Three Charlie Chaplin short films edited together with new connective tissue.
Director:
Writer:
Photos and Videos
Cast
Charles Chaplin | ... |
Narrator (voice)
|
|
Rest of cast listed alphabetically: | |||
Albert Austin | ... |
Crook (segment "A Dog's Life") / German Soldier / American Officer (segment "Shoulder Arms") (archiveFootage)
|
|
Henry Bergman | ... |
Dance-hall Lady (segment "A Dog's Life") / The Kaiser's General (segment "Shoulder Arms") / Sheriff on Train / Man In Railroad Station (segment "The Pilgrim") (archiveFootage)
|
|
Kitty Bradbury | ... |
Girl's Mother (segment "The Pilgrim") (archiveFootage)
|
|
Syd Chaplin | ... |
Lunchwagon Owner (segment "A Dog's Life") / The Kaiser (segment "Shoulder Arms") / Eloper / Train Conductor / Little Boy's Father (segment "The Pilgrim") (archiveFootage)
(as Sydney Chaplin)
|
|
Tom Murray | ... |
Sheriff (segment "The Pilgrim") (archiveFootage)
|
|
Edna Purviance | ... |
The Girl (archiveFootage)
|
|
Charles Reisner | ... |
Employment Agency Clerk / Drummer (segment "A Dog's Life") / Crook (segment "The Pilgrim") (archiveFootage)
(as Chuck Reisner)
|
|
Dean Riesner | ... |
Little Boy (segment "The Pilgrim") (archiveFootage)
(as Dinky Reisner)
|
|
Mack Swain | ... |
Large Deacon (segment "The Pilgrim") (archiveFootage)
|
|
Loyal Underwood | ... |
Small German Officer (segment "Shoulder Arms") / Small Deacon (segment "The Pilgrim") (archiveFootage)
|
|
Mai Wells | ... |
Little Boy's Mother (segment "The Pilgrim") (archiveFootage)
(as ?)
|
|
Jack Wilson | ... |
CrownMan at the Bar (segment "A Dog's Life") / Crown Prince (segment "Shoulder Arms") (archiveFootage)
|
|
Tom Wilson | ... |
Policeman (segment "A Dog's Life") / Dumb German Wood-Cutter (segment "Shoulder Arms") (archiveFootage)
|
|
Phyllis Allen | ... |
Congregation Member (segment "The Pilgrim") (uncredited) (archiveFootage)
|
|
Dave Anderson | ... |
The Bartender (segment "A Dog's Life") (uncredited) (archiveFootage)
|
|
Bert Appling | ... |
Unemployed Man (segment "A Dog's Life") (uncredited) (archiveFootage)
|
|
Monta Bell | ... |
Policeman (segment "The Pilgrim") (uncredited) (archiveFootage)
|
|
Alva D. Blake | ... |
Man in Dance Hall (segment "A Dog's Life") / German Officer (segment "Shoulder Arms") (uncredited) (archiveFootage)
|
|
Mel Brown | ... |
Employment Agency Clerk (segment "A Dog's Life") (uncredited) (archiveFootage)
|
|
Minnie Chaplin | ... |
Dance-Hall Dramatic Lady (segment "A Dog's Life") (uncredited) (archiveFootage)
|
|
Slim Cole | ... |
Unemployed Man (segment "A Dog's Life") (uncredited) (archiveFootage)
|
|
Margaret Cullington | ... |
Woman in Dance Hall (segment "A Dog's Life") (uncredited) (archiveFootage)
|
|
Ted Edwards | ... |
Unemployed Man / Bartender (segment "A Dog's Life") (uncredited) (archiveFootage)
|
|
F.F. Guenste | ... |
Congregation Member (segment "The Pilgrim") (uncredited) (archiveFootage)
|
|
Fay Holderness | ... |
Woman in Dance Hall (segment "A Dog's Life") (uncredited) (archiveFootage)
|
|
James T. Kelley | ... |
Tamale Customer / Unemployed Man / Minimarket Owner / Musician (segment "A Dog's Life") (uncredited) (archiveFootage)
|
|
Raymond Lee | ... |
Boy in Congregation (segment "The Pilgrim") (uncredited) (archiveFootage)
