I Was a Male War Bride (1949) Poster

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8/10
Grant and Sheridan Shine in Hawks Comedy
dglink15 February 2009
Although the film shows hundreds of American female military personnel stationed in Germany after World War II, apparently few were interested in the local men. According to Howard Hawks's "I Was a Male War Bride," only the male soldiers wed Europeans, and the military bureaucracy and red tape were stacked against American women marrying European men. With that premise, an American Lieutenant, Ann Sheridan, falls for Frenchman Cary Grant, and the couple resort to extraordinary ploys to both comply with and circumvent the rules to marry and bring Grant to the U.S. as Sheridan's "bride." Although Grant is about as French as Big Ben and looks as feminine in drag as Sylvester Stallone, Cary is Cary and brings charm and charisma to his improbable role of Captain Henri Rochard. Tough and sexy Sheridan is better cast, but the sum of the two stars exceeds either apart. Cary and Ann have chemistry and work well together in a plot that could have easily fallen apart with a less skilled team of actors and director.

Grant plays the patient and suffering spouse, who must endlessly explain that he is married to an American soldier and entitled to shelter and transportation in a system that does not recognize his gender as compatible with his situation. Throughout, Grant's face and body language speak volumes about the frustration of dealing with bureaucracy and filling in forms in triplicate. Although at times Sheridan seems oblivious to the depth of Grant's problems, her performance is fine, and she convincingly captures the transition from an initial loathing of to an eventual attraction to Rochard. Shot on location in post-war Germany, the black-and-white photography captures the beauty of the countryside and the devastation of the cities with documentary like precision. Hawks keeps the proceedings well paced, and, while rarely laugh-out-loud funny, "I Was a Male War Bride" and its megawatt stars provide excellent entertainment.
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7/10
Pleasant comedy of Cary Grant as an army wife
blanche-225 January 2006
I saw this movie years and years ago and always remembered the line, "Be quiet or people will think we smuggled in a cow." I was excited to see it on TCM. Alas, while it's good, it's not as hysterically funny as I thought it was going to be. Cary Grant plays a Frenchman with an English accent who winds up married to an American officer, played by Ann Sheridan. I loved their banter, especially in the beginning. Their wedding night is interrupted when she gets orders to ship out, and the problem becomes how to get her new husband home with her to America when all the spousal regulations seem to be for brides.

For me, the funniest scene took place while Grant is waiting for the bus with all the brides. Over a loudspeaker, a female officer informs the women about the new styles in the states and the way hair is worn. Grant's face is priceless while she's talking.

The movie is cute and notable for Grant dressing like a woman and looking very homely. Ann Sheridan is very good. The film is a little slow, but if you love Cary Grant, you should enjoy it.
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8/10
A Blushing Bride
bkoganbing14 July 2006
In doing this film Howard Hawks was greatly influenced by his own Bringing Up Baby. Certainly Cary Grant had never been that henpecked on the screen since that classic film. And Ann Sheridan's WAC character was certainly based on Katharine Hepburn's in Bringing Up Baby. I wouldn't be surprised if this film wasn't originally offered to Hepburn.

I Was a Male War Bride divides neatly in two parts. In fact I'm convinced that a great deal was eliminated from the beginning because the film seems to start in the middle of the story. When it begins Sheridan, a member of the U.S. Women's Army Corps and Grant a French Army officer already know each other and well. Sheridan pushes Grant around the same way Hepburn did in Bringing Up Baby. After a whole lot of verbal banter with Sheridan taking the lead in it, they decide they're in love and want to be married.

But we're dealing with the army and there is a law about American soldiers taking foreign brides while on occupation duty. But no one had the foresight to realize that WACS may find husbands as well. The second half of the film are the frustrations in dealing with all the red tape.

It may seem ridiculous, but we're not only dealing with bureaucratic minds, but military bureaucratic minds. That mindset operates in every army on the planet. What's obvious to us, these folks can't or won't grasp.

Sheridan and Grant team well together. There are no other good secondary characters developed, most of the time it's Grant and Sheridan on the screen together. Sheridan does admirably as a Katharine Hepburn substitute.

