The Two Mrs. Carrolls (1947)
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- Not Rated
- 1h 39min
- Crime, Drama
- 04 Mar 1947 (USA)
- Movie
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Cast verified as complete
Humphrey Bogart | ... |
Geoffrey Carroll
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Barbara Stanwyck | ... |
Sally Morton Carroll
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Alexis Smith | ... |
Cecily Latham
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Nigel Bruce | ... |
Dr. Tuttle
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Isobel Elsom | ... |
Mrs. Latham
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Patrick O'Moore | ... |
Charles Pennington
(as Pat O'Moore)
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Ann Carter | ... |
Bea Carroll
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Anita Sharp-Bolster | ... |
Christine
(as Anita Bolster)
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Barry Bernard | ... |
Horace Blagdon
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Rest of cast listed alphabetically: | |||
William A. Boardway | ... |
Racetrack Patron (uncredited)
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Colin Campbell | ... |
MacGregor (uncredited)
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Peter Godfrey | ... |
First Tout (uncredited)
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Creighton Hale | ... |
Second Tout (uncredited)
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Leyland Hodgson | ... |
Inspector (uncredited)
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Sammy Shack | ... |
Racetrack Patron (uncredited)
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Directed by
Peter Godfrey |
Written by
Thomas Job | ... | (screen play by) |
Martin Vale | ... | (from the stage play by) |
Produced by
Mark Hellinger | ... | producer (produced by) |
Jack L. Warner | ... | executive producer |
Music by
Franz Waxman |
Cinematography by
J. Peverell Marley | ... | director of photography (as Peverell Marley) |
Editing by
Frederick Richards |
Art Direction by
Anton Grot |
Set Decoration by
Budd Friend |
Makeup Department
Perc Westmore | ... | makeup artist |
Second Unit Director or Assistant Director
Claude Archer | ... | assistant director (uncredited) |
Art Department
John Decker | ... | painter: paintings (uncredited) |
Sound Department
C.A. Riggs | ... | sound |
Gerald W. Alexander | ... | re-recording and effects mixer (uncredited) |
Robert G. Wayne | ... | re-recording and effects mixer (uncredited) |
Special Effects by
Robert Burks | ... | special effects |
Visual Effects by
Russell Collings | ... | special optical effects (uncredited) |
Camera and Electrical Department
James Bell | ... | second camera (uncredited) |
Costume and Wardrobe Department
Milo Anderson | ... | wardrobe |
Edith Head | ... | gowns: Barbara Stanwyck |
Eugene Joseff | ... | costume jeweller (uncredited) |
Music Department
Leo F. Forbstein | ... | musical director |
Leonid Raab | ... | orchestral arrangements |
Charles David Forrest | ... | music mixer (uncredited) |
Additional Crew
Jack L. Warner | ... | presenter |
Production Companies
Distributors
- Warner Bros. (1947) (United States) (theatrical)
- Warner Bros. (1947) (Canada) (theatrical)
- Warner Brothers Pictures (1947) (United Kingdom) (theatrical)
- Warner Brothers First National Films (1947) (Sweden) (theatrical)
- Warner Brothers First National Films (1947) (Norway) (theatrical)
- Warner Bros First National (1948) (France) (theatrical)
- Warner Bros. First National Films (1948) (Belgium) (theatrical)
- Warner Bros. First National Pictures (1949) (Netherlands) (theatrical)
- Associated Artists Productions (AAP) (1956) (United States) (tv)
- MGM/UA Home Entertainment (1992) (United States) (VHS)
- Warner Home Video (1992) (United States) (VHS)
- Warner Home Video (2011) (United States) (DVD) (dvdr)
Special Effects
Other Companies
- RCA (sound system)
Storyline
Plot Summary |
Sally Morton and Geoffrey Carroll, the latter a struggling artist, get married following the passing of Geoffrey's invalid first wife. Despite quickly falling in love with him, Sally never thought she would marry him when she discovered that he was already married - regardless of his vow to get a divorce - the first Mrs. Carroll's passing which changed the situation. The period of the first Mrs. Carroll's illness arguably resulted in Geoffrey's greatest works, including a portrait of her as the Angel of Death. While Sally brings a house in small town Ashton and a rough-around-the-edges housekeeper named Christine, Geoffrey brings a preteen daughter Bea into the marriage, Bea who openly welcomes Sally into the Carroll family. Their happiness begins to change when Cecily Latham commissions Geoffrey to paint her portrait, Cecily and her mother introduced to the Carrolls by London lawyer, Charles Pennington, Sally's former fiancé, who, while still in love with her, is happy that she is happy in her married life. Their meeting was not solely for the purpose of the commission as Cecily had fallen in love with Geoffrey in previously having seen him in town, he who eventually falls in love with her. In his insanity, Geoffrey starts to plot for Sally to befall the same "true" fate of the first Mrs. Carroll in both wanting to be with another woman and setting up a situation for his artistic genius to come to light. Written by Huggo |
Plot Keywords | |
Taglines | Never try to deceive two women! See more » |
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Parents Guide | View content advisory » |
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Did You Know?
Trivia | Humphrey Bogart and Barbara Stanwyck had a friendly relationship on set. Producer Mark Hellinger, whom Bogart liked very much, agreed that Bogart would not be seen in any painter's wardrobe which would conflict with the tough guy image he had cultivated. When a painter's smock and beret with a tassel showed up on his wardrobe clothes rack one day, the actor was furious. The smock and beret were a joke perpetrated by Stanwyck, and the two performers had a good laugh afterward. See more » |
Goofs | When Sally throws the poisoned milk out the window, most of the milk appears to go out the window, with only a small amount landing on the windowsill and none on the floor. When Geoffrey discovers the spilled milk, there is a large amount on the windowsill and an almost equal amount on the floor. See more » |
Movie Connections | Featured in Barbara Stanwyck: Fire and Desire (1991). See more » |
Soundtracks | Sweet Lass of Richmond Hill See more » |
Quotes |
Geoffrey Carroll:
Y'know, I have the strangest feeling that this is the beginning of a beautiful hatred. See more » |