The Ingmar Bergman leading lady (SMILES OF A SUMMER'S NIGHT/ Sommarnattens leendelead and TO JOY /Til Gladje) and long serving Grönberg occasionally get something out of quite complex characters but this remains an awkwardly handled item, chiefly notable as an example of Swedish film of the day.
The street scenes, often played in fallen snow, are more plausible than the studio interiors with their gappy foregrounds.
Basically an exploitation film, it had a wider circulation than most of the work around it in the sixties sex film circuit, under the name DANGEROUS SEX.
The street scenes, often played in fallen snow, are more plausible than the studio interiors with their gappy foregrounds.
Basically an exploitation film, it had a wider circulation than most of the work around it in the sixties sex film circuit, under the name DANGEROUS SEX.