The Law and Jake Wade (1958)
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- Approved
- 1h 26min
- Western
- 22 Nov 1958 (Japan)
- Movie
Marshal Jake Wade aids outlaw Clint Hollister escape jail but Clint wants to know where Wade hid an old hold-up loot taken while both men were outlaws in the same gang.
Director:
Writers:
Photos and Videos
Cast verified as complete
Robert Taylor | ... |
Jake Wade
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Richard Widmark | ... |
Clint Hollister
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Patricia Owens | ... |
Peggy
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Robert Middleton | ... |
Ortero
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Henry Silva | ... |
Rennie
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DeForest Kelley | ... |
Wexler
(as De Forest Kelley)
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Burt Douglas | ... |
Lieutenant
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Eddie Firestone | ... |
Burke
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Rest of cast listed alphabetically: | |||
Fred Coby | ... |
Deputy (uncredited)
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Gene Coogan | ... |
Minor Role (uncredited)
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Richard H. Cutting | ... |
Luke (uncredited)
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Roy Engel | ... |
Avery (uncredited)
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Al Ferguson | ... |
Minor Role (uncredited)
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Rory Mallinson | ... |
Deputy (uncredited)
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Reginald Simpson | ... |
Minor Role (uncredited)
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Dean Smith | ... |
Soldier (uncredited)
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Henry Wills | ... |
Cavalry Sergeant (uncredited)
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Directed by
John Sturges |
Written by
William Bowers | ... | (screenplay) |
Marvin H. Albert | ... | (novel) |
Produced by
William B. Hawks | ... | producer (as William Hawks) |
Cinematography by
Robert Surtees | ... | director of photography |
Editing by
Ferris Webster |
Editorial Department
Charles K. Hagedon | ... | color consultant |
Casting By
Leonard Murphy | ... | (uncredited) |
Art Direction by
Daniel B. Cathcart | ||
William A. Horning |
Set Decoration by
Henry Grace | ||
Otto Siegel |
Costume Design by
Walter Plunkett |
Makeup Department
Sydney Guilaroff | ... | hair stylist |
John Truwe | ... | makeup artist |
William Tuttle | ... | makeup artist |
Production Management
Al Shenberg | ... | unit manager (uncredited) |
Second Unit Director or Assistant Director
Robert Saunders | ... | assistant director |
Jack N. Reddish | ... | second assistant director (uncredited) |
Art Department
Walter Brown | ... | props (uncredited) |
Sound Department
Wesley C. Miller | ... | recording supervisor (as Dr. Wesley C. Miller) |
Thomas Edwards | ... | sound mixer (uncredited) |
Special Effects by
Lee LeBlanc | ... | special effects |
Stunts
Gene Coogan | ... | stunts (uncredited) |
Martha Crawford | ... | stunt double: Patricia Owens (uncredited) |
Carl Pitti | ... | stunts (uncredited) |
Dean Smith | ... | stunts (uncredited) |
Jack Williams | ... | stunts (uncredited) |
Jack N. Young | ... | stunts (uncredited) |
Camera and Electrical Department
John Schmitz | ... | camera operator (uncredited) |
Costume and Wardrobe Department
Robert Ellsworth | ... | wardrobe: men (uncredited) |
Evelyn Rickart | ... | wardrobe: women (uncredited) |
Location Management
Howard 'Dutch' Horton | ... | location manager (uncredited) |
Music Department
Jeff Alexander | ... | composer: stock music (uncredited) |
Frank E. Anderson | ... | music supervisor (uncredited) |
Elmer Bernstein | ... | composer: stock music (uncredited) |
Harry Bluestone | ... | composer: stock music (uncredited) |
Joseph Cacciola | ... | composer: stock music (uncredited) |
Emil Cadkin | ... | composer: stock music (uncredited) |
Hugo Friedhofer | ... | composer: stock music (uncredited) |
Lud Gluskin | ... | composer: stock music (uncredited) |
Philip Green | ... | composer: stock music (uncredited) |
Wilbur Hatch | ... | composer: stock music (uncredited) |
Bernard Herrmann | ... | composer: stock music (uncredited) |
Geordie Hormel | ... | composer: stock music (uncredited) |
Rudolph G. Kopp | ... | composer: stock music (uncredited) |
William Lava | ... | composer: stock music (uncredited) |
William Loose | ... | composer: stock music (uncredited) |
Spencer Moore | ... | composer: stock music (uncredited) |
Lucien Moraweck | ... | composer: stock music (uncredited) |
John Seely | ... | composer: stock music (uncredited) |
Fred Steiner | ... | composer: stock music (uncredited) |
Stanley Wilson | ... | composer: stock music (uncredited) |
Script and Continuity Department
Grace Dubray | ... | script supervisor (uncredited) |
Additional Crew
Jim Merrick | ... | publicist (uncredited) |
Production Companies
- Metro-Goldwyn-Mayer (MGM) (controlled by Loew's Incorporated)
Distributors
- Metro-Goldwyn-Mayer (MGM) (1958) (United States) (theatrical)
- Metro-Goldwyn-Mayer (MGM) (1958) (United Kingdom) (theatrical)
- Metro-Goldwyn-Mayer (MGM) (1958) (West Germany) (theatrical)
- Metro-Goldwyn-Mayer (MGM) (1958) (Sweden) (theatrical)
- Metro (1958) (Norway) (theatrical)
- CBS (1970) (United States) (tv)
- MGM/UA Home Entertainment (1992) (United States) (VHS) (pan/scan)
- Warner Home Video (1992) (United States) (VHS)
- Warner Home Video (2008) (Germany) (DVD)
- Warner Home Video (2008) (United States) (DVD)
- Warner Home Video (2017) (United States) (Blu-ray)
- HanseSound (2024) (Germany) (Blu-ray)
- HanseSound (2024) (Germany) (DVD)
Special Effects
Other Companies
- Westrex Recording System (perspecta sound system)
Storyline
Plot Summary |
Outlaw Clint Hollister (Richard Widmark) escapes from jail with the help of Marshal Jake Wade (Robert Taylor), because once Clint did the same for him. Jake left Clint just after, but Clint finds him back and forces Jake to lead him to a loot Jake buried one year ago when he quit Clint's gang. Written by Yepok |
Plot Keywords | |
Taglines | Filmed in Color amid the grandeur of the High Sierras ! See more » |
Genres | |
Parents Guide | View content advisory » |
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Additional Details
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Filming Locations |
Box Office
Budget | $1,538,000 (estimated) |
Did You Know?
Trivia | It looks like Richard Widmark is riding Pie, James Stewart's favorite horse. See more » |
Goofs | When Marshall Wade comes into town near the start of the movie leading an extra horse, he throws that horse's rein up against a rail and it drops right off. As he steps down from his horse, the other horse's rein is now tightly wound around the rail. See more » |
Movie Connections | Referenced in A Majority of One (1961). See more » |
Quotes |
Peggy Carter:
Your father was a preacher? Rennie: Kind of a phony evangelist. I tell ya, he was about the meanest man I've ever met in my life. He just naturally liked to beat up on anything that was smaller than him. And of course, he could always say he was beating the fear of God into ya. Peggy Carter: Well, where is he now? Rennie: Well, I, ah, well I hope I know where he is. He was the first man I ever killed. See more » |