The Stranger Wore a Gun (1953) Poster

User Reviews

Review this title
29 Reviews
Sort by:
Filter by Rating:
6/10
Average Western
claudio_carvalho23 January 2010
During the American Civil War, the Quantrill's raiders use the spy Jeff Travis (Randolph Scott) to plunder the city of Lawrence, in Kansas, and Travis leaves Quantrill when he sees the massacre of the town. After the war, Travis believes that he is a wanted man and he heads to Prescott, in Arizona, to start a new life. However, the powerful Jules Mourret (George Macready), who apparently is a businessman but actually is the leader of a gang of thieves, knows his past and forges documents with a fake identity to give a job in the local Conroy Stage and Freighter Line. Mourret is unsuccessful trying to steal the money and gold transported by the company but is frequently lured by Jason Conroy (Pierre Watkin); he intends to use Travis to get inside information about the transportation of gold. When one of Mourret's men kills the driver of the wagon, Travis schemes a plan to get rid of the gang.

"The Stranger Wore a Gun" is only an average Western and is disappointing considering the names of Randolph Scott, Lee Marvin and Ernest Borgnine in the cast. The story is weird and the motives of the ambiguous character performed by Randolph Scott are absolutely confused, but in the end this movie entertains. My vote is six.

Title (Brazil): "O Pistoleiro" ("The Gunman")
24 out of 27 found this helpful. Was this review helpful? Sign in to vote.
Permalink
7/10
Interesting offbeat Western.
jimkis-130 August 2006
There are quite a few surprises in this film. First of all, it keeps you guessing especially as regards Randolph Scott's character, whose motivation is difficult to discern. It's hard to tell if he's a bad guy or a good guy sometimes, as he manipulates two different gangs of unsavory characters. This does not anticipate Yojimbo or A Fisftful of Dollars. Both of those films, plus this film, all derive somewhat from The Glass Key, which was filmed twice before The Stranger Wore A Gun was released in 1953. (In 1935 with George Raft and 1942 with Alan Ladd.)Those films were based on Dashiell Hammett's novel of 1931. In any case, this film has its own tale to tell, and the performances of Scott, Lee Marvin and Ernest Borgnine are solid. The film suffers somewhat from the 3-D effects which are kind of lame in the 2-D format we have to suffer on our TV sets. People who don't remember the 3-D craze will probably think the director was weird. All in all, the film's offbeat style and great ensemble cast make this well worth watching a time or two. It is by no means an ordinary run-of-the-mill Western.
31 out of 36 found this helpful. Was this review helpful? Sign in to vote.
Permalink
5/10
You will meet a tall wanted stranger
TheLittleSongbird7 August 2020
'The Stranger Wore a Gun' did have a good deal of potential. The premise sounded interesting as was seeing how early 3D would fare. Randolph Scott was always well worth watching, well when his acting style matured, especially his work with one of his most prolific directors Budd Boetticher (i.e. 'Seven Men from Now'). Andre DeToth was another frequent director, with he and Scott doing six films together. Ones that were watchable at least for namely Scott but not must sees.

Which is where 'The Stranger Wore a Gun' fits under exactly, watchable but not essential. While Scott is one of the best aspects and it is a good representation of him as an actor, he did do a lot better films and performances. It is not a good representation really of DeToth, who was no stranger to good and more films himself, my first exposure to him being 'House of Wax'. Does all that mean that 'The Stranger Wore a Gun' is a bad film? No. It's not great or even good either, my feelings if anything were very mixed and a large part of me was disappointed seeing as it was an opportunity to see Scott in the film genre he was best known for.

Sure 'The Stranger Wore a Gun' has good things. Some of the production values are nice, the film is handsomely shot and the scenery is attractive regardless of whether they're authentic or not. The music is pleasant and rousing enough. The climax has fire and excitement that wasn't present enough in too much of what came before it.

Found the cast to be a very mixed bag. Scott comes off best, typically purposefully stoic but very authoritative too. Claire Trevor brings a good deal of class to her role and does a great job with what she has. Seeing Lee Marvin and Ernest Borgnine in anything is always worthwhile, and seeing both of them being menacing and fun (especially Marvin) and making the most of the too little they had was a pleasure.

Others were less successful. Worst was Alfonso Bedoya, who overdoes it and comes over as really grating. Joan Weldon is rather pallid, acting inexperience showing, and the film does too little with her character, to the point where you question why she is even there. Was not sure what to make of George MacReady, he does what he can but did think at the end of the day that he could have been more menacing and gone for it more (being almost too smooth). DeToth's direction is pretty routine and didn't seem properly engaged with the material or know what to do with it.

While some of the production values were nice, the 3D is pretty cheap looking and added nothing (almost gimmicky) and the editing in some scenes is haphazard. Lets not get started on the blatantly obvious stunt doubles. The script lacked toughness and grit, playing it too safe too often, and was very stilted and hard to take seriously. The story's action is pretty forgettable and under-utilised, shining properly only in the climax, and the soapy love triangle is just as pointless as the 3D. Not only was the story bland and silly, it felt incomplete and like things had been dropped out in editing when they should have been left as some events and character motivations are vague at best and downright beyond confusing at times.

