The Doolins of Oklahoma (1949) Poster

User Reviews

Review this title
16 Reviews
Sort by:
Filter by Rating:
7/10
Satisfying western action with some well-known outlaw figures
BrianDanaCamp30 January 2010
Bill Doolin was an outlaw operating in Oklahoma territory in the 1890s who was captured in 1896 by a devoted lawman named Bill Tilghman who had spent four years doggedly pursuing him. Doolin escaped from prison but was eventually shot down by a U.S. Marshal named Heck Thomas. In THE DOOLINS OF OKLAHOMA (1949), Doolin is played as something of a "good" outlaw by Randolph Scott. He's tall, handsome, polite to civilians, and blessed with a remarkable degree of self-control. He even goes straight at one point and marries a pretty, loving farm girl (Virginia Huston) and starts up a working farm. But, unfortunately, he gets pulled back into the outlaw life. As directed by Gordon Douglas, the film offers several bursts of exciting, well-staged western action, including lots of chases on horseback and some amazing feats of horsemanship. Scott is doubled in the long shots, but he does his own furious riding in medium-shot. Most of the chase scenes appear to have been shot in the familiar rocky terrain around Lone Pine, California, at the foot of the Sierras, a dramatic landscape perfect for such scenes, even if it looks nothing like Oklahoma.

Western buffs will enjoy the way the film incorporates other historical western figures, including a couple who had later movies of their own. At the beginning we see the Dalton gang carry out the famed disastrous raid on Coffeyville, Kansas, a fiasco that only Doolin survives because his horse went lame at the last minute (which matches the account of the raid supplied in the book, "Bill Tilghman, Marshal of the Last Frontier," by Floyd Miller). The Dalton gang, of course, has been the subject of many westerns. Later in the film, after Doolin has recruited various gang members, they all adopt the habit of hiding out between jobs in the wide open town of Ingalls, where one of the gang, Bitter Creek (John Ireland), has a girlfriend. She is called Rose of Cimarron and is played in a mature, elegant fashion by Louise Allbritton (SON OF Dracula). One of the characters we meet in Ingalls is a spunky little two-fisted, sharp-shootin' teenage cowgirl named Cattle Annie who wants to join the gang and is well-played by Dona Drake (who was 35 at the time!). A later western, ROSE OF CIMARRON (1952), starred Mala Powers in the title role and I remember her as quite a fiery display of dark-eyed female outlawry. In 1980, there was a film called CATTLE ANNIE AND LITTLE BRITCHES, which starred Amanda Plummer as Cattle Annie, Burt Lancaster as Bill Doolin, and Rod Steiger as Bill Tilghman.

There's a U.S. Marshal in this film named Sam Hughes who pursues Doolin for nearly all of the film's 90 minutes. He appears to be based on Tilghman. Why the name change when Marshal Heck Thomas is left intact, I can't say. Hughes is played by George Macready and Thomas is played by Robert Barrat. Tilghman, one of the most daring of western lawmen, was played by name in only two films I know of, the aforementioned CATTLE ANNIE and the TV movie, YOU KNOW MY NAME (1999), which starred Sam Elliott. The book I mentioned, "Bill Tilghman, Marshal of the Last Frontier," by Floyd Miller (Doubleday, 1968), is highly recommended if you want to read a vivid account of a real western lawman's exciting career. As for this movie, I would urge you not to expect the most accurate portrayal of events, but to take it as a piece of solid, well-crafted western entertainment, with an above-average cast and an attention to details normally left out of studio westerns.
19 out of 21 found this helpful. Was this review helpful? Sign in to vote.
Permalink
7/10
Film The Legend
bkoganbing28 July 2007
In one of the few times in Randolph Scott's career he played a real character, he's notorious outlaw Bill Doolin who was active in the Oklahoma Territory in the Gay Nineties until the law took its course.

