The Hard Man (1957) Poster

(1957)

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7/10
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bkoganbing11 November 2011
Guy Madison plays the title role in The Hard Man, a rather ruthless deputy sheriff who prefers to bring in his fugitives draped over the saddle. Saves a lot of judicial proceedings that way. But when an old friend he's sent to track down tries to outdraw him, Madison is forced to shoot Myron Healey who's been accused of murder. Before Healey dies he gives Madison a convincing story he was framed.

Shooting down a friend who may have been innocent sends Madison off to a nearby town looking for answers. All lines of inquiry lead to cattle baron Lorne Greene and his wife Valerie French.

I don't think Lorne Greene was cast as Ben Cartwright in Bonanza on the strength of this role. Greene's a mean one here, a guy who has increased his herd through rustling and he's got a nice batch of gunfighters on the payroll to keep questions to a minimum.

However Valerie French who played Ernest Borgnine's unfaithful wife in Jubal plays exactly the same kind of part here. She's looking for a way out of her marriage, one way or the other. Both these issues figure prominently into why Healey was killed.

The Hard Man is a nicely done adult type western with some solid performances by Madison and the rest of the cast. With some bigger name players this film would be more known, but I can't fault anyone either behind or in front of the camera for their work.
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7/10
Unremarkable But Watchable
terenceallen2 September 2004
The Hard Man does not stand out as anything unique, but it is an entertaining western that can hold your interest during viewing. Guy Madison does fine as the stalwart lawman/gunfighter brought in to clean up the town. Valerie French has the requisite beauty as the femme fatale, although it sounds as if her voice was dubbed by another actress. The greatest revelation about the Hard Man is seeing a pre-Ben Cartwright Lorne Greene play a ruthless, utterly despicable villain. This was made several years before Bonanza began, and Greene makes the most of playing the bad guy. This alone makes the movie worth watching. The Hard Man is a fine Western to watch to pass the time. The only thing noteworthy is to watch this while comparing Greene's character to his future Ben Cartwright role.
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6/10
A Good Western
swithers542 April 2005
Warning: Spoilers
This is a better western than some made in the 50's. Guy Madison is good as the reluctant fast gun. Lorne Greene (pre-Bonanza) is excellent as a thoroughly ruthless land baron. Valerie French is pretty. Myron Healy who has been in countless pictures is not even credited but is the reason for Guy Madison to go to the town where Lorne Greene is the boss. Madison does a good job of showing how a lawman can sometimes be as ruthless as the outlaws if not careful. He is forced to kill his friend and then finds out the friend may have been framed as a killer. He rides to the town where his friend committed the crime and runs into a lot of road blocks (most notably Lorne Greene's character) as well as a beautiful woman that he is not sure of.
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7/10
for Guy Madison and Lorne Greene
"The hard man" is an exciting little B western where a fast gun deputy is confronted to the despotic rich Lorne Greene, who has some geat nasty lines. There are a lot of sleazy details, rather uncommon in westerns. Guy Madison is very charismatic as a gunslinger. Sherman's direction is competent, with efficient editing. Don't miss that Guy Madison / Lorne Greene confrontation.
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7/10
The Hard Man
Oslo_Jargo3 January 2016
Warning: Spoilers
While The Hard Man (1957), isn't the best western film, it isn't that awful.

Most of the action takes place in town, so that may put off some of the audience. Guy Madison is a bit of a square-jawed, tough guy here, who is used by the law to hunt for murderous outlaws. He shoots one of his old cowpoke friends in self-defense, and the guy claimed he was innocent. Guy Madison gets picked up by an elderly sheriff to be his side man and use his gun if he has to. That puts him at odds with Lorne Greene, who continues his "bad guy streak" (Tight Spot (1955)). He isn't half bad. Guy Madison finds out that Lorne Greene was behind his cowpoke friend's setup.

There's a love interest in the form of Valerie French (from Jubal (1956)), and she is lovely to look at. I think they should have had more bad guys that were formidable instead of being cartoon rogues.

The film is a barely above the average, and although it's not that exciting, it wasn't a bad view for an American western film.

Also recommended: Jubal (1956) Hour of the Gun (1967) A Man Called Gannon (1968) The Last Hard Men (1976)
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High Noon: the soap opera - but entertaining
score-1031 March 2012
Just the thing for a lazy Sunday afternoon - like all those TV westerns from 50s/60s which this reviewer found when perhaps more impressionable - when men were Men, spoke deep, dressed clean and drew sixguns easy fast. The story/plot in detail is (surely ?) corny ridiculous soap - to this nonAmerican anyhow - but, once that is accepted, this film can entertain as a straight "shoot 'em, cowboy" with a hero in the Hollywood tradition of the (semi-official) vigilante from the Lone Ranger to the Dark Knight. Definitely competently acted and made q well enough, this film is a nice reminder of how the fun Western used to be. Canadian Lorne Green went on to greater fame; going by this movie, Madison and French were unlucky not to do same.
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7/10
"I've got a hard job that needs a hard man."
classicsoncall3 March 2017
Warning: Spoilers
Guy Madison made this picture near the end of his series run in "The Adventures of Wild Bill Hickok". I'm currently watching "The Life and Legend of Wyatt Earp" running on Encore Westerns, and trying to decide who the better looking lawman was, Madison as Hickok or Hugh O'Brian as Earp. I guess it could be a toss up, so I bring it up for the reader to decide.