In conclusion, definitely not something to write off but there are far better Scott, DeToth and Western films around. 5/10
13 out of 14 found this helpful. Was this review helpful? Sign in to vote.
Permalink
They don't make them like this . . .
rmax3048232 December 2003
The location shooting was done at Movie Flats off Route 395 near Lone Pine, California, and, along with a lot of faces in this film, will be familiar to experienced moviegoers. They've been making movies up there for years. The rocks themselves are studded with bolts and adhesions of cement left over from early productions, which date back at least to "Gunga Din." And it's easy to see why it was used so often in inexpensive Westerns like this. The jumbo-sized boulders seem made of stucco and the Sierra Nevadas in the background include Mt. Whitney, as colorful as a painted backdrop. The whole place looks as if nature had put it there to be used as a spectacularly realistic phony movie set.

Yes, it's alive with history. The ghosts of a thousand extras in sombreros haunt these rugged trails, and at night when the wind moans you can hear the hoofbeats of yesteryear. Zzzzz.

Some of the ghosts must surely include Randolph Scott, who spent so much time before the cameras here in so many movies. In this one, he's an ex-confederate who allows himself to be hired out to save a stagecoach company that ships gold to -- well, never mind.

Scott is in his burnished Western middle age and rides his usual horse, a beautiful mount, a kind of rusty brown animal with a white face, white maine, and white tail. (I was momentarily tempted to call the horse a "roan" but hesitated to do so because I don't know what the word means.) Anyway, the horse will be almost as familiar as Scott. Scott's hat will look familiar too. So will Ernest Borgnine and Lee Marvin, the two outstanding heels of "Bad Day at Black Rock," but they don't get enough screen time. Alfonso Bedoya, Gold Hat from "The Treasure of the Sierra Madre," has more screen time. He can't act, but he doesn't have to. If you think he did curious things to the word "badges" in "Treasure," you absolutely must hear how he wraps his speech organs around "foreigner" in this one. George MacReady is the chief villain. I prefer it when his villainy is of a slyer, more boardroom-bound sort.

Claire Trevor is a hooker with a heart of gold. I know it's hard to believe, but hookers come in all different varieties. Joan Weldon is pretty and was a singer rather than an actress. There is a marvelous scene in which Scott introduces his old girl friend, Trevor, to Weldon, the new young beauty he's just met, and the two women trade the kind of insults and suspicious queries that only women know how to sling about. "It's funny he never mentioned you to me." And, "From the way he described you, I thought you'd be much older." Scott, meanwhile, is standing there with this dumb smile, looking back and forth at his two friends, as if pleased that they are being so nice to one another, giving an excellent impression of a man who hasn't the slightest idea of what's going on between them.

Movies like this don't crop up on TV very often and sometimes, remembering how much I enjoyed them as a child, I find myself missing them. Then sometimes they DO show up, as this one did, and I watch it out of curiosity and wind up realizing that there are a lot of things to be nostalgic about but Westerns like this aren't among them.
38 out of 49 found this helpful. Was this review helpful? Sign in to vote.
Permalink
6/10
Borgnine dressed as a dude
krorie8 April 2006
Having been shot in 3-D, expect a lot of guns to be pointed at you and sometimes shot, fire coming at the camera, and even rock formations in Lone Pine to appear to have shelves. Outside of this minor distraction, the story is a good one concerning the aftermath of Quantrill's Raiders involving one of his spies, Jeff Travis (Randy Scott), who is determined to run away from his past and begin a new life. Following a fracas on a riverboat, he ends up in Prescott, Arizona, just as the capital of the territory is being moved to Phoenix because of the lack of law and order in the town. Somewhat of a mentor to him as well as lover is the soiled dove Josie Sullivan, played knowingly by Claire Trevor. He rides into Prescott loaded for bear, hence the title "The Stranger Wore a Gun." That he can't shake his past even in an out of the way western hamlet becomes obvious when both Josie and Jules Mourret (George Macready), another ghost from yesterday, turn up there. It's not quite clear where the stranger is heading until a close pal is murdered by Jules' henchmen. To muddy the water a damsel in distress appears, pretty Shelby Conroy (Joan Weldon), who seems shy and innocent. The stranger begins falling in love with her to the displeasure of Josie. Newcomer Jules is holding a Mexican gang at bay led by the colorful Degas (Alfonso Bedoya). The stranger begins playing one gang against the other to almost be gunned down in the crossfire.

Two of Jules' henchmen would go on to win Academy Awards a few years later, Lee Marvin as Dan Kurth and Ernest Borgnine as Bull Slager. Borgnine wears one of the loudest cowboy outfits ever, including a green shirt. He looks like a dude from the east. This doesn't stop him from being the sadistic bully he usually played in those days. Marvin too is his usual twisted demented character fans loved to hate. To see these two in action is worth the price of admission.