Scott had previously played Wyatt Earp in Frontier Marshal and Bat Masterson in Trail Street and was Sam Starr in Belle Starr. But here he plays real life outlaw protagonist Bill Doolin in his own starring film and not in support of Gene Tierney in Belle Starr or a legendary good guy as in the first two. But after watching The Doolins of Oklahoma you'd think Bill Doolin was forced into a life of crime.

No doubt Bill Doolin (1858-1896) may have been forced economically to turn outlaw, but he certainly did take to the trade, much like his earlier peer Jesse James. The film does touch upon parts of the Doolin legend, such as him being in on the Dalton gang raid in Coffeyville because he was holding the horses. You can't reduce Randolph Scott to holding horses so in this film his horse pulled up lame.

His band certainly had some colorful names and in fact those were the names of his men. I liked John Ireland and Noah Beery, Jr. best of that bunch. George MacReady who showed up in many a Scott western, here is a U.S. Marshal for a change and ostensibly a good guy for once.

It's not history, but it's a good Randolph Scott western that forgets the facts and films the legend.
21 out of 25 found this helpful. Was this review helpful? Sign in to vote.
Permalink
7/10
From Daltons to Doolins.
hitchcockthelegend24 June 2018
The Doolins of Oklahoma (AKA: The Great Manhunt) is directed by Gordon Douglas and written by Kenneth Garnet. It stars Randolph Scott, George Macready, Louise Albritton, John Ireland, Noah Beery Junior, Charles Kemper and Viginia Huston. Music is by George Duning and Paul Sawtell and cinematography by Charles Lawton Jr.

After the fall of the Dalton Gang, Bill Doolin (Scott) becomes head of his own gang of outlaws. But with the law in hot pursuit and his yearning to start a new life, Doolin knows he is greatly up against it.

Since it irritates many, it needs pointing out that if you are searching for a history lesson - a film full of real life fact - then look elsewhere. This is at best an interpretation of Bill Doolin the outlaw, where the makers get some things right and others not so. So just settle in for a Western movie, out to entertain with that bastion of Western, Randy Scott, up front and central.

Standard rules of 1940s/50s Westerns apply, meaning there is nothing new across the dusty plains here, outlaw wants to escape his past but circumstances refuse to let him do so. Cue moral and emotional conflict, chases, fisticuffs, shootings, robberies and macho posturing. The Doolin gang are here portrayed as lovable rogues, with main man Bill particularly exuding that fact, and it's here where the Production Code tempers the promise of something more biting in narrative thrust. The lady characters are unfortunately short changed in the writing, leaving the guys to carry the pic to safety conclusion.

At production level there is much to admire. Lawton's black and white photography is crisp and detailed, the interiors atmospherically photographed, the exteriors gorgeously showcasing the Calif locations to full effect. Stunt work (with legendary Yakima Canutt on point detail) is high grade, exciting and authenticity rolled into one. While the crowning glory comes with the stampede at pic's finale, exhilarating is not overstating it. Cast can't be faulted, the ever watchable Scott surrounding by genre pros who don't know how to soil a Western, and with Douglas in the director's chair you got a man who knows his way around an honest Oater.

No pulling up of trees here, and some familiarity does do it down for those in tight with the genre, but lots to like here. From the gunny opening salvo to the mighty stampede, and encompassing rueful closings, it's a treat regardless of historical lessons. 7/10
3 out of 3 found this helpful. Was this review helpful? Sign in to vote.
Permalink
Good Complex Western
dougdoepke12 July 2014
Good Scott western, with lots of action, interesting characters, and a solid script. Doolin (Scott) may be a bankrobber but he's also capable of noble deeds. In short, he's a good-bad guy of the sort the iron-jawed Scott could play to perfection. Here he leads a gang of outlaws whose members are known to us by name. Funny thing about the movies. Even bad guys can be humanized enough so that we care about them. That happens more or less with these gang members.

