7th Cavalry (1956) Poster

(1956)

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7/10
Yellow Hair and the real meaning of Horsepower.
hitchcockthelegend5 August 2009
Set after the Battle Of Little Big Horn, 7th Cavalry sees Randolph Scott playing Captain Benson, who returns with his future bride to his post commanded by Indian fighter, Colonel Custer. Custer however was gone, he had taken the famous 7th Cavalry to war with the Sioux at Big Horn and lost badly. Guilt ridden and tarnished by whispers of cowardice, Benson volunteers to lead a dangerous mission back to Big Horn to reclaim the bodies of the fallen soldiers.

There doesn't appear to be much much love for this 1956 Columbia Pictures Oater. Seems it's either damned for being too talky, or on the flip side, it's too hokey within its plotting to actually merit worth. Well that's a shame for this has something of a vintage feel to it, the themes of guilt and redemption are Western standards, whilst the story also takes in interesting arcs such as religious beliefs and spiritual meanings. Yes this is definitely a "talky" picture - aside from some mano mano action and single horse pursuits that is - but it's a well thought out screenplay by Peter Packer (adapting from Glendon Swarthout's story). Instances such as a military enquiry and an exchange between Benson and a young Indian warrior are intelligent passages in the story (with Scott doing fine work in the process). What it lacks in gusto action it more than makes up for with the characterisations.

Other plus points are that it's also nicely shot in Mexico, the Technicolor doing justice to the splendid costumes on show. Backing Scott up in support are admirable performers such as Jay C. Flippen, Frank Faylen, Leo Gordon, Michael Pate and Harry Carey Junior. Although the ladies (Jeanette Nolan & Barbara Hale) aren't given too much to do and the score conducted by Mischa Bakaleinikoff is at odds with the tempo of the film, 7th Cavalry still deserves a better reputation than it currently has. If you prepare for a work of fiction that is most assuredly dialogue driven, then hopefully your expectations will at the least be met. 7/10
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6/10
Generic Western
Bob-4521 August 2003
Warning: Spoilers
`7th Cavalry' is blah, disappointing, especially considering the cast and story. Captain Benson (Randolph Scott) returns with his fiance (Barbara Hale) to find the fort, home to the 7th Cavalry, apparently deserted. Surreptitiously entering the fort, Scott eventually finds the wife (Jennete Nolan) of one of the officers who had died the previous day at the Little Big Horn. She blames Scott for the death of her husband, since her husband had led Scott's unit into the massacre during Scott's absence. Searching further, Scott discovers a first sergeant (Jay C. Flippen) watching several prisoners (Frank Faylen, Leo V. Gordon, Denver Pyle) who had been left behind because they had been drunk on duty. Scott orders Flippen to assemble the prisoners and whip them into some kind of military shape to attend to the units returning from Little Big Horn. With just a little effort, this entire sequence could have been suspenseful. Instead, after Scott's confrontation with Nolan, I couldn't understand why Flippen didn't hear Scott or vice-versa.

The entire movie suffers from this problem. Considering the relative lack of action, the inherent dramatics of the story needed to be emphasized. Instead, the movie appears to have been shot quickly and cheaply. Hale, a strong actress (`Della Street' in `Perry Mason'), has little chemistry with Scott. Worse, many plot devices appear to be just that.

Potential Spoilers

For example, Scott is under suspicion because he cannot prove General Custer ordered him to leave his command to go pick up his fiance. Scott has an alibi but fails to reveal it, due to `pride' (as the alibi tells us). However, Scott was being questioned as to his actions by an official inquiry. He had a legal as well as moral responsibility to reveal all pertinent information, including his alibi.

Scott chooses only the drunken brigands to make up his `burial party,' knowing they will volunteer to protect themselves from humiliation and possible courts-martial for dereliction of duty prior to `Custer's Last Stand.' Certainly Scott knew at least a couple of responsible soldiers that would have gone with him as well.

Scott abandons his men in hostile Indian country to pursue a single Indian scout, when he should have sent a reliable soldier and stayed with his command.

