The Young and the Damned (1950)
Los olvidados (original title)Reference View | Change View
- Not Rated
- 1h 25min
- Crime, Drama
- 24 Mar 1952 (USA)
- Movie
- Nominated for 1 BAFTA Film Award. Another 12 wins & 5 nominations.
- See more »
Photos and Videos
Cast
Estela Inda | ... |
La madre de Pedro
|
|
Miguel Inclán | ... |
Don Carmelo, el ciego
|
|
Alfonso Mejía | ... |
Pedro
|
|
Roberto Cobo | ... |
El Jaibo
|
|
Alma Delia Fuentes | ... |
Meche
|
|
Francisco Jambrina | ... |
El director de la escuela granja
|
|
Jesús García | ... |
El padre de Julián
(as Jesús García Navarro)
|
|
Efraín Arauz | ... |
Cacarizo
|
|
Sergio Virel | ... |
Miembro pandilla
(as Sergio Villarreal)
|
|
Jorge Pérez | ... |
Pelón
|
|
Javier Amézcua | ... |
Julián
|
|
Mario Ramírez | ... |
Ojitos
|
|
Rest of cast listed alphabetically: | |||
Ernesto Alonso | ... |
La Voz al Comienzo de la Película (uncredited)
|
|
Victorio Blanco | ... |
Vagabundo (uncredited)
|
|
Juan Luis Buñuel | ... |
(uncredited)
|
|
Rubén Campos | ... |
Un asilado (uncredited)
|
|
Lupe Carriles | ... |
Doña Rufinita, vecina (uncredited)
|
|
Daniel Corona | ... |
Un golfo (uncredited)
|
|
Juan Domínguez | ... |
(uncredited)
|
|
Enedina Díaz de León | ... |
Tortillera (uncredited)
|
|
José Luis Echeverría | ... |
(uncredited)
|
|
Miguel Funes hijo | ... |
(uncredited)
|
|
Antulio Jiménez Pons | ... |
Chicharronero (uncredited)
|
|
Patricia Jiménez Pons | ... |
(uncredited)
|
|
José Loza | ... |
Un asilado (uncredited)
|
|
Héctor López Portillo | ... |
Juez (uncredited)
|
|
José López | ... |
Un asilado (uncredited)
|
|
Antonio Martínez | ... |
Chamaquito (uncredited)
|
|
Ramón Martínez | ... |
Nacho, hermano de Pedro (uncredited)
|
|
Ángel Merino | ... |
Carlos, Principal's assistant (uncredited)
|
|
José Moreno Fuentes | ... |
Policía (uncredited)
|
|
Humberto Mostí | ... |
Corrigendo (uncredited)
|
|
Pancho Muller | ... |
Mendoza (uncredited)
|
|
Inés Murillo | ... |
Vecina (uncredited)
|
|
Roberto Navarrete | ... |
Un golfo (uncredited)
|
|
Diana Ochoa | ... |
La madre del Cacarizo (uncredited)
|
|
Rosa Pérez | ... |
(uncredited)
|
|
Salvador Quiroz | ... |
Juan Ferruzca, dueño de la herrería (uncredited)
|
|
Charles Rooner | ... |
Pederasta elegante (uncredited)
|
|
Ignacio Solorzano | ... |
Feriante (uncredited)
|
|
Ramón Sánchez | ... |
Vendedor de tortas (uncredited)
|
|
Juan Villegas | ... |
Abuelo del Cacarizo (uncredited)
|
Directed by
Luis Buñuel |
Written by
Luis Alcoriza | ... | () |
Max Aub | ... | (dialogue collaborator) (uncredited) |
Luis Buñuel | ... | () |
Juan Larrea | ... | (dialogue collaborator) (uncredited) |
Pedro de Urdimalas | ... | (dialogue collaborator) (uncredited) |
Produced by
Óscar Dancigers | ... | producer |
Sergio Kogan | ... | producer |
Jaime A. Menasce | ... | producer |
Music by
Rodolfo Halffter | ||
Gustavo Pittaluga |
Cinematography by
Gabriel Figueroa |
Editing by
Carlos Savage | ||
Luis Buñuel | ... | (uncredited) |
Editorial Department
Alberto Valenzuela | ... | assistant editor (as Alberto E. Valenzuela) |
Production Design by
Edward Fitzgerald |
Art Direction by
William W. Claridge |
Makeup Department
Armando Meyer | ... | makeup artist |
Production Management
Federico Amérigo | ... | production manager |
Fidel Pizarro | ... | chief of production |
Second Unit Director or Assistant Director
Ignacio Villareal | ... | assistant director (as Ignacio Villarreal) |
