User Reviews

Carson City is directed by André De Toth and written by Sloan Nibley and Winston Miller. It stars Randolph Scott, Lucille Norman, Raymond Massey, Richard Webb and James Millican. Music is scored by David Buttolph and cinematography by John Boyle. Plot finds Scott as engineer Jeff Kincaid, who clashes with bandits and town locals when he is hired to build a new rail track through Carson City.

Based in Nevada but filmed in Bronson Canyon in California, Carson City is routine stuff that still manages to come out in credit by the end. Story is set up around the building of the railroad between Carson City and Virginia, Scott and his rugged band of engineers have their work cut out in more ways than one. When a major player who is opposed to the railroad is murdered, it's no surprise who is going to get the blame. Cue dastardly goings on, sabotage, heroics and much macho posturing. In the mix is a love interest for Randolph, courtesy of a lifeless Lucille Norman, but naturally the trajectory of true love is not straightforward.

Railroad Workers Terrorise Town!

De Toth came on board late in production after Michael Curtiz baulked at trying the new Warnercolor process (this was the first film to use the process). De Toth went on record to say he only did the film for the money, but he gets much entertainment from a pretty standard script. Action quota is high, with exploding rocks, wagon over a cliff, stagecoach heist, train robbery, saloon brawls and great drama garnered out of a landslide/rescue passage of play. For Scott fans it's a pleasurable watch as it finds him in typically upright and stoic form, in fact the first time we see him he is indulging in a good old knuckle fight. Though asking us to accept his romance with Norman when there is 20 years between the two actors is a bit of a stretch.

The scenery is pleasing yet the Warnercolor is as lifeless as Norman's performance, but the print of the film is in good shape and as long as Western fans prepare for standard formula dressed up nicely, then they should enjoy it well enough. 6.5/10

This is a pleasant western by talented Andre De Toth although in my book,it does not rank with his best ,with such works as " Springfield rifle" and "day of the outlaw" ,not to mention non western-efforts such as "House of Wax" or "two-headed spy".It looks like a "Dodge City" (Curtiz,1939) in miniature ,a feeling which the final scenes on the train reinforces. Scott is an intellectual this time ,Jeff,a courageous engineer while Raymond Massey plays the villain.Jeff has also a brother ,Alan (Richard Webb) who is trifle jealous of his brother and his -professional and others-success (they are both in love,of course ,with the same woman,Susan (Lucille Norman);generally it bodes ill for the washout.

This is nice work from big Randy. Entertaining story that was well acted and well supported by the musical score.

Definite points for originality with the stage coach hold up at the start!

The first of 2 dramatic peaks of the film was fantastic.

Get your ticket and take a ride to Carson City!

This is a Warner Bros.' roaring story of Nevada's Border-War . Powerful people from a bustling town become desperate that their gold and silver shipments from Carson City to Virginia City are the helpless targets of thieves and they become convinced that the only way to foil the robbers is to build a railway . Moving western dealing with the laying of railroad lines to forestall raids on the stagecoaches , as a banker , William Sharon : Larry Keating , finds his stagecoach is robbed , the villain results to be Big Jack Davis : Raymond Massey , the main owner of the Golden Elephant Mines , his hold-ups hallmarked by the Champagne supper he lays out in the scenario for his victims . Then the banker commissions the building of a railroad with Jeff Kinkaid : Randolph Scott , contracting to build a tunnel through a mountain . As the employers will take an extraordinary engineer , a former resident of Carson City , as Jeff is a foot-loose mining expert who takes things very much as they come , but who , once laconically committed , stays committed . Kincaid doing his damnedest to stop them , as well as he has to fight the town's hostility to his boisterous railhands and ongoing efforts by the outlaws to sabotage the project. Meanwhile , there emerges a loving triangle among Susan Mitchell : Lucille Norman , Jeff : Randolph Scott , and his brother Alan : Richard Webb , who works for the local newspaper. Kinkaid comes tearing in with a gun and a grin ... to carve a new notch in the Silver Belt of Nevada !

