The Light Touch (1951)
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- Approved
- 1h 33min
- Crime, Drama
- 06 Dec 1951 (USA)
- Movie
Photos and Videos
Cast verified as complete
Stewart Granger | ... |
Sam Conride
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Pier Angeli | ... |
Anna Vasarri
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George Sanders | ... |
Felix Guignol
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Kurt Kasznar | ... |
Mr. Aramescu
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Joseph Calleia | ... |
Lt. Massiro
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Larry Keating | ... |
Mr. R.F. Hawkley
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Rhys Williams | ... |
Mr. MacWade
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Norman Lloyd | ... |
Anton
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Mike Mazurki | ... |
Charles
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Ben Astar | ... |
Hamadi Mahmoud
(as Albert Benastar)
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Rest of cast listed alphabetically: | |||
Eugene Borden | ... |
Mayor (uncredited)
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Renzo Cesana | ... |
Father Dolzi (uncredited)
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Andre Charisse | ... |
Guest (uncredited)
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Louise Colombet | ... |
Frenchwoman (uncredited)
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Hans Conried | ... |
Leopold (uncredited)
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Robert Conte | ... |
Waiter (uncredited)
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Henry Dar Boggia | ... |
Hotel Clerk (uncredited)
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Giulio de Capua | ... |
Italian Bus Driver (uncredited)
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Paul De Corday | ... |
French Telephonist (uncredited)
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George Dee | ... |
Frenchman (uncredited)
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Albert Ferrara | ... |
Young Priest (uncredited)
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Gladys Holland | ... |
Frenchwoman (uncredited)
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Robert Jefferson | ... |
Bellboy (uncredited)
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Aram Katcher | ... |
Butler (uncredited)
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Louis Mercier | ... |
Waiter (uncredited)
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Miklós Rózsa | ... |
Guest at Party (uncredited)
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Vito Scotti | ... |
Hotel Clerk (uncredited)
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Mario Siletti Jr. | ... |
Bellboy (uncredited)
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Mario Siletti | ... |
Hotel Manager (uncredited)
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Georgia Stark | ... |
Soprano - Arabic Songs (uncredited)
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Louis Velarde | ... |
Arab Boy Juggler (uncredited)
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Directed by
Richard Brooks |
Written by
Richard Brooks | ... | () |
Jed Harris | ... | (story) |
Tom Reed | ... | (story) |
Produced by
Pandro S. Berman | ... | producer |
Music by
Miklós Rózsa | ... | (uncredited) |
Cinematography by
Robert Surtees | ... | director of photography |
Editing by
George Boemler |
Art Direction by
Cedric Gibbons | ||
Gabriel Scognamillo |
Set Decoration by
F. Keogh Gleason | ||
Edwin B. Willis |
Costume Design by
Helen Rose |
Makeup Department
Sydney Guilaroff | ... | hair stylist |
John Truwe | ... | makeup artist |
William Tuttle | ... | makeup artist |
Second Unit Director or Assistant Director
Carl 'Major' Roup | ... | assistant director (uncredited) |
Art Department
Italo Tomassi | ... | construction department head: scenic artists (uncredited) |
Sound Department
Douglas Shearer | ... | recording supervisor |
Stanley Lambert | ... | sound (uncredited) |
Special Effects by
A. Arnold Gillespie | ... | special effects |
Warren Newcombe | ... | special effects |
Music Department
Miklós Rózsa | ... | musical director |
Eugene Zador | ... | orchestrator (uncredited) |
Production Companies
- Metro-Goldwyn-Mayer (MGM) (controlled by Loew's Incorporated)
Distributors
- Metro-Goldwyn-Mayer (MGM) (1951) (United States) (theatrical)
- Metro-Goldwyn-Mayer (MGM) (1951) (United Kingdom) (theatrical)
- Metro-Goldwyn-Mayer (MGM) (1952) (Sweden) (theatrical)
- Metro-Goldwyn-Mayer (1952) (Austria) (theatrical)
- Metro (1955) (Norway) (theatrical)
Special Effects
Other Companies
Storyline
Plot Summary |
Sam and Felix are art thieves. Sam has just stolen a picture from a museum in Italy, but told Felix that it was lost in a boat accident. He wants copies made to sell while he will sell the original and get paid both ways. To find an artist, they pick the young, beautiful, naive Anna. When Anna has doubts, Sam strings her along and then marries her and go to Sicily on their honeymoon. Anna finds out that Sam is a thief and is very disappointed. Felix finds out that Sam has the original and is out to get it. The police are also waiting along with the buyer that Sam has for the painting.
Written by Tony Fontana |
Plot Keywords | |
Taglines | If she knew what he was, she'd never given him her youth and innocence! See more » |
Genres | |
Parents Guide | View content advisory » |
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Additional Details
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Filming Locations |
Box Office
Budget | $1,163,000 (estimated) |
Did You Know?
Trivia | Stewart Granger later wrote in his memoirs he had to make the film or go on suspension: "I wasn't particularly enamored of the thought of working with [Richard Brooks], as I had heard he had reduced a small-part actor to tears. That actor was Ramon Novarro. The thought of anyone reducing one of my childhood heroes to tears filled me with anger, but that's Hollywood. When a star is down he's fair game for anyone. I had to agree in order to avoid suspension and went along to meet Brooks. His opening words [were], 'I have to tell you that I wanted Cary Grant' . . . [introducing leading lady Pier Angeli] '[She will] play opposite you. Doesn't speak very good English but we'll get around that'. I spoke very good English but wondered how the hell I would get around his dialogue". See more » |
Quotes |
Felix Guignol:
Here's to art. The only world where age comes before beauty. See more » |