Postscript: Look for Tap Canutt, son of famous stunt man Yakima Canutt, in a bit part. He was also one of the stunt men for the film.
18 out of 22 found this helpful. Was this review helpful? Sign in to vote.
Permalink
6/10
Raccoon Pass Raiders
richardchatten19 January 2021
Fresh from his work on 'House of Wax' Andre De Toth was assigned another 3D project by Columbia in the form of this Randolph Scott western with rather Gothic-looking interiors in which De Toth demonstrates a liking for shadows when not pushing objects at the audience. These include Lee Marvin, already teamed with Ernest Borgnine, with whom he soon made such an ugly pair of heavies in 'Bad Day at Black Rock' (the two of them vying with Alfonso Bedoya to see who can show the most teeth while grimacing).

There's hardly any romance this time round, Claire Trevor providing wry asides rather than fluttering her eyelashes.
7 out of 8 found this helpful. Was this review helpful? Sign in to vote.
Permalink
4/10
Scott, Marvin, Borgnine: Woulda, Coulda, Shoulda
JimB-422 April 2004
With Randolph Scott in his best outfit riding his best horse (Starlight) and looking and acting his dusty old best, and with Lee Marvin and Ernest Borgnine at their early villainous peaks, this could have been something. With Andre de Toth directing, it really should have been something. But it's not something. It's not anything, except a mess. Horrendous dialogue, terrible editing (the big gunfight in the mountains is unintelligible until the principals gather to rehash what just happened), and some really bad acting (not so much from Scott, Borgnine, or Marvin, but pretty much everybody else. Alfonso Bedoya is a joy to watch, as always, not because of his acting, which is abominable, but because it's so much fun trying to figure out what it is he's doing with his mouth to make him sound that way. George Macready, who belongs in things like "Gilda" rather than oaters like this, kept getting shoved into Randolph Scott Westerns (four of them). He's incredibly out of place in all of them. And Claire Trevor, so wonderful in "Dead End" and "Key Largo," is wasted here and one's heart goes out to the Oscar-winning actress for having to do such pot-boiling dreck as this a scant five years after winning that Oscar. The attempts at 3-D effects are pretty laughable in their earnestness, and for an action movie, an awful lot of the actual action occurs just off-screen -- saving money on stuntmen and stagecoaches, I suppose, but diluting the feel of the down-and-dirty Western this clearly wants to be taken for. I'll watch anything Randolph Scott did in the Fifties and Sixties, but this one was an absolute chore. I'd sure like to know where to get a coat like that, though.
40 out of 56 found this helpful. Was this review helpful? Sign in to vote.
Permalink
7/10
"Once you learn to toss your conscience out the window, nothing matters."
classicsoncall10 August 2015
Warning: Spoilers
The picture opens with the historically infamous attack on Lawrence, Kansas by Quantrill's Raiders in 1863, and the shadow of that event hangs over the character of Lieutenant Jeff Travis (Randolph Scott) for the remainder of the story. Travis was a Confederate spy who supplied Quantrill with information but became disillusioned with the wanton destruction and murder of innocent men and boys during the Lawrence massacre, finishing out the Civil war as a regular soldier.

Another holdover from the Quantrill band attempts to take advantage of Travis's talents upon relocation to Prescott, Arizona, becoming more lawless since the capital of the territory is being moved to Phoenix. Jules Mourret (George Macready), who helped save Travis's hide in an earlier incident aboard a riverboat, figures he would be perfect as a plant in the employ of the Conroy Stage Line. The company transports gold bullion, and inside information would make for more effective strikes against the company.

If not for the presence of screen villains like Lee Marvin, Ernest Borgnine and Alfonso Bedoya, the story barely generates enough interest to sustain itself, as evidenced by a fair amount of other reviewers on this board. What might have been an interesting dynamic between Claire Trevor and Joan Weldon as the women angling for Travis's attention also fails to go anywhere. True, Travis chooses Josie (Trevor) by film's end, but in the telling, muddled by ineffective gunplay between the rival Degas (Bedoya) and Mourret gangs, one is tempted to take Randoplh Scott's advice midway thought the picture - "I need a drink. Maybe five or six".
8 out of 11 found this helpful. Was this review helpful? Sign in to vote.
Permalink
5/10
Jeff Travis – Quantrill's Conscience.
hitchcockthelegend24 January 2014
The Stranger Wore a Gun is directed by Andre De Toth and adapted to screenplay by Kenneth Gamet from the story Yankee Gold written by John W. Cunningham. It stars Randolph Scott, Claire Trevor, Joan Weldon, George Macready, Alfonso Bedoya, Lee Marvin, Ernest Borgnine and Pierre Watkin. Technicolor/3-Dimension production, music is by Mischa Bakaleinikoff and cinematography by Lester White.

Jeff Travis (Scott) was a spy for Quantrill's Raiders, but after disagreeing with the savagery he witnessed during The Lawrence Massacre, he decides to head off to Prescott, Arizona to start a new life. Unfortunately his reputation precedes him and it's not long before he is in the middle of robberies and murder as the hunger for gold rears its ugly head.