Scott's alibi (Harry Carey Jr.), who is acting as a dispatch rider rides off with General Custer's second horse right after telling Barbara Hale he is Scott's alibi. It is not clear as to the urgency of Carey's mission, nor as to why he wouldn't quickly sign a deposition to clear Scott before pursuing another very risky dispatch.

The movie is wrapped up in a safe, indifferent manner.

Although the movie boasts a great set (the fort), fine cinematography, and a couple of good performances, it's blah, blah, blah.

TWO QUIBBLES: Although these are minor, they are good examples of the indifference with which this film is executed.

o The `prologue titles' identifies Custer as a colonel. During the first few lines of dialogue, he is correctly identified as a general. o Not once, but several times, Scott refers to his regiment as the `7th Calvary'. It is the `7th Cavalry'. Calvary is a place in the New Testament. Of course, if two US presidents can say `nucular' when the correct term is `nuclear,' I suppose Scott can be forgiven for this blunder.

INTERESTING SIDE NOTE

I recently watched an `Unsolved History' episode on Custer's Last Stand. It (gasp, gasp) revealed that Custer lost, not only because of his recklessness (not to mention being vastly outnumbered), but also because the Indians had better firepower. This movie tells us that fact, and it is nearly 50 years old.
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5/10
One Good Point About The History Amongst All The Bad
Theo Robertson25 May 2005
This story revolves around an officer who is accused of cowardice after the battle of Little Big Horn but it's not really a case of an erstwhile hero trying to regain his honour in a dramatic and touching way as seen in a movie like SHANE and we don't get to see large scale battle scenes like in CUSTER OF THE WEST or THEY DIED WITH THEIR BOOTS ON . As it appears from reading through the comments on this page it seems the reviewers were expecting so much more from 7TH CALVARY as western fans . I guess not being a western fan I wasn't all that disappointed

There is a stand out moment which someone has picked up upon which is in relation to the battle itself and that is that the Americans were armed with single shot rifles while the Indian war party was armed with the Winchester repeating rifle . This is something that is often over looked by historians and film makers at the battle of Little Big Horn - The Indians were better armed since the American military thought a rifle that had a massive fire rate would use up far too much precious ammunition hence the blue coats didn't use the Winchester very often , contrary to what you see in paintings and films commemorating the battle
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" Words, Words, Words! "
stryker-521 November 1999
Captain Thomas Benson returns to Fort Lincoln, the Seventh Cavalry's outpost in the Dakota wilderness, with Martha Kellogg, his bride-to-be. As the couple approach the fort, it is apparent that something is wrong. Benson enters to find the Seventh Cavalry's base strangely silent and motionless. Unknown to Benson, while he has been away General Custer has led the regiment to disaster at the Little Big Horn ...

The stillness and emptiness of the fort could serve as a metaphor for the film's lack of pace and content. The first half consists of endless breast-beating over the recent disaster, and the cavalrymen's torpid dialogue is unrelieved by motion or variety of any kind. It is fully 45 minutes before anything remotely resembling an action sequence occurs.

Benson is regarded with contempt by the remnants of the Seventh, both because he was Custer's favourite and because he managed to avoid the Little Big Horn. Matters are complicated by his choice of fiancee. Martha (Barbara Hale) is the daughter of Colonel Kellogg, the new commander of the regiment, and the man charged with investigating the recent military debacle.

A mundane and leaden horse opera, "Seventh Cavalry" lacks either a coherent structure, interesting action or even a convincing raison d'etre. Benson decides to rehabilitate himself by leading a burial detail out into the battlefield to recover the regiment's dead. He deliberately chooses the drunks and the shirkers, but it is never explained why these men, reluctant soldiers at the best of times, agree to be 'volunteered' for this dangerous work. Once in open terrain, Benson deserts his command to go chasing after a lone indian scout, in flagrant dereliction of his duty. During the pursuit, the two men ride past the same tree stump twice! They fight hand-to-hand, and Benson uses a stick to trap the indian's knife-wielding right hand. Why doesn't the indian simply transfer the knife to his free left hand?

