Big House, U.S.A. (1955) Poster

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8/10
Gritty and awful--and I liked that about this film!
planktonrules25 August 2007
The film begins with a little boy getting lost while at summer camp. Ralph Meeker finds the boy and pretends to be helping him, but actually is intent on kidnapping him and holding him for a huge ransom. Unfortunately, the kid dies while in his care but Meeker is an animal and STILL proceeds to get the money and then tries to skip town. However, the cold and calculating killer is caught and sent to prison--but unfortunately, all they can prove is that he extorted the money--not that he had anything to do with the boy's disappearance.

This is sort of like a prison movie merged with a Film Noir flick. That's because much of the beginning and ending of the film is set outside prison and its style throughout was rather Noir inspired--with a format much like an episode of DRAGNET (the bloodier 1950s version, not the late 60s incarnation). However, it did lack some of the great Noir camera-work and lighting as well as the cool Noir lingo--but it still succeeded in telling a great story. What was definitely Noir was the unrelentingly awful and brutal nature of the film--a plus for Noir fans. Now I hate violent and bloody films, but this one was a bit more restrained but still very shocking for a 1950s audience--featuring some of the most brutal plot elements of the decade (tossing a child's body off a cliff, burning a corpse with a blowtorch to confuse in the identification of another corpse and the scene with the escaped prisoner who is scalded to death). Because of all this, the film was above all else, realistic and shocking--much of it due to the excellent script, straight-forward acting and a few excellent and unexpected plot twists.

By the way, this is one of the earliest films in which Charles Bronson appears with this name (previously, he'd been billed as "Charlie Buchinsky"). When he takes his shirt off in the film, take a look at how muscle-bound he was--I sure would have hated to have tangled with him!! In his prime, he might have been the most buff actor in Hollywood history who DIDN'T suck down steroids (and, consequently, had minuscule testicles from this drug).
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6/10
Grim documentary style prison drama is gritty and realistic...
Doylenf25 August 2007
The story begins with a lost boy, a kidnapping, a ransom as extortionist RALPH MEEKER takes advantage of a situation which led to the death of the boy. The F.B.I. is soon on the case when the boy's father reports his disappearance. Meeker is sent to an island prison to serve a sentence as an extortionist who has $200,000 hidden somewhere.

He's thrown in with some hardened criminal types--CHARLES BRONSON, BRODERICK CRAWFORD, LON CHANEY, JR.--labeled "the Iceman" because of his cool demeanor and icy gaze. Crawford has one of the film's best lines: "Well, the iceman cometh." Since no prison drama would be complete without an escape plan being hatched, BIG HOUSE U.S.A. is no exception. The suspense lies mainly in the survival of Meeker who is known as the most hated man in prison because he harmed a boy. Crawford devises an escape plan that includes Meeker, "the goose that laid the golden egg", so he can share the hidden loot with them. Of course, it's a crime doesn't pay melodrama, so in the end all their best laid plans go awry.

Nice outdoor photography in Royal Gorge Park, Colorado, for the rugged scenes in the finale.

Summing up: Well worth your time--interesting and gritty.
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7/10
NOT a typical prison picture--an amazing cast, a major twist, great locations...
secondtake20 March 2011
Warning: Spoilers
Big House U.S.A. (1955)

This is quite a surprise. At first you are lulled into thinking we're in an ordinary crime drama: a rich kid is kidnapped from a Colorado mountain summer camp. A ransom is demanded, the kidnapper, working alone, is caught for a different crime and thrown in jail. All of this takes awhile to happen and is pretty interesting, especially set out in the big landscape and bright air of the Rockies.

But then our main character finds himself in a jail cell with some hardened thugs. This is where any movie lover will sit up. Listen to the cast of characters.

Broderick Crawford, who plays loud and brash characters as good as anyone, and who is sharp as a whip here, the gangleader and intellectual.

Ralph Meeker, the man who played Mike Hammer in the following year's "Kiss Me Deadly" and is a good hardened criminal.

William Talman, most memorable in Ida Lupino's "The Hitchhiker" as the sinister kidnapper with one eye which stayed open even when he slept, and here plays an equally cold and brutal type.

Lon Chaney (this would be Lon Chaney Jr. of course) who continued his career are "Wolfman" in roles demanding his broad nice guy quality that here gets twisted since he's also a thug.

Charles Bronson, yes, whose big fame was still ahead ("Magnificent Seven" and "The Great Escape") and who appears here without his shirt on, of course (he's ripped).

The rest of the movie follows these men as they escape, audaciously, and begin to rip into each other in an effort to find the hidden ransom money.

There are a few stumbles and improbable turns here, but it's all done with such high stakes energy it really works. The one wet blanket on the whole thing is the overlay the producers add to the plot giving credit to the police forces who intrepidly solve the crime (the F.B.I. in particular), almost as if a government mandate.