As anyone who has seen it in its 2D print will attest, the 3D moments in this look rather bad, some films have been able to get away with it, but this is not one of them. However, mercifully this isn't a production that throws things at the screen every five minutes, or one that films every action sequence in depth perception. As it is, the 3D scenes are the least of the problems on show here, where were it not for the stoic Scott, the lovely Trevor and the novelty value of early turns from Marvin and Borgnine, then this would actually be a below average disaster.

It's sometimes fun, but not always intentionally, and it looks very nice from a location perspective (Alabama Hills, Lone Pine), but the cast are saddled with a mediocre and unadventurous screenplay. The subject of Travis' past is briefly dangled, intriguingly so, with the fact that he is scarred from his "work" as a soldier of the Civil War grabbing the attention, but it's quickly dispensed with to pitch this interesting character into a cliché riddled "town rascals at work" plot. There's a boorish love triangle that's as pointless as it is obvious as to where it will end up, and Bedoya is irritatingly awful to the point his scenes are practically unwatchable.

De Toth seems strangely off form on this one, you would tend to think the 3D filming had him losing his focus, but in this same year he crafted the hugely successful House of Wax in 3D. So he obviously had a knack for depth filming. He also this same year made Thunder Over the Plains with Scott, a significantly better Western than what is on offer here. In one fight scene between Scott and Borgnine, the director struggles to hide the fact that Borgnine has suddenly lost 50 pounds and Scott is 15 years younger! It's very poor from a director who undoubtedly had great talent.

It's one for fans of the name actors only this one, a picture to tick off your lists, to be forgotten and consigned to Cinema Boothill. 5/10
11 out of 13 found this helpful. Was this review helpful? Sign in to vote.
Permalink
7/10
Randolph Scott in 3-D
coltras3529 March 2021
Jeff Travis (Randolph Scott), a spy for Quantrill's Raiders, leaves when he realizes Quantrill's true nature and enlists in the confederate army. After the war he narrowly escapes a gang looking for Quantrill's men thanks to Josie's (Claire Trevor) warning jumping off a river boat. He rides to Prescott, Arizona to start a new life, and ends up working for the crooked saloon owner Jules Mouret (George Macready). His job: to monitor a series of gold shipments on the local stage line run by Jason Conroy (Pierre Watkin) and his daughter Shelby Conroy (Joan Weldon) in preparation for a major robbery. Jeff then has to inform Mouret about the shipment, and then his thugs - Lee Marvin and Ernest Borgnine - intercept the shipment, but Jeff changes sides when one of the jehu's (stagecoach driver) gets killed.

Not sure if the 3-D was needed, but in the 1950's filmmakers were putting it to use. Nevertheless, the Stranger wore a gun is another fast-paced western with exhilarating chases that are well-staged. Scott's character is interesting, ones not sure whether he is good or bad. Loved the way he manipulates both sides of the gang by telling the bandit -Mouret's rival - about a shipment run. George Macready is excellent as usual, lending a villainous suaveness with his distinctive voice. A tense climax in a burning saloon rounds things up. An energetic and well-mounted little sagebrusher.
4 out of 5 found this helpful. Was this review helpful? Sign in to vote.
Permalink
5/10
Sit and Sift
bkoganbing20 March 2007
I have a feeling that a lot of The Stranger Wore a Gun was left on the cutting room floor and if someone's ever interested in a director's cut it might explain some of the holes in this story.

The film opens in the middle of raid on Lawrence, Kansas by William Quantrill. Disgusted by all the killing, Randolph Scott quits the outfit, but can't outrun his reputation. Going further and further west Scott gets himself involved with another ex-Quantrill man, George MacReady who's looking to set himself up in Arizona as another version of Quantrill.

This is the last of four films Scott made with George MacReady, not counting their joint appearance in Follow the Boys. The first one they did together, Coroner Creek, is a classic among westerns. Sad to say the quality diminished as the two worked together until this one.

I couldn't follow the story nor could see what Scott's motivations were for doing what he did. It might be a case of bad editing or maybe it wasn't that good to begin with. I think it's one of the weaker Randolph Scott westerns.

Claire Trevor is yet again a saloon girl with a heart of gold and a yen for Randolph Scott and her rival is Joan Weldon, stage line owner. Doing almost a dress rehearsal for the parts they did in Bad Day at Black Rock are future Oscar winners Ernest Borgnine and Lee Marvin as a pair of MacReady gang members.