The widow Mrs. Reynolds wails like a soothsayer in the deserted barracks, but neither her text nor her acting carry any conviction. The returning survivors of the Little Big Horn ride into Fort Lincoln, hamming up the weariness and weakness for all they are worth - but where did they acquire the neat, clean bandages? When Benson fights with the loud-mouth Vogel, the scrap is all too obviously conducted by stunt doubles. Even an indian who has been brought up by white folk is unlikely to come out with preposterous lines such as "You are defiling sacred ground". The film's ending is a cheap and hurried reconciliation between the Kelloggs and Benson, shot in an interior to save time and effort.

Randolph Scott was Associate Producer of this piece of nonsense, as well as starring as Benson (despite being patently too old for the part). If one scrabbles around for aspects of the film which deserve praise, one could commend Donald Curtis for his believable Lieutenant Fitch, and the fort set, which is huge and impressive. But that's it.

Verdict - too much talking, not enough motion.
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7/10
Strong Visuals
boblipton14 January 2021
While George Armstrong Custer was getting massacred at Little Big Horn, Captain Randolph Scott was off wooing and fetching fiancée Barbara Hale, with Custer's permission he says. He escapes court martial, but no one wants anything to do with him. So when it's decided that someone needs to fetch Custer's corpse back - never mind the enlisted men - Scott volunteers to lead the expedition.

It's one of the superb westerns that Scott starred in during the last fifteen years of his movie career, and Joseph H. Lewis directs this with his immensely strong visual style, Technicolor specialist Ray Rennahan shooting from low angles in an ochre-based color matrix. Lots of Strong Men behaving nobly...but is the Comanche idea of nobility the same as the White man's? With Jay C. Flippen, Harry Carey Jr. and Frank Faylen.
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7/10
"General Custer was a great human being, Sir."
classicsoncall9 December 2015
Warning: Spoilers
You know, if you think about it, digging up and retrieving the bodies of dead soldiers would be a pretty grisly task, wouldn't it? But the bigger question I'd have here is 'who would have buried all those dead soldiers to begin with'? Pretty quickly too I might add, since Captain Benson (Randolph Scott) and his men were going out to the battlefield a day after Custer's disastrous defeat at Little Big Horn. Oh well, so much for history.

Like many other Western movie fans on this board, I wasn't too impressed by this picture. I consider myself a Randolph Scott fan but at fifty eight years old he looked like his age was catching up with him. There was no way he would have knocked the tar out of Leo Gordon in a real life dust up, even without the age differential. If you kept a close eye on both of them during their fight, there's a brief moment when Gordon's character Vogel has a fresh looking face when only a second before and after it was sweat and dust covered.

The most interesting element in the story for me had to do with General Custer's 'spirit horse' and how it frightened the Sioux from interfering with Benson's mission. The idea was mentioned early in the story that Custer had two look alike horses, but how Crazy Horse or any of his warriors might have spent time observing what Custer was riding in the heat of battle seemed like a bit of a stretch to me. But it made for a clever gimmick.

With a relatively compact run time of seventy five minutes the movie will likely appeal to most fans of the lead actor but it's no "Ride The High Country". Keeping that in mind you'll probably do OK.
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5/10
Custer's riderless horse doesn't go very far...
westerner3577 September 2003
Captain Benson (Randolph Scott) returns from the east with his new bride-to-be (played ably enough by Barbara Hale) only to find out that his post under General Custer was wiped out at the Battle of the Little Bighorn. The men who were left behind at the post resent Benson because he wasn't there to die gallantly with the rest of his troop.

A presidential order is given for the army to go into Sioux territory and gather up Custer's dead for burial. Benson quickly volunteers for such a dangerous mission, probably to redeem himself. After all, the Big Horn is still surrounded by hostile Sioux and Cheyenne, drunk with victory.

When Benson and his men reach the site, they find that the Indians won't let them un-bury the dead because it is now considered sacred ground and not to be violated. That is, until Custer's riderless horse strolls into view, scaring all the Indians into thinking it's bad medicine and Custer's spirit has returned.

