User Reviews

This is a very enjoyable movie, though you wouldn't know it from its low (5.8) user rating. I guess that rating is due to its rather friendly disposition -- no evil bad guys, no murders, not so much action. There is a lot of amiable camaraderie amongst the protagonists, and maybe the theme of the movie (good women civilizing their menfolk) doesn't turn most Western fans on.

However, if you disregard this movie, you are missing a superior B-Western (or mediocre A-Western). It was directed by a TV and movie actor familiar to most of us, Richard Carlson, who acted in over 100 productions, including "The Creature From the Black Lagoon" and "King Solomon's Mines." Among the film's many pluses are:

¶ a surprisingly superior cast beginning with Rory Calhoun. As one reviewer said, "the rest of the cast is first choice with the a young Colleen Miller and remarkable supporting actors (the Best of Universal's contract actors) : Walter Brennan, John McIntire (in only a handful of scenes) and Charles Drake."

¶ By far, the best actor and scene in the movie is from Nina Foch. Calhoun and Drake used to be friends and hellions in town. Both apparently were friendly with Koch, who ended up marrying Drake, who became sheriff. Calhoun moved away, but continued as an outlaw. The best scene in the movie is when Calhoun returns to town to stage a fist fight with sheriff Drake as a diversion while his gang robs the bank. Great are Calhoun's reminisces with Koch, and Koch's breaking up of the fistfight.

¶ the entire production was competent and pleasant -- cinematography, scenery, color, music, direction, acting, etc.

Four Guns to the Border is directed by Richard Carlson and collectively written by George Van Marter, Franklin Coen and Louis L'Amour. It stars Rory Calhoun, Colleen Miller, George Nader, Walter Brennan, Nina Foch, John McIntire, Charles Drake and Jay Silverheels. Music is by Joseph Gershenson and cinematography by Russell Metty.

A little ole devil of an Oater is this. The outlaw machinations and manoeuvres of Rory Calhoun's gang of robbers is kind of secondary to the sex angle of the plotting. The pic is ripe with sexual frustrations, born out by Colleen Miller's blossoming from tomboy daddies girl into a sex-kitten. There is nary a moment missed to sexualise the stunning Miss Miller, she gets wet a lot, and looks amazing with it, she suggestively licks a candy stick, and on it goes.

It would appear on the surface that these are cheap tactics to put horny Western fan's bums on seats, but there's a relevant thread running through the piece. That of awakenings, or growing up if you like. Be it Miller's discovering and curiosity about her sexuality, to the outlaw gang who seem perpetually stuck in a world of youthful exuberance, the constant "growing up" theme purposely nudging all observers.

"We haven't seen an Indian all day"

"Sometimes that's when they're closest"

Lest I forget to mention this is an action movie as well! Standard Oater conventions do apply in the action stakes, with Calhoun (a very under valued actor in the Western pantheon) exuding machismo at every opportunity. There's Apache attacks, fisticuffs, shoot-outs, deaths and chases, you know, the stuff we Western fans love in our 50s Oater diets. There's a running fun thread that sees Silverheels (who gets the best costume) and Nader taking each other on in friendly bouts of fighting, while a sub-plot involving Foch and Drake adds meat to the thematic stew.

Thoroughly enjoyable and not without some intelligence and racy merit as well, Four Guns to the Border is well worth checking out. 7.5/10

Decent Universal International production full of action , violent characters , thrills and lots of shots . A good example of B-Hollywood western genre mostly filmed in studios and including gorgeous exteriors . An outlaw gang (Rory Calhoun ,George Nader ,John McIntire , Jay Silverheels) on the lam encounters former associate Simon Bhumer (Walter Brennan) and his beautiful daughter (Colleen Miller), who's drawn to their leader Cully. They get together at a desert inn where scheme a robbing . As the band heads for the border after a bank heist, they encounter a band of renegade Apaches. One for all and all for trouble!

This is an exciting film , plenty action , thrills , fights , gun-down and breathtaking outdoors . One of a long series of colorful , double-features made at Universal International studies in the Fifties , films which made starts on of male actors : Rock Hudson , Audie Murphy , Ray danton , George nader and female actresses as : Rhonda Fleming , Yvonne De Carlo , Mauren O'Hara , , besides the stars of this Western : Rory Calhoun , George Nader and Richard Carlson himself . Well-made action sequences with rousing attacks and spectacularly made shootouts . Charismatic performance for whole casting .The rough outlaw Rory Calhoun and Colleen Miller as the luscious daughter Lolly deliver a nice loving chemical , in fact the best scenes happen at a stormy night, when Cully/Rory and Lolly/Colleen almost have an affair, including some erotic shots . Support cast is pretty good , such as the good-looking George Nader , the eternal secondary Walter Brennan playing an old gunfighter who still has a fast draw and now planning to retire on a farm, Nina Foch , the veteran John McIntire , Charles Drake , Nestor Paiva , Mary Field , Jay Silverheels as a half-breed bandit though he was better for his character as Tonto in the long -running Lone Ranger series .