But never mind the drawbacks. If you watch this for its inventive energy and cast of characters, you'll be amazed. I'd watch it twice, even with the sometimes clunky direction. It's that fun.
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Juicy Slice of Thick Ear
dougdoepke13 May 2006
The early 1950's witnessed a number of high profile kidnappings of wealthy offspring, the most notorious being the Greenlease grab in Kansas City for which the perpetrators were executed and the arresting detectives jailed for stealing the ransom money! It's not surprising that these headlines eventually worked their way into the movies. And a good little kidnapping and prison film this is.

Big House USA benefits greatly from on-location photography in the scenic foothills of south-central Colorado, near the state penitentiary in Canon City where the prison scenes were filmed. The producers had the good sense to make the most of this unusual backdrop to a story line that is in many ways exciting but unexceptional. ( The only real drawback-- the underwater scenes of the prison escape, which appear to have been shot in a neighbor's backyard pool. The phony plants even bounce off the bottom as swimmers go by! Where was quality control on this one.)

The producers also hired an outstanding cast of has-beens (Crawford and Chaney), up & comers (Bronson, Meeker, and Farr), along with the stentorian voiced Reed Hadley as the long arm of the law, and Peter Votrian, an appropriately sickly looking kid whose whiney demeanor could make you think twice about becoming a parent. The result, all in all, is a very watchable 90 minutes of cops vs. robbers and cons vs. screws. Then too, no movie from this period that features the bug-eyed William Talman should be passed up.
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6/10
Per the Lindbergh Law
bkoganbing14 April 2014
Big House USA sounds like a prison picture, but only in part of the film is the setting a maximum security prison. There is the part how Ralph Meeker got there and the last part about his escape with several other solid citizens, residents of Big House USA.

A young boy with one rich father is kidnapped by Meeker and dies while in his custody. Not that he killed him, but kidnapping alone as per the Lindbergh law gets him the gas chamber. Father Willis Bouchey pays the ransom, but gets no child back.

Meeker is arrested, but all he's charged with is extortion, without a body dead or alive, the authorities can do no more. But with the reputation as a child killer, Meeker's not going to be a popular guy even in the maximum security federal penitentiary he's sent.

But cell-mate Broderick Crawford has other ideas about the ransom money never recovered and buried in a national park. He and confederates Lon Chaney, Jr., William Talman, and Charles Bronson escape with Meeker. They had an escape plan in the works already, a quite ingenious one which costs another prisoner his life during a dry run.

A chance to see all these guys in a film is never to be passed up. Crawford we're told is a smart guy. Personally if he were that smart he'd have realized that the authorities would know full well he was heading for the park and go anywhere else. But greed overtakes intelligence.

There's also a nice role here for Felicia Farr as Meeker's accomplice. FBI man Reed Hadley and chief forest ranger Roy Roberts represent the law.

Big House USA spends more time in the wide open spaces than in a maximum security prison. Still it's a tight little noir film with a fine cast of players.
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6/10
Grizzly
BILLYBOY-104 November 2010
Warning: Spoilers
Meeker kidnaps a kid, but kid dies in an accident so Meeker tosses him into a 1,000 foot deep rugged Gorge but manages to get $200k ransom which he stashes. He gets caught and sent to a BIG HOUSE on a fakey looking island in the USA. His cell-mates are: Broderick Crawford, chess playing chief mastermind, Lon Chaney Jr., lovable loony who reads romance magazines, Charles Bronson, ever shirtless and bulging with greased up muscles(reading muscle magazines) and William Talman (Perry Masons own D.A., Hamilton Burger) They are about to escape. They kidnap the kidnapper to make him take them to the ransom money. After the escape Crawford makes Talman bash Bronson's brains in and blow torch his body. Then Crawford shoots Chaney Jr. This leaves Meeker to lead Crawford & Talman to the ransom loot. When they get to the stash, they conk Meeker on the noggin but now the Park Rangers and F.B.I. ambush them. Talman get shot about twenty seven times by the F.B.I guy and Crawford gives himself up, sniveling like a baby. The coward. Voice-over says Crawford & Meeker get nuked in the BIG HOUSE. This is a kidnap story but I guess BIG HOUSE, USA sounds more fun than KIDNAP, USA. The flick is fun. You won't hate it, nor will you insist on getting back the time you spent watching it.
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7/10
Typical '50's prison picture
thirdcavca-23 September 2004
As it happens I was in this picture as an extra in the early spring of 1955. I was going to high school as a sophomore at Holy Cross Abbey in Cannon City Colo. at the time when a call came in for extras for a summer camp scene.

This movie was filmed in and around the Cannon City area,Westcliffe and Royal Gorge. Broderick Crawford had a popular TV series at the time called Highway Patrol.

This was one of Charles Bronson's earliest movies, he had just done House of Wax a year or two before.