You see I Was A Male War Bride and you can understand the military's opposition to gays in their ranks. They don't take to change easily and in fact do it worse than most segments of society.
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7/10
"...for your information, I am a war bride!"
gaityr16 June 2002
I was wavering between awarding this movie a 7 or an 8, and have finally plunked for an 8 because a movie with Cary Grant in it has got to be truly horrible and an utter stinker to get anything below an 8.

This should make it pretty obvious what the best thing about this otherwise average film was. The chemistry between Grant and Sheridan is amusing but not engaging (not the way his verbal sparring with other co-stars like Katharine Hepburn and Rosalind Russell just sparkle right off the screen); the plot is contrived and the romance between the two main characters--Henri and Catherine--isn't particularly believable. (Grant and Sheridan fail at what Gable and Colbert did so well in 'It Happened One Night': making it believable and real and sympathetic that two characters at absolute loggerheads *could* fall helplessly in love.)

This doesn't mean that the film is *bad*. The first half of the movie is mildly amusing, with the bickering between the two main characters as they take a motorcycle trip to their destination. But the best part of it probably comes when Henri and Catherine get married (three times!), with all its attendant problems. It is Grant's perfect comic timing and adorable mien that makes the blatantly "please laugh now" moments genuinely funny. The look of resignation, anger, or suppressed annoyance on Henri's face as he repeatedly asserts that he is "an alien spouse" under the Congressional War Brides Act must be seen to be believed. And I dare anyone *not* to laugh when Grant cross-dresses. That is probably the best part of the film.

An average film without Cary Grant, a better one for having him in it, but definitely an average (if not poor) Grant film. If you want to introduce a friend to the charms of Cary Grant or to screwball comedy, you're better off with Bringing Up Baby or His Girl Friday. This one's probably for true Grant aficionados only.
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Terrific!
Basti H18 April 2001
One of the most undervalued screwball comedies... I think this picture is equal to classics like "It Happened One Night","Bringing Up Baby" or "My Man Godfrey".In this movie Ann Sheridan has the rare opportunity to show that she's not just a great dramatic actress but also has a impressive comedian talent - neither Katharine Hepburn nor Carole Lombard would have made it better.Cary Grant acts also quite good,but he has no chance against Ann with her sharp-tongued,dry commentaries...The dialogues and the action are very funny,I even laugh about it when I see that feature the 10th time...part of the plot is nonsense,of course,but there are also some sarcastic digs on the bureaucratic system. If you like screwball comedies,this movie is a MUST!!!
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7/10
Intelligent, Reality-Based Satire; The Cast is Very Good; What Fun
silverscreen88823 June 2005
Howard Hawks has fashioned many a film on his favorite subject of the war between men and women. But none has been more droll, in my estimation, than "I Was Male War Bride". The movie was filmed in actual French locations not long after the end of WWII. The plot revolves about the necessity for two officers, a Frenchman and an American WAC, to go on a mission together--after a disastrous first assignment, at least on a personal level. The adventures, mishaps, one-upsmanships, accidents and lodging-room mixups they have results in further infuriating the French officer, at the same time he is falling in love with his maddening partner. But the real problem for them begins when they decide to get married and go to the United States--and the only way it can be handled swiftly is if he is declared to be a "war bride". The Frenchman is admirably played despite his accent by Cary Grant; the female is the lovely Ann Sheridan, who proves herself to be adept at verbal comedy of the deadpan variety. Other seen to advantage in the film include Randy Stuart, Kenneth Tobey as a grumpy officer, and Marion Marshall. Editor James B. Clark and hairstylist Ben Nye were kept busy during this one; and Lyl;e Wheeler provided luminous images to accompany Cyril Mockridge's clever music. Henri Rochard's story is so real and so involving that the writers who worked on it were able to milk this slender premise for all it was worth. The climax as Grant manages to get to sail home to the US on a ship disguised as a female only adds to the overall sense of intelligence in charge and fun in the air. Not a great film, perhaps, but an important lesson in how to ground satirical comedy in reality, and reap the benefits of a situation .
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6/10
The weakest of the Hawks/Grant comedies.
hitchcockthelegend24 December 2008
Captain Henri Rochard is assigned to work with Lieutenant Catherine Gates on a very serious mission. Tho initial problems between the two are rife, it's not long before the two of them fall in love and hastily arrange to get married. However a ream of bureaucratic red tape ensures the couple can not be together and with Catherine set to go back to America, there may be only one option, Henri will have to invoke a War Brides Clause in army regulations, with some rather zany results.

