Directed by
| Nicholas Ray | ||
| Ida Lupino | ... | (uncredited) |
Writing Credits
| A.I. Bezzerides | ... | (screen play) |
| A.I. Bezzerides | ... | (adaptation) and |
| Nicholas Ray | ... | (adaptation) |
| Gerald Butler | ... | (novel) |
Cast (in credits order) verified as complete
Produced by
| John Houseman | ... | producer |
| Sid Rogell | ... | executive producer |
Music by
| Bernard Herrmann | ||
Cinematography by
| George E. Diskant | ... | director of photography |
Editing by
| Roland Gross | ||
Casting By
| Dick Stockton | ... | (uncredited) |
Art Direction by
| Ralph Berger | ||
| Albert S. D'Agostino | ||
Set Decoration by
| Harley Miller | ||
| Darrell Silvera | ||
Makeup Department
| Mel Berns | ... | makeup artist |
| Larry Germain | ... | hair stylist |
| Josephine Sweeney | ... | hairdresser (uncredited) |
Production Management
| John Burch | ... | assistant production manager (uncredited) |
| Walter Daniels | ... | production manager (uncredited) |
| Lloyd Richards | ... | unit manager (uncredited) |
Second Unit Director or Assistant Director
| William Dorfman | ... | assistant director (uncredited) |
| Maxwell O. Henry | ... | assistant director (uncredited) |
Art Department
| Sydney M. Fogel | ... | props (uncredited) |
| Gene Gossert | ... | props (uncredited) |
| Johnny Peacock | ... | sketch artist (uncredited) |
Sound Department
| Phil Brigandi | ... | sound |
| Clem Portman | ... | sound |
| Harold M. McNiff | ... | sound (uncredited) |
| Cecil Shephard | ... | cableman (uncredited) |
| Jean L. Speak | ... | sound recordist: second unit (uncredited) |
| James Thompson | ... | boom operator (uncredited) |
Special Effects by
| Harold E. Stine | ... | special effects (as Harold Stine) |
| Jack Lannan | ... | special effects (uncredited) |
Camera and Electrical Department
| Landon Arnett | ... | assistant camera (uncredited) |
| S.H. Barton | ... | gaffer (uncredited) |
| Emmett Bergholz | ... | camera operator (uncredited) |
| E.T. Harris | ... | grip (uncredited) |
| George Hollister | ... | assistant camera (uncredited) |
| George Marquenie | ... | best boy (uncredited) |
| Ollie Sigurdson | ... | still photographer (uncredited) |
| Ralph Wildman | ... | grip (uncredited) |
Editorial Department
| Frederic Knudtson | ... | cutter (uncredited) |
Location Management
| Louis Shapiro | ... | location manager (uncredited) |
Music Department
| C. Bakaleinikoff | ... | musical director |
| Virginia Majewski | ... | musician: viola d'amour |
| Victor Bay | ... | musician: violin (uncredited) |
| Arthur L. Frantz | ... | musician-french horn (uncredited) |
| Manny Harmon | ... | orchestra manager (uncredited) |
| Bernard Herrmann | ... | conductor (uncredited) / orchestrator (uncredited) |
| Mitchell Lurie | ... | musician: clarinet (uncredited) |
| Neely Plumb | ... | musician: clarinet (uncredited) |
| Max Rabinowitz | ... | musician: piano (uncredited) |
| Paul Sawtell | ... | composer: stock music (uncredited) |
| Roy Webb | ... | composer: stock music (uncredited) |
Script and Continuity Department
| Marvin Weldon | ... | script supervisor (uncredited) |
Additional Crew
| Richard Irving | ... | dialogue director (uncredited) |
| Stan Margulies | ... | publicist (uncredited) |