Reed Hadley also had a popular detective TV series at the time.
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6/10
Low Budget-Ransom should have been used to produce
DKosty12326 August 2007
This film is not the best of it's genre. It is like a low budget version of the 1950's Dragnet series. The cast is something else.

Broderirck Crawford, William Talman, a young Charles Bronson, & Lon Chaney Jr make interesting cell mates in a maximum security island prison. When the Ice Man joins them, they hatch an escape plot involving his ransom money. Like Dragnet, in this movie, the police appear to be a lot smarter than the crooks/murderers/thieves.

This could have been better but it is obvious that this is a low budget thriller. The acting talent only gets an average script to work with. While the film is based on fact, it does not quite rise to the level of a great film.

For those who like the familiar faces it is OK. It is fictionally based upon a real incident. Only the names were changed to protect the guilty, or is that innocent? Actually, the story is good enough to involve the viewer, but it does not become a must see movie.
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10/10
The Iceman Cometh
telegonus10 December 2001
Rugged mid-fifties prison break flick with great cast,--Broderick Crawford, Ralph Meeker, Lon Chaney, Jr., Charles Bronson, Reed Hadley, Bill Bouchey and Roy Roberts--it oozes violence and cruelty, and is even today one tough, convincing little movie. Ralph Meeker is excellent as a cold-blooded killer known as 'the iceman", but Crawford has the film's best line when Meeker joins his prison cell: "The iceman cometh". Very watchable and outdoorsy, with fine work by a virile cast, it rather resembles stylistically Crawford's TV series Highway Patrol in its plain, police procedural take on the American western landscape of the fifties, with killers, like Commies, lurking behind every rock and tree. Strong stuff, and a worthy late entry in the prison escape genre.
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7/10
GREAT OPENING HALF GETS A LITTLE LOST IN THE BOTTOM...!
masonfisk15 February 2022
A 1955 docudrama of a kidnapping gone wrong & the man who tried to make it happen. When an asthmatic kid goes missing in a national park, a crooked opportunist hears of this & tries to milk the situation by collecting ransom from his distraught father. Little does all concerned know that the poor boy would fall to his death from an elevated cabin which he escaped from, only for the kidnapper, played by Ralph Meeker, to toss his body into a forest canyon below. The FBI is called in & they capture Meeker sending him to jail w/o getting the particulars of the crime (Meeker is dubbed the Iceman for his reticence in not divulging any information). Once in stir, he meets up w/a group of convicts (Charles Bronson, Broderick Crawford, Lon Chaney, Jr. & William Talman make up some of this unit) looking to break out of prison w/the remaining ransom money (which Meeker stashed) used as a boon to keep himself alive during the escape which goes off w/o a hitch w/some of the team being killed along the way until the law finally catches up w/them back at the park. A great first half of the film gets lost in the second (almost feeling like two separate narratives which don't congeal in this 90 minutes affair!) w/a lot of the story beats sped along just to reach the end credits but I'd still recommend it for the terse first 45 minutes as the kidnapping & aftermath is thrilling & heartbreaking. Also starring Felicia Farr (she was married to Jack Lemmon) as one of Meeker's helpers, Stafford Repp (Chief O'Hara from TV's Batman) as the prison warden & William Boyett (from Adam 12) as a park ranger.
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5/10
Only death will melt this Ice Man.....
mark.waltz9 July 2012
Warning: Spoilers
Some brilliant actors inhabit this "B" crime melodrama from the mid 50's. This independent film simply adds "USA" to the title (minus "The") of the 1930 prison movie that was way ahead of its time in its depiction of prison violence. That film, along with "Brute Force", remains a classic in the genre of life-after-crime films. This film, however, doesn't have that reputation. It is, however, the genesis of a crime, here a kidnapping gone wrong, that results in the criminal (Ralph Meeker) gaining the nickname "Ice Man" in prison for his cold demeanor in the way he denies having seen the victim, sadly an 8 year old boy he kept hidden while trying to extort money from his wealthy father.

Like child molesters, kidnappers of children in prison are considered the lowest of the low, and in this case, Meeker's cell-mates (Broderick Crawford, Lon Chaney Jr., Charles Bronson) ostracize him immediately. But knowing he has ransom money stashed away, they decide to include him in on their escape plans, with the intention of killing him once he leads them to it. This leads them back to the scene of the original crime where there is a sad, ironic conclusion that is unfortunately still too real in crime solving.

