Directed by
| Stuart Heisler | ||
Writing Credits
| John Twist | ... | (written by) |
Cast (in credits order) verified as complete
Produced by
| Anthony Veiller | ... | producer |
Music by
| Max Steiner | ||
Cinematography by
| Ernest Haller | ... | director of photography |
Editing by
| Clarence Kolster | ||
Art Direction by
| Douglas Bacon | ||
Set Decoration by
| George James Hopkins | ||
Makeup Department
| Betty Lou Fredericks | ... | hair stylist (uncredited) |
| Al Greenway | ... | makeup artist (uncredited) |
| Fred B. Phillips | ... | makeup artist (uncredited) |
Second Unit Director or Assistant Director
| B. Reeves Eason | ... | second unit director |
| Chuck Hansen | ... | assistant director (uncredited) |
Sound Department
| Oliver S. Garretson | ... | sound |
Stunts
| Carl Andre | ... | stunts (uncredited) |
| Fred Graham | ... | stunts (uncredited) |
| Charles Horvath | ... | stunts (uncredited) |
| Ted Mapes | ... | stunt double: Gary Cooper (uncredited) |
| Frank McCarroll | ... | stunts (uncredited) |
| Slim Talbot | ... | stunts (uncredited) |
| Glen Thompson | ... | stunts (uncredited) |
Camera and Electrical Department
| Andy Anderson | ... | camera operator (uncredited) |
| Frank Flanagan | ... | gaffer (uncredited) |
| Durward Graybill | ... | still photographer (uncredited) |
| Warren Yaple | ... | grip (uncredited) |
Costume and Wardrobe Department
| Marjorie Best | ... | wardrobe |
Music Department
| Murray Cutter | ... | orchestrator |
Script and Continuity Department
| Rita Michaels | ... | script supervisor (uncredited) |
Additional Crew
| Mitchell Kovaleski | ... | technicolor color consultant |
