The Light Across the Street (1955) Poster

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6/10
Sad with youthful beauty Bardot
shepardjessica-117 February 2005
Warning: Spoilers
A nice black and white melodrama early in Ms. Bardot's career that is low-key, almost predictable with some lovely scenes and authentic small-town characters and situations. Brigitte Bardot is innocent and lovely as a newlywed trying to make the best of things with a husband with a heart problem. He married the wrong girl in this two-bit "town" and she's not even looking for trouble. The husband gives a wonderful performance and the cafe and gas station (where most of it takes place) have the real feel. Some nice shots in the surrounding woods as well.

A 6 out of 10. Best performance = B. Bardot. Also known as FEMALE AND THE FLESH or THE LIGHT ACROSS THE STREET (American title). Nicely directed and Bardot is stunning as always in one of her early films. I wish I could rate it higher, but a blind man could see what's coming in this one and I saw a French version (Thank God), but NO SUBTITLES. Easy to follow though. A high 6.
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One of BB's best parts.
dbdumonteil8 July 2003
Georges Lacombe 's most famous works are certainly "le dernier des six" (1941)which owes a lot to HG Clouzot,"Martin Roumagnac" where Gabin teamed with Marlene Dietrich -but as a seed merchant ,she was miscast!- and "le pays sans étoile which has become very hard to see.

"La lumière d'en face' is one of these little gems which should not be missed.Crazy it certainly is ,as the precedent user says ,but not crazier than "the postman always rings twice" which it sometimes recalls.Brigitte Bardot and her impotent(!)husband run a small restaurant:across the road,two men run a gas station.Most of the time,and because of a diversion/detour,this quartet is on his own.

More than Roger Vadim and his mediocre " et Dieu créa la femme" it's actually Georges Lacombe who revealed Brigitte Bardot's sensuality and intense erotic potential.BB brought a new form of erotism,with her spontaneity,her absence of hypocrisy and she managed to stay very natural because of Lacombe's excellent direction.Things were to get wrong afterwards with Vadim's disastrous turkeys.But it emrged again,notably in HG Clouzot's "la vérité" and Louis Malle's "vie privée" and "Viva Maria".

The film has a very good male cast too.Raymond Pellegrin -who was the hero of the first (and best ) version of "Manon des sources"- ,in a thankless part ,plays a neurotic man eaten with desire,sometimes recalling Van Heflin;Roger Pigault plays the handsome gas station man who of course covets the wife.But more than the story ,it's the atmosphere that matters :a sultry place,with the insects noise and four human beings about to explode.

The movie has a prologue and an epilogue which are downright embarrassing:it was obviously intended to lecture,to edify the audience .It was probably imposed on Lacombe by his producers for fear the censorship may be infuriated ,because this is a rather risky movie.

SPOILER: If we forget these ridiculous "warnings " which frame the movie,the first sequence shows Pellegrin's shadow on the wall :he's got a gun and he's about to fire.Then a long flashback .Then a stunning finale during which Pellegrin goes off his nut.It was intended to be an absolute film noir.
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3/10
Something crazy
ctosangel-222 February 2001
A lorry driver, Georges Marceau, suffers an accident and a medicine doctor recommends him sexual abstention. But he marries Olivia (Bebé) and becomes angry, jealous... and killer. It is really a crazy thing indeed because Georges was got very close the best medicine to be cured... It pretends to look like a current event but Bebé was not used to be always in the middle. Crazy, yes.
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8/10
a well-built movie
wrvisser-leusden-nl23 August 2003
Warning: Spoilers
In this enjoyable movie Brigitte Bardot, on her way to the top, is one out of three main actors. She plays a married woman, working with her husband in their trucker-restaurant. Opposite on the highway is a gas-station & garage. Its new manager and Olivia (= Brigitte) soon feel attracted to each other.

Things are complicated by the fact that Olivia's husband is recovering from a serious accident. Though Olivia remains faithful to him, in the end things get out of hand. He does not believe her anymore, and kills himself after a shooting-incident.

I think 'Lumière' a good movie, mainly for its well-composed plot. It is directed by Georges Lacombe. All roles are played convincingly, and Brigitte's breathtaking appearances are balanced well by the competent acting by Raymond Pellegrin (husband) and Roger Pigaut (garage-manager). In her mémoires Brigitte mentions the good cooperation and harmony on the set. That really shows off.

Further it's worth mentioning that the story is set in a provincial working class environment. Upper class roles (such as the husband's doctor) only serve to support the main story. As I said, the city of Paris (or any other city) firmly remains out of sight.
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