User Reviews

This film is an odd mixture of about fifty/fifty success and failure, but manages to remain quite enjoyable withal: Monty Python, however, it ain't.

It's a somewhat odd experience for those, such as myself, with only a passing acquaintance with the Goons, to see them in person rather than just as radio voices. I had no idea that Harry Secombe was so short, for instance, or Spike Milligan could be so unexpectedly good-looking. And they take advantage of the new medium to experiment with some purely visual comedy, for example Secombe's mimed surgical operation. The hit rate for this, though, is about the same as for the verbal humour: about half of it worked for me and the other half didn't.

The most consistently impressive performer is Alfred Marks, who appears to be channelling Alistair Sim in his role as a smooth criminal mastermind; his derogatory relationship with the sidekick he calls 'Laddie' is almost invariably hilarious. The statuesque Paddy O'Neill's impression of Bette Davis is also wickedly apt, while she and Vicki Page as Sheila have a good double-act going. The Goons have a tendency towards being manic just for the sake of it (epitomised in the speeded-up sequences, a form of Keystone Kops comedy that just doesn't work for me at all) but come up with some nice sequences.

The history of the print we saw was chequered, the picture having been cut for re-issue under the title "Penny Points" with some of the footage surviving only in 16mm format (and apparently extra footage of Peter Sellers interspersed to take advantage of his increased fame!) The differing quality of certain scenes did, however, provide the opportunity to see just what had been cut; largely plot-development and dialogue scenes between the set-piece gags, by the look of it, and certainly the restoration gives the impression of being an improvement.

By and large I found this film about as funny as the average Goon Show episode (which were always a bit haphazard), although not as funny as the best of them... but then I'd been told to expect the worst by two separate people before the screening started, and was consequently quite pleasantly surprised! Provided you don't expect too much this film is quite enjoyable, and manages to avoid being tedious or annoying throughout.

An odd mixture: cheap and quickly made, a strange mixture of clichés piled on top of each other, old (and stolen) jokes and improvisations. Harry Secombe has won £100,000 on the football pools, but still goes to Brighton with his pal, played by Spike Milligan, for his usual holiday at at their usual nightmarish guest-house. Two girls already there set up as gold-diggers, a confidence trickster sets out to get his money from him and a pair of counterfeiters (one- Alfred Marks- doing a W.C. Fields impersonation) follow them for the same purpose. The plot is just a thread to hang a set of gags on. The only trouble is, the gags aren't very original or very good. There are one or two moments when they are on the edge of the surreal comedy that they achieved in The Goon Show or they might fly off into farce, but it nearly always fails. A short scene when Secombe, hypnotised to think he is a soprano, and one of the girls, thinking she is a bass, sing a duet is genuinely funny as are moments when all of them and a pair of comic policemen run round a waxworks museum, but on the whole they don't seem to have had the knowledge of film, the confidence or the time to work out something good, though so often they seem just on the edge of it.

Harry Secombe has won a hundred thousand pounds in the football pools, but he and Spike Milligan choose to take their Brighton holiday at the same shoddy guest house...and the gold diggers and con artists come a-trooping, including Peter Sellers in two roles.

The three of them had just taken the airwaves by storm with CRAZY PEOPLE; the following year it would become THE GOON SHOW. This movie is right in the mold, with old jokes, retired majors, and a musical interlude. It also has some silent pantomime sequences with organ accompaniment. While it occasionally veers into the surreal humor of the show, it's neither particularly original nor well put together. Still, it offers Secombe's third screen appearance, Milligan'sfirst and Sellers first in a manner of speaking.... he had done two voices in earlier pictures.

For its first nine-and-one-half minutes, "Penny Points To Paradise" is the most inauspicious cinematic experience imaginable, featuring limited comic acting, bad jokes, and a non-existent story.

Then we cut to a dining room where a certain major is sitting at table, and just like that, we have before us the beginning of one of the greatest comedy careers in movie history.

After that, however, "Penny Points" returns to being a rather dull affair.

Peter Sellers either has two or four roles in this, his first ever movie, one more or one less than he did in "Dr. Strangelove". None are key roles. One, the Major character, is a bit of a schemer whose main bits are fumbling the meaning of the word "Spondulicks" and cadging drinks for stock shares in a dubious entity called "The North Pole Coconut Corp." Sellers also has another brief speaking part, as a fast- talking Canadian salesman, while his other two roles are as a non- speaking runner and a spectator at a shotput meet during a brief fantasy interlude. From such stones the builders rejected...

Far more at the fore are Sellers' two main co-stars, from what was then known as "Crazy People" and would become "The Goons." Spike Milligan and Harry Secombe dominate this movie, the latter much more than the former. There's rather too much of Secombe, in fact, mugging and gurning his way through every scene like Micky Dolenz on speed. Of course, his repartee is a darn sight weaker than your average "Monkees" episode.

"Take away her blond hair, and what do you got?" he's asked.

"The most beautiful bald-headed woman in Brighton," he answers.

Or when his character explains his reluctance about leaving his vast fortune in a bank. "I don't trust banks...Even the blood bank's asking for donations!"

At least Milligan is relatively sedate here, not trying to outdo Secombe in the Silly Faces Dept. like he would in the later Goon Show film "Down Among The Z Men."

