legitimate stock transaction without Susan's name never being even mentioned!
****SPOILER ALERTS****It soon becomes apparent that the sweet and innocent Susan is anything but a crime victim in that she was never kidnapped, by LeRue or anyone else. In fact Susan was laying low while everyone the police Uncle Amos Steve Wilson, as well as the reporter that she replaced Lorelie Kilbourne, where out desperately looking for her. Wilson who got worked over by LaRue and his hoods at the "Winners Club" earlier is now determined to run him out of the state together his sleazy gambling operation that's cheats it's customers out of their hard earned cash.
With Amos Peabody, who's very close and friendly with the governor, pushing for the state legislators to pass a bill to put LaRue out of commission LaRue has a "Trojan Horse" placed in his, and the Illustrated Press', home. This spy and traitor is giving LaRue all the inside information on what Amos Peabody is up to and at the same time, this without LaRue's knowledge, screwing him behind his back as well.
Wilson finally seeing the light, in what a sucker he was up until then, gets to have himself involved with the LaRue gang by putting his life on the line and forcing LaRue's hand in attempting to murder him. This all played into LaRue's master plan to off not only Wilson but Susan, who it turned out was a lot closer to LaRue then we at first thought, and her secret boyfriend LaRue hood Jake Sabastian, Robert Kent.
In the end, when all the dust cleared, Lorelie realized what a mistake she made in quiting her job at the Illustrated Press. It was Lorelie's decision to go solo, as a crime writer, that opened the door to all the damage and destruction that happened with the advent of Susan Peabody suddenly coming on the scene. Wilson also realized what a first class jerk he was by throwing the sincere honest and beautiful Lorelie overboard for the childish sneaky and unstable Susan. Steve Wilson should thank his lucky stars that he not only survived the mess that he put himself into but that Lorelie came back into his life as well as his newspaper.
Good Little Time Passer
dougdoepke8 January 2017
Pretty good little programmer. No one expects Oscar bait from Pine-Thomas's budget productions. Still, the cast appears motivated, while the script, though convoluted, has a couple good twists. I'm particularly impressed with an animated Reed who too often delivered wooden performances, but not here. Seems he's playing editor of a city newspaper that's trying to take down the town's gambling casinos. At the same time he's working to keep his staff together while trying to accommodate the boss's ambitious daughter. But things aren't always as they seem, as he eventually finds out.
Kudos to director Thomas—half of the Pine-Thomas producing team—who shows skill at directing. I wouldn't be surprised if his presence behind the camera had a lot to do with motivating the cast. My only gripe is with the under-use of the great Hillary Brooke. Her regal presence always adds to movie proceedings. Here, however, she doesn't have much to do after the opening scene.
Anyway, nothing memorable here, just a good little time-passer based on a popular radio program of the time.
Kudos to director Thomas—half of the Pine-Thomas producing team—who shows skill at directing. I wouldn't be surprised if his presence behind the camera had a lot to do with motivating the cast. My only gripe is with the under-use of the great Hillary Brooke. Her regal presence always adds to movie proceedings. Here, however, she doesn't have much to do after the opening scene.
Anyway, nothing memorable here, just a good little time-passer based on a popular radio program of the time.
"...put him in a car and dump him in Big Town".
classicsoncall3 January 2010
Warning: Spoilers
Although rather intricately plotted, "Big Town After Dark" finds itself in rather unbelievable territory for most of it's run. The appearance of some of my favorite character actors of the era saves the picture for me, with the likes of Hillary Brooke, Joe Sawyer and Vince Barnett on hand. I always enjoyed seeing Brooke in a bunch of those Abbott and Costello TV episodes playing the next door neighbor, but she also popped up in a fair amount of these 1940's programmers. In this one, she's a newspaper reporter with a recently published novel who gives notice to her editor boyfriend Steve Wilson (Phillip Reed) of the Illustrated Press. With no time to gloat over painting Wilson into a corner at the newspaper, she's immediately replaced by the niece of the publisher, who has a few secrets of her own. The rest of the story plays out in a gambling joint called the Winner's Club, with publisher Amos Peabody (Charles Arnt) suckered for a fifty thousand dollar stake in the club courtesy of his niece Susan's (Ann Gillis) elaborate scam. All of this would have been unbelievable enough, but the coup de grace occurs when it's revealed that Susan is actually married to the owner of the Winner's Club, Chuck LaRue (Richard Travis). Up to that point though, she'd been playing every guy who'd give her a tumble, including Wilson and Larue's own henchman Jake Sebastian (Robert Kent). Too bad little Suzie didn't think this one out far enough, she never got to spend her uncle's money.