And get a load of the familiar Alabama Hills that Scott and Buddy Boetticher explored in their great Ranown series of oaters. Director Douglas does some effective staging with the Neolithic slabs, worthy of Boetticher. There're some other good touches by Douglas. I especially like the little boy who stares Scott down in church. I don't think I've seen anything quite like it. Surprisingly, veteran screen baddie George Macready plays a federal marshal, which took some getting used to. And what a sweetheart Virginia Huston is. Who wouldn't give up a life of crime for her. It's that element, I think, that lends the ending such poignancy.

All in all, it's a well done 90-minutes by Columbia, somewhere between an A-production and a B. I'm just sorry Scott never got the recognition as a western star that he deserved.
9 out of 10 found this helpful. Was this review helpful? Sign in to vote.
Permalink
7/10
The characters are real. The story is fiction. The film succeeds in spite of that.
mark.waltz18 April 2020
Warning: Spoilers
This is the story of the naked old west, a.folliwup to the Dalton gang's story, fofusing on Bill Doolin (Randolph Scott) and his attempt to live a normal life after disbanding the gang that he created after the end of the daltons. This is one of the few times where Scott played a real life character, as well as one of the few times where he played a gangster or bad guy. You wouldn't know that he's a bad guy by his noble character here though,, settling down in a small town and marrying the church-going Louise Albritton who decides to go wherever he goes, following him to the town where gangsters of the wild West hang out. Of course, there's a female saloon owner with a heart of gold, and here, it's veteran character actress Lee Patrick in that role. There's also the tough-talking, high shooting Cattle Annie, played with annoying feistiness by the not so young but impish Dona Drake. Her obnoxious antics threaten to get the gang in trouble on more than one occasion, and it makes you wonder what the motivation was for this in the script.

In spite of the implausibilities and fictional account of Bill doolin and his men, this film has a lot to offer, and the performances and writing for the most part is very good. It is narrated by George Macready, the villain from "Gilda", playing the lawn man out to jetties gangs off the prairie no matter how. One of the funniest sequences shows Scott hiding out in church where a little boy, Tony Taylor, continues to stare at him throughout the service. This little freckle-faced kid appeared as extras in several dozen films, and steals this scene without even a word. Fast-moving, action-packed, romantic and humorous, this is an easy Western to get into although it is barely a history lesson in spite of the fact that students of clasdic outlaws will recognize many of the names associated in the story.
2 out of 2 found this helpful. Was this review helpful? Sign in to vote.
Permalink
6/10
The Doolins of Oklahoma review
JoeytheBrit10 May 2020
A year after hunting down Bill Doolin in Return of the Badmen, Randolph Scott makes a rare appearance on the wrong side of the law as the same notorious outlaw in The Doolins of Oklahoma. The writers pay only passing attantion to the facts in this solid programmer efficiently directed by Gordon Douglas, and Scott makes a hugely sympathetic hero, who is tricked back into a life of crime by his old gang after going straight with preacher's daughter Virginia Huston.
2 out of 2 found this helpful. Was this review helpful? Sign in to vote.
Permalink
6/10
Familiar western yarn has Randolph Scott trying to reform...
Doylenf1 September 2007
The big switch in THE DOOLINS OF OKLAHOMA is that GEORGE MACREADY is on the side of the law as a U.S. Marshall, while RANDOLPH SCOTT strays far from the heroic cowboy image he played in so many previous westerns.

He's a hunted man, a fugitive wanted for murder during the era of the Dalton Brothers--and rightly concerned about his survival. As Bill Doolin, he forms his own gang of robbers. On the lam from some pursuers, he enters a church during service and meets a family of church-goers, falling in love with the deacon's daughter. Soon he has a farm, is married to the young lady (VIRGINIA HOUSTON) and wants to go straight and put the past behind him. That is, until his old friends from the Doolin gang show up in town and have other ideas.