All of the actors are excellent, even if they are playing totally despicable people. The prison scenes don't begin until half way through the film even though Crawford is top-billed. Meeker is really the focus of the film. There are some genuine horrifying visuals, especially the fate of the asthmatic 8 year old. This is not for ultra-sensitive movie viewers. It is interesting to note that Bronson, pretty much shirtless in his entire time on screen, has a physically amazing torso. Crawford and Chaney's characters are pretty interchangeable. Like most crime dramas or 50's film noir, the film has the typical documentary-like narration that by this time was totally clichéd. The result is a gripping but ultimately depressing film that will leave the viewer speechless.
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8/10
I'm gonna kidnap a kidnapper for the money he kidnapped for.
hitchcockthelegend6 August 2013
Big House, U.S.A. is directed by Howard W. Koch and written by John C. Higgins, George George and George Slavin. It stars Broderick Crawford, Ralph Meeker, Reed Hadley, William Talman, Lon Chaney Jr., Charles Bronson and Felicia Farr. Music is by Paul Dunlap and cinematography by Gordon Avil.

A Kidnap, A Ransom and A Prison Break = Powder Keg.

Out of Bel-Air Productions, Big House, U.S.A. is a relentlessly tough and gritty picture. Beginning with the kidnapping of a young boy from a country camp, Howard Koch's film has no intentions of making you feel good about things. Deaths do occur and we feel the impact wholesale, tactics and actions perpetrated by the bad guys in the play punch the gut, while the finale, if somewhat expected in the scheme of good versus bad classic movies, still leaves a chill that is hard to shake off.

Split into two halves, we first observe the kidnap and ransom part of the story, then for the second part we enter prison where we become cell mates with five tough muthas. Crawford, Chaney, Meeker, Bronson and Talman, it's a roll call of macho nastiness unfurled by character actors worthy of the Big House surroundings. The locations play a big part in the pervading sense of doom that hangs over proceedings, Cascabel Island Prison (really McNeil Island Federal Penitentiary) is every bit as grim as you would expect it to be, and the stunning vistas of Royal Gorge in Colorado proves to be a foreboding backdrop for much of the picture.

Although it sadly lacks chiaroscuro photography, something which would have been perfect for this movie and elevated it to the standard of Brute Force and Riot in Cell Block 11, Avil's photography still has the requisite starkness about it. While Dunlap scores it with escalating menace. Not all the performances are top draw, more so on the good guy side of the fence, and some characters such as Chaney's Alamo Smith don't get nearly enough lines to spit, but this is still one bad boy of an experience and recommended to fans of old black and white crims and coppers movies. 8/10
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6/10
Two Lennies for the Price of One!
malvernp12 February 2022
Prison breakout films constituted a fairly common genre in Hollywood, although this one differs from most of the others with its other unrelated yet important plot complications. But Big House, U. S. A. Will remain a special item for consideration because of one of its unusual casting features.

The leader of the breakout gang is played by Broderick Crawford, and the role of one of his henchmen is portrayed by Lon Chaney, Jr. Several years earlier, these two actors were closely associated with the role of Lennie, the slow-witted giant (who had a fondness for petting rabbits) in John Steinbeck's classic Of Mice and Men. The novel was subsequently transformed into a successful play and in 1937---it appeared on Broadway with Crawford creating the original Lennie character on the stage. However, when the play was turned into a major motion picture in 1939 directed by Lewis Milestone, Crawford was bypassed and instead the part of Lennie was offered to Chaney. Both the play and film were well received by the critics and public, and the movie got an Oscar nomination for Best Picture of the Year---only to lose to Gone with the Wind.

Did this history have any effect on their performances in Big House, U. S. A.? Such is not evident from a viewing of the film. While Crawford lost the movie part of Lennie to Chaney, he ended up having the more successful film career---appearing as the male lead in both the Oscar nominated original version of the hit play Born Yesterday as well as earning the Oscar winning Best Actor award for All the King's Men one year earlier. Chaney continued to have a busy life as a popular character actor in many Hollywood films until his death in 1973, but he was never again offered a prestige part similar to his earlier Lennie role or like those mentioned that were given to Crawford. Ironically, Crawford got the Born Yesterday role instead of the equally well known actor who originated the part on Broadway---Paul Douglas

As for the Big House film, it is interesting, tough and often brutal. Its primary interest to us today is focused on the stellar cast---with a particular reference to the Crawford-Chaney back story. It is certainly unique.
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3/10
Crawford, Chaney, Bronson, and Talman -- Cell-Mates!
wes-connors25 August 2007
It's "The F.B.I." starring Reed Hadley, with an all-star guest cast! The film begins with an accidental (convenient?) kidnapping, which leads to one thing, and another - which doesn't really indicate the main story, which is a "Big House, U.S.A." prison break story. The story is very improbable, to say the least. It's like a TV show, only more "violent" (for the times).

BUT - the cast is a trip! Picture this: Ralph Meeker is sent to prison; his cell-mates are the following criminals: Broderick Crawford, Lon Chaney Jr., Charles Bronson (reading a "Muscle" magazine!), and William Talman (reading a "Detective" magazine!). Honest! You should know that, an early scene reveals what happens to the "missing" boy, answering the ending "voiceover." If you don't want to have that hanging, don't miss the opening scenes between the "Iceman" and the boy (Peter Votrian doing well as a runaway asthmatic).

