The Tall Stranger (1957) Poster

User Reviews

Review this title
15 Reviews
Sort by:
Filter by Rating:
7/10
Wagon train of would-be claim jumpers and rustlers decend on private valley.
weezeralfalfa19 April 2017
Most reviews characterize this Louis L'Amour-based film as an average western. However, by me, no picture featuring Virginia Mayo, especially in several low-cut dresses, is going to be blah run of the mill fodder. We don't usually associate Virginia with Westerns, but this is the 5th western I've seen, in which she was the leading lady, and not simply a saloon floosy. She had her tomboy side, exhibited in some of these films, as well as her inherent talent as eye candy. Some years before this film, she costarred with Joel McCrea, as she does here, in the acclaimed "Colorado Territory". Here, as Ellen, along with her small son, she's part of a wagon train supposedly heading for CA. She helps revive saddle tramp Ned Bannon(Joel McCrea) who happened to stick is nose in the wrong place, discovering a small cattle herd, which he later surmised represented the 84 head missing from Hardy Bishop's spread, Bishop being his half brother. Nearly dead of a gunshot wound and thirst, Ellen nursed him back to health on a bed in her small prairie schooner. She later feeds Bannon a cock and bull story about her background as a Civil War widow. Much later, she admits that she never had a husband, and had been a saloon girl floozy, as oily Mexican rustler Zarata claims. Zarata encounters her bathing in the river, and tries to rape her as she dresses. Bannon happens along in the nick of time to break it up.

Oily Mort Harper joined the train late but, with his charismatic extrovert personality, soon became the de facto leader of the train, rerouting it southward toward verdant Bishop Valley, Colorado Territory. He talks up the advantages of settling in this valley. In contrast, Bannon tells them this land is all taken and there's no through route westward, but they have deaf ears to that message. Clearly, Harper has some ulterior motive in talking up Bishop Valley. Later, we discover that Harper is in cahoots with the cattle rustlers, headed by oily Zarata. Apparently, their plan is to engineer a land war between Bishop and the wagoneers, hoping they will mostly kill each other off, then the rustlers will kill or intimidate the remainder to leave the valley for them. Clearly , the rustlers are taking a chance that their plan will pan out as hoped.

Initially, Bishop hated Bannon, blaming him for the death of his no-good son, executed for his part in Quantrill's raiders. But, gradually, Bishop warms up to Bannon's strategies, realizing that Bannon is trying to diffuse the animosity between him and the settlers in a peaceful way. Eventually, there's a shootout between Bishops men + Bannon vs. the rustlers + some wagoneers. This isn't what the rustlers planned for themselves, and the leaders, along with others are killed. According to standard formula, Bishop and Zarata kill each other, albeit by different methods. Naturally, Bannon and Harper have a final confrontation. Since Bishop left no kin aside from Bannon, presumably, he is now the owner of this valley. He tells the wagoneers (and especially Ellen) that they can stay if they wish, conditions not specified.

This film presently is viewable at YouTube.
9 out of 9 found this helpful. Was this review helpful? Sign in to vote.
Permalink
6/10
Little known, but interesting and enjoyable.
robin-moss23 August 2005
Warning: Spoilers
"The Tall Stranger" is an enjoyable Cinemascope colour Western starring Joel McCrea. McCrea's work in Westerns is not as celebrated as that of John Wayne, Gary Cooper and James Stewart, but to connoisseurs, he is one of the masters of the genre. Like many of the movie "greats", McCrea never seemed to be acting - which is probably why he was underrated - but his face always let the audience know what his character was thinking. As with Gary Cooper, there was something about Joel McCrea that made him a "natural" for Westerns, even though his early work was in comedies and dramas.

While on his way to see his estranged brother at the end of the civil war, Ned Bannon (Joel McCrea) is bushwhacked for no apparent reason by Zarata (Michael Ansara) and is left for dead. He is rescued and revived by settlers bound for California. The settlers are planning to pass through land owned by Ned's brother Hardy (Barry Kelley). Ned warns them that his brother will attack them and that there is no trail beyond anyway, but the settlers' leader Harper (George Neiss) dismisses his warnings. Even more mysteriously, Harper encourages the settlers not to proceed to California but to build their homes on Hardy's land. It it as though Harper wants a war between Hardy and the settlers, but why?

