User Reviews

This movie, followed by a young reader's book two years later, started me on a study of the Battle of the Little Bighorn that has now lasted for over 50 years. Before watching it this evening, I had not seen the movie since it was released in theaters in 1958. I was pleasantly surprised to find some accurate historical details stuck into the fictional story, such as a bullet hitting Keogh in the knee and going on into Comanche--they clearly did some research, since that is an odd detail most people wouldn't know. The terrain at the battle looked very much like reality, as well. The Indians were another matter--I could swear I saw the stitching down the center of Sal Mineo's wig in an early close-up--but it wasn't bad for 1958, and the use of the Indians as central characters was both good and unusual.

They also got the names of Custer's horses right, but for some reason called Keogh's other horse Pokey. It was actually Paddy. And as for Tonka Wakan--it is my understanding that that is roughly equivalent to naming your horse Jesus Christ. It may translate to "The Great One," but I believe it is usually used to refer to the Great Spirit.

The characterization of Custer as a nasty, Indian-hating bad guy is totally not true. Custer actually liked Indians--it was simply his job to be at war with them, just as he had previously been at war with his West Point classmates who had joined the Confederacy. I am currently reading a very fine book on the Cheyenne War of 1864-69, and it is clear that there was a lot of killing and nastiness on both sides. By the time of Custer's demise, many tribal groups had surrendered and gone to live on reservations--but not Sitting Bull or Crazy Horse. They probably would have preferred to be left alone by white people, but the discovery of gold in the sacred Black Hills had made that impossible. So they had one final victory before it was all over, and that is the story told in this movie.

Sitting Bull did have a nephew named White Bull, and other characters, such as General Terry, Lt. Nowlan, and Trooper Korn were also real. To the best of my knowledge, Yellow Bull was fictional, and I am not sure the representation of Lakota tribal culture was very accurate. The horse-breaking methods shown were common to cowboys, but not Indians--gentle training was more the norm.

The details of other errors are too numerous to go into--the bit Keogh describes as "simple" seems to me to be a curb, rather than a snaffle; the uniforms are not right; the Indian clothing is weird--etc., etc., etc.

But generally speaking, the movie is much more accurate than I remembered, and it is certainly a classic example of a Disney family movie. Thanks, Walt, for helping to change my life.

The friendship between a young Sioux brave (Sal Mineo) and a gorgeous wild stallion he captures is explored through this rather surprisingly sensitive, if all of a sudden, violent western made by Walt Disney. It starts off cliched and frequently eye rolling with silly dialog and a few cliched characterizations. But something happens to where you find yourself involved in the story, especially when Mineo has an encounter with a Calvary officer (Philip Carey) who somehow sees Mineo's young brave as a human being rather than a savage.

Playing the vain, flamboyant Custer, Britt Lomond delivers a truly wonderful performance, showing just how vile a human being Custer was. H.M. Wyant, playing Mineo's power mad older brother, is equally unforgettable. Young Rafael Campos is also good as Mineo's fellow brave, the only deficiency his thick Spanish accent a contrast to Mineo's New York sounds. The two young actors, giving powerful performances in their debuts in 1955 as rising young actors, apparently didn't get along due to clashing egos, but it doesn't show, and adds to the mystic of their relationship.

The title song is certainly a rip off of the Daniel Boone theme, and its initial impression is silly and out of place with some of the action that follows. But it is filmed in beautiful color and once you get past the trait of the script and obvious issues with the facts of history, you can find things to enjoy, and the more sensitive elements to the native Americans does make this more unique than other films on similar subjects.

I saw this movie as a kid and loved it. I now own horses and watched it with my equestrian daughter recently. It still holds up pretty well, but the thing that blew my mind was that Tonka's natural blaze is apparently painted over and the color does not match. Look at the picture on the cover of the Disney release - It's amazing that they thought they would pull that off.

I agree with the other person's comment about the subject matter for a Disney kid's film. Of course, the Custer last stand part is only the big final scene. Most of the movie deals with the young Indian brave and Tonka as they sort their way through the harsh realities of those times. It seems a bit of a stretch (but perfect ending for Disney) that in the end Sal becomes a scout for the army with Tonka as his horse.

Originally, this was to have been called "Comanche," the title of the novel it is based on. Just before the Disney company was about to release their latest western, though, a B oater starring Dana Andrews with that name hit theatres. That one dealt with Comanche Indians. This one, with Comanche, a horse owned by a member of the seventh cavalry that survived the Little Big Horn and led to the tradition of the riderless horse still in existence today. Disney changed the name to Tonka, which is what a young Sioux boy, White Bull (Sal Mineo) calls the horse after catching it - short for Tonka Wakon, or the Great One. The change of titles actually works to the film's benefit, for Disney and company placed more emphasis on the Indian side of the story than the cavalry's, making this the first movie ever made to tell the story of Custer's Last Stand from the Indian point of view, at least up to Little Big Man (1970) - and in truth that was from the point of view of a what man raised by the Indians. Mineo, who would again play an Indian youth in a much bigger film, John Ford's Cheyenne Autumn (1964), is believable, and the film is sympathetic to Native Americans, without being patronizing or condescending, in a way that we expect today, but which no Hollywood filmmaker but Disney did back in the fifties - he was P.C. before P.C. existed, and may just have created the climate of tolerance that we strive for today. Philip Carey plays the sympathetic cavalryman Miles Keogh, and it's worth noting that this was the first Disney western NOT to star Fess Parker, who had been their headliner since Davy Crockett four years earlier. Very accurate staging of the Little Big Horn battle, as this is one of the only films ever made to reveal that Custer (Britt Lomond, the villainous Monastario on Disney's ZORRO TV show) had his hair trimmed short just before the battle, and that he did not carry a sword to the battle - and neither did any of his men. Those who expect Disney films to be sanitized ought to catch this one, as the Last Stand is quite bloody considering the time period in which it was made, forcing child viewers to deal with the unromantic truth of warfare on the plains, circa 1876. A little gem worth rediscovering.

This rare title from 1958 features the amazing and charismatic Sal Mineo as a young Indian brave, who captures and trains a horse that will become his friend, and later his ally in one of the bloodiest battles in American history. Tough subject for a Disney production, but the famed "Battle of Little Big Horn" led by General Armstrong Custer, against a surprisingly well-armed and well-prepared Indian tribe, is handled very effectively, and impressively, without downplaying the violence. The first segment of this gem of a film focuses entirely on the bond that develops between White Bull (Sal Mineo) and his wild horse, as the Indian brave trains Tonka to trust him. The way in which White Bull is always trying to win the respect of his mother, and of his tribe, and to prove his manhood, is done in a most believable way. And when Tonka falls into the hands of the White troops, the story switches gears and becomes a bit more of an adult Western. The final battle is swift and bloody, but there is a happy resolution for the Indian boy and his horse. It is a nice change of pace to see the Indians portrayed, not as savages, but as people with hearts and pride in their land, and love for their kin. And whoever thought of General Armstrong Custer as some kind of "hero" will be surprised to see that he is portrayed as anything but a hero. Seen as a blue-eyed racist, a rabid hater of the Indians, a people who were having their land and their heritage savagely ripped apart by the new arrivals.

After 30 years, Disney has finally issued a legitimate DVD for the title "Tonka." The picture quality is pristine, taken from a master that is in fine shape. Colors are bold and images are sharp. Wonderful, especially considering the age and rarity of the title. Almost none of Sal Mineo's films have had legit video releases, so this makes this one even more important. "Tonka" is a superb example of a certain era and style of film-making that is gone, but not forgotten. A true classic, available again to a new generation.