There's a subplot about how this horse came onto the scene involving Harry Carey Jr. and all, but I'm not gonna get into that. Anyway, the Indians are plenty superstitious about the whole thing so they allow Benson and his men to pass, unscathed.

Although it's nowhere near as good as the oaters Scott did with Budd Boetticher, this one nonetheless still rises above most of the other western dreck Harry Cohn and Columbia Pictures was putting out. It also helps filming it out in the California pine country away from the usual Columbia ranch locations that we've seen a zillion times before. It still doesn't pass for the plains, though.

Still, it's better than most of Scott's RKO westerns from the late 40s

5 out of 10
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7/10
Yellowhair Comes Home
richardchatten8 November 2021
After an atmospheric opening sequence recalling the discovery of the silent Fort Zinderneuf in 'Beau Geste', this cavalry western from a story by Glendon Swarthout anticipates 'The Dirty Dozen' as Randolph Scott under a cloud for not being at Little Big Horn for the massacre leads a "gang of scroungers" on a most unusual mission.

What ensues is played under the tutelage of director Joseph H. Lewis for drama rather than action as the troop proceeds to spend far more time squabbling among themselves rather than fighting the indians; to the accompaniment of a rousing score arranged by an uncredited Mischa Bakalenikoff.
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1/10
History for kindergartners
aa5613 June 2007
Yes, I know the disclaimer in the opening credits says there is no relationship between the film characters and events and real persons and events, but I think such disclaimers in films that obviously portray real persons are a cheap cop-out.

This screenplay is so badly written it should be in the comedy genre. We begin by transplanting the northern plains to the Sierra Nevada Mountains, where we find Ft. Lincoln about a day's ride from the Little Big Horn battle site.

As was the cavalry custom back then, forts are left almost entirely deserted when the troops go into the field. When Capt. Benson enters the fort, he finds Capt. Reynold's widow, who apparently read the Indians' wire report on the teletype immediately after the battle, for she knew all the details even before the surviving cavalry returned from the battlefield.

The returning survivors include Harry Carey, Jr. playing bugler John Martin, who in reality was immigrant Giovanni Martini, who the real Capt. Benteen complained could barely speak English.

For the sake of the film, the battle inquiry takes place a couple of days afterward rather than the several years in real life. Benson volunteers to lead the burial detail after the inquiry. On the ride to the battlefield he engages in hand-to-hand combat with a white man dressed as an Indian. You see, the Indians decided they enjoyed the Sierra Nevada, er, the Big Horn area and wanted to stay. Surely the U.S Army would leave them in peace now that they had massacred several companies of cavalry. (In reality they fled post-haste.)

Upon arriving at the battlefield, instead of finding naked and mutilated bodies as at the real battle site, Benson finds the Indians have thoughtfully prepared a Forest Lawn Cemetery.

Sorry, I just can't go on further.
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6/10
"The lower you drive him, the further down I'll go with him"
utgard1428 July 2014
Captain Benson (Randolph Scott) returns to the 7th cavalry with his fiancée (Barbara Hale) to find most of his outfit had been wiped out with General Custer at Little Big Horn. The men under Benson's command resent him for being close friends with Custer, who they hold responsible for the death of their fellow soldiers. Benson's superiors, including his fiancée's father, suspect him of cowardly asking for leave because he knew a battle was looming. So Benson volunteers to lead a detail into danger to recover the bodies at Little Big Horn to prove he isn't a coward.

Scott's always good and he's backed up by a fine supporting cast, including Jay C. Flippen, Frank Faylen, Denver Pyle, and Harry Carey, Jr. In most early movies dealing with Custer, he was portrayed as a martyr and American hero. But by this time the reexamination of Custer had begun and we're starting to see a little historical accuracy seep through. This film tries to please both sides by offering plenty of condemnation of Custer as arrogant and reckless but also having the lead character (played by movie hero Randolph Scott) defend him as a man of honor and "a great human being." Custer is still, to this day, a divisive figure and any movie that portrays him in anything less than a villainous light often attracts soapboxers. Judged strictly on its merits as a film, this is a decent western. Not great but certainly watchable and enjoyable enough.
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1/10
Screenwriters threw the history book out the window
silvercometred114 May 2019
Warning: Spoilers
There are so many things wrong with this film. The Indian tribes that fought Custer didn't hang around after the battle. They fled because three columns, under Generals Terry, Crook, and Gibson was coming at them from three different directions. Sitting Bull had his tribe retreat into Canada while the other Indians involved went back to their respective reservations.