|
|
I.S. McVey | ... |
Musician (segment "A Dog's Life") (uncredited) (archiveFootage)
|
|
Mut | ... |
Scraps the Dog (segment "A Dog's Life") (uncredited) (archiveFootage)
|
|
J.F. Parker | ... |
Musician (segment "A Dog's Life") (uncredited) (archiveFootage)
|
|
Granville Redmond | ... |
Dance-Hall Proprietor (segment "A Dog's Life") (uncredited) (archiveFootage)
|
|
Alfred Reeves | ... |
Man at the Table (segment "A Dog's Life") (uncredited) (archiveFootage)
|
|
Thomas Riley | ... |
Unemployed Man (segment "A Dog's Life") (uncredited) (archiveFootage)
|
|
Fred Starr | ... |
Crook (segment "A Dog's Life") (uncredited) (archiveFootage)
|
|
Janet Sully | ... |
Woman in Dance Hall (segment "A Dog's Life") (uncredited) (archiveFootage)
|
|
H. Tahbel | ... |
Tamale Man (segment "A Dog's Life") (uncredited) (archiveFootage)
|
|
Rob Wagner | ... |
The Robbed Man (segment "A Dog's Life") (uncredited) (archiveFootage)
|
|
William White | ... |
Man at the Bar (segment "A Dog's Life") (uncredited) (archiveFootage)
|
Directed by
Charles Chaplin |
Written by
Charles Chaplin | ... | (writer) |
Produced by
Charles Chaplin | ... | producer |
Music by
Charles Chaplin |
Editing by
Paul Davies | ||
Derek Parsons |
Second Unit Director or Assistant Director
Jerome Epstein | ... | assistant director |
Sound Department
Bob Jones | ... | sound recordist |
Wally Milner | ... | sound recordist |
J.J.Y. Scarlett | ... | sound recordist |
Eric Stockl | ... | sound recordist |
Music Department
Eric James | ... | music arranger |
Eric Rogers | ... | conductor |
Eric Spear | ... | music arranger |
Production Companies
Distributors
- United Artists (1959) (United States) (theatrical)
- United Artists (1960) (United Kingdom) (theatrical)
- Columbia Pictures Industries (1972) (United States) (theatrical)
- Playhouse Video (1985) (United States) (VHS)
- Key Video (1989) (United States) (VHS)
- Warner Home Video (2004) (United States) (DVD)
- Park Circus (2010) (United Kingdom) (DVD)
- Soul media (2011) (Denmark)
- Roadshow Films (1976) (Australia) (theatrical)
- Palace Home Video (1984) (Australia) (video)
- Roy Export Company
Special Effects
Other Companies
Storyline
Plot Summary |
Three Chaplin silent comedies "A Dog's Life", "Shoulder Arms", and "The Pilgrim" are strung together to form a single feature length film. Chaplin provides new music, narration, and a small amount of new connecting material. "Shoulder Arms" is now described as taking place in a time before "the atom bomb". Written by David Steele |
Genres | |
Parents Guide | View content advisory » |
Certification |
Additional Details
Also Known As |
|
Runtime |
|
Official Sites | |
Country | |
Language | |
Color | |
Aspect Ratio |
|
Sound Mix |
Did You Know?
Trivia | To achieve the feel of a modern print, Charles Chaplin stretch-printed the footage, which slowed it down to sound speed so music could be added properly. See more » |
Movie Connections | Edited from A Dog's Life (1918). See more » |
Soundtracks | I'm Bound for Texas See more » |
Quotes |
Narrator:
There were no atomic bombs or guided missiles. Then it was only cannon, bayonets and poisoned gas. Ha ha. Those were the good old days. See more » |