When his wife learns his real identity, he rides off to rejoin the gang after a talk with her deacon father (GRIFF BARNETT). The western takes a darker turn, the action gets grittier, and the gang members--including NOAH BEERY, JR., JOHN IRELAND and JOCK MAHONEY--have a little more to do, including some energetic fight scenes well directed by Gordon Douglas.

With a good background score by George Duning, it's a better than average western with Scott in fine form as the ambiguous anti-hero.
3 out of 5 found this helpful. Was this review helpful? Sign in to vote.
Permalink
7/10
"No man's so bad he should be shot in the back"
richardchatten15 June 2022
A laconic black & white western, rather simple by Randolph Scott's standards, the action including lots of riding about and and an eye-watering punch-up.

An excellent supporting cast includes a feisty young Dona Drake and George MacReady refreshingly playing a goodie for once.
1 out of 1 found this helpful. Was this review helpful? Sign in to vote.
Permalink
8/10
OFF-CENTER...CUTTING-EDGE...RANDOLPH SCOTT WESTERN...ABOVE AVERAGE
LeonLouisRicci11 August 2021
Riding on the Wrong Side of the Law, Randolph Scott Plays a Gang Member, Bank Robber On the Run.

The Violence is Cutting Edge with Plenty of Gun-Battles and some Brutal Fisticuffs.

In Act II Scott Tries to Get Married and Settle Down.

But HIs Past and Marshal George Macready with His Relentless Posse will Have None of it.

Action-Packed with High-Contrast Cinematography Filled with Guns Blazing and Hoses at a Gallop.

It's an Energetic Entry in the Genre and the Tone Foreshadows the New Decades Dedication to Make the Western More Adult.

Not Quite Up-There with the Films Scott did with Budd Boetticher but it is an Above Average Movie.

With Help from a Good Supporting Cast....

Macready (who also surprisingly does voice-over) John Ireland, Noah Beery Jr., Jock Mahoney, and Virginia Huston.

A Big Production that Climaxes with a Massive Horse Herd Stampede.

If it has a Weakness its the Comedy Relief of Charles Kemper and Dona Drake.

The Film Pulls Few Punches and One Gets the Sense that the Approach here was to Ratchet Things Up a Notch and it Shows.

You Will Find Some Stuff You Won't See in Any Other Randolph Scott Westerns.

A Must-See for Western Fans and for All Others....

Worth a Watch.
4 out of 4 found this helpful. Was this review helpful? Sign in to vote.
Permalink
4/10
For me, this film is a weak Randolph Scott film for one big reason...
planktonrules4 April 2014
"The Doolins of Oklahoma" begins with the faked Dalton Gang being blown apart during one of their many bank robberies. However, one member of the gang, Bill Doolin (Randolph Scott) escapes and eventually forms his own gang. They, too, terrorize the countryside--robbing banks throughout the territory. However, and this REALLY annoyed me, the film tried to portray the gang as a bunch of NICE crooks--and Doolin was the nicest of them! This is a very bad cliché and making heroes out of scum is something Hollywood did a lot in the so-called 'good old days'. I don't get it--and it seriously damaged my enjoyment of the film. It's a shame, as Scott, as usual, was quite good in the lead and the movie was reasonably entertaining and well made. But, because it starts off with a ridiculous premise and makes it hard to care about the characters, it's definitely one of the weakest Randolph Scott films you can see. Not terrible...just not very good.
7 out of 18 found this helpful. Was this review helpful? Sign in to vote.
Permalink
9/10
The Doolins of Oklahoma
coltras3526 April 2024
When the Daltons are killed at Coffeeville, gang member Bill Doolin arriving late escapes but kills a man. Now wanted for murder, he becomes the leader of the Doolin gang. He eventually leaves the gang and tries to start a new life under a new name. But the old gang members appear and his true identity becomes known. So once again he becomes an outlaw trying to escape from the law.