Also the Sioux hated Custer, they didn't respect him the way it was shown in this film. "Yellow Hair" was known to the Sioux as a rapist of their women, and a murderer of Sioux women and children. They certainly didn't bury any soldiers after the battle. After they killed Custer and the other soldiers with him, the Sioux mutilated the bodies and left them to rot in the sun. Soldiers from Terry's column buried the soldiers of Custer's command on the battlefield while Custer himself was buried at West Point Cemetery.
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8/10
Nice piece of historical fiction
clore_226 November 2006
A very satisfying western with Scott as a cavalry officer who returns with his fiancée to his detail to find the fort apparently deserted. There's a nice 360-degree shot of the surroundings as Scott surveys the area, then he's interrupted by the voice of a woman (Jeannette Nolan) whose claims that Scott is alive at the expense of her husband who took his place in the infamous battle of the Little Big Horn.

The story deals with the aftermath, not the battle itself, so anyone looking for an epic confrontation in the manner of THEY DIED WITH THEIR BOOTS ON or even one as budget conscious as that in THE GREAT SIOUX MASSACRE is bound to be disappointed. However, there are rewards to be found - one of them Scott's performance. Even at about age 57 or 58, he still looks splendid in a uniform, and while of course doubles are used in two fight scenes, there's enough of him present to debunk the rumor that he was not exactly at his best in such scenes. In the inquest scene alone he delivers more dialog than he probably had in his previous three films, and does so convincingly. This scene also features testimony by Captain Benteen and Major Reno, two survivors of the battle who are treated sympathetically.

Director Joseph H. Lewis claimed to not be inspired with the assignment of this film, but he does not let it show. Granted the story may seem slow to start by those who are expecting more than exposition, but here is where we find the first filmic questioning of the judgment of General Custer in what was one of the great military debacles in history. The chase scene in which one comment claims the same stump was passed twice is actually passed three times, once by the Indian brave being chased, next by Scott and then last by two riders following Scott. The scenery is not that of the Montana plains, but it subs nicely. If John Ford can shoot MY DARLING CLEMENTINE in Monument Valley, then Lewis should be allowed his own dramatic license.

The cast is filled with familiar faces, including Michael Pate, Leo Gordon and Harry Carey, Jr., all more recognizable as being part of the Duke's stock company. Add to that Frank Faylen and Jay C. Flippen, as well as Barbara Hale who did deserve more screen time. Just about all are questioning Scott's decision to voluntarily take a patrol to retrieve the dead from the massacre site, but Scott's reasons are to redeem himself for various reasons to each.

A nice touch is in the scene where Scott questions a Sioux "peacemaker" who claims that the bodies, cavalry included, are all now part of sacred ground and instill in each brave the courage and honor of the tribe that conquered them. Scott asks if this is not just mere "superstition" whereas the brave turns the term back at Scott relative to his own spiritual beliefs. This was heady stuff in the mid-fifties when religious epics such as THE ROBE and THE TEN COMMANDMENTS were treated with such reverence. In turn, the appearance of Custer's riderless horse, further takes up the issue of superstition although it would spoil the outcome to reveal just how it does. 7TH CAVALRY is an interesting piece of historical fiction that can take its place among the better non-Boetticher westerns for Scott.
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7/10
Entertaining although not historically accurate!
Tweekums18 April 2012
Warning: Spoilers
When Captain Benson returns to Fort Lincoln with his bride to be he is surprised to find it apparently abandoned; he climbs in and finds a handful of drunken soldiers and a woman ranting about how her husband had died because of him... it turns out this was the base of Custer's 7th Cavalry and while Benson was away a large proportion of the regiment including is CO where killed at the Battle of the Little Bighorn. Benson had been a friend of Custer and many of the survivors believe he was able to use this friendship to avoid the battle. He can't prove this wasn't the case so is soon shunned by the other officers and given the sort of assignments that should be beneath somebody of his rank. When a presidential order comes through to go to the battle site to retrieve the bodies of the fallen officers and bury the men he volunteers and takes the bunch of misfits and drunks he found in the fort at the start of the film with him. On the way some of the men want to get rid of him; clearly he will have more than the Sioux to worry about on this mission. When they finally get to the site they fine that the Sioux have already buried the dead and set about finding Custer's grave; at this point the Sioux arrive and make it clear that no bodies are to be removed; vastly outnumbered it looks as if they are doomed...