I Was a Male War Bride is not even close to being a poor film, it has many moments of hilarity and contains a last twenty minutes to savour, it is however un-fulfilling as a comedy whole and sags on far too many occasions. How much of this is down to the chemistry of the leads and off camera illness problems is open for debate, for both Cary Grant {Rochard} and Ann Sheridan {Gates} both suffered ill health during the shoot, while director Howard Hawks himself was to succumb to being unwell at an inappropriate juncture. Tho Ava Gardner was originally wanted for the role of Gates {something i feel would have been excellent, if still wishing for a more comedic actress}, Hawks went for the more brisk acting of Sheridan, tho a fine actress, she seems wrong here, not quite coping with the comedy interplay with her leading man, almost missing the comedic beat as it were. Grant himself was said to have praised the picture quite often, but he does look weary and often appearing to be on auto pilot during the more laborious sequences.

The film has many supporters, but i can't in my wildest dreams term this as a screwball comedy, perhaps i expect better from Grant and Hawks?, i mean after His Girl Friday, Bringing Up Baby and to a lesser extent, Monkey Business, my expectation for this one was always likely to be high, and of course viewing Sheridan as a great dramatic actress was meaning i viewed this one with suspicion from the off. I honestly feel the last twenty minutes saves the picture from being very average, the script perks up, and naturally a bit of gender confusion always raises a titter, tho the sight of Grant in drag looks more akin to Frankenstein's monster than the boys from Some Like It Hot!. It's more than worth a watch and it has guaranteed laughs dotted throughout, it just falls some way short of being a comedy classic in this viewers humble opinion. 6/10
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9/10
Sometimes It's Hard To Be A Woman
Karl Self1 October 2008
Howard Hawks proves once again why he is considered to be the director's director. The story is fairly simplistic, but with the help of brilliant actors and ingenious dialogue he turned it into a masterpiece and a classic. And it's a damn funny movie, too.

I expected an explanation how the limey Grant got to join the French army, until the credits rolled and forced me to realise that he was meant to be genuine, native French. The good thing here is that Grant never in the least tries to act French, which is probably a good idea as it would have proved to be annoying in the long run. He merely wears a képi.

The chemistry between Ann Sheridan and Cary Grant is amazing, and Ann is so damn sexy. I particularly enjoyed her role as a strong yet sensuous woman, who, in contrast with many other female roles of the time, comes across as plenty fresh and modern.

The movie is a light-hearted comedy for the first half, and then suddenly turns into an almost Kafkaian nightmare for the rest. Grant really shows us his thespic stuff when he's battling being turned into a woman for bureaucratic reasons.

I'm giving this only nine points because I want to leave me some room for improvement. But it's a brilliant and very enjoyable movie, which is sadly underrated.
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7/10
excellent providing you don't think too hard!
planktonrules16 July 2005
I've always liked this movie despite it having one VERY serious short-coming. You see, some dimwit decided to cast Cary Grant as a French Soldier and, to put it bluntly, he sucks at imitating a Frenchman. If only the producers had watched the movie Suzy (completed more than a decade earlier), they could have seen how silly Grant looks when he plays a French person. He has no trace of a French accent. If he had sounded like Pepe LePew, it would have been a vast improvement! So, provided you can get past this (and I'm sure many CAN'T), you are left with an intelligent little comedy about what happens when an American servicewoman marries a French officer and tries to bring him back to the states. As you may have guessed, this did NOT happen very often as nearly all American troops who married abroad were men marrying local ladies. And, because this is NOT the norm, one bureaucratic snafu after another prevent them from the supposedly easy task of immigrating with his new bride to America. Particularly noteworthy is Grant when he poses as a WAC! Although he was a handsome man, he was one scary looking woman!!
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8/10
Poor Henri's Almanack.
rmax3048232 December 2003
Warning: Spoilers
This isn't Hawks' funniest comedy or his most meaningful, but it's clever and amusing, and gets moreso as it moves along.