This is a first time and the only time where Randolph Scott plays an outlaw and, as expected, he does a fantastic job. He's not a bad guy in a sense that he's cruel, but just a person guided by his circumstances. In the course of the film he tries to get out, even gets married, but his selfish gang member - Red Buck who is the heel of the gang. He's played by Frank Fenton - gets him back on the trail by giving Doolin's wife a wanted poster of her husband. Scott shows enough leadership yet human qualities of regret - he's like an animal trapped in the cage of circumstances. There's good close-up shots of his stoic features. For once, the great George Macready plays a good guy, a marshal dogging the Doolin gang and he just as smart as Scott. The rest of the cast is stellar, from John Ireland as Bittercreek to Noah Beery Jr. As Little Bill. Dona Drake makes a pretty lively Cattle Annie.

The Doolins of Oklahoma is a top drawer western from Columbia Pictures, which has a strong and fast-moving and gripping plot with enough fast-riding and shootouts to keep western aficionados happy. There's a particularly rousing and fairly edgy fight between Scott and his fellow outlaw Red. You can feel the punches. The rugged scenery enhances the excitement- and it ends a little tragically, which is expected when one goes down the outlaw trail.
0 out of 0 found this helpful. Was this review helpful? Sign in to vote.
Permalink
5/10
"You're dead, Bill, and I don't want my daughter married to a dead man."
utgard1420 October 2014
Fictionalized account of Bill Doolin, member of the Dalton Gang and founder of the Wild Bunch. The movie concerns itself little with history. Instead, it tells a pretty simple "outlaw trying to leave his past behind" story. The Bill Doolin of this movie is a relatively good guy who only kills in a fair fight. Scott's fine in the role. He could play this in his sleep. Nice supporting cast full of familiar faces like John Ireland, Robert Barrat, George Macready, and Noah Beery, Jr. Macready also narrates. Virginia Huston is Scott's love interest. Gorgeous Dona Drake and Louise Allbritton have small parts. It's not a good history lesson but it's a watchable western. Nothing special but some action, humor, and romance. A nice way to pass time on a lazy Saturday afternoon.
2 out of 5 found this helpful. Was this review helpful? Sign in to vote.
Permalink
Bad man tries to hang up guns.
rmax30482315 February 2004
Randolph Scott usually has a bit of rogue in his characters but there's less of it here than usual. Scott is a member of a gang of thieves and barely escapes when the others are slaughtered by the U.S. Marshal, played by George MacReady who is a bad guy even when he's a good guy, as he is here. That was a close call, Scott reflects, and maybe it's time to hang up my sixguns and take up farming. Not only does he farm (corn) but he marries the daughter of the local church deacon. How good can you get?

Nothing good lasts, however, as anyone over the age of eight knows. His former buddies play a dirty trick on him and expose his identity as a bandit, forcing him to leave wife and home and take to the road again. The Doolin Gang isn't bad, as bank-robbing thieving murdering gangs go. None of them is really evil, although they have their differences. The movie differentiates them pretty well and gives us a chance to get to know them, weaknesses and virtues alike. They have colorful names which I can't remember exactly but are something like "Tulsa," "Brickbat," "Arkansas," "Little Billy." Little Billy is the educated one. He's been to school in Pennsylvania. You can tell because he can quote Benjamin Franklin. He's played in such an effete manner by Noah Beery, Jr., that one wonders if his character isn't one of those barely disguised gay people that some of the older movies used. In any case he does not utter one believable line. But Scott is pretty good, playing it so straight. And John Ireland is very watchable too. I don't know why, but I've always liked John Ireland even in villainous roles. The bridge of his nose seems to have caved in and drawn his eyes closer together. His best role was in "All the King's Men." He had a much more prominent part in "Red River" than we see on screen in today's prints. His role was cut to the bone by director Howard Hawks when Hawks found out that Ireland was romancing Hawks' girl friend at the time, who shall remain nameless here except for her real name -- Letitia laCock -- which wasn't made up by Andy Warhol.

