“Star Trek: Strange New Worlds” Season 2 will beam down to Paramount+ on June 15. The series is a throwback to the style of the original show in which the crew of the USS Enterprise explores the universe in the decade before the original series takes place. “Strange New Worlds” features a number of characters from Trek lore, including Spoke, Number One, Nyota Uhura, Christopher Pike, and more.
Check out the “Star Trek: Strange New Worlds” trailer:
The streamer’s original “FBI True” returns for a third season on June 20. The docuseries gives agents an opportunity to share their most compelling cases and introduce viewers to how this key agency operates.
Watch the “FBI True” trailer:
To open the month, Season 3 of the “iCarly” reboot arrives on June 1. Carly Shay (played by Miranda Cosgrove) and Freddie Benson (Nathan Kress) are deciding if they are friends or something more. Also, Spencer (Jerry Trainor...
Check out the “Star Trek: Strange New Worlds” trailer:
The streamer’s original “FBI True” returns for a third season on June 20. The docuseries gives agents an opportunity to share their most compelling cases and introduce viewers to how this key agency operates.
Watch the “FBI True” trailer:
To open the month, Season 3 of the “iCarly” reboot arrives on June 1. Carly Shay (played by Miranda Cosgrove) and Freddie Benson (Nathan Kress) are deciding if they are friends or something more. Also, Spencer (Jerry Trainor...
- 5/26/2023
- by Fern Siegel
- The Streamable
British film star known for her roles in A Town Like Alice and The Spanish Gardener
Never having had the chance to justify her initial build-up as "the next Vivien Leigh", the svelte brunette Maureen Swanson, who has died of cancer aged 78, deserved much better than she was given in the 1950s by the Rank Organisation, to whom she was under contract. Although Swanson was not a graduate of the much-maligned Rank Charm School, she was, to her chagrin, often referred to as a "Rank starlet", which implied that she was merely on screen in order to look glamorous. But unlike Rank charmers such as Diana Dors, Joan Collins and Belinda Lee, Swanson was not a "naughty" sex symbol, but more of a "good girl".
She might have gone on to better parts had not her marriage in 1961 to William Ward, Viscount Ednam (later the 4th Earl of Dudley) terminated her acting career for good.
Never having had the chance to justify her initial build-up as "the next Vivien Leigh", the svelte brunette Maureen Swanson, who has died of cancer aged 78, deserved much better than she was given in the 1950s by the Rank Organisation, to whom she was under contract. Although Swanson was not a graduate of the much-maligned Rank Charm School, she was, to her chagrin, often referred to as a "Rank starlet", which implied that she was merely on screen in order to look glamorous. But unlike Rank charmers such as Diana Dors, Joan Collins and Belinda Lee, Swanson was not a "naughty" sex symbol, but more of a "good girl".
She might have gone on to better parts had not her marriage in 1961 to William Ward, Viscount Ednam (later the 4th Earl of Dudley) terminated her acting career for good.
- 1/1/2012
- by Ronald Bergan
- The Guardian - Film News
How did Dirk Bogarde get from Doctor in the House to The Night Porter? With a wilful desire to destroy his matinee idol status. And the signs were there for all to see in his early work
The Odeon, Leicester Square, 1960. The red-carpet premiere of a film that will change the story of British film and British society. The lights are killed, the crowd falls silent. The roar of industrial machinery thrums from the speakers. And over the noise comes the voice of the hero, a Brylcreemed lathe-operator with greasy overalls and insolent good looks. "Don't let the bastards grind you down," says Dirk Bogarde, and with those words, Saturday Night and Sunday Morning and its star give instant definition to the new decade.
In some fairly proximate parallel universe, this is how the 1960s might have begun. It could have happened here, too, if the owner of Pinewood studios...
The Odeon, Leicester Square, 1960. The red-carpet premiere of a film that will change the story of British film and British society. The lights are killed, the crowd falls silent. The roar of industrial machinery thrums from the speakers. And over the noise comes the voice of the hero, a Brylcreemed lathe-operator with greasy overalls and insolent good looks. "Don't let the bastards grind you down," says Dirk Bogarde, and with those words, Saturday Night and Sunday Morning and its star give instant definition to the new decade.
In some fairly proximate parallel universe, this is how the 1960s might have begun. It could have happened here, too, if the owner of Pinewood studios...
- 3/25/2011
- by Matthew Sweet
- The Guardian - Film News
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