This isn't the most action packed western I've seen by a long way; much of the film is spent with the inquiry into what happened and Benson's potential father in law who is clearly not happy with his daughter's choice of husband. When their mission gets underway there is only a little bit of action although this includes an impressive fight between Benson and a knife wielding Sioux, even the final confrontation which one might expect to be a wild shoot out is fairly tame with only one arrow shot and a deus ex machina ending that many viewers will find ridiculous... after all that one might think I didn't enjoy it but surprisingly I did; Randolph Scott did a fine job as Capt. Benson and while there wasn't much action there were some fairly tense scenes; especially the final stand off. While this never claims to be based on fact a quick reading of the real events will show few details of the aftermath of the original battle are left unchanged to suit the plot so if you want accuracy you'll be disappointed if you just want a decent story set in pleasant (inaccurate) scenery you should like it though.
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4/10
Have the Americans no shame .
terrydalley-240959 March 2023
Warning: Spoilers
Orthough this s a very entertaining film it is about as far from the truth as possible ,their seem to be a cast of thousands at the end when it comes to the Indians .

Will they never admit Custer Lost because of his incompetence and refusal to listen to his Indian scouts and his officers because he wanted to be n the limelight .

He got his whole regiment wiped out because he split his forces and thought he was invincible,he was out classed and still the Americans try to tell us it was because the Indian tribes had better weapons and other excuses .

The guys playing the Indians in this film could hardly keep a straight face .

The American film industry should be their heads in shame at pics like this that play with history .at the time it was made it was taken as cosher but now it is seem as bit of a pantomime.

The acting is good but the storyline was a mish mash of lies and indendo .
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7/10
Good movie, bad history.
freiheit-687808 February 2020
Warning: Spoilers
Captain Benson rides 800 miles south to Ft Supply to collect his fiancé. They then ride 800 miles back to Fort Lincoln. They could have taken the train to Bismarck 13 miles away..

The Little Bighorn Battlefield is 400 miles east of Ft Lincoln. A lot or riding. Or you can take steamboats to about 40 miles from the Little Bighorn.

After the battle the victors mutated most of the bodies except Custer. The Indian Nations then scattered leaving the survivors of the regiment on the field.

Two days after battle the seventh buried there own in hasty graves. They only had four entrenching tools. They left in a hurry with many wounded and low on ammunition.

A year later a survey was made. All the human bones found were buried.

Two years after the battle a more organized burial and a monument was built. Many of the officers were exhumed including Custer. He is buried at West Point.

Like most Scott westerns they are fun to watch. The writers rewrote the history.
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7/10
Interesting story; Scottie proves his bravery
HotToastyRag22 July 2021
7th Cavalry provides a different character for Randolph Scott, even though sometimes it's tough to tell his 1950s westerns apart. Yes, he's played a soldier before, but not a cavalry officer accused of cowardice and hated by all the men in his company. Just before the massacre of Little Big Horn, he requested leave from General Custer to visit his fiancé, Barbara Hale. Since he was Custer's best friend, the rest of the company believe Scottie knew about the impending attack and requested leave on purpose to save his own life.

But we know Scottie McScottie Pants - he's no coward! He's an upstanding soldier, the king of westerns, and looks better atop a horse than anyone else in the business. But, in addition to the eye candy of Scottie in Technicolor, you'll also get to see an interesting story as he has to prove his honor. No one believes him, so he feels forced to take a desperate measure: return to Indian-claimed territory and gather the fallen corpses so they can receive a proper burial.