The repartee isn't as consistently as witty as in some of Hawks' other comedies, a pale shade of what goes on in, say, "Bringing Up Baby," or "Monkey Business." Some of it sounds adolescent. Grant finds himself in humiliating situations and people giggle at him and ask, "What are you doing up there, Henry?" Several times someone remarks, "Poor Henry." And it doesn't help much that the Germany we see is pretty much blasted by the war.

The dust of former explosions seems to hang in the air. It may be Heidelberg but without the Philosophenweg, and there is no Student Prince. Grant is no Henri Rochard and it's hard to laugh when he stumbles over the pronunciation of "Massachussetts" or mistakes "hitch" for "itch." The situations themselves vary in their comedic value. Again, some are silly, as when Grant and Sheridan are about to go over a waterfall. And some are straight out of Laurel and Hardy, as when Grant climbs a pole at night to read the sign at the top and the sign says, "Wet Paint."

But that's about the extent of the qualifications. This is an enjoyable comedy. It starts off a bit slowly but by the climax it has reached the top of the pole. Sheridan is always a likable, unpretentious actress. But absolutely nobody could carry off a movie like this except Cary Grant. He was the best light comedian of his time and here he's at the top of his form. The gags thrown at him are sometimes ridiculous -- the business of the protruding hands when he's trying to sleep in an awkward position -- but he pulls it all off with no loss of dignity. If you want a thought experiment to demonstrate what I mean, try imagining this movie with John Wayne (another Hawks favorite) in the principal role.

And the gags ARE often amusing, sometimes very amusing. The plot picks up speed after Grant and Sheridan are married. Grant wanders the streets in a state that in the anthropological study of ritual is called "liminal". He is a male war bride, caught between two legitimate statuses, unable to fully occupy either of them. And you have to hand to to not only Grant but Hawks for tackling a comedy about bureaucratic red tape. An unpromising prospect if there ever was one. Hawks brings to every scene his usual flair for improvisational sounding crazy exchanges, even if they don't measure up to his best. Nobody but Hawks would toss in Sheridan's confusing Grant before their marriage with some mock misunderstanding about the Chinese tea-drinking ceremony. And nobody would bother to have one of the characters say, "Good luck to you." There's a confident, relaxed quality in the movie which can only be blamed on Grant and Hawks.

Probably the funniest scene is towards the end, as the couple attempt to board a ship for the USA. Kenneth Toby as the sailor, "Red," only has a few scenes with Grant but they are as funny as anything Hawks has put on screen.

Grant: "The army understood and they passed me." Toby: "Oh, the army understood and they passed you. You hear that, Joe? The army understood and they passed him. This is the NAVY, Bud." And Toby's final line, after Grant's gender has been discovered, "Come on. Come along, Flo," while crooking his finger at Grant.
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7/10
A Male War Bond & Female War Bond?
DKosty12326 August 2008
This screwball comedy is not one of Howard Hawks best films but it is still very watchable. Grant is the focus of the film and carries it pretty much alone as much as his carrying hidden stuff in his suitcase.

While Grant did a lot of Comedy films of this nature, this one is the one where he is the center of this film. There are others where Grant is good too but since he is the center of this movie, it is his personal best.

The sexual tension presented in this film is very much the type of tension that existed in the late 1940's but has changed much since then. Still this film is very good and runs on TCM on occasion.
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9/10
Its a classic Howard Hawkes screwball comedy
jmerkel94515 April 2006
This movie is one of the best of the "screwball" comedies. Grant is funny without having to say anything. His body language and his facial expressions say it all. Ann Sheridan has an acerbic wit that steals scenes. She more than holds her own with Cary Grant. Typical of Howard Hawkes comedies, the female character is the stronger of the two. One thing that people want to watch for is who Grant's character is looking for: Oscar Schiendler. Don't know if its the same Schiendler that Spielberg made his movie about, but I found it interesting that that was who Rochard was searching for. I rate this film a 9. It has a good screwball script, its based on a true story, its funny, has mild sexual humor 1940's style and two very likable stars.
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7/10
Grant and Sheridan in top form
funkyfry15 October 2002
Funny and romantic occupation comedy shows the better side of Grant and Sheridan. He's forced to go through a series of humiliations (a la Bringing Up Baby) before and after marrying no-nonsense WAC Sheridan. In order to get on a ship with his wife he's even forced into a VERY unconvincing drag (remember, we're talking about Cary Grant here). Very nice photography and directing mask a patched-together story.
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2/10
Hapless comedy, proving even Hawks and Grant can have an off day...
moonspinner556 February 2008
Incredibly weak wartime farce. Army Captain Cary Grant and his sweetheart, Lieutenant Ann Sheridan, get married overseas, but they soon discover they cannot return to the States together because of his French citizenship. The solution? Dress the captain up as a woman and take advantage of the Immigration of War Brides Act! Slight stuff, with a screenplay seemingly written around the title (and the commercially comic idea of placing a peculiarly butch and graceless Grant in drag). Howard Hawks directed, with none of his usual skill (he's graceless, too). Supporting cast (including Marion Marshall and Bill Neff) is colorless. *1/2 from ****
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Not the best...
WhenAllWordsFail21 November 2004
As a fan of Cary Grant's work in such comedies as Philadelphia Story and Bringing Up Baby, I was thoroughly disappointed by this movie.