"The Tall Stranger" tells its story briskly. The gun fights are noisy and the fist fights are savage. Very admirably, although many of the characters are good-natured, there is no sentimentality in the movie until suddenly, out of the blue, comes a moment of real sentimentality - and it works. It has real impact! Two of the settlers, a young woman (Virginia Mayo) and her son, have taken refuge with Ned in a barn owned by Hardy. Hardy is planning to ambush the settlers to drive them off his land. Ned tries to reason with him to no avail. He points to the woman and her son, and asks Hardy what threat are they to him. Hardy blusters that he did not invite them onto his land, and that he is going ahead with his intended massacre. The boy goes over to Hardy, looks up him with a child's trusting eyes and asks him why he hates them. Hardy looks down at the boy . . . . . and his face crumbles. It's outrageous! It's a blatant tug at our heart strings - and it works! It's the emotional high point of the movie.

"The Tall Stranger" has a strong cast. Unfortunately, Virginia Mayo as the love interest has a token female role which contributes nothing to the plot. For some reason, Virginia Mayo antagonised quite a few film-lovers in the 40s and 50s, but she was always a perfectly adequate and decorative leading lady, and is so here. The supporting cast is interesting because three actors who usually played villains in the 1950s, play likable characters in "The Tall Stranger". That most forceful actor, Leo Gordon, for once plays an out-and-out good guy: Hardy's loyal and sensible right hand man. Whit Bissell who normally played worms and weasels here plays a friendly and obliging settler - and does it well. Ray Teal who often played sly characters with dishonourable ulterior motives, plays an amiable and slightly simple settler. Only Michael Ansara, a regular villain in '50's movies, remains true to form. Zarata not only murders people: he tries rape as well.

"The Tall Stranger" is not a well-known film, and it is unlikely that it will make it onto DVD, but if it does, I will buy my copy immediately.
29 out of 34 found this helpful. Was this review helpful? Sign in to vote.
Permalink
6/10
Routine plot - efficient in execution, but beware of pan and scan monstrosity.
hitchcockthelegend20 June 2011
The Tall Stranger is directed by Thomas Carr and written for the screen by Christopher Knopf from a story by Louis L'Amour. It stars Joel McCrea, Virginia Mayo, Michael Ansara, George Neise, Whit Bissell, Adam Kennedy, Barry Kelley and Leo Gordon. A CinemaScope/De Luxe color production, film is filmed on location at two ranches in California, Morrison and Russell, with Wilfred M. Cline the cinematographer. Hans J. Salter scores the music.

Plot sees McCrea as Ned Bannon, who has a run in with rustlers and left for dead. Luckily he is found in time by a wagon train heading for California. Nursed back to health, Ned becomes suspicious of two outsiders who are leading the group into a dead-end valley owned by his hostile half-brother. Ned must overcome family hostility to try and avert a range war from occurring.