The motion picture was well directed and in traditional style by Richard Carlson . Richard was a notorious actor who even played two classic movies such as It came from outer space and Creature from the black lagoon . He subsequently accepted charge of directing a silly pseudo-scientific premise entitled Riders to the Stars (1954), a low-budget enterprise bogged down at the expense of drama. In the course of the next twelve years, he directed some better second features, including the westerns Four Guns to the Border (1954) , The saga of Hamp Brown and Kid Rodelo (1966), many of them starred by Rory Calhoun , as well as a number of television episodes. He also wrote the occasional TV script, as well as contributing articles on non-fiction subjects to several magazines .

I'm a western nut who's been watching horse-operas since the '50s and somehow I'd never heard of this before a TV showing here in England. The cast is superb, including Oscar-winner Walter Brennan in a more restrained performance than usual. Each of the four bank robbers has his own little quirks and it's fun to see Jay Silverheels in a more lively part than his legendary Tonto act, which was often so wooden you'd pick up splinters just from watching it. There's a familiar face playing the tiny role of the town barber - Paul Brinegar, who found TV fame five years later as trail-cook Wishbone on Rawhide.

Richard Carlson's direction is surprisingly effective. It's a darn shame he didn't do much else, though his 1964 low-budget Kid Rodelo was nowhere near as nifty a job as Four Guns, which must be filed as "underrated and worth a look." Both movies came from Louis L'Amour stories.

This is a really enjoyable movie, a tale of romance, self discovery and of course Native Americans. The performances are convincing and quite passionate, which really help sell the story to the audience. However the star of this movie is actually the musical score. It is tremendous. The music underscores the action on screen as well as any movie I have ever watched. Highly recommended.

The Four Guns To The Border that are in the title is an outlaw gang headed by Rory Calhoun with George Nader, Jay Silverheels, and John McIntire as members. They're returning to Calhoun's home town where he was run out of years ago by sheriff Charles Drake. Calhoun's ex-girl friend Nina Foch wound up marrying Drake.

Calhoun's not going there for any revenge though giving Drake a beating does have its satisfactions. He's going to challenge Drake quite publicly and while he and Drake are fighting, the other three can rob an unguarded bank. It works, but then the outlaws meet up with old time outlaw Walter Brennan and his daughter Colleen Miller who are besieged by renegade Apaches.

They met up with Brennan and Miller earlier. Of course the young ones Calhoun and Nader get their hormones in an uproar. But Brennan's not having any daughter of his taking up with no outlaw.

Four Guns To The Border is a good no frills western with some of its plot taken from Three Godfathers. The outlaws prove to have more character than they realize. A good ensemble cast is gathered for this which as another viewer observed has no real good or bad guys. Or to put it another way the line of demarcation between the good and the bad isn't all that clear.

As good a film as Four Guns To The Border is, it's kind of story was being found on the adult westerns popping up with increasing regularity shortly.

Well, I hadn't heard about this 1954 Western movie prior to having the chance to sit down here late in 2022 and watch it for the first time. So I wasn't harboring any particular expectations to the movie.

Writers George Van Marter, Franklin Coen and Louis L'Amour didn't exactly manage to put together a script that overly fell into my particular taste and preference. Sure, "Four Guns to the Border" was a watchable movie, no doubt about it, but the storyline just didn't really offer much of any thrills or entertainment for me. So it was a somewhat monotonous movie to sit through.

The acting performances in the movie were good, though I can't claim that I was familiar with the cast ensemble here.

There are many other Western movies from around the same time that proved far more entertaining than what director Richard Carlson managed to do with "Four Guns to the Border".

My rating of "Four Guns to the Border" lands on a four out of ten stars, four guns, four stars. Coincidence?

Four bank robbers run for the border. On the way, they run into leader Rory Calhoun's old friend Walter Brennan and his gorgeous daughter, Coleen Miller. Miss Miller and Calhoun fall for each other, despite Brennan's objection.