*** Big House, U.S.A. (1955) Howard W. Koch ~ Broderick Crawford, Ralph Meeker, Reed Hadley
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Surprisingly stark and mean little crime drama.
Poseidon-327 August 2007
Warning: Spoilers
Loosely inspired by a real life case, this gritty little film documents the fate of a ne'er do well drifter who seizes the opportunity to make money off the disappearance of a wealthy child. Meeker plays the stoic (and uncomfortably good-looking) extortionist who locates a missing boy only to hole him up in a condemned ranger station while he attempts to milk $200,000 from the boy's panicked father Bouchey. Bouchey does everything he's told, in an effort to spare his sick wife from even knowing about the boy's ordeal, but it's all for naught when Meeker is caught, but the boy isn't retrieved. Meeker is convicted of extortion (not kidnapping!) and sent to the Big House where he's confronted with some unfriendly cellmates. Crawford is the burly ringleader, Chaney is the more sensitive, lunkheaded one, Bronson is an antagonistic muscle man and Talman is a skittish follower. All of them wish to escape and when they find out that Meeker has some ransom money hidden on the outside, they decide to drag him along with them so they can split it up! They bust out via a fairly elaborately constructed tunnel, but that's hardly the end of their problems. Meeker does a very solid job in a film with few, if any heroes. It's disconcerting for the viewer to see a nice-looking man resorting to some of the things he does here. Crawford, top-billed though he takes quite a while to show up, is savvy and ruthless (and, unfortunately, shows off far more chest that Meeker does!) Talman, infamous as the constant nemesis of "Perry Mason", and Chaney don't get a lot of screen time, but handle what they get effectively. Bronson is rock hard and frequently shirtless, revealing an impressive figure for 1955, a time when most men rarely worked out to that degree. Jack Lemmon's future wife, Farr, amusingly billed as "Randy", plays a nurse. Votrian portrays the little rich boy and it's not without amusement, though there's residual guilt in laughing at someone whose fate is so horrifying. He starts off with a persistent cough, intended to be an asthma attack and can't ever stop hacking UNTIL he has a line, during which he's perfectly fine! This occurs several times. He also has a jaw-dropping hysterical scene when Farr attempts to give him a shot. Saddled with an overbite and toothpick legs jutting out of the planet's shortest shorts, he's a gangly mess and is agonizingly annoying. Still, no one likes to think of any child receiving this type of treatment. This film should really have had a different title since only a small portion of it takes place behind bars. It's a startlingly brutal piece of movie-making for its time with a couple of really rough deaths including a bad fall, a broiling in a steam tank and a hammer to the head, followed by a face-roasting via a flame gun! The worst thing is the horrendous and almost completely unnecessary voice-over narration supplied by Hadley as an FBI agent. It's one of those terrible things in which the events depicted clearly on screen are described by a dry, stony voice when viewers simply could have watched it themselves. One great thing is the use of outdoor locations and the assemblage of interesting cast members. It's certainly worth the 83 minutes it takes to watch it!
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6/10
Bigger then all outdoors
sol121825 December 2009
Warning: Spoilers
***SPOILERS*** Even though the movie "Big House U.S.A" runs for a scant 83 minutes it seems like well over two hours watching it and all the side plots that's in it. In fact we never get to see the big man or top star Braderick Crawford, the psycho as well as wimpy sadist killer Rollo Lamar, until almost halfway into the film.

The story starts with good natured fisherman Jerry Baker, Ralph Meeker, giving a hand to this runaway boy Danny Lambert, Peter J. Votrian, who checked out of camp when he was about to be giving an injection for his serious asthma condition. As it turned Baker was on to little Danny in that his dad Mr. Lambert, Willis Bouchey, being one of the riches men in the state of Colorado. Holding little Danny hostage for a ransom of $200,000.00 Baker makes the mistake in leaving the kid alone in this dilapidate fire tower in the woods. Trying to escape Danny falls to his death and with that Baker if caught faces the death penalty for, a federal charge, kidnap/murder.

Caught by the FBI lead by Special Agent James Madden, Reed Hadley, Baker being a step ahead of the law had disposed of Danny's body and hid the ransom money where he only faced and got a one to five year sentence at the top security Cascaville prison. It's behind bars that Baker got involved, since he had no choice in the matter, with his cell-mates who were serving time for a slew of multiple murders all across the country. Headed by the brains of the outfit Rollo Lamar Baker is forced to break out of jail with Rollo and his fellow cell-mates the worst bunch of convicts in the entire prison system. It's not that Rollo liked Baker but the fact that Baker knew where he stashed the $200,000.00 ransom money was worth saving his life; That's until Rollo got his hands on that cash and then he's history!