A well-done example of a B western with nice acting , as the plot is plain and simple , so shipments of gold from Carson City are vulnerable to holdups , as a powerful entrepreneur hires Randolph Scott who knows the difficult terrain very well in such mountainous territory, while the villain and his band of outlaws called "The Champagne Bandits" prepare a peculiar supper , in true Robin Hood-fashion, after robbing the stage of its bullion, they treat its passengers to a fried chicken picnic replete with champagne . This enjoyable picture gets Western action , shootouts , thrills , a love story , go riding , an assault on the Virginia and Truckee 22 locomotive and results to be quite entertaining . And the pace of action , tightly edited , never drops, and including a glamorous as well as glimmer cinematography in WarnerColor , a type of brilliant Technicolor created by Warner Bros production company . The film is set in Carson City , which was one of the main railhead cattle towns till railway arrival . This is no exactly a really distinguished Western , but it is an acceptable and passable oater . Finely played by Randolph Scott as a brawling adventurer called Jeff Kincaid, an experienced hand at difficult jobs . Veteran Western star , Randolph Scott , once again proves his tough skills in this agreeable Western . As the picture being well starred by Randolph Scott . He was a prolific actor in Western, his career is divided in films directed by Budd Boetticher in Seven men from now, The tall T, Decision at sundown, Buchanan rides alone, Comanche station, Westbound. Henry Hathaway as : Heritage of the desert, Wild horse, Sunset Pass, Man of the Forest . Ray Enright directed him in : The spoilers, Trail street, Alburquerque, Coroner creek, Return of the bad men. Andre De Toth directed him in Men in the saddle, Carson city, The stranger wore a gun, Riding shotgun, The bounty hunter. Finally, his main testament, Ride the high country along with Joel MacCrea directed by Sam Peckinpah . He is perfectly accompanied as his partenaire by Lucille Norman playing Susan Mitchell, the publisher's daughter who soon finds rivals for her affections from the two brothers. And beautifully judged acting from Raymond Massey as the villain , a mine boss doubling as thief . Scott is competently supported by an ideally suited support cast such as : Richard Webb , George Cleveland , James Millican ,Don Beddoe and Larry Keating .

It contains a well made cinematography in color by John Boyle . This was Warner Bros.' first movie filmed in WarnerColor. Thrilling and atmospheric musical score by David Buttolph . This bullet-a-minute Western about bandits attempting to hold up the progress of a railroad was directed in sure visual eye .This typical Western was professionally directed by Andre De Toth . At his beginnings De Toth entered the Hungarian film industry, obtaining work as a writer, editor , second unit director and actor before finally becoming a director . He directed a few films just before the outbreak of WW II, when he fled to England . Alexander Korda gave him a job there, and when De Toth emigrated to the US in 1942 , Korda got him a job as a second unit director on Jungle Book (1942) . Andre De Toth was a classical director , Western usual (Indian fighter, Man in the saddle , Ramrod , Last of Comanches , The stranger wore a gun), but also made Peplum (Gold for the Caesar , Revak) and adventure (The Mongols , Morgan the pirate , Tanganyika) . Probably his best known film is House of wax (1953), a Vincent Price horror film shot in 3D . Rating : 6/10 . Decent Scott Western .

While the Western genre is not one of my favourite film genres, there is still appreciation for it and there are many classics in it. Also like one of the genre's icons Randolph Scott, though not a favourite, with some of his best work being with Budd Boetticher. Andre De Toth was a very gifted director, with already good experience with Westerns (the genre he revisited most frequently), and sadly undervalued. Those were the main reasons for seeing 1952's 'Carson City'.

'Carson City' for me turned out to be an uneven film that finished a good deal weaker than it started. It is also though a mostly enjoyable ride that has a lot to recommend it. It is not the best work of either Scott or De Toth, but again it is not a lesser effort of either of them. Somewhere in the middle for both and when it comes to their collaborations together there is a preference for 'Man in the Saddle' and 'Riding Shotgun', but again a lot is very well done here.

It is at its weakest with the completely superfluous and quite watery love triangle that turned out to not be as incidental to the story as it should have been. It doesn't help that Lucille Norman is incredibly bland and ill at ease, or that her role is very sketchy.

Really do wish that the conclusion was as good as how 'Carson City' started. Instead it was very predictable and lacked tension.

A shame because 'Carson City' started off incredibly well with a quite exhilarating opening. That excitement is maintained for a vast majority of the length, with a good deal of tautly paced and atmospheric storytelling. De Toth's direction is typically confident, one would not think he was actually a last minute replacement, and of the acting only Norman is bad. Scott's gritty charisma is evident throughout and there is strong support from Raymond Massey and Richard Webb.

Visually it looks good, with the photography having a good sense of style and atmosphere. Nothing cheap about the settings either. The music never felt at odds, and the script is lean and intelligent as well as pull no punches.

Concluding, enjoyable. 7/10.

This film is a good Saturday afternoon western. Randolph Scott attempts to build a railroad between Carson City, and Virginia City. He must battle with an assortment of evil men, his own workers, and his step brother. I give this western an 8 out of 10 for its story, and its action.

Standard Randolph Scott oater with one notable exception - the opening stage robbery. Sensible and stylish above and beyond the norm.

First of all, how many times have we seen gangs waiting on horseback for the stage they've targeted, only to wind up chasing the damned thing for as long as the director wants and the producers can afford? Since the bad guys know when it's coming, they should be blocking the road and positioning themselves IN FRONT of it to make the heist easier on everyone. Their horses would definitely appreciate not having to run long distances at full speed, especially with people on the stage returning gunfire. A horse could get injured or killed because its owner was too stupid to form a more efficient plan. OSHA and the SPCA would have jointly condemned the vast majority of stagecoach holdups that occurred on our screens.