It has a few shining, laugh out loud moments in the beginning and in the well known cross-dressing segment near the ending, but I found the middle to be long, slow and not very entertaining. The plot wasn't very interesting and Grant's adventures became repetitive and boring. Also, Grant isn't very convincing as a Frenchman, and I kept forgetting why he had trouble getting into the States in the first place. If you have trouble sitting through slow-moving movies, I would definitely not recommend this.

However, on the opposite side, there are a few funny moments, a cute romantic plot, and, of course, Cary Grant. See it if you wish, but be warned not to have too high of expectations.
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7/10
A fun ride full of humorous role reversals
blott2319-115 February 2022
Cary Grant is no Frenchman, so it was kind of funny watching him constantly called one in I Was a Male War Bride. It's one of those suspension of disbelief things that was pushed too far for me, and I was laughing every time he'd bring it up again. But the film is a comedy, so when they add one more goofy element to it, I find it hard to complain. Aside from the lack of a French accent, Cary Grant is absolutely perfect for this role because he is so great at playing exasperated. You feel every little but of his frustration and can't help chuckling as things continue to go wrong. The movie is separated into 2 big chunks, and I thought both of them worked, making the whole film a joy to watch. This kind of classic comedy always seems to work for me, and sure enough this was another winner in the genre.

I Was a Male War Bride isn't the greatest, though. It gets overly repetitive, particularly during the sequence where our protagonist tries to find a room for the night so he can sleep. It was one of those scenes where you could almost quote the lines for him by the end and the joke was run completely into the ground. I still cared about him and his story, I just wish they had more well-written jokes to fill in that section of the film. But the movie had earned so much good will from me up to that point, I can't say I was all that annoyed. I noticed it, but moved on and started laughing at the next thing he would do to try and spend a night with the woman he loves. Finally, the film takes a unique look at the way role reversal would work between the genders back in the days of WWII, which was an unexpected treat. There's not much more I can say about I Was a Male Bride, it's a fun film that kept me smiling and laughing throughout.
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6/10
I was a disappointed Cary Grant fan
Tashtago1 December 2004
This is a strange one. Plenty of great laughs but in between a lot of nothing. The slapstick is well set up and works perfectly, especially the awning sequence in Sheridan's bedroom. However, the chemistry between Cary Grant and Anne Sheridan is pretty much non- existent, and Cary is unusually mean spirited in this film until the second half. I know they're supposed to hate each other and then fall in love but it seems like there's too much venom between these two to ever end up in marriage. Plus Sheridan's not that appealing. I wonder how the film would have played with a more dynamic actress, say Katherine Hepburn,Lauren Bacall or Jean Arthur.
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7/10
Fast, fun...and Cary Grant. What more do you want?
secondtake14 December 2011
I Was a Male War Bride (1949)

Howard Hawks directing Cary Grant in a farce of a post-war comedy. It's hilarious at times, and always engaging as you'd expect. But then, you might also expect something even further over the top, which might have made this a classic rather than just a really funny fun film.

A reminder--this is the pairing that gave us "Bringing Up Baby" and "His Girl Friday," two of the funniest movies ever. Even "Monkey Business," three years later, had more zaniness to it, though clearly in third place among the four. "I Was a Male War Bride" is the up side to the film noir version of the American soldier in the late 1940s, and it plays into a lot of jokes that were probably hilarious at the time--like the absurd acronyms the military used and uses--but in 2011 it's the larger romance and brief cross-dressing that are the hooks.

