IMDb RATING
7.2/10
7.7K
YOUR RATING
An unethical lawyer who wants to help his older brother becomes a partner with a client in the numbers racket.An unethical lawyer who wants to help his older brother becomes a partner with a client in the numbers racket.An unethical lawyer who wants to help his older brother becomes a partner with a client in the numbers racket.
- Awards
- 1 win
Howland Chamberlain
- Freddie Bauer
- (as Howland Chamberlin)
Murray Alper
- Comptroller
- (uncredited)
Jessie Arnold
- Sorter
- (uncredited)
Georgia Backus
- Sylvia Morse
- (uncredited)
Margaret Bert
- Sorter
- (uncredited)
Larry J. Blake
- Detective
- (uncredited)
Mildred Boyd
- Mother
- (uncredited)
Ralph Brooks
- Attorney
- (uncredited)
Storyline
Did you know
- TriviaIn order to show cinematographer George Barnes how he wanted the film to look, Abraham Polonsky gave him a book of Edward Hopper's Third Avenue paintings.
- GoofsDuring a climactic montage set at an East Coast racetrack on the Fourth of July, people in the stock footage crowd scenes are dressed in winter garments nobody would wear in the middle of summer.
- Alternate versionsAll existing copies of the film are of the version that was cut by 10 minutes in order to fit into a double bill.
- ConnectionsEdited into American Cinema: Film Noir (1995)
Featured review
Top Marx!
McCarthy blacklist victim Abraham Polonsky's angry and poetic film noir is perhaps the most candidly subversive picture ever made in a commercial genre, almost explicitly equating capitalism with crime in the metaphor of the numbers racket. It belongs on the face of it to the post-war-disillusionment school of American thrillers (eg The Blue Dahlia, Key Largo), in which the evils that ordinary Joes spent the war fighting turn out to be business as usual when they get back home. But what makes it so unusual is its insistence, contrary to the message of other social-comment crime thrillers of the 1940s, that it's a bad system, rather than bad people, that's to blame for the woes of the world. The fate of Mob lawyer John Garfield's decent, kind-hearted brother Thomas Gomez, a small-time policy banker, shows us what happens to good people who try to play straight in a crooked game. If the bad guys in the film turned good, Polonsky implies, they'd only get the same. Polonsky described the source novel, Tucker's People, as "an autopsy on capitalism".
Sermon over: none of the above gets in the way of a raging, doom-laden crime melo that, like a snowball, gets faster and weightier as it barrels along. Superb New York location photography, a vitriolic script, and committed, sincere performances lock our attention to every second of its 81 New York minutes. If it weren't for Gun Crazy (scripted under a front name by another dangerous pinko, Dalton Trumbo), Force of Evil would be the best film noir ever made.
Sermon over: none of the above gets in the way of a raging, doom-laden crime melo that, like a snowball, gets faster and weightier as it barrels along. Superb New York location photography, a vitriolic script, and committed, sincere performances lock our attention to every second of its 81 New York minutes. If it weren't for Gun Crazy (scripted under a front name by another dangerous pinko, Dalton Trumbo), Force of Evil would be the best film noir ever made.
helpful•2812
- kennethwright2612
- Jan 23, 2003
- How long is Force of Evil?Powered by Alexa
Details
- Release date
- Country of origin
- Language
- Also known as
- The Numbers Racket
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $948,000
- Gross worldwide
- $1,165,000
- Runtime1 hour 19 minutes
- Color
- Aspect ratio
- 1.37 : 1
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