I will say if you can sit and sift through the plot you will not be disappointed in the shootout between Scott and MacReady inside a burning saloon. Would that the rest of the film was as good.
21 out of 28 found this helpful. Was this review helpful? Sign in to vote.
Permalink
8/10
Always hits the spot.
pmtelefon2 June 2019
"The Stranger Wore a Gun" is fun western. It has Randolph Scott as solid as ever surrounded by a rock solid supporting cast. I mean, come on, he's has to tangle with both Ernest Borgnine and Lee Marvin. I also a kick out of all the 3D throwing stuff at the screen. "The Stranger Wore a Gun" has a fast moving story and a lot of action. I know it's just a movie but the fire at the end looks so dangerous. I'd be surprised if nobody got hurt while filming that scene. Honorable mention: Alfonso Bedoya.
9 out of 11 found this helpful. Was this review helpful? Sign in to vote.
Permalink
6/10
decent western
disdressed127 March 2009
i liked this western.it isn't the greatest western i have seen,but i thought it was mostly well acted,i found the story interesting,and i thought there was some good chemistry between the characters.it's well paced,with a fair amount of action and some excitement.Randolph Scott is the lead actor in the movie,and i thought he was OK,except he seemed a bit too old for the part.but maybe that's just me and my imagination.Claire Trevor(Stagecoach,1939))also stars,and is great.Ernest Borgnine appears as well.there are some other well known actors of the time,(and genre)as well,but i can't recall their names.by the way,this movie was originally filmed in 3D,so it looks a bit cheesy when objects are thrust toward the screen.for me,The Stranger Wore a Gun is a 6/10
5 out of 10 found this helpful. Was this review helpful? Sign in to vote.
Permalink
5/10
Far from Randolph Scott's best.
planktonrules16 March 2010
Warning: Spoilers
Randolph Scott plays a man who worked, briefly, for Quantrell and his evil raiders during the Civil War. However, Quantrell's actions (he was more a terrorist and thief than a real soldier) soon disenchanted him and he left to serve in the regular Southern army. Soon the war ends and Scott is hated for his war record and people don't want to give him a chance. After nearly being killed by a mob on a riverboat, he decides to head west and lands in the middle of a terrible town run by cut-throats. Eventually, Scott gets rid of some of the baddies and makes it a nicer place to live.

I am a huge fan of the westerns of Randolph Scott and have seen several dozen of them. In general, his later ones made from about 1956-1962 are the best and this film comes from his more inconsistent period. While this is not among the very worst of this period, it is not a particularly good film for a variety of reasons.

The biggest problem is that Scott's character never made much sense and it seemed as if the writers really had no idea where the story was going. It just seemed that his character wasn't sure if he was good or evil or anything in the middle. You just had no idea what his plan, if any, was and by the time the film was over, you just felt a bit disappointed in the whole thing.

In addition, there were some other serious problems. While this is a relatively common problem in Scott films, the stunt doubles were just awful. In particular, the guy who doubled for Ernest Borgnine looked nothing like him and it was VERY obvious that is wasn't him in the fight scenes---very, very obvious--almost comically obvious! The other problem is that originally this was a 3-D movie and the 3-D direction was about as subtle as a 2x4 upside your head. Way too many times the characters tossed things towards the camera or pretended to be punching the camera. A little of this might have worked great, but as much as they did made it look like a "cheese-fest"!! The Three Stooges' 3-D short was more subtle than this!! My advice is unless you are the most rabid and die-hard fan, skip this one or save it for after you've seen his later work. Otherwise, you'll get the impression that his films are pretty ordinary--which is not really the case.
17 out of 22 found this helpful. Was this review helpful? Sign in to vote.
Permalink
First movie I saw Lee Marvin
w8s7 August 2001
I saw this movie in a naval base movie theatre, in, I think, 1956. It was the first thing I recall seeing Lee Marvin in. This guy just absolutely fascinated me. Randolph Scott had been a "Semi-hero" of mine in the late thirties and the forties. In this movie, he was so old, and so slow drawing his gun, that they had to speed up the film to make it look like he was drawing his gun fast. Lee, on the other hand didn't need any "camera" tricks to make him look fast. Lee Marvin, as he was dying from having been shot by this amazingly slow lawman (Randolph Scott), looked down at his two hands, as if to say, "Hands -- how could you have failed me". I thought, facetiously, "Boy oscar is written oll over that!" Really a neat scene. That began a continuing admiration for Lee Marvin,, who could do bad guys, good guys, good guy-bad guy (Cat Ballou), Comedy, Drama, Action, He was a craftsman, and a master at it.
17 out of 25 found this helpful. Was this review helpful? Sign in to vote.
Permalink
7/10
Enjoyable Randolph Scott movie
shakspryn30 May 2021
Warning: Spoilers
In this movie, as in some of his other ones, Scott portrays a former Confederate soldier. Since he served for a time with the notorious Quantrill's raiders, he has a past to brood over; but as this is a Western, the emphasis is on action, not reflection. Here, as in all his movies, Scott is a shrewd, brave, and essentially gentlemanly survivor who fights fair and he is a character whom you like--I did, anyway. He is one of the very finest Western movie heroes, period.

SPOILER ALERT: Claire Trevor had a long and very distinguished acting career, sometimes as a saloon-girl type. Here she is a lady gambler, and a good one. I must confess, I just could never understand why the men in her movies found her fascinating and desirable. When this movie was made, she was 43; Joan Weldon, the other woman character, was 23 and--this is a matter of personal taste, of course--very beautiful, I would say. So, the very end of this movie surprised me, how it came out. The choice Randolph Scott made was puzzling to me. I don't think many men would have made the choice he did. See what you think.
1 out of 2 found this helpful. Was this review helpful? Sign in to vote.
Permalink
6/10
Randolph Scott is caught between good and evil in this action-packed oater
Wuchakk28 August 2022
A spy used in the infamous Quantrill raid on Lawrence, Kansas (Randolph Scott), flees to Prescott, Arizona, after the war and gets mixed up with a shady gang of stagecoach robbers (led by George Macready). Lee Marvin and Ernest Borgnine are on hand as heavies.

