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Story of a Christian in ancient Rome who befriends a lion.Story of a Christian in ancient Rome who befriends a lion.Story of a Christian in ancient Rome who befriends a lion.
Doris Barton
- Vestal Virgin
- (uncredited)
Lillian Clayes
- Christian Woman
- (uncredited)
Harry Cording
- Soldier
- (uncredited)
Clint Dorrington
- Officer in Forest
- (uncredited)
- Directors
- Chester Erskine
- Nicholas Ray(uncredited)
- Writers
- Chester Erskine
- Ken Englund
- George Bernard Shaw(uncredited)
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaAfter principal filming was completed, Howard Hughes decided the film needed some extra sprucing up. He had Nicholas Ray shoot a "Vestal Virgin Bathing Sequence" which immediately ran afoul with censors and enraged producer Gabriel Pascal, amongst others. The sequence was eventually deleted from release prints.
- GoofsThe Christians sing "Onward, Christian Soldiers" - a hymn published in 1871.
- Crazy creditsOpening credits prologue: ROME 161 A.D. IN THE REGION OF THE EMPEROR ANTONINUS
- ConnectionsFeatured in It's Showtime (1976)
- SoundtracksOnward, Christian Soldiers
(uncredited)
Music by Arthur Sullivan
Words by Sabine Baring-Gould
Sung by the marching Christians
Featured review
Watered down for the box office
This 1952 film was the first film version of a George Bernard Shaw play produced after the playwright's death, and the compromises are already obvious.
Shaw had had artistic control over three films produced from his plays-- the 1938 "Pygmalion", "Major Barbara" (1941) and "Caesar and Cleopatra" (1945), and his influence had clearly been felt, some would say for both good and bad. He had had absolute final say-so over the casting, and, after his experience with "Pygmalion", Shaw became somewhat more demanding and insisted that not a word be cut from both "Major Barbara" and "Caesar and Cleopatra", a decision that resulted in both of these excellent films being flops. "Androcles and the Lion" clocks in at less than two hours.
The casting suffers without Shaw's influence. Because this is an RKO release directed by Chester Erskine, a not especially distinguished American director, the cast features two American actors in major roles, and the clash between their style of acting, and that of the British actors who HAVE had experience with Shaw, is apparent. Some other American actors can be seen in bit roles.
In a blatant effort to court the average movie audience who wouldn't recognize a Shaw play if it hit them in the face, movie hunk Victor Mature (yes, the very same actor who appeared in "The Robe" and "Samson and Delilah") is cast in the somewhat demanding role of a Roman captain trying to understand the Christian martyrs. An actor like James Mason or Stewart Granger might have been perfect and would have had the necessary acting ability, but Mature, although apparently trying hard, comes close to wrecking the film and destroying its Shavian flavor. And he gets second billing!
Alan Young, whom most people will remember as Wilbur from the "Mr.Ed" TV series, is also American, but is a far better actor than Mature, and although his style sometimes seems as if it straight out of a sitcom rather than a Shaw play, Young does quite a good job in the all-important lead role of Androcles. But was it the Hollywood adaptors, or is it REALLY Shaw who gave the lion the endearing name of "Tommy"? Or is that just another sop to the movie-going crowd who loves animals with cute names?
The rest of the cast is just fine--Jean Simmons excellent, and not syrupy, as a devout woman willing to face martyrdom in the arena, Robert Newton, hilarious as a hulking strongman converted to Christianity who can barely be kept from singlehandedly demolishing his enemies, Noel Willman, Elsa Lanchester in the brief role of Androcles' wife, and, in his best screen performance, Maurice Evans (Dr. Zaius in the 1968 "Planet of the Apes") as the Roman emperor. They make this film exactly what it should be.
Shaw had had artistic control over three films produced from his plays-- the 1938 "Pygmalion", "Major Barbara" (1941) and "Caesar and Cleopatra" (1945), and his influence had clearly been felt, some would say for both good and bad. He had had absolute final say-so over the casting, and, after his experience with "Pygmalion", Shaw became somewhat more demanding and insisted that not a word be cut from both "Major Barbara" and "Caesar and Cleopatra", a decision that resulted in both of these excellent films being flops. "Androcles and the Lion" clocks in at less than two hours.
The casting suffers without Shaw's influence. Because this is an RKO release directed by Chester Erskine, a not especially distinguished American director, the cast features two American actors in major roles, and the clash between their style of acting, and that of the British actors who HAVE had experience with Shaw, is apparent. Some other American actors can be seen in bit roles.
In a blatant effort to court the average movie audience who wouldn't recognize a Shaw play if it hit them in the face, movie hunk Victor Mature (yes, the very same actor who appeared in "The Robe" and "Samson and Delilah") is cast in the somewhat demanding role of a Roman captain trying to understand the Christian martyrs. An actor like James Mason or Stewart Granger might have been perfect and would have had the necessary acting ability, but Mature, although apparently trying hard, comes close to wrecking the film and destroying its Shavian flavor. And he gets second billing!
Alan Young, whom most people will remember as Wilbur from the "Mr.Ed" TV series, is also American, but is a far better actor than Mature, and although his style sometimes seems as if it straight out of a sitcom rather than a Shaw play, Young does quite a good job in the all-important lead role of Androcles. But was it the Hollywood adaptors, or is it REALLY Shaw who gave the lion the endearing name of "Tommy"? Or is that just another sop to the movie-going crowd who loves animals with cute names?
The rest of the cast is just fine--Jean Simmons excellent, and not syrupy, as a devout woman willing to face martyrdom in the arena, Robert Newton, hilarious as a hulking strongman converted to Christianity who can barely be kept from singlehandedly demolishing his enemies, Noel Willman, Elsa Lanchester in the brief role of Androcles' wife, and, in his best screen performance, Maurice Evans (Dr. Zaius in the 1968 "Planet of the Apes") as the Roman emperor. They make this film exactly what it should be.
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- critic-2
- Aug 13, 2001
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Details
- Release date
- Country of origin
- Language
- Also known as
- Bernard Shaw's Androcles and the Lion
- Filming locations
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $1,250,000 (estimated)
- Runtime1 hour 38 minutes
- Color
- Aspect ratio
- 1.37 : 1
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By what name was Androcles and the Lion (1952) officially released in India in English?
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