Worth watching just to see future action star Charles Bronson all pumped up, the guy would give Arnold Schwartznegger a run for his money in a body building contest, and crazy with future District Attorney Berger, William Talman, in the Perry Mason TV show as, this really takes the cake, William "Machine Gun" Mason! In fact three years later Charles Bronson would get the lead role as the real, whom Talman's character was obviously based on, Machine Gun Kelly.

P.S There's also horror star Lon Cheney Jr. as the dim witted and lovable convicted murderer Lenny Alamo Smith. It fact it was Lenny that Lon Chaney played in the 1939 film "Of Mice & Men" that made him a star. And talking about Lenny in "Of Mice & Men" it was non-other then Broderick Crawford who originated the role on Broadway three years earlier!
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7/10
gets better in prison
SnoopyStyle6 December 2020
At camp, little Danny Lambert has an asthma attack. The nurse tries to give him a shot but he runs off into the woods. Jerry "The Iceman" Barker (Ralph Meeker) finds him and kidnaps him for ransom. Jerry gets $200k from his wealthy father. The boy dies in an accident and Jerry buries the ransom money. He is caught by FBI Agent James Madden and sent to the Big House. Without the boy's body, he could only be convicted of extortion. They need to break him and place him in a cell with four hardened lifers; William 'Machine Gun' Mason (William Talman), Alamo Smith (Lon Chaney Jr.), Benny Kelly (Charles Bronson), and Rollo Lamar (Broderick Crawford).

The kidnapping part could have been something intense but it's all done in a matter-of-fact manner. I also don't like the narration which is a relic of this era. The father looks too old. He's 50 going on 60. A younger father could exaggerate his flustered mannerisms. The first part could have been better and quite frankly, it could have been cut out for the most part. The prison part gets interesting with the addition of these great actors. I wouldn't mind expanding that section. All in all, it's an intriguing crime drama and prison drama.
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6/10
"Kidnapped USA"
gattonero9758 November 2015
Warning: Spoilers
This pseudo-documentary style film failed to disguise the disjointedness of it's narrative. This case history of a crime begins in the great outdoors. It was filmed in Clorado Royal Gorge Park. A sick young boy with asthma runs away from camp after being scared by the nurse at the camp (a young Felicia Farr who made her feature debut with this film as Randy Farr) The boy is 'helped' by a strange man (Ralph Meeker) who then kidnaps him and proceeds to blackmail the boy's wealthy father.But then the the boy accidentally dies in a fall from a condemned forest lookout tower where the man had put him. It's a very disturbing scene as Meeker finds the dead boy and he remains ice cold and callously just throws the dead boy over a cliff of rocks below. And because the body id never found, Meeker can only be convicted on a extortion charge.

The story then shifts gears entirely turning to prison drama which was filmed at the Cascabel Island facility. The plot now focuses on four cutthroat convicts: Broderick Crawford, William Talman, Lon Chaney Jr., and a young, super ripped muscle bound Charles Bronson. With the "extortionist" now called the "Ice Man" because of his stone cold stare and demeanor, is thrown in with them. A breakout is planned, of course, with their target the hidden $200,000 ransom money Meeker hid away before being arrested. The escape is successful but their is a falling-out among them and two gang members are killed. A gun battle ensues with the remaining gang and one more is killed and the remaining are arrested once again.

All in all not a great film but what a great cast of convicts! Especially Bronson stood out. After his big breakout role opposite Alan Ladd in "Drum Beat" a year before, Bronson was relegated to the sort of supporting 'heavy' roles he had done so often before in this black-and-white supporting feature. As in "My Six Convicts", his tough physiognomy lends itself well to the inside of a prison. But director Howard W. Koch and scriptwriter John C. Higgins gave him the short end of the stick by killing Bronson off once the prison escape had been effected. His death is a grisly one also. Crawford orders Talman to use a blowtorch on Bronson's face and fingers to obliterate any means of identification in a effort to distract the police. All in all , I had never seen Bronson so 'cut' in muscularity. I bet that for the time , 1955, the was not a single body builder at that time with a ripped torso that Bronson presented in this film. Had he been competing , I bet he would have been winning like crazy. Bronson had muscles on top of muscles!