The story, what there is of it, follows Harry's character, named "Harry" for easy reference, as he tries to hold on to his 100,000-quid in soccer-match winnings (the "Penny Points" of the title) while various sharpies try to make off with it. Chief among them is the counterfeiter Haynes, played with grandiloquent stuffiness by Alfred Marks, who makes the most of what was also HIS first-ever film appearance. In fact, Marks comes across more interesting here than Sellers.

The film shows all signs of being made very much on the cheap. Look closely (or not so closely) at the finale at Louis Tussaud's Waxworks show, where the actors move around a set filled with people imitating wax models. I figured it was a set-up for a joke, but no, we are meant to think these "waxworks," blinking eyes and all, are exactly that. Someone found it easier to rent real humans than wax dummies. Being England in the 1950s, I'm not surprised.

Director Tony Young went on to remake "Goon Show" episodes for British TV as "The Telegoons;" here he appears "by permission" of producer Alan Cullimore, who in turn appears "by permission" of Tony Young. Must have been quite a set. Young sets the right anarchic precedent for directors of Sellers film comedies to follow; he manages some impressive Brighton scenics but seems utterly adrift when it comes to establishing story. Much of the film is left to various actors, especially Secombe, playing to the camera as a squeamish doctor or a wild ape. One female cast member does a pretty good Bette Davis, though why she's playing the role is something we don't get much of an answer for.

That's the takeaway on "Penny Points," in fact, a lot of playing to the camera. Sellers himself is largely lost as the one actor not guilty of overacting. He had his miscues in later films; here his fault lies not in his own performance than failing to stand out in a film he was better off avoiding in the first place.

I have seen most of the films of Peter Sellers and recently went to YouTube to see if they had any of the missing ones. Several of his early films are there...and it's obvious they were intended to be seen by British audiences. So, it's not exactly fair to say my score of 3 is for everyone....more for how enjoyable the film would be to Americans. And, with the very thick accents (with no captions) and British vaudeville-style comedy, it was a chore to see this one. To put it bluntly, I disliked it. It didn't help that the film was mad in only three weeks and featured an upright piano score....the sort you'd expect to see if you were watching a broad slapstick comedy from bygone days. Overall, a real chore to watch and little indication of the brilliance Sellers would show in later films...and in this one, he's just a supporting character.

You probably wonder what i mean about "An Artist is Borne... and the Birth was not Very Good", the artist is Peter Sellers, and the birth is this movie 'Penny Points to Paradise', so simple is that.

The Goons first movie together is slightly better than there's second attempt at making one (Down Among the Z Men), and the characters is also slightly funnier, and the whole thing is just more lively in a way, but not perfect by a mile, most of the jokes fall flat, and sometimes it's just boring to look at. I frequently ask myself why Milligan and Secombe didn't gave the leading role to Sellers, it's obviously him that rule at being fun, it's hard to understand but there must have been a reason... and yes the story is pretty thin.

Sellers himself didn't like the movie at all, actually this was what he said about it... "It really was a terrifyingly bad film!' As you will see when you watch it" (sentence remembered by Vic Pratt, one of Sellers friends), I wouldn't use the same words as Sellers, I would rather say it's 60% bad and 40% good, because it's not utterly bad, but also it isn't so good that you want to buy it, it's more like a movie you rent, and just watch because it's Peter Sellers first feature film... if your a fan of him or The Goons, it's a (MUST-SEE)

I was never a fan of the Goons, but I'm a sucker for anything that looks remotely obscure so thought I'd give this early effort of theirs a go. It's quite good, with some inspired moments to be found amongst the more mundane material. Secombe and Milligan play a couple of innocents, one of whom has won £100,000 on the pools, who return to their holiday boarding house in Brighton only to find themselves the target of gold-diggers and con-men. Highlights include the rather well-built Paddy O'Neill pulling off a clever Bette Davis impersonation, and Freddie Frinton as a drunk who angrily berates the person he's talking to for walking away from him without realising he is actually the one staggering backwards (well, I thought it was funny, anyway). Although he has a couple of parts, Peter Sellers does little other than announce to the world his insuperable skill at making a limited comic talent stretch an

British actors peter sellers and spike milligan. The first 25 minutes, it's mostly a bunch of silly vaudeville bits, some of them even silent movie type gags, where the piano plays as the physical slapstick humor is shown. Now, we finally see a plot begin to unfurl. Harry (secombe) has won the sweepstakes, and a flim flam artist (sellers, playing two different roles) is out to find the stash of money. Then more vaudeville bits under the guise of a hypnotist. There are about 40 minutes of actual story, and another 40 of filler and silliness. The first feature film directed by tony young. It's all ridiculous and amateur hour. Can't really recommend this one, although it is early sellers and milligan, so their fans should see it, for historical reasons.

This film represents Peter Sellars first screen role and is some inspired, if amateurish, madness from 'the Goons'. (for those who don't know, the Goon show was an hilarious radio show broadcast in England in the 50's, it featured Peter Sellars, Spike Milligan and Harry Secombe, who all feature in this film) The plot is a vague story about counterfeiting but it is mainly a framework on which to hang the off kilter jokes and wordplays that are the goons trademarks. Harry (Harry Secombe) wins some money in the pools and decides to go on holiday to bristol with his friend Spike (Spike Milligan). However some dastardly counterfeiters try to relieve him of his winnings. Meanwhile Peter Sellars plays 3 different comic roles foreshadowing his multiple roles in films of the future. This film is simple and low-budget, however it has genuine laughs. I recommend it for any fan of any of the three Goons. (Although prints seems to be extremely rare as I am the only person I have encountered who has seen it!)