Solid mid 50's Oater boosted by the reliable McCrea and some dark shades within the writing. Running at just over 80 minutes, picture condenses enough old time punch ups and shootings into the story to stop the routine nature of the plotting dragging the pace down. There's even some messages in here to show the writers wanted something more than just a yeehaw production. Sadly the film is badly let down by the pan and scan process and the lifeless colour. There are very few reviews of the film about, but nobody makes mention of the bad print of the film? Certainly the current print doing the rounds for British TV is so bad it takes much away from the film. Cline's ("The Last Wagon/The Indian Fighter") location photography is barely seen - is this really in CinemaScope? - and periphery characters are heard but chopped in half! Even the normally radiant Mayo looks washed out due to the tired looking De Luxe color. There's a half decent film in the mix, but even with the best of home cinema set ups to play with, it's nigh on impossible to fully immerse oneself in the movie. 6/10
11 out of 12 found this helpful. Was this review helpful? Sign in to vote.
Permalink
7/10
Range war Western
lorenellroy26 April 2008
Warning: Spoilers
Joel McCrae and Virginia Mayo appeared together in the previous decade when directed by the great Raoul Walsh in the seminal Colorado Territory .The movie under review here is not as good -even close to being -as that wonderful picture but it is a sturdy B movie Western that will give genre lovers a lot of pleasure McCrae is Ned Barton , a Union army Civil war veteran who is shot and seriously wounded when stumbling across evidence of cattle rustling .He is nursed back to health by members of a wagon train moving to California.They are making for Bishop's Valley land they aim to cross without permission of its owner ,the authoritarian landowner Bishop (Barry Kelly).When the train's guide Harper (George Neise)encourages them to stay Harper fears a range war is inevitable -he is Bishop's estranged half brother and knows Bishop will not take kindly to this incursion on his land .Harper has an ulterior motive -he is in alliance with a bandit (Michael Ansara) and schemes for the two parties to kill each other and then use the bandit gang to move in.McCrae tries to act as a buffer between the two sides The movie is well shot and decently acted -especially by Leo Gordon is a rare sympathetic role as Bishop's top hand and with sharper direction would have been better .It is still an okay B Western and will please genre lovers
13 out of 16 found this helpful. Was this review helpful? Sign in to vote.
Permalink
6/10
Very adequate, quite gritty Western
Marlburian24 November 2006
A pleasing Western, with a little more grit in it than is usually found in one of the 1950s. It starts with Zarata's brutally shooting of an innocent onlooker - the hero Ned Bannon - then emptying his water bottle and leaving him to die, Hardy's beating up his ranch-hand who didn't prevent his cattle being rustled, Ellen's (distant) nude bathe, and then her attempted rape - and she also has a "past".

It was a little difficult to follow Hardy's changes in personality: his over-harsh treatment of his ranch-hand, his threatening of Ned, followed by him accepting him back into the ranch after a fist-fight, then the change of heart after Ellen's son plaintive question, "Why do you hate us"? Virgina Mayo is as eye-catching as ever, and Leo Gordon shows a great deal of screen personality. I've a feeling that McCrea had at least seven bullets in his six-shooter in the final showdown, but I'll leave others to do their own count.

It was nice to see James Dobson on the big screen; his filmography suggests a good career, but I remember him best as a trooper in the old 1950s TV series "Boots and Saddles".
19 out of 25 found this helpful. Was this review helpful? Sign in to vote.
Permalink
6/10
Contested Property.
rmax30482320 April 2015
Warning: Spoilers
Peaceful Joel McRae is riding along minding his own business, stopping to share some water with his horse, when -- BANG -- the horse is killed and -- BANG -- McRae catches a bullet right in the retroperitoneal sac. Stunned, he falls, and sees a blurry image of a man emptying McRae's canteen on the ground. Right away, we know that there are some evildoers around.

What follows is an ordinary but inoffensive Western with some unusual twists. McRae's wound heals overnight after he is picked up by a wagon train of honest, God fearing sons of the soil. Their leader, James Dobson, obviously a sneak because he wears the tumultuous mustache of a sneak and looks sneaky, is taking them to Bishop's Valley, prime cattle land owned by McRae's hot-headed, burly half brother, Barry Kelley. There is an ongoing feud between McRae and Kelley.

It becomes clear that the wagon train's leader plans to start a range war between Kelley and the aspiring farmers. The goal is to have them kill each other off and take over the lot. Dobson is also in cahoots with the men who shot McRae and his horse, although it's not made clear why they did it.

In any case, the plot gets twisted. There are myriad lies and misunderstandings. But a couple of things save the movie from abject mediocrity. Those couple of things include Virginia Mayo's generous bosom, for instance. Her neckline was pretty daring for the period. She was never a bravura actress but she was pretty and was good at tarty roles, as in "The Best Years of Our Lives" and "White Heat." Another redeeming feature is in the casting of traditional "bad guys" as good guys for a change. The brutish Leo Gordon is an island of sanity in the Bishop Ranch's higher echelon. Michael Pate, usually a vile Indian, is a sympathetic ranch hand with some medical talent. Michael Ansara is stuck with the role of the handsome, oily, treacherous Mexican villain, despite his Syrian ancestry. He's fine in the role, as long as he doesn't have to produce any extended utterances.

And although I'm not a gun freak it's nice to see that the property department came up with Henry repeating rifles instead of the later Winchesters, this being the immediate aftermath of the Civil War. A minor thing, true, but it reflects at least a little care on someone's part. The fist fights are brutal and the bruises don't disappear from one scene to the next.

