Directed by
| Louis King | ||
Writing Credits (in alphabetical order)
| Oscar Brodney | ... | (story and screenplay) |
Cast (in credits order) complete, awaiting verification
Produced by
| Michael Kraike | ... | producer (as Michel Kraike) |
Music by
| Hans J. Salter | ... | (as Hans Salter) |
Cinematography by
| Maury Gertsman | ... | director of photography |
Editing by
| Ted J. Kent | ||
Art Direction by
| Alexander Golitzen | ||
| Bernard Herzbrun | ||
Set Decoration by
| Oliver Emert | ||
| Russell A. Gausman | ||
Makeup Department
| Joan St. Oegger | ... | hair stylist |
| Bud Westmore | ... | makeup artist |
| John G. Holden | ... | makeup artist (uncredited) |
| Jack Kevan | ... | makeup artist (uncredited) |
| Gale McGarry | ... | hair stylist (uncredited) |
| Monty Westmore | ... | makeup artist (uncredited) |
Production Management
| Dewey Starkey | ... | production manager (uncredited) |
Sound Department
| Glenn E. Anderson | ... | sound |
| Leslie I. Carey | ... | sound |
Stunts
| Fred Carson | ... | stunts (uncredited) |
| Ann Robinson | ... | stunt double: Shelley Winters (uncredited) |
Camera and Electrical Department
| John Brooks | ... | gaffer (uncredited) |
| Harry Davis | ... | camera operator (uncredited) |
| Russ Franks | ... | grip (uncredited) |
| Richard Walling | ... | still photographer (uncredited) |
Costume and Wardrobe Department
| Yvonne Wood | ... | costumes |
| Joan Joseff | ... | costume jeweller (uncredited) |
Editorial Department
| William Fritzsche | ... | color consultant: Technicolor |
Music Department
| Ethmer Roten | ... | musician: flute (uncredited) |
Script and Continuity Department
| Adele Cannon | ... | script supervisor (uncredited) |
