A man visits his war buddy's family hotel and finds a gangster running things. As a hurricane approaches, the two end up confronting each other.A man visits his war buddy's family hotel and finds a gangster running things. As a hurricane approaches, the two end up confronting each other.A man visits his war buddy's family hotel and finds a gangster running things. As a hurricane approaches, the two end up confronting each other.
- Won 1 Oscar
- 1 win & 1 nomination total
Beulah Archuletta
- Bus Passenger
- (uncredited)
Luther Crockett
- Ziggy's Henchman #1
- (uncredited)
Pat Flaherty
- The Traveler
- (uncredited)
Felipa Gómez
- Old Indian Woman
- (uncredited)
Jerry Jerome
- Ziggy's Henchman #2
- (uncredited)
John Litel
- Dispatcher
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaAlthough they played on-screen enemies, off-screen Humphrey Bogart and Edward G. Robinson treated each other with great respect. Bogart insisted Robinson be treated like a major star, and he would not come to the set until Robinson was ready. Often, he would go to Robinson's trailer to personally escort him to the set.
- GoofsDuring the confrontation between Rocco and Nora (after his shave), the scratch mark from Nora changes sides of Rocco's face. Not a goof: Nora scratches Rocco on both sides of his face and leaves two marks on each side.
- Quotes
[Rocco is showing strain at the height of the hurricane's force]
Frank McCloud: You don't like it, do you Rocco, the storm? Show it your gun, why don't you? If it doesn't stop, shoot it.
- Crazy creditsAt the southernmost point of the United States are the Florida Keys, a string of small islands held together by a concrete causeway. Largest of these remote coral islands is Key Largo.
- Alternate versionsAlso available in a computer colorized version.
- ConnectionsEdited into Tales from the Crypt: You, Murderer (1995)
Featured review
under-appreciated classic
Key Largo is an absolutely brilliant film. Cast and screenplay are both superb. Bogart and Bacall have an intense personal chemistry that sparks on screen, and the supporting cast of Barrymore and E. G. Robinson give their best performances ever. Robinson, in particular, as the slimy gangster johnny rocco is great - his portrayal of the 'banality of evil' is the best I've ever seen.
The screenplay is magnificent. Not just the dialog, but also the balance of characters is perfect. For each good character there is a bad one of equal weight, forming a perfectly complementary totality, a yin/yang balance that teeters between triumph and disaster according to the finest shades of personal choice. It's an examination of freedom, of corruption, of courage and betrayal - a perfect encapsulation of the world, focused upon a hotel on a tiny island in the middle of a hurricane.
This movie deserves more recognition than it gets. The action is understated but intense, densely-packed with meaning and significance, at both the individual and cultural level. Watch this movie with new eyes!
The screenplay is magnificent. Not just the dialog, but also the balance of characters is perfect. For each good character there is a bad one of equal weight, forming a perfectly complementary totality, a yin/yang balance that teeters between triumph and disaster according to the finest shades of personal choice. It's an examination of freedom, of corruption, of courage and betrayal - a perfect encapsulation of the world, focused upon a hotel on a tiny island in the middle of a hurricane.
This movie deserves more recognition than it gets. The action is understated but intense, densely-packed with meaning and significance, at both the individual and cultural level. Watch this movie with new eyes!
helpful•493
- geroldf
- Jan 19, 2002
Details
Box office
- Gross US & Canada
- $7,017,420
- Gross worldwide
- $9,524,420
- Runtime1 hour 40 minutes
- Color
- Aspect ratio
- 1.37 : 1
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