That there is a final shoot out should come as no surprise, but the ending leaves a few loose ends. (Who gets the ranch?)
3 out of 3 found this helpful. Was this review helpful? Sign in to vote.
Permalink
7/10
McCrea meets the stupidest bunch of settlers and tries to help them in spite of themselves!
planktonrules30 January 2017
When the film begins, Ned Bannon (Joel McCrea) is ambushed and shot. Before blacking out, he notices a very fancy gun used by the shooter. When he comes to, he's in a camp full of settlers heading west. They've treated his wounds and he's very grateful to them. However, they inexplicably are being led by some folks who are intent on leading them onto someone else's land! They know it...but convince the very gullible settlers that Bannon is either wrong or lying. So, Bannon goes to find the landowner and convince him to give him a few days...but the folks leading the settlers reject an offer to talk and simply attack! Soon it looks like a war is about to break out...when Bannon discovers one of the folks leading the settlers has that same fancy rifle!

As usual, Joel McCrea is excellent--as he was in all his westerns. While never a sexy sort of leading man in the films, he was big, strong and very believable. I just wish they hadn't made the settlers THIS stupid and pig-headed! That is a big of a weakness of the film, as they are just too easily led...or misled. Still, even with this, it's a good story and worth seeing.
5 out of 6 found this helpful. Was this review helpful? Sign in to vote.
Permalink
7/10
silly plot , great acting though
kzvkzy29 June 2022
The acting is great , as in all the Joel McCrea films I've seen so far.

It is very watchable - despite the plot.

A group of settlers travelling to California being obviously misdirected by a guide.

Who despite being informed of this , by local man Mcrae , continue with their stupidity.
2 out of 3 found this helpful. Was this review helpful? Sign in to vote.
Permalink
7/10
Worth watching despite the director
searchanddestroy-120 October 2022
Director Thomas Carr began his career at Republic Pictures, making B westerns, one hour long stuff; so did Harry Keller and RG Springsteen. It was not before mid fifties that the three of them began to rise in budget and quality. Especially Harry Keller, Springsteen and Carr, a bit less. Thomas Carr was also guilty of some Serials for Columbia Pictures - SUPERMAN, CONGO BILL... and the awful producer Sam Katzman. But in the mid fifties, he gave some good material, such as this one starring Joel Mc Crea, Virginia Mayo and the likes of Leo Gordon, Michael Pate - for once not playing villains !!! - and Barry Kelley. The topic and overall structure are predictable, nothing new at all, but well done for such a bland director, who also made much TV stuff.
1 out of 2 found this helpful. Was this review helpful? Sign in to vote.
Permalink
4/10
The Tall Stranger apparentally was not tall enough
jordondave-2808517 June 2023
(1957) The Tall Stranger WESTERN

Veteran western actor Joel McCrea stars as Bannon who's coming back home after the civil war, and was for no apparent reason shot in the back before being left for dead, he was then picked up and saved by a traveling wagon train seeking for a place to settle down and was originally intending to head for California lead by a conniving Mort Harper(George N. Neise) who has different intentions other than the majority of the travelers and after someone else's cattle around the area. Virginia Mayo of "The Asphalt Jungle" also stars as the love interest. Clear 'black and white' western and less cheerful as the other Westerns McCrea had ever done with some inconsistencies. Great locales as well as the photography but done better before and not enough.
0 out of 0 found this helpful. Was this review helpful? Sign in to vote.
Permalink
8/10
Rock solid western.
pmtelefon19 June 2019
I'm starting to become a big fan of Joel McCrea. He is a consistently entertaining western hero. He his always believable. He gives a solid, tough performance in "The Tall Stranger", which is a solid, tough movie. It's a fast moving and often a very tense watch. It's well acted by the entire cast, especially Barry Kelley. I should watch this one more often. Honorable mention: a dreamy Virginia Mayo.
8 out of 8 found this helpful. Was this review helpful? Sign in to vote.
Permalink
6/10
Is a Serviceable Western
daoldiges18 January 2021
The Tall Stranger is based on a solid story with solid performances by an interesting cast of actors. Unfortunately, the romantic connection alluded to at the end of the film, while providing a nice storybook ending, never really created any onscreen sparks between the two leads. The result is a serviceable film for fans of the genre to check out.
1 out of 2 found this helpful. Was this review helpful? Sign in to vote.
Permalink
7/10
Fifties B Western that has several good points
tonypeacock-128 March 2024
I was expecting just a run of the mill fifties B Western but the film was quite entertaining for several reasons I will attempt to allude to.