So kudos to Massey's (not a spoiler; we quickly learn old Raymond is the brains of the outfit) minions for how they pulled this job. Not only did they avail themselves of fortuitous terrain, lying in wait to stop the coach without having to chase or shoot at anyone. As a bonus, they used their down time to spread out an elegant, al fresco champagne brunch for the passengers, stealing only the contents of the strongbox. The gentlemen thieves of other genres (The Saint, et. Al.) could have done no better.

Carson City has the distinction of two real western characters hiring the fictional character played by Randolph Scott to build a railroad from Virginia City to Carson City. William Sharon(Larry Keating) is getting very tired of having his gold shipments held up by a gang of bandits who also cater when they do a holdup. Sharon approaches banker Charles Crocker(Thurston Hall)who also is a big wheel in the Central Pacific railroad to build a spur line so he can ship by railroad.

Of course the railroad has its opponents in Carson City and quite subtly mine owner Raymond Massey is heading the opposition. Because Massey doesn't have a working mine, he does it the easy way, he robs the gold from the other guys and then ships it as his own.

Massey's the brains behind those bandit/caterers. His bandits holdup the stagecoach have the passengers removed and then show them to a picnic lunch topped off by a magnum of champagne. The other passengers don't care when the rich Larry Keating gets robbed and aren't too helpful to the law. It's unique in westerns I have to say, but it's also kind of silly, the sort of stuff you might see in a western from Roy Rogers or Gene Autry, but not Randolph Scott.

Starting out with such a silly premise it was hard for me to get really into Carson City, even after it turned deadly serious with Massey trying to stop the railroad in any way he can.

Randolph Scott had a unique leading lady here, radio singer Lucille Norman who sings not a note. That's a pity because the woman had a wonderful soprano. I have an album she did with Gordon MacRae of the score from The Desert Song. Lucille is the daughter of Carson City Clarion editor Don Beddoe who gets murdered by Massey when his suspicions are aroused. Lucille is also got Scott's half brother Richard Webb, TV and radio's Captain Midnight as a rival suitor and opponent of the railroad. Randy's got all kinds of personal problems for taking on this job.

Carson City is also badly edited. There were a few things that were left in the air that I'm sure wound up on the cutting room floor.

Randolph Scott's legion of fans will like Carson City, but it's far from his best work.

No need to repeat the plot. I'm surprised Warner Bros. didn't introduce Warnercolor by going to a scenic location like the red rocks of Sedona, Arizona. Instead, they took a cheaper route, filming in the scrubby hills of greater LA. Otherwise, it's a pretty routine entry in the Randoph Scott sweepstakes. Casting him as a railroad engineer is novel, at the same time, the tunnel collapse furnishes some unusual suspense for a western. The buckboard crash is spectacular even for a sagebrush staple like buckboard crashes.

However, the plot's a little overcrowded for my liking, while the powerful Raymond Massey is pretty much wasted in a role any number of lesser actors could have handled. Then too, director De Toth films in straightforward fashion, unlike the beautifully wrought intrigue of his western masterpiece, Ramrod (1947). All in all, it's a decent oater, but for a Randy Scott feature, it's nothing special.

This is the earliest of Scott's films I've seen. The iconic Scott character is a Renaissance man- part engineer, miner, cowboy, gunfighter, bar-fighter and older brother. He's pretty good at every role and has time to land the leading lady. First time I've seen Scott land the leading lady, I was beginning to wonder. Raymond Massey here as the lead villain with a fondness for Champagne but without the prescription. Scott proves to be Dr. Kill Dare to Massey. I liked all the non cowboy action in this flick, but I'm not jumping into any mines. If I did, I'd take Scott with me, cause he's a never let em see you sweat guy even if the mine is set to give its occupants the shaft.

Any fan of RS should enjoy this flick bridging the old & new West. There are some minor players with faces you'll remember from A&C, Superman or early TV.

When "Carson City" begins, a stagecoach is being robbed. However, oddly, these bandits have class and treat their 'guests' to a nice picnic lunch complete with champagne! Not surprisingly, they're dubbed the Champagne Bandits and the mine owner whose gold was stolen is furious. He proposes to build a railroad and avoid all this banditry. To help him get the job done, he brings in an engineer/troubleshooter, Jeff Kincaid (Randolph Scott). However, the new railroad is opposed by two forces--the local newspaper that's afraid it will usher in thugs and the guy who is secretly behind all the robberies. Can Jeff manage to get the job done-- especially when the baddies seem willing to do ANYTHING to stop them?

This is generally a well made and enjoyable film--which isn't surprising since Scott stars in it. He seemed to always make even the most ordinary material better and this movie is no exception. The complaints I have are relatively minor (such as how dumb Zeke is when he learns who's behind the robberies--way to do Zeke!) and the film is solid and entertaining.