"The Stranger Wore a Gun" (1953) is a 3-D Western, which can be discerned by objects constantly being pointed at the viewer. It was directed by one-eyed Andre De Toth, known for the more famous 3-D flick "House of Wax" from the same year, not to mention great Westerns "The Indian Fighter" (1955) and "Day of the Outlaw" (1959).

While not in the same league as Randolph's better Westerns, like "Ride the High Country" (1962) and "The Tall T" (1956), this is still a worthwhile Scott Western. There's more action than most and some decent human interest is thrown in, including his wavering between two women, one older (Claire Trevor) and one younger (Joan Weldon). Meanwhile Alfonso Bedoya is amusing as a rival gang leader.

The only issue I have is the way the protagonist confusingly veers between good and evil (and hypocrisy), which makes it hard to get a lock on the character. It's just challenging to root for a duplicitous 'hero,' yet it could be argued that it's core to the character's inner conflict and potential redemption. It just could've been better written. Speaking of which, the story is based on the yarn "Yankee Gold" by the author of "High Noon."

The film runs 1 hour, 22 minutes, and was shot at Iverson Ranch in northwest Los Angeles and the Lone Pine area (Alabama Hills/Whitney Portal), which is about 200 miles north.

GRADE: B-/C+
0 out of 1 found this helpful. Was this review helpful? Sign in to vote.
Permalink
5/10
The Stranger Was Some Fun
wes-connors14 August 2007
An enjoyable western, with a fair storyline. I especially liked the hot "fire scene". The confrontation between Randolph Scott and Ernest Borgnine was also fun - with Mr. Borgnine throwing junk at the camera! Borgnine and Lee Marvin are both fun to watch, in these early career roles. Claire Trevor is getting older, will Mr. Scott still choose her; or, will the sweet young thing give him a spin?

"The Stranger Wore a Gun" was originally shot, by director André De Toth, in "3D"; this gives it a unique "look", I thought; and, some of the photography is very nice. I found the story difficult to follow, though. I really dig that statue in front of Juniper House.

***** The Stranger Wore a Gun (1953) André De Toth ~ Randolph Scott, Claire Trevor, Ernest Borgnine
8 out of 13 found this helpful. Was this review helpful? Sign in to vote.
Permalink
6/10
Released before "Yojimbo" and "A Fistful of Dollars"
jordondave-2808512 July 2023
(1953) The Stranger Wore a Gun WESTERN

Adapted from the short story "Yankee Gold" by John M. Cunningham which some of the themes is somewhat reminiscent of "Yojimbo" from 1961 or "A Fistful of Dollars" when the center protagonist is attempting to play both sides that happens later on the movie. The intro is about 15 minutes, that has Jeff Smith (Randolph Scott) at the peak of the Civil War employed as a spy for the Confederacy. Oblivious that his entire Confederate regimen were going to massacre civilians of a small town. And as a result of not liking what he is seeing, he decides to grab a horse and ride off. The next scene has Jeff playing cards at a card table with his friend, Josie Sullivan (Claire Trevor) in a paddle wheel river boat. And as soon as some people begin to recognize him, Josie then instructs him to go to Prescott, Arizona and see a guy name Jules Mourrett (George Macready) as he is escaping from the people coming after him for the massacre he had no control over, he does this by jumping off the boat. And by the time he arrives, he is then greeted by an older guy, Jason (Pierre Watkin) and his daughter Shelby (Joan Weldon) Conroy who often counts on a stagecoach to transport his gold safely. It is during then he bonds with stagecoach driver, Jake Hopper (Roscoe Ates) as Jeff joins him as ride shotgun, with a new identity from John Smith to Mark Stone, as he has to confront Jules ruthless outlaws led by Dan Kurth (Lee Marvin) and his friend, Bull Slager (Ernest Borgnine).

Complex western in the same realm as Anthony Mann's "Man of the West", "The Naked Spur" or William A Wellman's "Yellow Sky" in which the central character evolves from their somewhat from their disapproving characters. And although, obvious stunt doubles were used as well as some fake looking gunfights, the complex character Randolph Scott has played, the ending was quite satisfying. The third of six movies director André De Toth collaborated with Randolph Scott.
0 out of 1 found this helpful. Was this review helpful? Sign in to vote.
Permalink
5/10
Just misses the mark
damianphelps24 August 2020
An ok western with a pretty good cast that's a little wasted (not in a Cheech N Chong way).

I must confess I was a little tired and forgot it was in 3D, half way in I'm wondering why the actors keep looking right at me and throwing stuff in my direction lol.