If the other three Hawks-Grant comedies have the likes of Katherine Hepburn and Marilyn Monroe to give them longevity (and writers like Ben Hecht chipping in on that score), this one has the lesser known Ann Sheridan. As friendly, likable and every-day as she is meant to be (a little like Ginger Rogers in "Monkey Business"), she never quite lights up the screen. Or more importantly, lights up Cary Grant.

Don't worry, there are really funny parts--the motorcycle scenes in general, including on the boat--so watch this, definitely. Grant might not be his quirky or even romantic best, but he's still Cary Grant. And the writing is fun, the pace always fast. And then, when you're done, you'll want to remember the others in this group. And to round it out, you might discover the fifth collaboration--not a comedy--the moving and very well made "Only Angels Have Wings." Great stuff all around.
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8/10
Zany Fun
kenjha7 July 2008
In this zany comedy, Frenchman Grant is designated as American Sheridan's "bride" by the Army so he can accompany her to America after marrying her. Although the whole film is quite enjoyable, the early parts are the best, featuring the witty banter between Grant and Sheridan, who claim to hate each other. The scene in the hotel where Grant gets locked in Sheridan's room is particularly funny. Hawks, one of the masters of screwball comedy, deftly manages the shenanigans. Other than not even attempting a French accent, Grant is perfectly cast as the hapless bride. Sheridan is marvelous as usual as the kind of woman any man would gladly do whatever it takes to get.
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6/10
Disappointing!
JohnHowardReid28 February 2018
Warning: Spoilers
NOTES: Number 9 at Australian ticket windows for 1950; number 10 at the British box-office for 1949; number 2 at U.S./Canadian cinemas, its gross rental receipts of $4.1 million being exceeded only by the $5 million returned by Jolson Sings Again. Despite this popularity, the movie does not figure on any of the usual "Ten Best" lists from contemporary critics and commentators.

COMMENT: Slow, dated romantic comedy. Most of the humor consists of (1) a risqué element that was doubtless considered very daring in a Hollywood film of 1949 but is now totally passé; (2) tilts at officialdom and red tape which even in 1949 had been pretty well done to death and now more than ever seem like flogging a dead horse; (3) elementary slapstick including such hoary old gags as climbing up a pole to read a sign labelled "Wet Paint". Each gag is introduced and developed at a funereal pace. The accent is heavily on talk and such humor as there is, is sometimes muffed by the inept direction of Howard Hawks. Comedy was NOT his forte!

Still, thanks to the hard-working cast, some laughs do manage to survive. Although he makes no attempt at a French accent, Cary Grant makes a good contrast to Ann Sheridan. These two clashing personalities do manage to strike a few sparks. The rest of the cast is more than competent, though only a few of the players are known to us and their parts are small.

Some of the wisecracks are fairly amusing and a bit of the slapstick (the stuntman going up on the level crossing gate, Grant mumbling to an empty chair as the process screen speeds by) is mildly diverting. But the film as a whole, despite its exceptionally lavish production values, including extensive location filming with the principals against actual German locales, could benefit by considerable trimming.

Hawks' direction is occasionally imaginative (the gate rising behind the train, Grant coming into view in front of the lieutenant's window), occasionally inept (switching to another angle for the bike and sidecar gag was a mistake), but mostly dull.
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8/10
"Will They Ever Run Out of Forms?"
richardchatten14 February 2022
Occupied Germany seems an unlikely backdrop for comedy, but no sooner had Billy Wilder returned to Hollywood after completing the sardonic 'A Foreign Affair' than Howard Hawks arrived there with Cary Grant to make this breezy farce.

Despite the plot synopses Grant drags up only for about five minutes near the end (thank God), when he's even less convincing as a woman than he was as a Frenchman.