By the way, the pretty lady starring in the film is NOT Virginia Mayo but a near lookalike, Lucille Norman.

Written and directed by the 3 Stooges. Worst fight scene I have ever seen. I think my "5" rating is being generous. Obviously I an not recommending this film.

Due to a rash of stagecoach robberies dogging the area, itinerant engineer Randolph Scott is enlisted to head up construction of a railroad between Carson City and Virginia City, Nevada; naturally, the financiers of the stagecoach line are against the project, particularly the men anonymously responsible for the robberies! Typical western vehicle for amiable, strong-jawed Scott, shot in muddy color and with a by-the-numbers group of villains. Director André De Toth does manage to get things off to a solid start: the bandits treat their weary travelers to champagne and fine dining, while a curious love-triangle develops between Scott, half-brother Richard Webb, and publisher's daughter Lucille Norman, who's always in the way. The explosions and crashes look good, but the proverbial showdown offers nothing new. *1/2 from ****

From 1946 to his retirement in 1962, Randolph Scott regulated himself to westerns. As well as enjoying making them, he, from a business point of view, saw that it was good for his career. A dependable star, he surrounded himself with good directors, good scripts; the ones I am particularly fond of are the pre-Boettichers, finding them fast-paced, snappy, fresh, action-packed and full of pizzazz. Carson City is a great example of this.

The story- Jeff Kincaid is hired to build a railroad over the mountains to protect gold and silver shipments from the mines to Carson City. In addition to opposition from the townspeople, Kincaid finds himself attacked by ' Big Jack ' Davis, mine owner -and gold robber!

Yes a railroad construction western that is well-made, has some good saloon brawls, shootouts, and the scene where construction workers and Scott are caved in is suspenseful. The tech aspect of the drilling is well-detailed. The uncoupling of a train by the robbers led by the Champagne kid ( well played by Raymond Massey) and the shootout finale is well exciting. Overall, it's highly entertaining western that has a certain vigour and inventiveness to it. The opening scene where the stagecoach robbers give a champagne picnic to the passengers is a nice touch of humour.

Total hackneyed plot but e enjoyable only if you would like to see the absolute GOOFIEST fight scenes ever (even down to the milquetoast-ey punch sound effects).

Two westerns in 1952 starring Randolph Scott begin their movies with a group of bandits robbing a stagecoach. How will you ever tell them apart? Well, you'll just have to watch both of them, and since they're both entertaining, you'll be in for a real treat.

In Carson City, Scottie McScottie Pants shows he's in his physical prime. His entrance to the film is a grueling bar fight that lands him in jail, and it's not the last time he beats the tar out of those who get in his way. In addition to fistfights, he hops on and off horses with grace and leads a shirtless mining expedition armed with nothing but a pickaxe and a candle. "I may be 54, but I've still got it," he proudly shows the audience. He plays a railroad engineer bringing a train station to a small Nevadan town, and many in town oppose him, including newspaper owner Don Beddoe and secret bad guy Raymond Massey. Lucille Norman, Don's daughter, has held a torch for Scottie ever since she was a little girl, but Scottie's younger brother Richard Webb has a crush on her. Since Scottie's a nice guy, he doesn't want to get in the way, but some things can't be helped. When you watch this handsome, rugged cowboy who's more at ease in a saddle than on solid ground showing off his vast physical skills, it's not hard to understand why Lucille just can't let go of her crush.

This one is a lot of fun, and in a sea of 1950s westerns that blur together, it's nice to see one that stands out from the pack. Randolph Scott is the king of the western genre, but if you want to pick and choose among his movies, don't miss this one. Next up, check out Western Union for an adorable romance.

A band of stage coach robbers backed by Raymond Massey are holding up gold shipments out of Carson City. Amusingly, after each hold-up the bandits treat the stage passengers to a nice meal with champagne to drink! Convinced the only way to transport the gold safely is by rail, the mine owner hires tough guy engineer Randolph Scott to build a railroad from Carson City to Virginia City. There's also a subplot love triangle with Scott, his brother, and Lucille Norman that does nobody any favors. Watchable time-killer western. Scott doesn't have to stretch his acting muscles much, but that's okay. It's enjoyable enough with a nice turn from Massey as the gentlemanly villain. More focus on the bandits and less on the stomach-churning love triangle would have helped a lot.

I'm a big western fan. I grew up on John Wayne and Clint Eastwood. But with the exception of "Ride the High Country", I didn't watch many of Randolph Scott's movies until a few years ago. Scott is not nearly as good as those two legends but he's almost as steady. "Carson City" is another good one from Scott. The cast is very good. The story and the look of the movie are also strong. "Carson City" is a solid entry in Randolph Scott's borderline Hall of Fame career.