Highlights of the film, the dramatic end fight and a stunt double for Borgnine that looks more like Elvis!!
3 out of 4 found this helpful. Was this review helpful? Sign in to vote.
Permalink
1/10
A Lesson in Poor Film Making
campbell-russell-a29 January 2014
I sometimes like to watch films that just don't work because it shows you why other films work so well. Ninety percent of a good film is due to casting. "The Stranger Wore a Gun" is badly miscast. Scott was a straight-forward actor and here he is asked to deal with complications that are beyond his range. Macready was a great villain but not a western villain. He was too silky in voice and manner. He was a gentleman villain whose evil was best expressed over a Chateaubriand and a fine red - not a whiskey. Alfonso Bedoya could act but here he is given the role of a stereotypical buffoon. In "The Treasure of Sierra Madre" he was a deadly dangerous buffoon but not a clown as in this film. The script is so poor that even fine actors like Earnest Borgnine and Lee Marvin are uninteresting. If they can't lend color to a script, then you know it is a stinker. The story is an odd one. This is not always death to a film but in this case it seems that no one really knew the point of telling the story. Was it supposed to be entertaining? Did it have some moral or human truths to tell? If so, they were lost on me.It seems incredible that the experienced cast and crew made such a film but it is indicative of the fact that films, no matter who makes them, have elements that are beyond the control of their makers. No wonder directors are often so worried about how their test audience will respond to their film. And if you go for art, you run the risk of making junk. If you go for a B grader, you at least get a watchable Saturday afternoon potboiler. I think "The Stranger" went for something more than a matinée western that was the stock in trade of Randolph Scott and finished up with something that was neither fish nor fowl.
9 out of 20 found this helpful. Was this review helpful? Sign in to vote.
Permalink
10/10
Trevor, Scott Brilliance in 3D
hines-200016 January 2022
Quantrill's Raiders man Randolph Scott gets the film off with a flurry of action. Claire Trevor keeps the brouhaha at fever pitch by helping Scott escape from certain death. The stars keep coming with super heavies Ernest Borgnine and Lee Marvin doing the bidding of fellow Raider Jules Mourret (George Macready). They meet in Prescott, Arizona with Jason Conroy (Pierre Watkin) and his gorgeous daughter Shelby (Joan Weldon).

None other than "Badges, we don't need no stinking badges" Alfonso Bedoya gives his usual spirited performance as Degas. Watkin also made movie history with the classic line "Allow me to give you a hearty handclasp" in the movie Bank Dick.
3 out of 4 found this helpful. Was this review helpful? Sign in to vote.
Permalink
5/10
Watching "The Stranger Wore A Gun" can be a chore.
zardoz-1322 August 2007
Warning: Spoilers
"The Stranger Wore A Gun" qualifies as a standard issue Randolph Scott horse opera from the 1950s, not as overall satisfying as the westerns that he starred in for director Budd Boetticher, but entertaining enough to watch if you consider yourself a completist Scott fan. Indeed, this sprawling outdoors action epic presents Scott in one of his least sympathetic roles, and the violence here at times turns unsavory courtesy of original "House of Wax" helmer Andre De Toth whose films often explore the dark side. Like Boetticher, De Toth worked with Scott on five films, so the two must have gotten along pretty well. Veteran scenarist Kenneth Gamet of several Randolph Scott westerns, including "Coroner Creek" and "Ten Wanted Men," based his screenplay on the story "Yankee Gold" written by "High Noon" author John W. Cunningham. Despite the fact that Scott, Gamet, and De Toth worked together on several films, "The Stranger Wore A Gun" still ranks as one of their less luminous efforts. Although De Toth shows his usual flair for physical action—riding, shooting, and fist-fighting, Gamet's script comes up lame because he gives the good guy characters—the father & daughter who run a stagecoach/freighting outfit—the short shrift. In fact, none of the characters are at all interesting, compared to the endlessly interesting characters in the Boetticher films.

The action opens during the American Civil War with the renegade Confederate guerrilla leader, General William Clarke Quantrill (James Millican of "High Noon") and his raiders, as they loot and burn Lawrence, Kansas, in one of the worst atrocities of the war. Quantrill's chief spy, Jeff Travis (Randolph Scott of "Ride the High Country"), has gathered a herd of horses and prepared a list of names and addresses for men that Quantrill wants to see. When Travis learns that Quantrill wants his second-in-command, Jules Mourett (George Macready of "Gilda"), to kill everybody named on the list, our hero decides to quit Quantrill and fight the rest of the war in a regular outfit. Nevertheless, the murderous Lawrence raid attaches an odium to our protagonist that he never entirely manages to sweep under the rug. In the second scene, on board a Louisiana paddle wheel, Travis has to defend himself from people who want to kill anybody that rode with Quantrill. What Travis doesn't immediately know is that Mourett was on board when people made death threats against our hero, and Mourett furnishes a distraction that allows Travis an opportunity to escape. Travis guns down two men and plunges over the side. Travis' gambling companion, Josie Sullivan (Oscar winning actress Claire Trevor of "Key Largo") has kept the flame burning for our hero in her heart since the Civil War. She advises him to jump over the side, swim to the riverbank, and ride out to the Arizona territory where she will meet him. Realizing that he has no alternative, Travis heads west to Prescott, Arizona, the same day that the U.S. Army is moving the territorial capital out of town.