I was so glad to finally see this film. What a great and tremendous cast. The characters were depicted very brutal as to anesthetized all sympathy and their savagery is minutely explored by the director Koch, in a manner that leaves one shocked yet disinterested. The melodrama provides a fair amount of entertainment, plenty of violence is featured throughout in some rather chilling scenes but it fits the tough characters involved with which the story deals. Meeker did a great job as a cold-blooded crook nicknamed "The Iceman" by Crawford. Talman , Chaney and especially Bronson made great members of Crawford's gang.
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6/10
Crime Does Not Pay in "Big House, U.S.A.!
zardoz-1317 July 2023
Warning: Spoilers
"Shield for Murder" director Howard Koch's procedural prison break thriller "Big House, USA," starring Broderick Crawford, Ralph Meeker, William Talman, Reed Hadley, and Lon Chaney, Jr., chronicles the kidnapping and murder of an eight-year-old lad afflicted with asthma at a Mountain Rangers' recreational camp for boys. The stalwart child, Danny (Peter J. Votrian), emerges triumphantly from a foot race but then collapses from asthma. When a nurse tries to inject him with anti-asthma medicine, Danny freaks out at the sight of the needle and flees from her. Plunging into the vast mountain scenery of Royal Gorge, Colorado, the wayward youth encounters a ruffian, Gerry Barker (Ralph Meeker of "Kiss Me Deadly"), and this lowlife takes him hostage and confines him to a derelict fire tower. Eventually, Danny manages to escape, but he dies in the wilderness. With no sense of remorse, Gerry heaves the young corpse into the gorge. Actually we see Meeker heave something into the void, but the filmmakers are careful not to show Danny's corpse being thrown away. Afterward, the unscrupulous Barker demands $200,000.00 in ransom from Danny's father, Robertson Lambert (Willis Bouchey of "The Big Heat"), and a desperate Lambert comes through with the loot. Gerry stashes his dough where the authorities cannot find it.

Unfortunately, at least for Barker, the Royal Gorge Park Rangers arrest him before he can clear out of the area. Barker told them he had gone fishing, and the Rangers point out that they had poisoned the fish in the lake. Predictably, the FBI are summoned to assist them. Special Agent James Madden (Reed Hadley of "Highway Dragnet") relieves Chief Ranger Will Erickson (Roy Roberts of "The Glory Brigade") of the case, and Barker is shipped off to prison. Nevertheless, since Danny's body has never found, the court sentences Barker to 1-to-5 years in Cascabal Prison in San Pedro, California. For the record, Cascabal means 'rattlesnake' in Spanish. Since he has been sentenced for extortion, Barker doesn't have to worry about a charge of kidnapping. Eventually, the resourceful FBI Special Agent investigates the nurse, Emily Evans (Felicia Farr of "Jubal"), and links her to Barker. After Evans breaks down and confesses her guilt in the kidnapping, the authorities are ready to upgrade the charges against Barker.

Meantime, after Barker enters Cascabal Prison, he finds himself sharing a cell with an unsavory quartet of convicts: Rollo Lamar (Broderick Crawford of "All the King's Men"), 'Machine Gun' Mason (William Talman of "Smoke Signal"), Alamo Smith (Lon Chaney, Jr. Of "The Wolf Man"), and Benny Kelly (Charles Bronson of "Death Wish"). Rollo has acquired a reputation for being a bank robbery mastermind. At one time, he served as a gangland consultant on heists. Rollo learns about Barker's $200-thousand, and he demands his share of it after he convinces Barker to crash out with them. These four convicts have carefully orchestrated their escape attempt. Benny steals enough oxygen bottles that come with 20 minutes of air for each man to wear. Rollo orders some inmates to brawl, and the warden locks down the facility until the guards can restore order. Meantime, the quintet of inmates slip out, strap on their air tanks, and swim into the lake from an exit valve from the prison. A boat awaits them. No sooner are they aboard and making waves than Rollo coerces a reluctant 'Machine Gun' to crush Benny's head with a hammer. Furthermore, Rollo makes 'Machine Gun' burn off Benny's facial features and his fingerprints with a blow torch. Initially, the escapees succeed in convincing the authorities that Barker perished during the escape.

Not long afterward, however, the FBI learns Barker is still alive because the medical examiner analyzed the dead man's remains and discovered it wasn't Barker. When Barker had been admitted to Cascabal, the physicians discovered the extortionist was suffering from an untreated hernia. The warden offered to repair Barker's hernia, but the convict was afraid that he might divulge information about the kidnapping while he was under anesthesia. By this time, the surviving criminals arrive at Royal Gorge, and Barker takes them to the loot. Happily, the FBI and the Park Rangers corner these reprobates on a high slope with a gorge directly behind the convicts. A gunfight follows, and most are either slain or taken alive. As the film concludes, we are informed that Danny's body was never found.