As his opposite number Anne Sheridan is an absolute delight.
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7/10
I Was a Male War Bride
jboothmillard13 June 2009
Warning: Spoilers
I think the things that made me decide to try this film that I had never heard of were it being directed by Howard Hawks (Only Angels Have Wings, Gentlemen Prefer Blondes, Rio Bravo), the leading actor, and of course the critics giving it five out five stars. Basically French army officer Capt. Henri Rochard (Cary Grant) and American army officer Lt. Catherine Gates (Ann Sheridan) are assigned to a mission together. At first they are sure that they hate each other, especially with so many things going wrong. But through the mission process, and after it succeeds, they end up falling in love, and wanting to get married as soon as possible. Unfortunately, this becomes complicated when Catherine is assigned back to America, and the only way that Henri can go with her is to register as a female war bride, and at one point even dress like one. This obviously confuses many of the other army officers and staff, but don't worry, they get their eventually. Also starring William 'Bill' Neff as Capt. Jack Ramsey, Marion Marshall as Lt. Kitty Lawrence and Randy Stuart as Lt. Eloise Billings. It has some amusing moments, including Lionel Murton repeating the phrase "you cant sleep here" (the film's British release title), and some of the screwball moments are good, but I can't see giving giving it five stars myself, but it is certainly worth watching. Very good!
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9/10
Funny, witty and quietly subversive
kaos-2311 May 2004
This is a classic film and it's a shame it's not better known, so if you get the chance to see it, go for it. Made just after WWII, it's also a fascinating glimpse into the lives of American soldiers in France and a very clever satire on bureaucracy, relationships, and gender.

The plot involves a French soldier (Cary Grant) and an American soldier (Ann Sheridan) stationed in Europe. Grant and Sheridan are wonderful together in the starring roles. They have a hilarious love/hate relationship with great chemistry between them. Initially sworn enemies, they are forced to work together on an assignment - yes, that old chestnut.

They have a number of escapades, with lots of slapstick comedy action, and realise that they are attracted to each other. However, getting Grant back to America turns out to be a complicated task, which leads to the cross-dressing mentioned above.

Sheridan plays a tough, intelligent and independent army officer who rides motorbikes, fixes boats, and is still very attractive. A great female role model - very different from the submissive housewife types of the 1950s.

The script is fast-paced and witty, and the comic timing is perfect, with a good mix of verbal and visual gags to keep you entertained.

As well as being simply entertaining, there is a also a quietly subversive thread running through this film. Especially knowing that Cary Grant was bisexual and something of a maverick, it's very interesting to observe the way that gender roles are parodied in this film. Watch out for the way he eyes up the young male army officer in an early scene!

The difficulties he encounters come from the fact that he is a man in a typically female role – a foreign national married to an American army officer – and the implications of this are explored in an interesting way, without any sense of being preached to, and without ever being unfunny.

This is a funny and entertaining film with plenty of food for thought.
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7/10
"You're not going to rub my back through anything, including my own foolishness."
utgard1425 December 2014
In postwar Germany, French captain Cary Grant is assigned to work on a mission with American lieutenant Ann Sheridan. The two have a past that we're never completely clued in on but it leads to them bickering for the first half of the movie. While struggling through a series of misadventures, the two eventually fall in love. But the misadventures are only starting as they soon discover when they try to get married and have to contend with bureaucratic hassles and headaches.

According to Robert Osborne on TCM, Cary Grant considered this his best comedy. Given how many classic comedies he was in, it's hard to see why. This is good but it's not THAT good. The film reunites Grant with Howard Hawks, with whom he made some great films years before. It's also Grant's only film with Ann Sheridan, whose career seemed to take a nosedive after this. She's fun here although her character is a little grating at first. Cary does most of the heavy lifting on the comedy front. He's as charming as ever. It's a funny enough comedy helped by the likability of the two stars. The most famous part of the movie, where Grant dresses in drag (and makes for one ugly woman), doesn't occur until near the end and is only good for a chuckle or two. Fans of Hawks and the two leads will want to check it out and decide for themselves.
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5/10
ouch
dathilacha12 March 2011
One of the reviewers above who mentioned Kafka had it right: the movie is an exercise in humiliation, and humiliation of Cary Grant, yet. Earlier Hawks movies like Bringing Up Baby are humiliating also, but are funny enough to soften an edge that here is just painful. The result has a real dramatic problem in that it's pretty hard to believe Grant and Sheridan would ever fall in love and marry--whereas his expressed desire never to see her again, on the other hand, is totally convincing. I watched pretty much without laughing, but the performances are great and the movie is grimly fascinating, like a fun-house-mirror reflection of a screwball comedy.
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