Sound Department
José B. Carles | ... | dialogue recordist |
William W. Claridge | ... | sound studio director (as W.W. Claridge) |
Jesús González Gancy | ... | sound engineer (as Jesús González G.) |
Camera and Electrical Department
Ignacio Romero | ... | camera operator |
Luis Márquez | ... | still photographer (uncredited) |
Music Department
Rodolfo Halffter | ... | conductor |
Additional Crew
José de Jesús Aceves | ... | dialogue coach (as José de J. Aceves) |
Antonio de Salazar | ... | administrator |
Thanks
Maria de Lourdes Ricaud | ... | thanks |
Armando List Arzubide | ... | thanks |
José Luis Patiño | ... | thanks |
Production Companies
Distributors
- Ultramar Films (1950) (Mexico) (theatrical)
- Azteca Films Inc. (1951) (United States) (theatrical) (Spanish language)
- Héraut Film (1951) (France) (theatrical)
- Arthur Mayer-Edward Kingsley (1952) (United States) (theatrical) (subtitled)
- Film Traders Ltd. (1952) (United Kingdom) (theatrical) (subtitled)
- Europa Film (1953) (Sweden) (theatrical)
- Kinei (1953) (Japan) (theatrical)
- Neue Filmkunst Walter Kirchner (1953) (West Germany) (theatrical)
- Globe Films International (1964) (Italy) (theatrical)
- Suevia Films - Cesáreo González (1964) (Spain) (theatrical)
- Metropolitan Films (Belgium) (theatrical)
- Cinematográfica Marte S.A. (Mexico) (theatrical) (reissue)
- Sharmill Films (1974) (Australia) (theatrical)
- Alive Vertrieb und Marketing (2007) (Germany) (DVD)
- Collection Ciné-Club (2001) (France) (DVD)
- Connoisseur Video (United Kingdom) (VHS)
- Dynit (2009) (Italy) (DVD)
- Leopardo Filmes (2019) (Portugal)
- Public Broadcasting Service (PBS) (1972) (United States) (tv) (network premiere)
- Umbrella Entertainment (2009) (Australia) (video) (VOD)
- Umbrella Entertainment (2010) (Australia) (DVD)
- Umbrella Entertainment (2010) (Australia) (tv)
- Versátil Home Vídeo (2003) (Brazil) (DVD)
Special Effects
Other Companies
Storyline
Plot Summary |
Hell-bent on revenge, cocky reform-school runaway El Jaibo returns to his old neighborhood in post-World-War-II Mexico City's poor and squalid slums, to reunite with his faithful gang of juvenile delinquents and street urchins. However, as the dangerous ringleader lives and breathes retribution, his destructive obsession to find the informant who supposedly sent him to jail will intricately interweave his bitter fate with that of Pedro, his weak, unwitting accessory, in a despicable act of pure evil. In the end, are humans inherently good or bad? Is immorality contingent with society? Written by Nick Riganas |
Plot Keywords | |
Taglines | A Motion Picture Masterpiece From Mexico See more » |
Genres | |
Parents Guide | View content advisory » |
Certification |
Additional Details
Also Known As |
|
Runtime |
|
Country | |
Language | |
Color | |
Aspect Ratio |
|
Sound Mix | |
Filming Locations |
Did You Know?
Trivia | When it was released in Mexico in 1950, its theatrical commercial run only lasted for three days due to the enraged reactions from the press, government, and upper and middle class audiences. See more » |
Goofs | In a shot of Pedro's corpse, the victim can clearly be seen breathing. See more » |
Movie Connections | Edited into Origins of the 21st Century (2000). See more » |
Quotes |
Don Carmelo, el ciego:
I hope they'll kill every one of them before they born! See more » |