"Clash by Night" scenarist John C. Higgins penned "Big House, USA" from a story by George W. George and George F. Slavin. George spent most of his career writing television shows, but he also wrote the screenplay for "Fort Dobbs," "Apache Territory," and "Smoke Signal." Slavin wrote "Uranium Boom," "Son of Robin Hood," "Desert Sands," and "My Friend Flicka," as well as virtually every prime-time television show ranging from "Star Trek" to "Mission Impossible" to "The Untouchables." More than likely, the two Georges wrote the original script, and then Higgins came onto the project for the rewrite. The action unfolds with Barker's abduction of Danny, and this seems to go on far longer than necessary. Actually, the kidnapping lands Barker in the slammer, and he becomes an object in Rollo's master scheme to not only crash out of Cascabal but also split the loot with him. Clocking in at 85 concise minutes, the black & white lensed "Big House, USA" with its standard issue 'crime does not pay' message amounts to nothing special. Koch does make this rather unpleasant yarn as palatable as possible considering its repugnant violence.
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9/10
Dirty, Gritty Crime Noir
Rainey-Dawn13 June 2016
One of the dirtiest, grittiest crime noirs to come out of the 1950s. It's about a man, Jerry Barker, that kidnaps a sick child, holds him hostage and asks the father for ransom money for the safe return of the child. Barker gets his money but the boy ends up dead and Barker in prison. He became known as The Ice Man in the news papers and well hated in prison for killing a child. Barker's troubles become worse inside the penitentiary.

Great casting, superb acting, cinematography is beautiful and a story that can leave you on the edge of your seat.

A worthwhile crime-prison film to watch. It is really rough at times but a darn good film. Great to see this one again!

9/10
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5/10
Bustin' out of the iron lung...
moonspinner5526 November 2006
Unintentional riot about a stony-faced extortionist (Ralph Meeker) arrested and copping a plea bargain with the courts, ending up in an impenetrable prison. Meeker's link to the kidnapping/disappearance of a child makes him quite unpopular with his cell-mates (including Charles Bronson, pumped up and perusing muscle magazines); fortunately for Ralph, this cell-block gang--led by a wily but not quite brutish Broderick Crawford--already have a break-out plan in the works. Film features the kind of "sinister", super-grave voice-over narration later popularized on the "Dragnet" TV show. Reviewers point out how ahead of its time the brutality was, and it's true that one killing is a bit shocking. However the rest of the picture is so low-budget (and drowsily low-key) that one begins to laugh out of sheer restlessness. The frenzied finale picks up some of the slack, ending on a jaw-dropping note. ** from ****
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8/10
Episodic but mostly gripping
kevinolzak16 November 2022
1955's "Big House, U. S. A." sounds like it might be spoofing the old prison pictures from prior decades, but don't let such a sadly generic title put you off from a bleak noir that deserves more than its ongoing obscurity. On location shooting at Royal Gorge Park in Colorado adds authenticity to a documentary-style account of an asthmatic boy reported lost in the wilderness, and the successful attempt by kidnapper Jerry Barker (Ralph Meeker) to blackmail $200,000 from his distraught father (Willis B. Bouchey), only to see the lad fall to an accidental death, Barker callously tossing the corpse into the gorge, never to be found by the authorities. Once caught, the unrepentant villain's unshakable demeanor earns him the moniker 'The Iceman,' an extortion conviction putting him in a prison cell next to a real wild bunch: Broderick Crawford top billed as ringleader Rollo Lamar, expertly planning a breakout; Lon Chaney as dope smuggler Alamo Smith; William Talman as small time murder for hire Machine Gun Mason; and a buff Charles Bronson as Benny Kelly, taking potshots at the newcomer as a cowardly baby snatcher. Rollo intends to 'kidnap the kidnapper' to force him to deliver the money secretly stashed away at the gorge, leaving behind a trail of dead bodies in his wake, scalded, shot, drowned, or just plain mutilated. It's truly grim stuff, surprisingly brutal for its time though curiously forgotten since Meeker's next role was that of Mike Hammer in Kubrick's 1956 classic "Kiss Me Deadly." Amidst these nefarious tough guys, leave it to reliable Lon Chaney to portray the lone character to earn any sympathy, he may also be a killer but in his carvings of beautiful women appears to have been a ladies man, still pining for the good old days much to Rollo's amusement. This was his 4th and final teaming with drinking buddy Brod Crawford, who was apparently less capable than Chaney of concealing his affliction off camera, while up and coming Charles Bronson shows he already had the physical stature to become an action star to be reckoned with.
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8/10
No hero here, I love that so much....
searchanddestroy-122 November 2020
There were many movies about jail breaks all over decades, especially in the black and white era, and pretty good ones. But this one is underrated though pulled by powerful acting and directing skills. Don't forget that Howard Koch already gave us SHIELD FOR MURDER, THE LAST MILE - another prison crime film, and among the best ever - and the last but not the least: BADGE 373, in 1973. So back to this one, I have watched it several times already and will never get tired of it. Yes, because you have no hero here. Ralph Meeker could have been, but a hero abducting a child and asking to ransom then? And what about the bunch of heavies whom he meets behind bars? Everyone is excellent in this gritty and brutal crime flick. It should have been best released, at least in France, where it is totally unknown. The ending is also so abrupt, an ending that you could have never expected. And of course, there is no love intrigue here, despite the presence of the only female character.
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