Swell Guy (1946) Poster

(1946)

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8/10
Not your typical tale of villainy...
AlsExGal22 January 2016
...because the villain is rather complex. Sonny Tufts plays war correspondent Jim Duncan who, because he has lived through so many deadly situations while at war, is celebrated by his small home town when he returns from war.

I say this isn't a typical villainy tale, because although the fact that there is something wrong with Jim's moral compass is shown upfront -he gets train fare home by sleeping with a well off woman who thinks they are going to be married until he ditches her at the train station when he comes home - Jim just takes advantage of the weak nature of individual people. He doesn't ever don a mask and a gun and rob people outright. He just takes advantage of his heroic reputation, his good looks, and the fact that he is really a superior silver tongued devil. He sleeps with and seduces women - even one that is REALLY off limits - because they let themselves believe his lies. He doesn't force anyone to gamble with him, but he does tempt them with chances of making more money. Jim doesn't cheat, and sometimes he loses. The thing is, it doesn't matter to him if he loses - money comes and money goes for Jim - but it does make a difference in the budgets of the family men whom he gambles with if they lose.

And this film is rather gray in the fact that it is left open as to whether or not nurture or nature made Jim the way that he is by the fact that his own mother repeatedly rejects him and asks him to leave town before he hurts anybody and that he is no good just like his father was no good and that he never will be.

But Jim does have a soft spot for one person and that soft spot turns out to be his undoing. Who do I mean and what do I mean by undoing? Watch and find out.

I found this film interesting because just one year after the war is over, it takes a look around at small town American life, the kind of towns that our soldiers were fighting for, and admits that neither the people back home whom the soldiers were fighting for nor the soldiers that were fighting were perfect - we all have all our faults. It also shows that even the worst of us can sum up the courage to do the right thing under certain circumstances. Highly recommended and very unconventional.
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5/10
History-making movie
jmillard-333-17596814 May 2016
As reported in the March 1969 issue of the Chesapeake and Ohio Newsletter (now the C&O Historical Magazine, published by the C&O Historical Society), "Swell Guy" held its world premier on the railroad's top train, The George Washington, on Jan. 6, 1947 -- becoming the first film ever to be shown on a train. Ann Blyth joined the C&O president at the showing, which converted a diner into a movie theatre and inaugurated "Chessie Theatre on the Rails", a joint venture between the railroad and Universal-International Pictures. The service continued until 1949, then was revised for 1965-1967. It is believe, the article noted, that no other rail service offered movies until Amtrak.
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3/10
For the worst leading man of the 1940's, it ain't no tunnel of love.
mark.waltz23 August 2017
Warning: Spoilers
Trying to combine plot elements of "The Lost Weekend" and "The Best Years of Our Lives", this post World War II drama tries valiantly but fails to turn an anti-hero into somebody everybody (except his mother) loves and you begin to wonder what makes the townspeople so stupid to think of Sonny Tufts as anything but a schnook. Sure, he valiantly served through World War II as a war corespondent, parachuting allegedly into France and ending up surviving through his accounts as the fact that his luck hadn't run out...yet. Returning to his California hometown, he finds himself claimed a hero, but upon news of his return, his happily knitting mother (Mary Nash) throws whatever she's making into the basket, unable to continue. The audience quickly learns upon their reunion that he stole a valuable pension that belonged to his father, and then it comes out that his mother hates him simply because he has the happy go lucky charm of his father yet no real value as a human being. Nobody else in the town, including wealthy businessman John Litel, can see that, so for the most part, he's able to walk around a so- called hero.

No sooner has he come home and reunited with his family, he's out gambling and drinking with bored party girl Ann Blyth, Litel's troubled daughter who becomes obsessed with him. Tufts is welcomed home by his hard working brother William Gargan and pretty wife Ruth Warrick (whom he'd never met), and out of the blue, the audience finds out that Warrick hates the trap of marriage and motherhood and secretly longs to run off with Tufts. Other townsfolk gossip about Tufts' gambling and boozing, but when he makes a speech about life being a gamble and nobody knowing what the outcome of their life will be until their luck runs out, he's made a hero again, in everybody's eyes but his mothers, walking out on the speech which attracts the attention of the local gossips. The analogy of walking through a thin train tunnel and risking his life simply out of a gamble is an interesting one, and later on, nephew Donald Devlin tries the same gamble which might just bring Tufts face to face with his own destiny, that is after he's pretty much destroyed the lives of everybody around him.

Great effort is put into the script to reveal little details about Tufts to make him interesting, and through the commentary of acerbic bartender Millard Mitchell and Tufts' takedown by business associate Thomas Gomez, every pathetic detail about Tufts' not so heroic character is revealed. What makes this so hard to believe is that nobody other than Nash, Mitchell and Gomez come to realize anything early enough about him to avoid being destroyed along with him, and when Warrick has her breakdown confession towards Tufts, any attempt at credibility that this film flies through that train tunnel and far away from the viewer's brains.

It's nice to see Warrick playing a complex character, but there really isn't much development to explain why she'd leave her husband and child to be with a loser like Tufts. The future Phoebe Tyler Wallingford is always a presence to be reckoned with, but on "All My Children", a great deal of time and professional writing went into the creation of that character. Nash, the villainess nanny of "Heidi" and the grandmother to Maria Montez in knowledge of the past in "Cobra Woman" is by far the most fascinating character. Blyth really has little to do other than to try to emulate that 9:00 in a 5:00 town, and the little details that made her so fascinating as the nasty Veda in "Mildred Pierce" are missing here. As for Tufts, well, I'll say he can memorize his lines (or at least read cue cards), but he's stiff, unbelievable and really not all that likable as a leading man. He gives no reason to indicate why this town outside those characters I mention would be taken in by him, and along with the details of the town's general stupidity, makes this overly dramatic tragedy nearly a disaster. Nash gets the final shot, an ironic twist that adds frosting onto the conclusion, but unfortunately, what's under that frosting is completely inedible.
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