1) Casting. Central character Ned Bannon (Joel McRea) is an ex Union soldier who becomes a sort of mediator between his hot-headed half-brother Hardy Bishop (Barry Kelley) who owns a big plot of land and a group of simple minded wagon train homesteaders on their way to a new settled life in California who stray onto Bishop's land after some bad advice from Mort Harper disregarding warnings given by Bannon himself.

2) Cinemascope colour photography makes this low budget film seem more upmarket as such.

3) Plenty of gunfights (and fist fights!) throughout the films typically short B running time keep the story ticking over nicely.

The film has its origins from a novel of the same name so has some good origins for its screenplay.

McRea himself endears his character to the audience like other notable 'Western' actors such as John Wayne and Randolph Scott.

Give this film a viewing, it's worth the time and a must for fans of the Western genre in particular.
0 out of 0 found this helpful. Was this review helpful? Sign in to vote.
Permalink
8/10
Stopping A Range Feud
bkoganbing5 January 2008
The final phase of Joel McCrea's career was spent at Allied Artists, the renamed Monogram Pictures, where he did a group of good B westerns. The Tall Stranger based on a Louis L'Amour novel is one of the best.

McCrea spots some cattle rustling and is left for dead after being shot by one of the rustlers. He's found by members of a wagon train who nurse him back to health. But Joel's real suspicious of the leader of this train of ex-Confederates who is George Neise. They're looking to settle on land owned by Barry Kelley who is McCrea's half brother and who is estranged from McCrea over the Civil War.

What Neise is looking to do is start a nice range war with Kelley and his plan is based on the fact that Kelley's a mean and hard-bitten old soul who shoots first and asks questions later. It's up to McCrea to keep things from boiling over. How successful he is, you'll have to see the film for.

You won't be disappointed if you do see the film. Virginia Mayo is the woman with a small son, Phil Phillips, on the wagon train that Joel takes a hankering to. A very mean and cunning villain played by Michael Ansara also has a hankering for Mayo and he's not one to go about the usual courting procedures.

Besides those already mentioned such western regulars as Ray Teal, Leo Gordon, Michael Pate, and Whit Bissell are in the cast. It's nice to see Leo Gordon in a role that doesn't call for him to be a mean psychopath.

The Tall Stranger is a good fast paced western that fans of the genre and fans of Joel McCrea will definitely like.
28 out of 34 found this helpful. Was this review helpful? Sign in to vote.
Permalink
10/10
Excellent cast, writer, director, and Leo Gordon and Barry Kelley have their best roles
morrisonhimself4 December 2019
Leo Gordon too often was given the part of a sniveling villain, but here he gets to show that his talent would let him play almost anything.

Prolific, theater-trained Barry Kelley was on screen possibly more than in any other role, and did he make the most of it!

Virginia Mayo, one of the most gorgeous and talented women in the history of the world, is not just decoration: She has a pivotal role, including being a mother.

Joel McCrea probably never played any part badly. And just his appearance, his bearing, added strength and credibility, including here.

In fact, all the players were so great, the story almost doesn't matter -- but it does. Based on a Louis L'Amour story, this plot is involved but completely plausible. And it has lots of characters who are important to the development, who have their moment on screen.

One is played by Tom London, who first appears as only atmosphere, then stands out in a dangerous moment. (According to one of those "believe it or not" outfits, Tom London was in about 2,000 movies! Usually, as here, not given on-screen credit. Thank the heavens we have IMDb!)

Praise must be given to the prolific -- that means "busy" -- Thomas Carr. He is probably best known as a TV director, including of many of the "Adventures of Superman" entries, but he obviously knew how to present motion pictures.

Only the blah and generic title gets any, and mild, criticism. This is one great movie, which I highly recommend, and point out there is a very good print at YouTube. Enjoy.
7 out of 7 found this helpful. Was this review helpful? Sign in to vote.
Permalink

See also

Awards | FAQ | User Ratings | External Reviews | Metacritic Reviews


Recently Viewed