Hirokazu Kore-eda’s Monster scored 2.3 and Catherine Corsini’s Homecoming scored 2.
Hirokazu Kore-eda’s Monster and Catherine Corsini’s Homecoming are the first titles to land on Screen’s Cannes 2023 competition jury grid.
Kore-eda’s seventh competition entry received an average of 2.3 while Corsini’s return to Cannes averaged at 2.
This year, 12 critics are taking part in the jury grid to score all 21 titles competing for the festival’s Palme d’Or.
For the first time this year, the jury grid will update live on screendaily.com, in addition to being printed in our Cannes daillies.
Monster received a mixture...
Hirokazu Kore-eda’s Monster and Catherine Corsini’s Homecoming are the first titles to land on Screen’s Cannes 2023 competition jury grid.
Kore-eda’s seventh competition entry received an average of 2.3 while Corsini’s return to Cannes averaged at 2.
This year, 12 critics are taking part in the jury grid to score all 21 titles competing for the festival’s Palme d’Or.
For the first time this year, the jury grid will update live on screendaily.com, in addition to being printed in our Cannes daillies.
Monster received a mixture...
- 5/18/2023
- by Ellie Calnan
- ScreenDaily
Hirokazu Kore-eda and Catherine Corsini titles earn middling scores from our critics.
Hirokazu Kore-eda’s Monster and Catherine Corsini’s Homecoming are the first titles to land on Screen’s 2023 Cannes Competition jury grid.
Kore-eda’s seventh competition entry received an average of 2.3 while Corsini’s return to Cannes averaged at 2.0, with one score still to report.
This year, critics from 11 outlets, alongside Screen’s critics, are taking part to score all 21 titles competing for the festival’s Palme d’Or.
For the first time this year, the jury grid will update live on screendaily.com, in addition to being printed in our Cannes daillies.
Hirokazu Kore-eda’s Monster and Catherine Corsini’s Homecoming are the first titles to land on Screen’s 2023 Cannes Competition jury grid.
Kore-eda’s seventh competition entry received an average of 2.3 while Corsini’s return to Cannes averaged at 2.0, with one score still to report.
This year, critics from 11 outlets, alongside Screen’s critics, are taking part to score all 21 titles competing for the festival’s Palme d’Or.
For the first time this year, the jury grid will update live on screendaily.com, in addition to being printed in our Cannes daillies.
- 5/18/2023
- by Ellie Calnan
- ScreenDaily
Hirokazu Kore-eda’s Monster scored 2.3 and Catherine Corsini’s Homecoming scored 1.9.
Hirokazu Kore-eda’s Monster and Catherine Corsini’s Homecoming are the first titles to land on Screen’s Cannes 2023 competition jury grid.
Kore-eda’s seventh competition entry received an average of 2.3 while Corsini’s return to Cannes averaged at 1.9.
This year, 12 critics are taking part in the jury grid to score all 21 titles competing for the festival’s Palme d’Or.
For the first time this year, the jury grid will update live on screendaily.com, in addition to being printed in our Cannes daillies.
Monster received a mixture...
Hirokazu Kore-eda’s Monster and Catherine Corsini’s Homecoming are the first titles to land on Screen’s Cannes 2023 competition jury grid.
Kore-eda’s seventh competition entry received an average of 2.3 while Corsini’s return to Cannes averaged at 1.9.
This year, 12 critics are taking part in the jury grid to score all 21 titles competing for the festival’s Palme d’Or.
For the first time this year, the jury grid will update live on screendaily.com, in addition to being printed in our Cannes daillies.
Monster received a mixture...
- 5/18/2023
- by Ellie Calnan
- ScreenDaily
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