As the villain, Jules Mourett is a well-tailored fellow who plans to become a millionaire before he leaves Prescott. He explains to Travis that thousands of thousands in gold flow through the mines to the capitol and the only thing that stands between him and his fortune is the Conroy Stage and Freight Lines run by Jason Conroy (Pierre Watkin of "Mysterious Island") and his beautiful daughter Shelby (Joan Weldon of "Them!") along with an obnoxious Mexican bandit Degas (Alfonso Bedayo of "Treasure of the Sierra Madre") and his gang that constantly interfere in Mourett's best laid plans. Bedayo is the actor who uttered the immortal line: "We don't need any stinking badges" from the Bogart movie. Consequently, when Travis shows up in Prescott, Mourett wants him to spy on the Conroys and learn when they are going to ship the gold. Conroy has thwarted Mourett's men, Dan (Lee Marvin of "The Big Heat") and Bull (Ernst Borgnine of "The Dirty Dozen"), by not telling the coachman where the gold is and substituting rocks for the gold in the strongbox. In one scene, the outlaws take the strongbox filled with rocks, while the gold coins were kept in a cloth satchel. Consequently, Travis masquerades as a detective from the Collier Detective Agency and convinces the Conroys to trust him with information about all the gold shipments. At one point, the Conroys change their minds about loading the gold, and Dan and Bull beat a coachman to death when he refuses to divulge the whereabouts of the gold.

The biggest problem with "The Stranger Wore A Gun" is that the villain allows the hero to string him along for far too long. Further, the henchmen are just plain stupid. They can stop a stagecoach in the middle of the desert and ride off with the strongbox and neither has enough sense to check the contents of the box at the scene of the robbery. Meanwhile, the Conroys are so gullible that they accept Travis' explanation for why he is so late helping them with their problem. Moreover, neither Conroy thinks to verify Travis' identity with the Collier home office in Chicago. Eventually, the hero learns that the authorities do not have a bounty on his head, only that Josie made up the story so that she could exercise some control over him. The ending when Travis chooses which girl he will wind up with is one of the biggest surprises in the movie.

The cast is top-notch, but villainous George Macready doesn't sneer enough to be truly menacing. Director Andre De Toth maintains a brisk pace throughout the film's terse 82- minute running time. Most of the dialogue is expository, except for when Travis swaps threats and ultimatums with the Lee Marvin bad guy. "The Stranger Wore A Gun" is about as generic a western as it title implies, but a sturdy cast and the lively action sequence bolster this otherwise routine oater.
6 out of 12 found this helpful. Was this review helpful? Sign in to vote.
Permalink
A mediocre 1950s western
jimjo12168 March 2011
In the first five minutes it is obvious that this film was made to be shown in 3-D. Objects are thrown directly at the camera to the point of distraction. Guns are pointed directly at the viewer.

The movie is a B-grade western about robbing stagecoaches. The cast is headed by Randolph Scott (THE TALL T) and Claire Trevor (STAGECOACH), and also features George Macready (GILDA), Ernest Borgnine (BAD DAY AT BLACK ROCK), and Lee Marvin (THE DIRTY DOZEN). Alfonso Bedoya (THE BIG COUNTRY) plays a rival Mexican bandit, cheerfully stumbling through his English lines. The acting is second-rate outside of the seasoned pros and the familiar story is not aided by clumsy action scenes and the annoying 3-D gimmick.

It is amusing, though, to see some of the techniques used to enhance the 3-D experience. Sure, every loose object within arm's reach is picked up and hurled at the camera by hot-tempered cowboys. But there are also chase scenes that are rear-projected and filmed with rocks in the foreground (in front of the rear-projection screen) to simulate a sense of depth and perspective. The background image is very blurry, with the rocks in clear focus.

In the story, Scott works as an inside man for gold robberies. But when things go too far, he decides he's playing for the wrong team, angering his boss. Macready leads the bandits, with Marvin and Borgnine as his trusty muscle. Bedoya is Macready's rival, and Scott plays the two against each other. Run-of-the-mill Western stuff.
5 out of 9 found this helpful. Was this review helpful? Sign in to vote.
Permalink
5/10
Once a spy always a spy.
michaelRokeefe11 March 2006
Warning: Spoilers
Randolph Scott plays Jeff Travis, who worked as a spy during the Civil War for the lawless Quantrill's Raiders. One of the last jobs Travis took part in resulted in innocent victims being slaughtered. Travis leaves Quantrill and heads west to Arizona, where he takes a job spying for a stage company trying to protect their gold shipments. In reality the stranger with gun savvy is working with a strong willed loyalist(George Macready) to the Confederation trying to discover where scads of gold is being hid.

Scott is his typical stoic self and has strong support from the alluring Claire Trevor and Lee Marvin, Ernest Borgnine, Joan Weldon and Alfonso Bedoya.
3 out of 10 found this helpful. Was this review helpful? Sign in to vote.
Permalink
An error has occured. Please try again.

See also

Awards | FAQ | User Ratings | External Reviews | Metacritic Reviews


Recently Viewed