Where was I? Oh, yes, Scott's pretty good. I enjoyed him in his earlier movies, "My Favorite Wife" and "Follow the Fleet," where he established and retired the world's record for repeating the word "swell" on screen. There was a considerable hiatus in his career while he played replaceable heroes in replaceable Westerns, until he made "Ride the High Country" for Sam Peckinpah. He was genuinely good in that -- all rogue, from beginning to end.
14 out of 19 found this helpful. Was this review helpful? Sign in to vote.
Permalink
5/10
A predictable, run of the mill oater, with Randolph Scott as a real-life outlaw.
zardoz-1317 February 2008
Warning: Spoilers
The western outlaw biography "The Doolins of Oklahoma" is another rough-riding, bullet-blasting, gun-slinging outdoors saga about the notorious gang of bank robbers that plagued the Southwest during the 1890s. Scenarist Kenneth Gamet, who wrote scripts for several Randolph Scott westerns, including "Santa Fe," "Coroner Creek," "Man in the Saddle," and "The Stranger Wore A Gun," keeps things simple and straightforward. This law & order western puts the protagonist behind the eight ball, and director Gordon Douglas had no alternative but to let the Randolph Scott hero die since he plays a real-life outlaw and the Hays Production Code was still in effect.

Narration over action footage establishes the time and setting of "The Doolins of Oklahoma." The narrator begins: "There was a time when Oklahoma Territory had its great free ranges. The cowboy went about his daily work, contentment in his heart. His only boundary—the limitless horizon. These were peaceful days, then the cattle herds disappeared. The government cut the ranches into sections and they became farms ringed by barbed strands. The free range was no more. The cowboy, who would not be fenced in, stared in anger at the intruder, blaming him for their loss of livelihood. Instead of turning their hand to a plow, their hands went to the six-gun to take what they reasoned was rightfully theirs, then to be joined by others so the outlaw gangs. The James boys . . . the Younger brothers . . . then behind them the United States marshals pushing on relentlessly. It was our sworn duty to hunt down to destroy this lawless element. And then, finally, bolder than their forerunners—the Daltons. Coffeyville, Kansas, October 5, 1892. The Dalton gang becoming so daring as to strike in broad daylight. The Dalton brothers, with Sam Powers, Bill Broadwell and Wichita Smith." As the narration concludes momentarily, we meet Bill Doolin (Randolph Scott of "Westbound") in a saloon at the bar, enjoying a drink. He is the victim of a lame horse. The local town sheriff brags to one and all that the townspeople and he blew the living daylights out of the Dalton gang. Doolin, who hasn't revealed his name yet, observes that the Dalton gang was shot down in the back. U. S. Marshal Sam Hughes (George Macready of "Gilda") approaches Doolin. He observes: "Never saw a man so bad he had to be shot in the back." Hughes' attitude takes Doolin by surprise. Doolin refuses to identify himself and leaves the saloon. In the stable, he discovers Bill Dalton. Dalton believes that Wichita squealed on the gang. Meanwhile, Wichita complains to Hughes and the town sheriff about flowers on the Dalton's graves. Wichita is anxious about this, so much so that he heads for the livery stable to hightail it and spots Bob Dalton through a crack in the plank walls. The informer circles around, entering the stable through the roof and surprises Bob and kills him. Wichita's luck with Doolin runs out; Doolin guns him down in self-defense, but our hero knows better than to stick around and argue his innocence. He skedattles and heads off to parts unknown.