Somehow it didn't seem to be much of a prerequisite for these era films to maintain a semblance of real time continuity. Case in point - editor Wilson decides to run the full story on the fifty grand shakedown, and the very next minute LaRue calls to ask him why? How did he know? But I guess it's this kind of goofy stuff that keeps me coming back to these early flicks. That and getting a kick out of seeing which players eventually show up.
Somehow it didn't seem to be much of a prerequisite for these era films to maintain a semblance of real time continuity. Case in point - editor Wilson decides to run the full story on the fifty grand shakedown, and the very next minute LaRue calls to ask him why? How did he know? But I guess it's this kind of goofy stuff that keeps me coming back to these early flicks. That and getting a kick out of seeing which players eventually show up.
Greed and Betrayal in the Big City
Uriah4330 March 2020
After an argument causes his best reporter "Lorelei Kilbourne" (Hillary Brooke) to tender her 2-week notice, a newspaper's managing editor "Steve Wilson" (Phillip Reed) immediately hires a fairly attractive young woman named "Susan Peabody" (Ann Gillis) to replace her. Naturally, the fact that Susan just happens to be the niece of the man who owns the newspaper causes some speculation but what concerns Lorelei even more is the suspicion that Susan isn't being totally honest about her past. However, when news breaks that Susan has been kidnapped by some local gamblers, things begin to take a deadly turn for everyone involved. Now rather than reveal any more I will just say that this was a passable crime-drama which was diminished somewhat by the paint-by-numbers direction and rather mediocre acting overall. Be that as it may, although this clearly wasn't a great movie by any means, I found it to be adequate for the time spent and for that reason I have rated it accordingly. Average.
Not Horrible and NOT a Film Noir
arfdawg-118 January 2020
This really isnt a film noir. The dialog is way too pithy for that genre. But it IS a crime drama. Rather light fare. Not a bad movie considering the low budget Added bonus: it features Hillary Brooke, who I remember from Abbot & Costello's TV show.
Oddly, she only worked until 1960 an then Lord only knows what she did for the next 40 years before she died.
Oddly, she only worked until 1960 an then Lord only knows what she did for the next 40 years before she died.
Gambling on the boss's niece leads to a stacked deck.
mark.waltz27 November 2015
Warning: Spoilers
What starts off as what seems to reporter Philip Reed's attempt to keep resigning reporter Hilary Brooke from leaving by bringing another female reporter on to take her place ends up being a complex crime drama about the goings on behind the scenes in a crooked gambling joint. Sweet Ann Gillis isn't quite whom she seems to be, bringing intrigue and danger into a newspaper office.
The lighthearted banter of the first half becomes surprisingly overly complex as details surrounding Gilli's come to light and leads Reed down seriously dangerous trails in his efforts to expose the crooked ring. Almost as witty as the sardonic dialog between Cary Grant and Rosalind Russell in "His Girl Friday" ends up on the other side of the spectrum, giving this B entry into the brief "Big Town" series as close a resemblance to film noir as the series would get. It ain't bad, but a few head scratching moments may make you think that you ended up taking the wrong road off the detour.
The lighthearted banter of the first half becomes surprisingly overly complex as details surrounding Gilli's come to light and leads Reed down seriously dangerous trails in his efforts to expose the crooked ring. Almost as witty as the sardonic dialog between Cary Grant and Rosalind Russell in "His Girl Friday" ends up on the other side of the spectrum, giving this B entry into the brief "Big Town" series as close a resemblance to film noir as the series would get. It ain't bad, but a few head scratching moments may make you think that you ended up taking the wrong road off the detour.
Not bad but forgettable
searchanddestroy-119 April 2024
It''s the kind of crime drama that spread in the forties, it is easy to confound it with many other of this kind. It iis talkative, boring, despite the short length. A newspaper man denouncing, fighting against gambling ring. Who cares? I tried to watch it closely but failed. I got asleep, I highly prefer Phil Karlson's SCANDAL SHEET or any other Horace McCoy's novels adaptation. I won't advise to any buff to watch this one at any cost. Watch it only if you have nothing else to do, because it is rare and bearable. I don't know the director and am not in a hurry to discover his filmography. That's all.
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