Now if Michael Landon appeared here, it might have been a three way contest. Instead, his 'Bonanza' Dad Lorne Green played the quintessential bad guy/town boss who didn't like to get his own hands dirty, so he hired out gunslingers to do his nasty work. None of them proved to be a match for Madison's character, Steve Burden, who outdrew and out fought every henchman Rice Martin (Green) threw up against him. That included his wife Fern Martin (Valerie French), who had no problem using up men like paper towels and throwing them on the scrap heap.

The story plays out rather formulaic, but what bothered me were the couple of times Steve Burden allowed himself to get up close and personal with the shrewish Fern Martin (French). I guess if part of his plan was to draw her out to expose her husband's rustling operation and implication in a friend's death at the beginning of the story, then it worked. But even if it hadn't, Fern made the same fatal mistake a lot of outlaws do when she shot her husband with three witnesses present. Losing one's head like that is always a bad career move.

Since I brought up the Wyatt Earp TV series earlier, keep a sharp eye out for a couple of that show's regulars in the cast. Myron Healey doesn't last long in this story when he's shot by Burden to open the picture; he portrayed Doc Holliday for a couple of seasons along side O'Brian. Also on hand was that show's Old Man Clanton, Trevor Bardette, here playing an opportunistic weasel by the name of Willis, picking up stray jobs and booze for pay from Rice Martin. He's the guy shot off the roof by El Solito town sheriff Harker (Robert Burton), in a move described by Burden as 'the best shot he's ever seen'.
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7/10
Hard Guy gets Bad Guy while Bad Girl tries to get Hard Guy!
fmazzar771-127 January 2012
Warning: Spoilers
Steve is the Hard Man...he represents the law and he kills most of the bad guys he chases. When he kills a bad guy who turns out to most probably be innocent, Steve goes after the truth, and along the way he must deal with Lorne Greene playing Rice Martin, Rice's flirty wife, Fern, and his own conscience. After some nifty gun play and even some sentiment when Steve comes to the aid of an orphan boy, Fern gets found out for what she is. She framed the innocent man causing Steve to kill him and now she must stand trial for her sins. It all comes out nice and the journey along the way is at least average TV viewing for us Western lovers. They make them a whole lot better than this, but "The Hard Man" will do as passing entertainment. Lorne Greene does a bad job acting, but then again, he has very little to work with. Plenty of good character parts help keep things interesting. Rudy Bond plays a bad guy and you will recognize his snout from his role in the Godfather, Streetcar Named Desire and many, many more Hollywood big shows. Maybe C++ would be a good grade for this film, but if you are a Western fan, that's a good enough excuse to watch.
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3/10
Wanted dead or alive.
michaelRokeefe22 July 2006
Warning: Spoilers
Steve Burden(Guy Madison)usually brings them in dead, maybe being easier than bringing the bad guy in alive. He actually loses his job for being too quick on the draw. The last man he was forced to kill was a friend from his past, who may have actually been framed for murder. The Sheriff of El Solito hires Burden to be his Deputy and he begins searching for the man who framed his friend. He thinks he has found that man...Rice Martin(Lorne Greene),who seems to have the town under his thumb. Martin's attractive wife Fern(Valeri French)warns Burden that her husband has hired gunmen to put him down.

Madison seems to be a run-of-the-mill good guy. Greene(better known as Ben Cartwright, the Bonanza patriarch)makes for an overbearing villain. Also in the cast: Barry Atwater, Rudy Bond and Robert Burton. THE HARD MAN is no great shakes, but good enough to hold your attention.
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5/10
Very turgid story. Avoid the movie, unless you are a Guy Madison fan.
chipe14 December 2011
This is a very poor western; I found it difficult to watch. For the first 80% or so, it has a ridiculous, pompous, almost juvenile, turgid screenplay. A second strike against it is that it is bad despite its decent production values and cast. One interesting aspect is that it is unlike most poor movies which often start out as an intriguing, entertaining situation, but are eventually found out for what they are when it's silly plot plays out for all to see. But this movie reverses that -- things actually improve in the end.

Typical of the many embarrassing plot contrivances is when Valerie French, the wife of the overwhelmingly richest man in town, sneaks into Guy Madison's room. She walks up to him (a complete stranger to her); they embrace and she offers to hook up with him if he'll take her from her husband! In another silly scene, Lorne Greene (the husband) is in a Guy Madison-friendly place at night, and he tells Madison that he has hired someone to kill Madison. By all rights Madison could safely and should have killed Greene right there, but no.

Some decent scenes at and near the end of the movie do NOT redeem it: (1) there was a fun, campy whose-afraid-of-Virginia-Wolf-type scene between Greene, French and Greene's lawyer (who is involved with French). They let it all hang out. Greene leaves a gun near the other two; French grabs it, points it at Greene and clicks the trigger, but Greene deliberately left it there unloaded. Still Greene won't let his wife leave him! And (2) there is a suspenseful shoot-out at the end, which leads to a twist in the story.
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8/10
A fun western with memorable characters
FMWoody31 January 2023
I don't understand why viewers only rated this movie 6.1 (as of 1/30/23). I loved it. It was my introduction to Guy Madison, and I think he did a pretty decent job of playing a troubled character. And Lorne Greene as a mean, dirty town boss was fun to watch. It was also my introduction to Valerie French, who's character I thought turned out to be a really interesting and had a lot more depth than Lorne Greene's. I liked Robert Burton as Sheriff Hacker, portraying an older man who knows his gun fighting days are pretty much over.

Another thing I enjoyed about this movie was seeing the old Columbia Pictures western set again; there's some great shots of the saloon and the hotel, which appeared in so many Columbia westerns.
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