Richard Carlson takes one of his occasional trips behind the camera to direct this shaky A western. Brennan, of course, gives a fine performance, and the other performers are good, but it all seems to be too well calculated, from the occasional grace notes for the camera, to the arc of the plot. Perhaps tighter editing would have helped. With George Nader, Nina Foch, Jay Silverheels and Nestor Paiva.

For any fans of actress Colleen Miller, you have come to the right movie. Miller looks gorgeous, cinematographer Russell Metty filmed her as if she was a model at a fashion shoot. Now for the debit side of the ledger: this Western is a badly done copycat of other movies. Copying "Winchester '73," there is an interior scene at an isolated road house called "La Tienda" (remember "Riker's" ?) where John McIntire's character is playing solitaire in the background. Miller's character is traveling with her old codger father (Walter Brennan) in a set-up just like "Along The Great Divide," where old codger Brennan plays the father of character Ann Keith (played by another beautiful actress, Virginia Mayo). Star Rory Calhoun plays the leader of a bunch of incompetent outlaws who never make it close to the border. Two of the outlaws, George Nader and Jay Silverheels, engage in some rough housing that seems rather strange considering Nader's Hollywood career crashing after Confidential magazine outed him. Silverheels' part playing a dimwit Indian is an racist offense against this fine actor. And what of the Indians who go on the warpath and charge head on into rifle fire? Universal-International (U-I) was a studio that made crap Westerns in the 1950s marked by real cheapness. "Winchester '73" and "Man Without A Star" were exceptions because of these movies' big stars. Too bad Colleen Miller bailed out of making movies after her experience at U-I.

Distinguished by its overt, out in the open, relationships between Men and Women circa 1885 in the Old West. It is that Story flirtation that makes this one a bit different than most of the Westerns of the 1950's.

Behind the Women taming the wild Men of the Old West is a gang of bank robbers led by Rory Calhoun with John McEntire, and Jay Silverheels. They encounter Walter Brennan and his coming of age Daughter in tow and from the very first scenes this one sets itself up as a steamy, sexy Western.

"Didn't anyone tell you not to scratch yourself in front of other people? Dad Brennan asks the curvaceous and cute "Lolly" (Colleen Miller) as she awakens.

She is doused with water as Her blouse clings and the camera lingers from below on Her upper half.

You'd better sew up that dress," He tells the oblivious Gal after a roll around with Calhoun. And there's more.

She is Flirtatious with a Candy Cane and a Bottle of Sarsaparilla.

She goes out in a nighttime rainstorm in Her bed clothes and meets soaking wet with Calhoun in the barn.

There is dialog, once the gang gets to town about Men being hogtied by Women and Calhoun's ex-Lover is now His former Friend's Wife and She breaks up a fistfight by literally pulling a buggy whip on both of them.

This kind of Adults at play stuff was not available on The Tube and by 1954 it was obvious Movies had to offer something a bit different to get Folks off the couch.

The good Cast, color Photography, and the sexual stuff make this one stand out as an above average Entry in the crowded field of the Western Movies of that Decade.

Richard Carlson is more known as an actor than as a director, and that's unfair because he brought us very good surprises, unusual and charming stuff as this one now. Wally Brennan and Rory Calhoun are in the cast and several other figures such as Charles Drake, George Nader and John McIntire Universal Studios "home" actors. It is short, a bit over eighty minutes, good paced, never boring nor cheesy. So, a good moment to spend. Rory Calhoun is not really a good hero here, rather ambivalent dude and that suits him well. In real life, don't forget that he was a bad boy, former inmate in institution for young offenders. Charles Drake in a sheriff role, not far from the one he had in NO NAME ON THE BULLET, where he fought against a very ambivalent Audie Murphy in the lead. A rather good character study that concerns the outlaws around the female, daughter of Walter Brennan.

This film is not only western.....its a sexual encounter of a young woman who meets a man and all inhibitions from them both desert them entirely. Yet without a naked encounter of either and the physical bond between them only rain water the steam hits a shrieking high point of excessive desire.....after that it is western. But a very good one.

This dull shoot-'em-up, a typical run-of-the-mill, cowboys 'n' Indians, robbers vs.posse oater, has one remarkably fascinating aspect: a bare-bones plot punctuated by surprisingly sexual imagery, much of which can be interpreted as homoerotic. Some scenes are steamingly obvious in their depiction of passion, and others are so gratuitously injected that they can only be seen as surreptitiously symbolic. (There's even a totally irrelevant pussycat with kittens). The creators must have had a bang-up good time foisting such a naughty piece on mid-fifties audiences, and modern viewers should have just as much fun ferreting out each and every nuance! Fans who favor peeking below the Production Code will have a ball!