Eventually, Doolin forms his own outlaw gang. Bitter Creek (John Ireland of "Red River"), Thomas 'Arkansas' Jones (Charles Kemper of "Yellow Sky") and Tulsa Jack Blake (Jock Mahoney of "Tarzan Goes to India") are members of Doolin's gang. A posse of lawmen pursues Doolin and company, and he decides to split his gang up and reunite with them in three months elsewhere after their trail has cooled off. Doolin gallops off to another town, Clayville, with Hughes in hot pursuit. He throws Hughes off his scent by hiding in a church and later buys a ranch from his bank robbery loot. He marries Elaine Burton (Virginia Huston of "The Racket"), but his outlaw cronies show up and ruin his marriage. Elaine's father convinces Doolin to leave Elaine for her ultimate good. Doolin and the gang resume their depredations with Hughes hot on their trail. Gradually, the law whittles the gang down, with a wounded Bitter Creek dying during a long ride across the badlands. Eventually, after all but two remain of the Doolin gang, Big Bill (Scott) and Little Bill (Noah Beery, Jr. of "Sergeant York") ride back to Bill's old homestead. He remembers fondly his days as a farmer with an alias and a wife that he had to give up. They ride to his old farm, but when Bill spots Elaine working it, he pushes Little Bill out the door, but Elaine catches them trying to sneak away. Bill wants to take Elaine to a 'no man's land' territory that neither Kansas nor Arkansas claims where they can resume their lives under a new alias. "From this moment on we're going to forget everything that happened in the past," Elaine agrees. Just as things are looking up for our outlaw protagonist, Marshal Hughes and Marshal Heck Thomas (Robert Barrat of "The Texans") come knocking at the farm; they pose as census takers to get information out of Elaine. Elaine heads off into town with money to buy supplies. Doolin heads off elsewhere, but before he returns, Hughes and his deputies turns up impersonating census takers and question Elaine about her husband. Elaine heads into town. Little Bill rides out to warn Doolin about Hughes. Doolin is riding with a herd of horses and needs to get into Clayville, so Little Bill stampedes the horses to give Doolin a way to sneak into town and get Elaine. During the stampede, Little Bill dies when his horse goes down. Meanwhile, Doolin finds Elaine in the church and orders her to head out with the words of Elaine's father ringing in his head that he must leave his daughter alone. Doolin accepts his destiny, sends Elaine away, and walks out to be shot by the posse.

"The Doolins of Oklahoma" is a predictable, run of the mill oater.
2 out of 11 found this helpful. Was this review helpful? Sign in to vote.
Permalink
Fine mainstream western from era before High Noon
tostinati4 July 2015
As has been generally observed, John Ford was making adult westerns long before the release of the high profile 'adult western' High Noon, and he was doing it under the radar of 99% of the critics of his day.

While no Ford, Gordon Douglas directed lots of highly watchable films that likewise never got their due in their time. Doolins is one of these. As a well-known director for hire, Douglas once credited the existence of his entire oeuvre to having a family to feed.

--Fair enough, and a pretty bravely self-deprecating and self-aware attitude in a town of pretentious auteur-wannabes. I'd offer the opinion that Douglas was the average intelligent man making films for his peers. Because of that, his films remain worth a sit-through. (His Kiss Tomorrow Goodbye rivals Walsh's White Heat in energy and noir viciousness as a late Cagney vehicle.)

This is the best Randolph Scott western after the Boetticher films. Place it alongside other fine non-Ford westerns of the era, including Angel and the badman, Winchester 73 and Yellow Sky. It's definitely worth a watch.
5 out of 8 found this helpful. Was this review helpful? Sign in to vote.
Permalink
Not a standard Randy Scott vehicle
searchanddestroy-122 October 2017
Warning: Spoilers
I discovered this western far long after I already knew most of the Randolph Scott features which he made all over the years. Here, he plays an outlaw, "gentle" outlaw, not e real heavy, bad guy, OK, but a reformed outlaw, an outlaw who wants to at last get straight. And the ending is not so usual for him; if you see what I mean...That's all what I wanted to say about this pretty exciting little western pulled by the always good Gordon Douglas for Columbia pictures. The score is highly recognizable from this studio. A very good western, very interesting for Scott. But the story is also foreseeable and nothing special about the rest,except, I repeat, the quality.
3 out of 4 found this helpful. Was this review helpful? Sign in to vote.
Permalink

See also

Awards | FAQ | User Ratings | External Reviews | Metacritic Reviews


Recently Viewed