You might see some familiar faces in the supporting cast: "Ernie the cab driver" (Frank Faylen) is one of the volunteers who goes on the suicide mission with Scottie. Jay C. Flippen, Leo Gordon, and Harry Carey Jr. Join them as well. The story, as well as the relationship between the Cavalry and the Indians, make this one really worth while.
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4/10
Not one of Scott's best
lwetzel22 March 2005
Randolph Scott is one of my favorite western actors, but this is a poor movie. Blame the screen writer, the director and probably the budget. There's not much action or tension, just a lot of horse operatics with a stable of unsympathetic and unlikable characters. Even the usual team of normally good character actors (Jay C. Flippen, Harry Carey Jr., Barbara Hale etc) can't pull this broken wagon out of the mud of bad writing. The scenery's not bad,the pine country of California, but it's a far cry from the Montana plains where Custer met his doom. Everybody's against Scott as an officer who went to bring his fiancé to Fort Lincoln instead of joining Custer, Benteen and Reno with their rendezvous with destiny on the Little Big Horn. He tries to redeem himself by undertaking a dangerous mission to retrieve Custer's body from the battlefield. They meet up with some superstitious Indians and the way they get out of the mess is not bad. For a more compelling story, even the wildly historically inaccurate "They Died With Their Boots On" is scalps and shoulders above this entry.
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7/10
Loose End
date1969-697-3743789 January 2014
Warning: Spoilers
Capt. Tom Benson played by Randolph Scott had fallen under disfavor with his superior officer and future father in law Col. Kellogg played by Russell Hicks because of his absence from his command at the Battle of the Little Bighorn (not depicted). Col. Custer (referenced only) just prior to the battle had given Benson a verbal order, "Benson, I want you to show the gumption to ride off to Fort Supply and bring back that girl and marry her..." of which he couldn't confirm at the military inquest. Facing the prospect of a court martial he jumped at the chance to lead a detail to recover the bodies of the officers of the 7th Cav. to show he was not a coward. Unbeknownst to him a witness, Cpl. Morrison played by Harry Carey Jr., who also had been ordered from the field prior to the massacre therefor he had survived but had been put on courier detail before the inquiry. After Benson had left the fort and was making his way to the battlefield Morrison returns bearing the good news to Benson's fiancé, Martha Kellogg played by Barbara Hale, but not reporting it to the Col. He instead rides in pursuit of Benson to give him the good news on one of two look alike horses that Custer had ridden. He ends up getting killed by a lone brave which is needed to have the horse gallop to the battlefield riderless just in time to spook some Indians who had surrounded the detail and save the day. But all seems to be forgiven back at the Fort because of Benson's completion of his mission despite the fact that he hadn't proved that a verbal order had been given. But that's Hollywood for you.
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4/10
Only 2 wagons to retrieve 260 dead soldiers?
byzyman30 May 2019
The first problem with this movie is that it attempted to be somewhat relevant to actual historical events. They should have crafted the screenplay based on total fiction. No historical names. No historical battles.

The second problem is that most of the action had nothing to do with the 7th Cavalry's interaction with Indians. It was mostly infighting between soldiers.

The most glaring issue was the central plot issue: retrieving the bodies of the dead soldiers. How many soldiers were to be retrieved in 2 tiny wagons?

This would have been a poor episode of the TV show Cheyenne.
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6/10
Where in California was the film made?
gmwedding110 June 2005
Does anyone know where in the 'California pine country' this film was made? Of course, the otherwise beautiful locations don't do a credible job of passing for The Great Plains where 'Custer's Last Stand' actually occurred. However, they are interesting and quite beautiful, never-the-less.

Since I live in Northern California, I wonder, where these scenes were shot.

For instance, in the scenes of the impressive 'Fort Lincoln' set, a majestic mountain is depicted in the background. Unless this was added as a matte shot, it looks real enough. Does anyone know which mountain was depicted or does anyone have more precise info about where this scene (and the rest of the movie) was filmed?
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5/10
Poorly cast
movingwater21 July 2022
At 58, Scott was just too old for the role. Not just being only a Captain, but still in cavalry. Not realistic he would have physicality for the activity his character displays.
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8/10
It plays a bit fast and loose with history, but it is entertaining.
planktonrules26 January 2014
"7th Cavalry" picks up just after General Custer and his command is wiped out at the Battle of Little Big Horn. Captain Benson (Randolph Scott) was away on personal leave, so he somehow missed out on the massacre. However, folks are looking for a scapegoat and folks second-guess Benson and brand him a coward. Not wanting to live with disgrace, he volunteers to do an insanely difficult duty--to go into Indian territory and bury the Cavalry's dead. Oddly, instead of taking competent soldiers, he takes the scum of the regiment--guys who DID survive due to their own cowardice. Can these guys somehow redeem themselves?

The film is not based 100% on real history--which is VERY typical of most westerns. Benson and his mission is entirely fictional. However, one thing that isn't is that some officers, rightfully, questioned the competence of General Custer. He was, according to most historians, an incompetent who made many serious blunders due to his own hubris. So, when the soldiers openly question his decisions that led to the battle, that is pretty much fact--despite Benson defending his commander's decisions.

So is it any good? Well, I gave the film an 8. This is mostly because they acting is very nice and compared to other films of the genre from this age, it stands well above most due to very nice acting and an interesting what if scenario.
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6/10
B Movie Drama From Columbia
DKosty12314 December 2013
Warning: Spoilers
If a viewer were to sit down and watch this one as I just did, the best comparison to another film is to compare it with it's mirror image- Valkyrie starring Tom Cruise. That is because Cruise is a big star in this era much like Randolph Scott was in the era this was made. Cruise's film takes actual history and makes it boring and distorted. This movie takes a fictional story and gives it real life drama. Barbara Hale really does not get a good role/script in this movie and her actions with Scott are pretty shallow. I blame that on the writer here though this writer did better making up a story than the writer of Valkyrie did rewriting history.

Randolph Scott is excellent in this movie. It is not the typical Scott film except for the physical action fight scenes which have the usual contrived action from 1950's era film. Still for a low budget film, it is better shot and better directed than Cruise's film.

Anyone who knows history knows there is no fact to the story. Still the film tells a story. The last half of Cruises film basically has Cruise wringing his hands and mugging in front of a camera. So for once the fiction is better than reality.

In Memory Roger Ebert - 2013
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3/10
Bad on many many levels!
georgewilliamnoble23 June 2023
This is an astonishingly bad movie even for a B movie quickie. As history it is farsical as entertainment it is grindingly dull and full of errors and mistakes of every sort from roads through the badlands to very obvious stunt doubles the list goes on and on. Scott seems ambarrassed throughout and gives a pretty dreadful performance but the terrible scrip gives him almost nothing to work with. This is surely one of the weakest westerns ever put on screen I kept watching thinking there must eventualy be some kind of action but no this rank stinker wimpers to a conclusion with the most rediculious finale yet seen. Oh dear, at least the scenery is pretty good if totaly inacurate.
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6/10
Dull and racist.
This movie feels like a less interesting remake of "Only the Valiant" and Benson does the same thing as Gregory Peck's Lance when he's failed in a situation that wasn't his fault. The movie also presents the Lakota and Cheyenne as savages, glossing over the fact that while their treatment of the cavalry's bodies was brutal they also had it coming, and Benson facetiously disrespect the Lakota religion in one scene. Although maybe that's the point. Maybe the film was trying to make a political point about manifest destiny or about American might against the "other". The dashing warrior Young Hawk provides a refreshing counter-argument towards Benson and his small band of grave-robbers, but Benson and his unit fail to see the irony of their situation. They also portray the Lakota and Cheyenne as being superstitious, although on the side of the whites there's no proof of the existence of God or the saints to give them big medicine. It's a 1950's curiosity anyway, and it has some pretty imagery.
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